<?xml version="1.0" encoding="utf-8"?>
<?xml-model href="PA.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
	<teiHeader type="text">
		<fileDesc>
			<titleStmt>
				<title type="main">People List</title>
				<author type="writer">
					<name corresp="#MW">Mary A. Waters, et al.</name>
				</author>
				<respStmt>
					<resp>Editor</resp>
					<name>Mary A. Waters</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#LD">Laura DeWitt</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#KI">Krystal Iseminger</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#RD">Rachel Dejmal</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#VW">Victoria Wynn</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#SS">Sally Spina</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#ZP">Zachary Parker</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#VS">Victoria Stewart</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#JDP">Jonathan Pinkerton</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#BDW">Bernadette D. Woodburn</name>
				</respStmt>
				<respStmt>
					<resp>Student contributor</resp>
					<name corresp="#GR">Gabrielle Ramirez</name>
				</respStmt>
			</titleStmt>
			<publicationStmt>
				<idno>people</idno>
			</publicationStmt>
			<seriesStmt>
				<title level="s">The Criticism Archive</title>
				<respStmt>
					<resp>Edited by</resp>
					<name type="person" ref="#MW">Mary A. Waters</name>
				</respStmt>
				<idno type="URI">http://www.poetessarchive.org/criticism/index.html</idno>
			</seriesStmt>
			<sourceDesc default="false">
				<biblStruct default="false">
					<analytic>
						<title>People List</title>
						<author type="writer">
							<name>Waters, Mary A., et al.</name>
						</author>
					</analytic>
					<monogr>
						<title>Criticism Archive</title>
						<editor role="editor">
							<name>Waters, Mary A.</name>
						</editor>
						<imprint>
							<publisher>Poetess Archive</publisher>
							<date when="2017-09-01">2017</date>
						</imprint>
					</monogr>
				</biblStruct>
			</sourceDesc>
		</fileDesc>
		<encodingDesc>
			<editorialDecl>
				<quotation>
					<p>All quotation marks and apostrophes have been typed on the U.S. keyboard.</p>
					<p>Quotation marks that indicate block quotes have been silently eliminated.</p>
				</quotation>
				<hyphenation eol="none">
					<p>Any dashes occurring in line breaks have been removed.</p>
					<p>All hyphens have been typed on the U.S. keyboard.</p>
					<p>em-dashes have been recorded originally using the —</p>
				</hyphenation>
				<normalization method="silent">
					<p>Long "s" (ſ) has been silently modernized.</p>
					<p>Page numbers appear at the beginning of each page, no matter where originally
						placed.</p>
					<p>Compositors' catchwords and running titles have been silently eliminated.</p>
					<p>Spelling has not been regularized.</p>
				</normalization>
				<normalization method="markup">
					<p>&amp; has been used for the ampersand sign.</p>
					<p>All other characters, those with accents, non-breaking spaces, etc., have
						been typed on the U.S. keyboard.</p>
					<p>Writing in other hands appearing on these manuscripts has been indicated as
						such, the content recorded in brackets.</p>
				</normalization>
			</editorialDecl>
			<tagsDecl>
				<rendition xml:id="indent" scheme="css">text-indent: 10px; display:
					block;</rendition>
				<rendition xml:id="indent1" scheme="css">text-indent: 20px; display:
					block;</rendition>
				<rendition xml:id="indent2" scheme="css">text-indent: 30px; display:
					block;</rendition>
				<rendition xml:id="indent3" scheme="css">text-indent: 40px; display:
					block;</rendition>
				<rendition xml:id="indent4" scheme="css">text-indent: 50px; display:
					block;</rendition>
				<rendition xml:id="indent5" scheme="css">text-indent: 60px; display:
					block;</rendition>
				<rendition xml:id="indent6" scheme="css">text-indent: 70px; display:
					block;</rendition>
				<rendition xml:id="indent7" scheme="css">text-indent: 80px; display:
					block;</rendition>
				<rendition xml:id="indent8" scheme="css">text-indent: 90px; display:
					block;</rendition>
				<rendition xml:id="indent9" scheme="css">text-indent: 100px; display:
					block;</rendition>
				<rendition xml:id="indent10" scheme="css">text-indent: 110px; display:
					block;</rendition>
				<rendition xml:id="indent11" scheme="css">text-indent: 120px; display:
					block;</rendition>
				<rendition xml:id="indent12" scheme="css">text-indent: 130px; display:
					block;</rendition>
				<rendition xml:id="indent13" scheme="css">text-indent: 140px; display:
					block;</rendition>
				<rendition xml:id="indent14" scheme="css">text-indent: 150px; display:
					block;</rendition>
				<rendition xml:id="indent15" scheme="css">text-indent: 160px; display:
					block;</rendition>
				<rendition xml:id="indent20" scheme="css">text-indent: 210px; display:
					block;</rendition>
				<rendition xml:id="indent25" scheme="css">text-indent: 260px; display:
					block;</rendition>
				<rendition xml:id="indent30" scheme="css">text-indent: 310px; display:
					block;</rendition>
			</tagsDecl>
			<classDecl>
				<taxonomy xml:id="ft">
					<bibl>Full Text or Citation</bibl>
					<category xml:id="ft1">
						<catDesc>full text</catDesc>
					</category>
					<category xml:id="ft2">
						<catDesc>citation only</catDesc>
					</category>
				</taxonomy>
				<taxonomy xml:id="ps">
					<bibl>Primary or Secondary</bibl>
					<category xml:id="ps1">
						<catDesc>primary</catDesc>
					</category>
					<category xml:id="ps2">
						<catDesc>secondary</catDesc>
					</category>
				</taxonomy>
				<taxonomy xml:id="g">
					<bibl>Genre</bibl>
					<category xml:id="g1">
						<catDesc>biography</catDesc>
					</category>
					<category xml:id="g2">
						<catDesc>poetry</catDesc>
					</category>
					<category xml:id="g3">
						<catDesc>story</catDesc>
					</category>
					<category xml:id="g4">
						<catDesc>drama</catDesc>
					</category>
					<category xml:id="g5">
						<catDesc>novel</catDesc>
					</category>
					<category xml:id="g6">
						<catDesc>satire</catDesc>
					</category>
					<category xml:id="g7">
						<catDesc>allegory</catDesc>
					</category>
					<category xml:id="g8">
						<catDesc>advertisement</catDesc>
					</category>
					<category xml:id="g9">
						<catDesc>preface</catDesc>
					</category>
					<category xml:id="g10">
						<catDesc>preface</catDesc>
					</category>
					<category xml:id="g11">
						<catDesc>introduction</catDesc>
					</category>
					<category xml:id="g12">
						<catDesc>acknowledgments</catDesc>
					</category>
					<category xml:id="g13">
						<catDesc>essay</catDesc>
					</category>
					<category xml:id="g14">
						<catDesc>review</catDesc>
					</category>
					<category xml:id="g15">
						<catDesc>letter</catDesc>
					</category>
					<category xml:id="g16">
						<catDesc>literary criticism</catDesc>
					</category>
					<category xml:id="g17">
						<catDesc>electronic resource</catDesc>
					</category>
					<category xml:id="g18">
						<catDesc>bibliography</catDesc>
					</category>
					<category xml:id="g19">
						<catDesc>music</catDesc>
					</category>
					<category xml:id="g20">
						<catDesc>political statement</catDesc>
					</category>
					<category xml:id="g21">
						<catDesc>history</catDesc>
					</category>
					<category xml:id="g22">
						<catDesc>education</catDesc>
					</category>
					<category xml:id="g23">
						<catDesc>sermon</catDesc>
					</category>
					<category xml:id="g24">
						<catDesc>religion</catDesc>
					</category>
					<category xml:id="g25">
						<catDesc>philosophical statement</catDesc>
					</category>
					<category xml:id="g26">
						<catDesc>translation</catDesc>
					</category>
					<category xml:id="g27">
						<catDesc>dictionary</catDesc>
					</category>
					<category xml:id="g28">
						<catDesc>encyclopedia</catDesc>
					</category>
					<category xml:id="g29">
						<catDesc>travel</catDesc>
					</category>
					<category xml:id="g30">
						<catDesc>illustration</catDesc>
					</category>
					<category xml:id="g31">
						<catDesc>map</catDesc>
					</category>
					<category xml:id="g32">
						<catDesc>floorplans</catDesc>
					</category>
					<category xml:id="g33">
						<catDesc>photograph</catDesc>
					</category>
					<category xml:id="g34">
						<catDesc>cartoon</catDesc>
					</category>
					<category xml:id="g35">
						<catDesc>literary annual</catDesc>
					</category>
					<category xml:id="g36">
						<catDesc>miscellany</catDesc>
					</category>
					<category xml:id="g37">
						<catDesc>anthology</catDesc>
					</category>
					<category xml:id="g38">
						<catDesc>beauties</catDesc>
					</category>
					<category xml:id="g39">
						<catDesc>juvenile</catDesc>
					</category>
				</taxonomy>
				<taxonomy xml:id="f">
					<bibl>Form</bibl>
					<category xml:id="f1">
						<catDesc>pageimage</catDesc>
					</category>
					<category xml:id="f2">
						<catDesc>book part</catDesc>
					</category>
					<category xml:id="f3">
						<catDesc>book</catDesc>
					</category>
					<category xml:id="f4">
						<catDesc>periodical part</catDesc>
					</category>
					<category xml:id="f5">
						<catDesc>periodical</catDesc>
					</category>
					<category xml:id="f6">
						<catDesc>fragment</catDesc>
					</category>
					<category xml:id="f7">
						<catDesc>frontispiece</catDesc>
					</category>
					<category xml:id="f8">
						<catDesc>title page</catDesc>
					</category>
					<category xml:id="f9">
						<catDesc>inscription page</catDesc>
					</category>
					<category xml:id="f10">
						<catDesc>dedication</catDesc>
					</category>
					<category xml:id="f11">
						<catDesc>table of contents</catDesc>
					</category>
					<category xml:id="f12">
						<catDesc>table of illustrations</catDesc>
					</category>
					<category xml:id="f13">
						<catDesc>list of subscribers</catDesc>
					</category>
					<category xml:id="f14">
						<catDesc>index</catDesc>
					</category>
					<category xml:id="f15">
						<catDesc>notes</catDesc>
					</category>
					<category xml:id="f16">
						<catDesc>book boards</catDesc>
					</category>
					<category xml:id="f17">
						<catDesc>slipcase</catDesc>
					</category>
					<category xml:id="f18">
						<catDesc>printers mark</catDesc>
					</category>
					<category xml:id="f19">
						<catDesc>engraving</catDesc>
					</category>
					<category xml:id="f20">
						<catDesc>pamphlet</catDesc>
					</category>
					<category xml:id="f21">
						<catDesc>manuscript</catDesc>
					</category>
					<category xml:id="f22">
						<catDesc>collection</catDesc>
					</category>
					<category xml:id="f23">
						<catDesc>nonceCollection</catDesc>
					</category>
					<category xml:id="f24">
						<catDesc>sammelband</catDesc>
					</category>
				</taxonomy>
				<taxonomy xml:id="keyword">
					<category xml:id="lcna">
						<catDesc>author of main text and of works reviewed, if relevant, using LOC
							authority name headings.</catDesc>
					</category>
				</taxonomy>
			</classDecl>
		</encodingDesc>
		<profileDesc>
			<textClass>
				<keywords scheme="#lcna">
					<list type="simple">
						<item>English literature</item>
						<item>Romantic Era</item>
						<item>Biography</item>
					</list>
				</keywords>
				<catRef target="#ft1" scheme="#ft"/>
				<catRef target="#ps2" scheme="#p"/>
				<catRef target="#g1 #g17" scheme="#g"/>
			</textClass>
		</profileDesc>
		<revisionDesc>
			<change who="#MW" when="20241115">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>corrected minor errors in encoding and editing</item>
				</list>
			</change>
			<change who="#MW" when="20241106">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>new entries added</item>
				</list>
			</change>
			<change who="#MW" when="20241101">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>TEI encoding corrections</item>
					<item>Information added</item>
					<item>Editing revisions</item>
				</list>
			</change>
			<change who="#MW" when="20240910">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>Glosses added and revised</item>
				</list>
			</change>
			<change who="#MW" when="20240531">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>Glosses added and revised</item>
				</list>
			</change>
			<change who="#GR" when="20230630">
				<label>Changed by</label>
				<name>Gabrielle Ramirez</name>
				<list type="simple">
					<item>encoding corrections</item>
				</list>
			</change>
			<change who="#LM" when="20230227">
				<label>Changed by</label>
				<name>Laura Mandell</name>
				<list type="simple">
					<item>new header</item>
				</list>
			</change>
			<change who="#GR" when="20230111">
				<label>Changed by</label>
				<name>Gabrielle Ramirez</name>
				<list type="simple">
					<item>revised keywords</item>
				</list>
			</change>
			<change who="#MW" when="20200901">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>TEI encoding revisions</item>
					<item>Information added</item>
					<item>Editing revisions</item>
				</list>
			</change>
			<change who="#MW" when="20190801">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>TEI encoding revisions</item>
					<item>Information added</item>
					<item>Editing revisions</item>
				</list>
			</change>
			<change who="#LM" when="20190110">
				<label>Changed by</label>
				<name>Laura Mandell</name>
				<list type="simple">
					<item>Added new taxonomies into headers using 'changeHeaderCritArc.xsl'</item>
				</list>
			</change>
			<change who="#MW" when="2016-09-25">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>TEI encoding revision</item>
					<item>Information added</item>
					<item>Editing revision</item>
				</list>
			</change>
			<change who="#MW" when="2013-06-21">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>Information added</item>
				</list>
			</change>
			<change who="#RD" when="2013-06-21">
				<label>Changed by</label>
				<name>Rachel Dejmal</name>
				<list type="simple">
					<item>Information added</item>
				</list>
			</change>
			<change who="#VW" when="2013-06-21">
				<label>Changed by</label>
				<name>Victoria Wynn</name>
				<list type="simple">
					<item>Information added</item>
				</list>
			</change>
			<change who="#MW" when="2010-12-01">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>TEI encoding</item>
				</list>
			</change>
			<change who="#MW" when="2010-12-01">
				<label>Changed by</label>
				<name>Mary A. Waters</name>
				<list type="simple">
					<item>Created Edition</item>
				</list>
			</change>
		</revisionDesc>
	</teiHeader>

	<text>
		<body>
			<div type="biography">
				<head>Biography and Identification Glosses</head>
				<list type="gloss">
					<item><term xml:id="AbingtonFrances">Abington, Mrs. (Frances Barton), 1737-1815
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Prominent English actress and fashion icon of the late 18<hi
								rendition="#sup">th</hi> century. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item><term xml:id="AbuBakr">Abū Bakr, Caliph, -634 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Friend, father-in-law, and successor of the <ref target="#Muhammad"
								>Prophet Muhammad</ref> and the first Caliph of Islam. [<ref
								target="#BDW">BDW</ref>] [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Achilles">Achilles&#8212; </term>
						<gloss>In Greek mythology and <ref target="#Homer">Homer</ref>&apos;s <hi
								rendition="#italics"><title>Iliad</title></hi>, a Greek hero of the
							Trojan War whose exceptional strength and valor made him almost
							unconquerable. Legend had it that his mother had dipped him in the River
							Styx, but inadvertently left one vulnerable spot, the heel by which she
							held him. He was killed by an arrow shot into this heel. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="AddisonJoseph">Addison, Joseph, 1672-1719 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A poet and dramatist as well, Addison was the most popular of early
							eighteenth-century periodical essayist. He collaborated with <ref
								target="#SteeleRichard">Richard Steele</ref> on the <hi
								rendition="#italics"><title>Tatler</title></hi> (12 April 1709 to 2
							January 1711), the <hi rendition="#italics"><title>Guardian</title></hi>
							(12 March to 1 October 1713), and especially the <hi
								rendition="#italics"><title>Spectator</title></hi> (1 March 1711 to
							6 December 1712; second series, 18 June to 20 December 1714). He also
							conducted the<hi rendition="#italics"><title> Free-holder</title></hi>
							(23 December 1715 to 29 June 1716), the <title><hi rendition="#italics"
									>Whig Examiner</hi></title> (14 September to 12 October), and
									<title><hi rendition="#italics">The Old Whig</hi></title>, which
							survived for only two numbers (19 March and 2 April 1719). None of these
							attained the success of the <hi rendition="#italics"
									><title>Spectator</title></hi>. Addison&apos;s only successful
							drama was the tragedy <hi rendition="#italics"><title>Cato</title></hi>
							(1713). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AddisonLancelot">Addison, Lancelot, 1632-1703 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English clergyman, writer, traveler, and father of <ref
								target="#AddisonJoseph">Joseph Addison</ref>. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Aeschylus">Aeschylus (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Aeschylus (c. 525 BC-456 BC) Greek playwright, born at Eleusis, near
							Athens, generally considered to be the earliest important writer of the
							Western theatrical tradition, the first playwright to achieve official
							recognition in ancient Greece. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item><term xml:id="Agamemnon">Agamemnon (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>In <ref target="#Homer">Homer</ref>'s <hi rendition="#italics"
									><title>Iliad</title></hi>, Agamemnon was a king of Mycenae and
							brother to Menelaus, whose wife <ref target="#Helen">Helen</ref> eloped
							to Troy with her lover Paris. Agamemnon commanded the united Greek armed
							forces in the Trojan War. As the Greeks were departing for Troy, they
							found that the winds were insufficient to set sail. In response to a
							prophesy that her sacrifice was demanded by the gods, Agamemnon slew his
							daughter Iphigenia. In revenge, Agamemnon was killed by his wife <ref
								target="#Clytemnestra">Clytemnestra</ref> and her lover Aegisthus on
							his return from Troy. [JP]</gloss></item>
					<item>
						<term xml:id="AhenobarbusGnaeus">Ahenobarbus, Gnaeus Domitius (d. 32 B.C.)
								(<hi rendition="#italics"><title>Encyclopedia
								Britannica</title></hi>)&#8212;</term>
						<gloss>Roman general, politician, and chief partisan of <ref
								target="#AntoniusMarcus">Mark Antony</ref> after the defeat of <ref
								target="#CaesarJulius">Julius Caesar</ref>&apos;s assassins. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AikinAnnaLetitia">Aikin, Anna Letitia&#8212; </term>
						<gloss>See <ref target="#BarbauldMrs">Barbauld, Mrs. (Anna Letitia)</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AikinJohn">Aikin, John, 1747-1822 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Physician and brother to <ref target="#BarbauldMrs">Anna Letitia
								Barbauld</ref>, John Aikin was a broad-ranging and prolific literary
							man whose connections in the burgeoning late eighteenth-century print
							marketplace make him exemplary of emerging literary professionalism. His
							writings range through the subjects of science, medicine, reform,
							history, biography, geography, nature, conduct, children&apos;s and
							educational literature, politics, poetry, and literary criticism. In
							addition, he was an active and productive editor, including of several
							of the period&apos;s outstanding periodicals, such as the <hi
								rendition="#italics"><title>Monthly Magazine</title></hi>, the <hi
								rendition="#italics"><title>Athenaeum</title></hi>, and the<hi
								rendition="#italics"><title> Annual Register</title></hi>. He and
							his sister collaborated on <hi rendition="#italics"><title>Miscellaneous
									Pieces in Prose</title></hi> (1773) and <hi rendition="#italics"
									><title>Evenings at Home; or, the Juvenile Budget
								Opened</title></hi> (1792-1796). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="AikinLucy">Aikin, Lucy, 1781-1864 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Daughter of the historian and physician <ref target="#AikinJohn">John
								Aikin</ref> and niece of poet and essayist <ref
								target="#BarbauldMrs">Anna Laetitia Barbauld</ref>, Lucy Aikin was a
							versatile and successful author of poetry, fiction, children's
							literature, history, memoirs, biographies, correspondence, translations,
							adaptations, and edited collections. Lucy Aikin was largely educated by
							her father and her aunt. At the age of 17, she began publishing
							contributions in journals and soon assisted her father as an editor of
							his work. Her own works were distinct in the artistic, literary, and
							social lenses through which they approached her subjects, as opposed to
							the more religious or strictly political lenses of many contemporary
							historians and biographers. Her biographies stand out for the use of
							primary materials such as letters and journals, and her work often met
							with considerable success. Aikin also had an interest in early education
							and published several guides to help young readers. Aikin was a staunch
							feminist and remained a Unitarian throughout her life. She never married
							or had children, instead spending her life living with family. Aikin
							sometimes published under pseudonyms, including Mary Godolphin. Some of
							her major works include <title><hi rendition="#italics">Epistles on
									Women, Exemplifying Their Character and Condition in Various
									Ages and Nations: With Miscellaneous Poems</hi></title> (1810);
									<title><hi rendition="#italics">Juvenile Correspondence, or
									Letters, Designed as Examples of the Epistolary Style, for
									Children of Both Sexes</hi></title> (1811); <title><hi
									rendition="#italics">Lorimer: A Tale</hi></title> (1814);
									<title><hi rendition="#italics">Memoirs of the Court of Queen
									Elizabeth</hi></title> (1818); <title><hi rendition="#italics"
									>Memoirs of the Court of King James the First</hi></title>
							(1822); <title><hi rendition="#italics">Memoir of John Aikin, M.D.: With
									a Selection of His Miscellaneous Pieces, Biographical, Moral,
									and Critical</hi></title> (1823); <title><hi
									rendition="#italics">The Works of Anna Laetitia Barbauld,
									edited, with a memoir</hi></title> (1825); <title><hi
									rendition="#italics">An English Lesson Book, for the Junior
									Classes</hi></title> (1828); <title><hi rendition="#italics"
									>Memoirs of the Court of King Charles the First</hi></title>
							(1828); and <title><hi rendition="#italics">The Life of Joseph
									Addison</hi></title> (1843), among others. [<ref target="#LD"
								>LD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="AkensideMark">Akenside, Mark, 1721-1770 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Poet and physician known especially for <hi rendition="#italics"
									><title>The Pleasures of Imagination</title></hi> (1744;
							subsequently revised and expanded) and for his odes, especially those
							collected in <hi rendition="#italics"><title>Odes on Several
									Subjects</title></hi> (1745). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="AlbemarleGeorgeKeppel">Albemarle, George Keppel, Earl of,
							1724-1772 (Library of Congress Name Authority)&#8212; </term>
						<gloss>A prominent politician and army officer, Albemarle was a close friend
							and political ally of <ref target="#CumberlandWilliam">William, duke of
								Cumberland. [<ref target="#RD">RD</ref>]</ref>
						</gloss>
					</item>
					<item>
						<term xml:id="AlemanMateo">Alemán, Mateo, 1547-1614? (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Authored <hi rendition="#italics"><title>Vita del Picaro Guzman
									d&apos;Alfarache</title></hi> (1599-1604). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AlembertJean">Alembert, Jean Le Rond d&apos;, 1717-1783
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> French philosopher and mathematician who assisted Diderot for a time
							with the <hi rendition="#italics"><title>Encyclop&#233;die</title></hi>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AlexandertheGreat">Alexander, the Great, 356-323 B.C. (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> King of Macedonia from 336, Alexander demonstrated brilliance as a
							general in a campaign that originated as an obsession for vengeance
							against the Persians and culminated with extending his empire through
							Egypt and Asia Minor into India. He is known on various occasions for
							his ruthlessness, heroic bravery, courtesy, and concern for the
							religious and intellectual heritage of the areas he conquered. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AlgarottiFrancesco">Algarotti, Francesco, 1712-1764 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Italian novelist, poet, and essayist who traveled extensively.
							Notable works include: <title><hi rendition="#italics"> Newtonianismo
									per la dame</hi></title> (1737) and his letters regarding an
							extended trip to Russia, collected in his posthumous <title><hi
									rendition="#italics">Viaggi di Russia</hi></title> (1769). [<ref
								target="#ZP">ZP</ref>] </gloss></item>
					<item>
						<term xml:id="AllenRalph">Allen, Ralph, ca. 1693-1764 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A noted Bath philanthropist particularly recognized for postal
							system reform, he was a friend of <ref target="#RichardsonSamuel">Samuel
								Richardson</ref>, <ref target="#FieldingHenry">Henry Fielding</ref>,
								<ref target="#PopeAlexander">Alexander Pope</ref>, and numerous
							other Illustrious personages in eighteenth-century arts and letters.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AmoryThomas">Amory, Thomas, 1691?-1788? (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Authored <hi rendition="#italics"><title>The Memoirs of Several
									Ladies by John Buncle</title></hi> (1755) and <hi
								rendition="#italics"><title>The Life of John Buncle,
								Esq.</title></hi> (two volumes published separately in 1756 and
							1766). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Anacreon">Anacreon (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>An Ancient Greek lyric poet living from roughly 582-485 B.C.E.,
							Anacreon was considered among the canonical Nine Lyric Poets of Ancient
							Greece, alongside <ref target="#Pindar">Pindar</ref>. His most famous
							works are characterized by their eroticism and revelry. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="AndrewApostleSaint">Andrew, Apostle, Saint (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Andrew the Apostle or Saint Andrew was born in Galilee and brother to
							Saint Peter. In the <title>New Testament</title>, he was an apostle of
							Jesus. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="AndrewsGoodman">Goodman Andrews&#8212; </term>
						<gloss>Father to the title character in <ref target="#RichardsonSamuel"
								>Samuel Richardson</ref>&apos;s <hi rendition="#italics"
									><title>Pamela</title></hi> (1740-1). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Andromache">Andromache&#8212; </term>
						<gloss>In Greek mythology, wife of <ref target="#Hector">Hector</ref>,
							Prince of Troy. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Andromeda">Andromeda&#8212; </term>
						<gloss>Greek mythological figure chained to a rock to appease the gods, but
							rescued by <ref target="#Perseus">Perseus</ref>, who then married her.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AnneQueenofGreatBritain">Anne, Queen of Great Britain,
							1665-1714 (Library of Congress Name Authority)&#8212; </term>
						<gloss> The last of the Stuart monarchs, Anne became queen of England,
							Scotland, and Ireland in 1702 and presided over the Acts of Union in
							1707 that created Great Britain. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AnnesleyGeorge">Annesley, George, Earl of Mountnorris,
							1769-1844 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Succeeded his father Arthur Annesley, first Earl of Mountnorris, in
							1816. [<ref target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="AnsteyChristopher">Anstey, Christopher, 1724-1805 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>A noteworthy eighteenth-century poet, his best known works include
							the popular epistle, <hi rendition="#italics"><title>The New Bath
									Guide</title></hi> (1766) and <hi rendition="#italics"
									><title>The Farmer&apos;s Daughter, a Poetical Tale</title></hi>
							(1795). [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="AntiJacobin"><title><hi rendition="#italics">Anti-Jacobin
								</hi></title>&#8212;</term>
						<gloss>The arch-conservative <title><hi rendition="#italics">Anti-Jacobin,
									or, Weekly Examiner</hi></title>, founded by <ref
								target="#CanningGeorge">George Canning</ref> and a few friends, was
							published from 1797-1798, edited by <ref target="#GiffordWilliam"
								>William Gifford</ref>. On its demise it was followed by the less
							effective <title><hi rendition="#italics">Anti-Jacobin Review and
									Magazine, or, Monthly Political and Literary Censor</hi></title>
							(1798-1821). These periodicals lampooned not only &quot;Jacobins,&quot;
							that is, supporters of the French revolution, and other radicals, but
							Dissenters, Catholics, abolitionists, Whigs, those who would educate the
							poor, and many other moderate groups as well. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AntoniusMarcus">Antonius, Marcus, 83 B.C.?-30 B.C. (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Roman politician, general, triumvir, and relative of <ref
								target="#CaesarJulius">Julius Caesar</ref>, known presently as
							&quot;Mark Antony.&quot; Antony played a large role in the shifting of
							the Roman Republic to the Roman Empire, forming a three-man dictatorship
							with <ref target="#AemiliusMarcus">Marcus Aemilius Lepidus</ref> and
								<ref target="#CaesarAugustus">Octavian</ref> known as the Second
							Triumvirate following the assassination of <ref target="#CaesarJulius"
								>Caesar</ref>. Although Antony married <ref target="#CaesarAugustus"
								>Octavian</ref>&apos;s sister, <ref target="#Octavia">Octavia</ref>,
							he continued his love affair with <ref
								target="#CleopatraVIIQueenofEgypt">Cleopatra VII of Egypt</ref>.
							Lepidus was removed from the Triumvirate in 36 B.C.E., and tensions
							involving Antony&apos;s affair, his subsequent divorce from <ref
								target="#Octavia">Octavia</ref> and marriage with <ref
								target="#CleopatraVIIQueenofEgypt">Cleopatra</ref>, as well as
							political disagreements caused a rift between him and <ref
								target="#CaesarAugustus">Octavian</ref>. The conflict led to a civil
							war, and Antony&apos;s forces were defeated at the Battle of Alexandria,
							causing Antony to flee to Egypt to commit suicide with <ref
								target="#CleopatraVIIQueenofEgypt">Cleopatra</ref>, while <ref
								target="#CaesarAugustus">Octavian</ref> became the first Roman
							emperor. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Apollo">Apollo&#8212; </term>
						<gloss>In classical mythology, the Greek god of the sun, music, poetry,
							prophesy, and medicine. He is the son of Zeus and his prophetic powers
							are expressed through the Delphic Oracle. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ApolloniusofTyana">Apollonius, of Tyana (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Greek philosopher and mystic from the town of Tyana, now part of
							Turkey. He was author of a life of Pythagoras and is associated with
							Neopythagorean thought. [<ref target="#JDP">JDP</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Apuleius">Apuleius [n.d.] (Library of Congress Name
							Authority); c.124-after 170 (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212; </term>
						<gloss> Lucius Apuleius, also known as Madaurensis, after Madaura in Africa,
							where he was born, authored <hi rendition="#italics"><title>The Golden
									Ass</title></hi> (or <hi rendition="#italics"
									><title>Metamorphosis</title></hi>), a darkly comic tale or
							prototypical novel, which contains a version of the story of Cupid and
							Psyche. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ArblayGen">Arblay, Alexandre Jean Baptiste Piochard, comte
							d&apos;, 1754-1818 (Library of Congress Name Authority)&#8212; </term>
						<gloss>&#201;migr&#233; French general and adjutant to General Lafayette. In
							1793 D&apos;Arblay married <ref target="#BurneyFanny">Fanny Burney</ref>
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ArblayMadameD">Arblay, Madame D&apos;&#8212; </term>
						<gloss>See <ref target="#BurneyFanny">Burney, Fanny</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ArbuthnotJohn">Arbuthnot, John, 1667-1735 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Founder of the <ref target="#ScriblerusClub">Scriblerus Club</ref>,
							which included <ref target="#PopeAlexander">Alexander Pope</ref> and
								<ref target="#SwiftJonathan">Jonathan Swift</ref> among the members.
							Arbuthnot authored a series of pamphlets originating the fictional
							figure <ref target="#JohnBull">John Bull</ref>, the personification of
							English national character. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Arcadius">Arcadius, Emperor of the East, 377?-408 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Emperor who ruled the Eastern half of the Roman empire while his
							younger brother <ref target="#Honorius">Honorius</ref> ruled the western
							half. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Archimedes">Archimedes (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> A Greek mathematician, physicist, engineer, inventor, and
							astronomer. [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Ariel">Ariel&#8212;</term>
						<gloss>The &quot;airy spirit&quot; in <ref target="#ShakespeareWilliam"
								>William Shakespeare</ref>&apos;s <hi rendition="#italics"
									><title>The Tempest</title></hi>. Although Ariel is trapped
							under Prospero&apos;s command, Ariel is quite powerful himself, with a
							range of abilities and a host of followers beneath him. Ultimately,
							Ariel manipulates Prospero by appealing to his humanity in order to gain
							his freedom. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Ariosto">Ariosto, Lodovico, 1474-1533 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Italian poet best known for his chivalric romance epic, <hi
								rendition="#italics"><title>Orlando Furioso</title></hi> (1516).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Aristides">Aristides, of Miletus [n.d.] (Library of Congress
							Name Authority); 2<hi rendition="#sup">nd</hi> century B.C. (<hi
								rendition="#italics"><title>Encyclopedia
							Britannica</title></hi>)&#8212; </term>
						<gloss> His <hi rendition="#italics"><title>Milesian Tales</title></hi> were
							a collection of erotic picaresque stories. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Aristophanes">Aristophanes (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Aristophanes was the foremost Greek comic playwright of his time.
							Many works with which he has been credited are now lost, but among those
							that survive, <title><hi rendition="#italics">Wasps</hi></title> (422
							B.C.), <title><hi rendition="#italics">Birds</hi></title> (414 B.C.),
									<title><hi rendition="#italics">Lysistrata</hi></title> (411
							B.C.), <title><hi rendition="#italics">Plutus</hi></title> (also known
							as <title><hi rendition="#italics">Wealth</hi></title>, 408; revised
							388), and <title><hi rendition="#italics">Frogs</hi></title> (405 B.C.)
							are among the best known. [<ref target="#RD">RD</ref>], [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Aristotle">Aristotle (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Ancient Greek philosopher, scientist, and foremost intellect during
							the Classical period. Living from 384-322 B.C.E., Aristotle was first a
							student of <ref target="#Plato">Plato</ref>. His writings spanned across
							mathematics, science, and the humanities. As the pioneer of the study of
							zoology, Aristotle was considered a great scientific mind, but it is
							particularly his contributions to the field of philosophy and as founder
							of formal logic that his thought has pervaded Western culture. His <hi
								rendition="#italics"><title>Poetics</title></hi> exerted a profound
							influence on European literature and its criticism, giving rise to the
							neoclassical literary standards of the 16th to the later 18th centuries.
								[<ref target="#LD">LD</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ArkwrightRichard">Arkwright, Richard, Sir, 1732-1792 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Through his inventions of a carding frame and, even more
							importantly, an innovative spinning frame, Arkwright became a leader in
							the mechanization of cotton manufacturing and the development of the
							factory system for textile production. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="ArmagnacLouis">Armagnac, Louis d&apos;, Duke of Nemours,
							1472-1503 (<hi rendition="#italics">Encyclopedia
							Britannica</hi>)&#8212;</term>
						<gloss>Known for his titles as Duc de Nemours and Count of Guise, Louis
							d&apos;Armagnac participated in the Italian campaigns under <ref
								target="#CharlesVIII">Charles VIII</ref> of France and later became
							the French viceroy of Naples under <ref target="#LouisXII">Louis
								XII</ref>. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ArmstrongJohn">Armstrong, John, 1709-1779 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Poet, physician, essayist. Most famous for his didactic poem
									<title><hi rendition="#italics">The Art of Preserving
									Health</hi></title> (1744). [<ref target="#VW">VW</ref>]</gloss>
					</item>
					<item><term xml:id="ArnoldBenedict">Arnold, Benedict, 1741-1801 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>An American-born military leader during the American Revolutionary
							War, Benedict Arnold originally served the American Continental Army,
							rising to the rank of major general and gaining the trust of George
							Washington before defecting to the British in 1780. After rising to the
							rank of brigadier general in the British military, Arnold marched
							British forces against the American army he had once served. His name
							has become synonymous with betrayal and treason in American popular
							culture. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Arthur">Arthur&#8212; </term>
						<gloss>A legendary king of England, the subject of a number of verse
							narratives. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ArthurI">Arthur I, Duke of Brittany, 1187-1203 &#8212; </term>
						<gloss>Fourth Earl of Richmond and Duke of Brittany, Prince Arthur had been
							designated heir to the throne over his uncle, John, King of England,
							1167-1216. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="AschamRoger">Ascham, Roger, 1515-1568 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English humanist, scholar, and didactic writer who is best remembered
							for his prose style, theories on education, and promotion of the
							vernacular. Ascham served in the administrations of Edward VI, <ref
								target="#MaryIQueenofEngland">Mary I</ref>, and <ref
								target="#ElizabethIQueenofEngland">Elizabeth I</ref> after serving
							as <ref target="#ElizabethIQueenofEngland">Elizabeth</ref>'s tutor in
							Greek and Latin from 1548 to 1550. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item><term xml:id="AsheStGeorge">Ashe, St. George, 1658?-1718 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Irish philosopher and mathematician who held the positions of 15<hi
								rendition="#sup">th</hi> Provost of Trinity College, Dublin; Church
							of Ireland Bishop of Cloyne, Clogher and Derry; and Donegall Lecturer in
							Mathematics at Trinity College, Dublin. In his career, Ashe taught such
							notable students as <ref target="#SwiftJonathan">Jonathan Swift</ref>
							and <ref target="#CongreveWilliam">William Congreve</ref>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Aspasia">Aspasia&#8212; </term>
						<gloss>Mistress of Pericles often attacked in Athenian dramatic works for
							her supposed undue political influence. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Astraea">Astraea&#8212; </term>
						<gloss>Personification of virtue who, when the Golden Age ended and the
							earth became dominated by iniquity, ascended to the heavens and became
							the constellation Virgo. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Ate">At&#233; &#8212; </term>
						<gloss>Goddess of error, delusion, and rash action. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Athena">Athena (Greek deity)(Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Also known as Pallas Athene, Athena, the Greek personification of
							wisdom, is goddess of strategic warfare and arts and crafts such as
							spinning and weaving. She was born of <ref target="#Zeus">Zeus</ref> and
							Metis after <ref target="#Zeus">Zeus</ref> swallowed Metis, fearing she
							would have a son stronger than himself. The god Hephaestus struck <ref
								target="#Zeus">Zeus</ref> on the forehead with an axe, and Athena
							sprang from the opening fully armed. Athena is often equated with the
							Roman goddess <ref target="#Minerva">Minerva</ref>. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="AtkinsonHG">Atkinson, Henry George, 1812-1884 (Library of
							Congress Name Authority&#8212;) </term>
						<gloss>English writer and freethinker with interests in mesmerism,
							naturalism, materialism, and phrenology. He advised <ref
								target="#MartineauHarriet">Harriet Martineau</ref> on mesmerism
							during her 5-year illness, to which she attributed her recovery. The two
							went on to publish their correspondence as <hi rendition="#italics"
									><title>Letters on the Laws of Man’s Nature and
									Development</title></hi> (1851). [<ref target="#LD"
							>LD</ref>]</gloss>
					</item>
					<item><term xml:id="Atlas">Atlas (Greek deity) (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>In Greek mythology, Atlas is the titan condemned to carry the heavens
							on his shoulders for all eternity as punishment for leading a rebellion
							against <ref target="#Zeus">Zeus</ref> in the Titanomachy. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="AubreyJohn">Aubrey, John, 1626-1697 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English antiquary, biographer, and pioneer archaeologist. His notable
							works include <hi rendition="#italics">Brief Lives</hi> (written between
							1669 and 1696), <hi rendition="#italics"><title>Monumenta
									Britannica</title></hi> (written between 1663 and 1693), and <hi
								rendition="#italics"><title>Naturall Historie [of
								Wiltshire]</title></hi> (written between 1659 and 1671), all
							published posthumously. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="AudleyJames">Audley, Sir James (c. 1318–1369) (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212;</term>
						<gloss>One of the original knights of the Order of the Garter who fought
							under <ref target="#EdwardPrinceofWales">Prince Edward</ref>'s command
							in the Battles of Crecy and Poitiers during the Hundred Years' War.
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="AustenJane">Austen, Jane, 1775-1817 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Austen&apos;s major novels include <hi rendition="#italics"
									><title>Sense and Sensibility</title></hi> (1811), <hi
								rendition="#italics"><title>Pride and Prejudice</title></hi> (1813),
								<hi rendition="#italics"><title>Mansfield Park</title></hi> (1814),
								<hi rendition="#italics"><title>Emma</title></hi> (1816), <hi
								rendition="#italics"><title>Northanger Abbey</title></hi> (1818),
							and <hi rendition="#italics"><title>Persuasion</title></hi> (1818). A
							minor novel, <hi rendition="#italics"><title>Lady Susan</title></hi>,
							was first published in the 1871 edition of James Edward
							Austen-Leigh&apos;s <hi rendition="#italics"><title>A Memoir of Jane
									Austen</title></hi> along with the fragment <hi
								rendition="#italics"><title>The Watsons</title></hi> and a synopsis
							of the unfinished <hi rendition="#italics"><title>Sanditon</title></hi>.
							Austen is also appreciated for her comic juvenilia, especially <hi
								rendition="#italics"><title>Love &amp; Freindship </title></hi>[<hi
								rendition="#italics"><title>sic</title></hi>] (1922). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MrB">Mr. B.&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Pamela</title></hi> (1740-1). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Bacchus">Bacchus&#8212; </term>
						<gloss>Roman name for the Greek god <ref target="#Dionysus">Dionysus</ref>.
								[<ref target="#KI">KI</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BaconFrancis">Bacon, Francis, 1561-1626 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> After being disgraced as a public figure by accusations of
							corruption, Lord Bacon turned to philosophical writing. His major works
							included his <hi rendition="#italics"><title>Essays</title></hi> (1597),
								<hi rendition="#italics"><title>The Advancement of
								Learning</title></hi> (1605), <hi rendition="#italics"><title>De
									Sapientia Veterum Liber</title></hi> (1609, translated as <hi
								rendition="#italics"><title>The Wisedome of the
								Ancients</title></hi>, 1619), <hi rendition="#italics"><title>Novuum
									Organum</title></hi> (1620), <hi rendition="#italics"
									><title>History of Henry VII</title></hi> (1622), <hi
								rendition="#italics"><title>De Augmentis Scientiarum</title></hi>
							(1623), and <hi rendition="#italics"><title>New Atlantis</title></hi>
							(1627), as well as numerous other historical, biographical, political,
							and philosophical publications. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="BaddeleySophia">Baddeley, Sophia, 1745?-1786 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English singer, actress, and courtesan, known both for her beauty and
							extravagant lifestyle. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="BageRobert">Bage, Robert, 1728-1801 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Author and businessman, Bage published six novels in his lifetime:
									<title><hi rendition="#italics">Mount Henneth</hi></title>
							(1781) <title><hi rendition="#italics">Barham Downs</hi></title> (1784),
									<title><hi rendition="#italics">The Fair Syrian</hi></title>
							(1787), <title><hi rendition="#italics">James Wallace</hi></title>
							(1788), <title><hi rendition="#italics">Man as he is</hi></title>
							(1792), and <title><hi rendition="#italics">Hermsprong, or Man as He Is
									Not</hi></title> (1796). [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MalatestaIV">Baglioni, Malatesta, 1491-1531 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Umbrian lord and condottiero (captain of a mercenary company),
							remembered primarily for his betrayal of the Florentine army to the
							Imperial forces during the Siege of Florence. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BaleJohn">Bale, John, 1495-1563 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English Bishop, Protestant controversialist, and dramatist. Bale is
							the author of <hi rendition="#italics"><title>Kynge Johan</title></hi>,
							the first known English historical play. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BaillieJoanna">Baillie, Joanna, 1762-1851 &#8212; </term>
						<gloss> Joanna Baillie stands as the most significant Romantic period
							British woman playwright as well as being one of the period's most
							notable women critics. Scottish by birth, Baillie moved about with her
							family after her father&apos;s death until her brother inherited a
							London medical practice from his uncle. Eventually settling in
							Hampstead, Baillie widened her circle of literary acquaintances to
							include numerous prominent figures. Her own first publication was an
							anonymous volume, <hi rendition="#italics"><title>Poems: Wherein It Is
									Attempted to Describe Certain Views of Nature and Rustic
									Manners, Etc.</title></hi> (1790). The first volume of <hi
								rendition="#italics"><title>A Series of Plays: In Which It Is
									Attempted to Delineate the Stronger Passions of the Mind. Each
									Passion Being the Subject of a Tragedy and a Comedy</title></hi>
							(1798), with its &quot;<title>Introductory Discourse</title>,&quot; was
							also published anonymously, sparking much speculation about the author.
							Baillie added additional volumes to this work in 1802 and 1812, with
							this final volume featuring the preface &quot;<title>To the
								Reader</title>.&quot; Another collection, <hi rendition="#italics"
									><title>Miscellaneous Plays</title></hi>, appeared in 1804 and
							included her tragedy <hi rendition="#italics"
								><title>Romiero</title></hi>, which she defended in <hi
								rendition="#italics"><title>Fraser&apos;s Magazine</title></hi>
							(December 1836). Baillie meant her plays for the stage, but though they
							were widely read, only <hi rendition="#italics"><title>De
									Monfort</title></hi> was much staged. Nevertheless, Baillie
							continued her project, adding more plays and extending some of those
							already published, until 1836, when her three volume collection <hi
								rendition="#italics"><title>Dramas</title></hi> appeared. Along with
							drama and dramatic theory, Baillie published narrative poetry, including
								<hi rendition="#italics"><title>Metrical Legends of Exalted
									Characters</title></hi> (1821). <hi rendition="#italics"
									><title>Ahalya Baee</title></hi>, another narrative poem,
							appeared in 1849. She also published a theological tract, <hi
								rendition="#italics"><title>A View of the General Tenour of the New
									Testament</title></hi>, examining the nature and dignity of
							Jesus Christ (1831). Finally she agreed to the Longmans&apos; request to
							collect and edit her entire opus for <hi rendition="#italics"><title>The
									Dramatic and Poetical Works of Joanna Baillie, Complete in One
									Volume</title></hi>, published in 1851, the year she died. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BakerDavid">Baker, David Erskine, 1730-1767 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English dramatic writer and grandson of <ref target="#DefoeDaniel"
								>Daniel Defoe</ref>, most famous for his anthology of dramatic
							authors, the <hi rendition="#italics"><title>Biographia
									Dramatica</title></hi> (1782). [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BandelloMatteo">Bandello, Matteo, 1485-1561 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian writer, soldier, monk, and bishop, best known for his <hi
								rendition="#italics"><title>Novelle</title></hi>, a collection of
							short stories published in four volumes between 1554 and 1573.
							Bandello&apos;s work popularized the genre of the short story, a trend
							which influenced the literature of England, France, and Spain for the
							remainder of the sixteenth century. Bandello&apos;s stories have been
							adapted into plays by dramatists such as <ref target="#WebsterJohn">John
								Webster</ref>, <ref target="#MassingerPhilip">Philip
							Massinger</ref>, and <ref target="#FletcherJohn">John Fletcher</ref>,
							but the most famous adaptation of his work is <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>Romeo and Juliet</title></hi>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="BannisterJohn">Bannister, John, 1760-1836 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Leading English actor, singer, and theatre manager. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="BarbarossaAruj">ʻArūj, -1518 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>The elder of the famous Barbarossa brothers, also known as
							"Redbeard," Aruj Barbarossa was a Barbary pirate before becoming the
							Sultan of Algiers. Barbarossa became known as "Father Aruj" after he
							began transporting large numbers of Jewish and Muslim refugees from
							Spain to North Africa during the Conquest of Granada. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="BarbauldMrs">Barbauld, Mrs. (Anna Letitia), 1743-1825 (Library
							of Congress Name Authority) &#8212; </term>
						<gloss> Barbauld&apos;s career opened under her birth name, Anna Aikin, with
							publication by the Warrington Academy&apos;s Eyres Press of <hi
								rendition="#italics"><title>Corsica: An Ode</title></hi> (1768),
							followed by <hi rendition="#italics"><title>Poems</title></hi>, also
							first published at Warrington by Eyres Press (1772) before being
							reprinted in London by Joseph Johnson (1773). The same year, she
							collaborated with her brother, <ref target="#AikinJohn">John
							Aikin</ref>, on a volume of <hi rendition="#italics"
									><title>Miscellaneous Pieces in Prose</title></hi> (1773). After
							she married dissenting clergyman Rochemont Barbauld and the two opened a
							school, Anna Barbauld authored children&apos;s literature and
							educational materials, including the various installments of <hi
								rendition="#italics"><title>Lessons for Children</title></hi>
							(1775-1788) and <hi rendition="#italics"><title>Hymns in Prose for
									Children</title></hi> (1781), which were well loved. She began
							roughly a decade of political writing with <hi rendition="#italics"
									><title>An Address to the Opposers of the Repeal of the
									Corporation and Test Acts</title></hi> (1790), quickly followed
							by the abolitionist poem <hi rendition="#italics"><title>Epistle to Mr.
									Wilberforce on the Rejection of the Bill for Abolishing the
									Slave Trade</title></hi> (1791). Her known career in criticism
							began with a preface to <ref target="#AkensideMark">Mark
							Akenside</ref>&apos;s <hi rendition="#italics"><title>The Pleasures of
									Imagination</title></hi> (1794), followed by the preface to <ref
								target="#CollinsWilliam">William Collins</ref>&apos;s <hi
								rendition="#italics"><title>Poetical Works</title></hi> (1797), an
							edition of <title><hi rendition="#italics">Selections from
									</hi><title>Spectator</title>, <title>Tatler</title>,
									<title>Guardian</title>, and <title>Freeholder</title></title>,
							also with a prefatory essay (1804), and a selection of <hi
								rendition="#italics"><title>The Correspondence of <ref
										target="#RichardsonSamuel">Samuel
								Richardson</ref></title></hi> (1804). <hi rendition="#italics"
									><title>The British Novelists</title></hi> (1810) constitutes
							her most ambitious critical project with its lengthy preface
								&quot;<title>The Origin and Progress of Novel-Writing</title>&quot;
							and the critical biographical prefaces for each author. In addition, she
							pursued a long career of periodical reviewing and criticism dating from
							around 1797 or 1798 up through at least 1815. Her reviews probably
							included contributions to the <hi rendition="#italics"><title>Analytical
									Review</title></hi>, her nephew Arthur Aikin&apos;s <hi
								rendition="#italics"><title>Annual Review</title></hi>, the <hi
								rendition="#italics"><title>Athen&#230;um</title></hi> and the <hi
								rendition="#italics"><title>Monthly Magazine</title></hi> while <ref
								target="#AikinJohn">her brother</ref> was affiliated with them, the
								<hi rendition="#italics"><title>Gentleman&apos;s
								Magazine</title></hi>, and most prolifically, the <hi
								rendition="#italics"><title><ref target="#ReviewMonthly">Monthly
										Review</ref></title></hi>, to which she contributed several
							hundred articles on fiction, poetry, educational literature, and several
							other topics. Her last major publication was the poem <hi
								rendition="#italics"><title>Eighteen Hundred and Eleven</title></hi>
							(1812), for which she received some harsh reviews, but even after this
							disappointment she continued to publish short poems and literary
							criticism as well as to arrange her work for a contemplated but never
							executed complete works edition. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BarclayAlexander">Barclay, Alexander, 1475?-1552 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Poet, chaplain of the Church of England, and later Benedictine monk,
							Barclay is best remembered for his work <hi rendition="#italics"
									><title>The Shyp of Folys of the Worlde</title></hi>, a
							translation of the German satire <hi rendition="#italics"><title>Das
									Narrenschiff</title></hi> by <ref target="#BrantSebastian"
								>Sebastian Brant</ref>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BarclayJohn">Barclay, John, 1582-1621 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> His <hi rendition="#italics"><title>Argenis</title></hi> (1621) was
							a very popular romance narrative poem. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BarrowThomas">Barrow, Thomas&#8212; </term>
						<gloss>Friend of <ref target="#CollinsWilliam">William Collins</ref> and
								<ref target="#HomeJohn">John Home</ref>. In <hi rendition="#italics"
									><title>The History of the Rebellion in the Year
								1745</title></hi> (1802), Home tells of how Barrow, an Englishman
							but then a student at Edinburgh, escaped with Home and others from the
							Castle of Doune after the Battle of Falkirk (1746). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="BarryAnn">Barry, Ann, 1734-1801 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Ann Barry (née Street), first Ann Dancer upon her initial marriage
							and later Ann Crawford upon her third marriage, was a popular British
							dancer, singer, and stage actress. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="BarrySpranger">Barry, Spranger (bap. 1717, d. 1777) (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212;</term>
						<gloss>Popular Irish actor and founder of Crow Street Theatre, a
							contemporary of <ref target="#GarrickDavid">David Garrick</ref> who
							challenged <ref target="#GarrickDavid">Garrick</ref>&apos;s position as
							the foremost actor of the era. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SaintBartholomew">Bartholomew, Apostle, Saint (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A member of Jesus&apos;s Twelve Apostles. He is referred to as
							Nathanael in the Fourth Gospel of the New Testament. Stories of his
							martyrdom describe two methods; in one, he was flayed alive. This
							version is featured in works by several prominent artists, including
								<ref target="#BuonarrotiMichelangelo">Michelangelo</ref>, Tiepolo,
							and Ribera. [<ref target="#VW">VW</ref>] [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BathurstAllen">Bathurst, Allen Bathurst, Baron, 1684-1775
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English Tory politician who sat in the House of Commons and an
							acquaintance of <ref target="#PopeAlexander">Alexander Pope</ref>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="BayezidI">Bayezid I, Sultan of the Turks, approximately
							1360-1403 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Also known as "The Thunderbolt," Bayezid I was Sultan of the Ottoman
							Empire from 1389–1402. Bayezid I founded what would become the first
							centralized Ottoman state grounded in traditional Muslim and Turkish
							institutions. Bayezid was captured by <ref target="#Timur">Timur</ref>
							at the Battle of Ankara in 1402 and died in captivity the following
							year. The Ottoman Interregnum was triggered as a result of Bayezid's
							death. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="BeattieJames">Beattie, James, 1735-1803 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Scottish poet and philosopher. His best known work, <hi
								rendition="#italics"><title>Essay on the Nature and Immutability of
									Truth</title></hi> (1770) was both successful and influential.
							His poem <hi rendition="#italics"><title>The Minstrel</title></hi>
							(1771-1774) details the natural education of a young shepherd who
							eventually attains poetic genius. He published a number of other
							philosophical, theological, and linguistic works, several collections of
							poems, and, in 1778, a collection entitled <hi rendition="#italics"
									><title>Essays on Poetry and Music As They Affect the
									Mind</title></hi>. [<ref target="#JDP">JDP</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BeauclerkCharles">Beauclerk, Charles (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Living from 1670-1726, Charles Beauclerk was the 1<hi
								rendition="#sup">st</hi> Duke of St. Albans as the illegitimate son
							of <ref target="#CharlesIIKingofEngland">King Charles II</ref> and
							actress <ref target="#GwynNell">Nell Gwyn</ref>. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BeaufortHenry">Beaufort, Henry, 1374-1447 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Cardinal, Bishop of Winchester, and grandson to <ref
								target="#EdwardIIIKingofEngland">King Edward III</ref>, Beaufort was
							influential in English politics for many years. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="BeaufortJohn">Beaufort, John, marquess of Dorset and
							marquess of Somerset (c. 1371–1410)(<hi rendition="#italics"
									><title>Oxford Dictionary of National
							Biography</title></hi>)&#8212;</term>
						<gloss>English politician, nobleman, and second son of <ref
								target="#JohnofGaunt">John of Gaunt</ref> through his mistress
							Katherine Swynford, who <ref target="#JohnofGaunt">John</ref> married in
							1396 immediately following the death of his first wife. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="BeaumontMme">Beaumont, Mme.&#8212; </term>
						<gloss>See <ref target="#EliedeBeaumontMme">Elie de Beaumont, Mme.
								(Anne-Louise Morin-Dumesnil)</ref>. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BeaumontMrs">Beaumont, Mrs.&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison </title></hi>(1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BeaumontFrancis">Beaumont, Francis, 1584-1616 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A very prolific playwright and poet who collaborated with a number
							of his contemporary authors, most notably <ref target="#FletcherJohn"
								>John Fletcher</ref>, with whom he authored over a dozen works. A
							few of the most notable among these include <hi rendition="#italics"
									><title>Philaster</title></hi> (c. 1609), <hi
								rendition="#italics"><title>A King and No King </title></hi>(c.
							1611), <hi rendition="#italics"><title>The Maid&apos;s
								Tragedy</title></hi> (c. 1611), and <hi rendition="#italics"
									><title>The Scornful Lady</title></hi> (c. 1615). <hi
								rendition="#italics"><title>The Two Noble Kinsmen</title></hi>, a
								<ref target="#ShakespeareWilliam">Shakespeare</ref>-<ref
								target="#FletcherJohn">Fletcher</ref> collaboration, reworks much
							material from Beaumont&apos;s <hi rendition="#italics"><title>The Masque
									of the Inner Temple and Gray&apos;s Inn</title></hi> (c. 1613).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BeckfordWilliam">Beckford, William, 1760-1844 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Best known for his Gothic novel <hi rendition="#italics"
									><title>Vathek</title></hi> (Lausanne, Switz, 1787; London,
							1815), William Beckford published a translation of stories by German
							author <ref target="#MusausJohann">Johann Karl August Mus&#228;us</ref>
							as <hi rendition="#italics"><title>Popular Tales of the
								Germans</title></hi> (1791). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="BedfordAnneRussell">Bedford, Anne Russell, Duchess of,
							approximately 1705-1762 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Formerly Lady Egerton, Anne Russell was the wife of <ref
								target="#VilliersWilliam">William Villiers</ref> and mother of <ref
								target="#VilliersGeorgeBussey">George Bussey Villiers</ref>
							following the death of her first husband, Wriothesley Russell, 3<hi
								rendition="#sup">rd</hi> Duke of Bedford. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="BedmarAlfonso">Bedmar, Alfonso de la Cueva, marqués de,
							1572-1655 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Spanish diplomat who is believed to have been responsible for the
							"conspiracy of Venice" in 1618. De la Cueva was the Spanish ambassador
							to Venice before being made marqués de Bedmar in 1614. He used his
							diplomatic authority to advance the schemes of the Spanish viceroys of
							Milan and Naples to increase Spanish influence in Italy. In retaliation,
							the Venetian government manufactured a conspiracy to take control of the
							republic to have grounds to expel de la Cueva. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BehnAphra">Behn, Aphra, 1640-1689 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Poet, novelist, playwright, pamphleteer, translator, and even spy,
							Behn is one of the most significant and interesting figures in early
							women&apos;s writing and is considered to be the first woman to live by
							her pen. Her most important novel, <hi rendition="#italics"
									><title>Oroonoko; Or, The Royal Slave</title></hi> (1688) was
							adapted by <ref target="#SoutherneThomas">Thomas Southerne</ref> as his
							play <hi rendition="#italics"><title>Oroonoko</title></hi> (1695). Behn
							was a prolific playwright, with <hi rendition="#italics"><title>The
									Rover. Or, The Banish&apos;t Cavaliers</title></hi> (1677) her
							most successful play. A number of her play prefaces constitute
							noteworthy literary criticism, especially the preface to <hi
								rendition="#italics"><title>The Dutch Lover</title></hi> (1673).
							Other play productions include <hi rendition="#italics"
								><title>T</title></hi><hi rendition="#italics"><title>he Forced
									Marriage</title></hi> (1670), <hi rendition="#italics"
									><title>The Amorous Prince</title></hi> (1671), <hi
								rendition="#italics"><title>Abdelazer; or, The Moor&apos;s
									Revenge</title></hi> (1676), <hi rendition="#italics"><title>The
									Town Fop; or, Sir Timothy Tawdry</title></hi> (1676), <hi
								rendition="#italics"><title>The Debauchee</title></hi> (1677), <hi
								rendition="#italics"><title>The Counterfeit Bridegroom; or, The
									Defeated Widow</title></hi> (1677), <hi rendition="#italics"
									><title>Sir Patient Fancy</title></hi> (1678), <hi
								rendition="#italics"><title>The Feigned Courtesans; or, A
									Night&apos;s Intrigue</title></hi> (1679), <hi
								rendition="#italics"><title>The Young King; or, The
								Mistake</title></hi> (1679), <hi rendition="#italics"><title>The
									Revenge: or, A Match in Newgate</title></hi> (1680), <hi
								rendition="#italics"><title>The False Count; or, A New Way to Play
									an Old Game</title></hi> (1681), <hi rendition="#italics"
									><title>The Roundheads; or, The Good Old Cause</title></hi>
							(1681), <hi rendition="#italics"><title>Like Father, Like
								Son</title></hi> (1682), <hi rendition="#italics"><title>The City
									Heiress: or, Sir Timothy Treat-all</title></hi> (1682), <hi
								rendition="#italics"><title>The Lucky Chance; or, An Alderman&apos;s
									Bargain</title></hi> (1686), <hi rendition="#italics"><title>The
									Emperor of the Moon</title></hi> (1687), <hi
								rendition="#italics"><title>The Widow Ranter; or, The History of
									Bacon in Virginia</title></hi> (1689), and <hi
								rendition="#italics"><title>The Younger Brother; or, The Amorous
									Jilt</title></hi> (1696). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Belford">Belford&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Clarissa</title></hi> (1747-9). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="BellJohn">Bell, John, 1745-1831 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English writer and publisher, best remembered for his 109-volume
							series <hi rendition="#italics"><title>The Poets of Great Britain
									Complete from <ref target="#ChaucerGeoffrey">Chaucer</ref> to
										<ref target="#ChurchillCharles">Churchill</ref></title></hi>
							(1777-1783). [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Belisarius">Belisarius, ca. 505-565 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Renown Roman general. His noteworthy accomplishments included
							conquering the piratical Carthaginian Vandals. The story of him having
							been blinded and reduced to beggary by Justinian is probably apocryphal,
							but it is featured in the 1765 novel by <ref target="#Marmontel"
								>Marmontel</ref>, which <ref target="#BarbauldMrs">Barbauld</ref>
							read. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BellamyDaniel">Bellamy, D. (Daniel), 1687- (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English miscellaneous writer, translator, and commoner of St.
							John&apos;s College, known as &quot;Daniel Bellamy, the elder.&quot; His
							most notable works include <hi rendition="#italics"><title>Love
									Triumphant</title></hi> (1722) and <hi rendition="#italics"
									><title>The Young Ladies Miscellany</title></hi> (1723). [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Belton">Belton&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Clarissa</title></hi> (1747-9). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="CountdeBelvedere">Count de Belvedere&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison </title></hi>(1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SaintLeonBembo">Bembo, Saint Leon&#8212;</term>
						<gloss>A Roman Catholic saint remembered for his miraculous healings, Saint
							Leon Bembo died in 1188. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BemboPietro">Bembo Pietro, 1470-1547 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Italian cardinal, poet, and grammarian. Notable works include:
									<title><hi rendition="#italics">Rime</hi></title> (1530),
									<title><hi rendition="#italics">Gli Asolani</hi></title> (1505),
							and <title><hi rendition="#italics">Prose della volgar
								lingua</hi></title> (1525) in which he codified Italian grammar.
								[<ref target="#ZP">ZP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BenedictXIV">Benedict XIV, Pope, 1675-1758 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Born Prospero Lorenzo Lambertini, became Pope in 1740. Among other
							activities, in 1741 he issued a papal bull against enslavement of
							indigenous peoples in the Americas, but, unfortunately, the edict went
							unenforced. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BenthamJeremy">Bentham, Jeremy, 1748-1832 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A British philosopher, jurist, and social reformer, considered the
							father of Utilitarianism. Bentham's social reform publications included
							his <hi rendition="#italics"><title>Panopticon</title></hi> (1791) on
							prison reform, particularly remembered today in consequence of Michel
							Foucault&apos;s commentary on the idea. In <hi rendition="#italics"
									><title>Principles of Morals and Legislation</title></hi>
							(1789), his most important work, and <hi rendition="#italics"
									><title>Fragment on Government</title></hi> (1776), the source
							of his declaration that " it is the greatest happiness of the greatest
							number that is the measure of right and wrong," he laid out the
							principles of Utilitarianism, a philosophy that advocated language that
							served as a vehicle for accurately communicating information, a purpose
							that the figurative and imaginative aspects of poetry could only
							threaten. Bentham did, however, favor the expansion of individual and
							economic freedom; equal rights for women in property, voting, and
							divorce; decriminalizing of homosexual acts; and the abolition of
							slavery, the death penalty, and physical punishment. [<ref target="#JDP"
								>JDP</ref>] [<ref target="#MW">MW</ref>}</gloss>
					</item>
					<item>
						<term xml:id="BentivoglioGuido">Bentivoglio, Guido, 1577 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian diplomat, cardinal, and historian. Notable works include <hi
								rendition="#italics"><title>Relazioni in tempo delle sue
									nunziature</title></hi> (1629) and <hi rendition="#italics"
									><title>Della guerra di Fiandra</title></hi> (1632-9).
							Posthumous collections of his letters include a four volume set edited
							by Luigi de Steffani titled <hi rendition="#italics"><title>La
									Nunziatura di Francia del cardinale Guido
								Bentivoglio</title></hi> (1863-70). [<ref target="#ZP">ZP</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BeringtonSimon">Berington, Simon, 1680-1755 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Berington authored the utopian narrative <hi rendition="#italics"
									><title>Gaudentio di Lucca</title></hi> (1737). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BerkeleyGeorge">Berkeley, George, 1685-1753 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Bishop of Cloyne, Berkeley is best known for his<hi
								rendition="#italics"><title> Treatise Concerning the Principles of
									Human Knowledge</title></hi> (1710). [<ref target="#MW"
							>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BerquinM">Berquin, M. (Arnaud), 1747-1791 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> French children&apos;s author whose stories were popular with both
							the French and, in translation, British audiences. <hi
								rendition="#italics"><title>L&apos;Ami des enfants</title></hi>
							(1782-3) is the best known of these works. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BerryMary">Berry, Mary, 1763-1852 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>A prominent bluestocking and salonniere, Berry edited <title><hi
									rendition="#italics">The Works of Horatio Walpole, Earl of
									Orford</hi></title> (1798) under the name Robert Berry. Her
							memoirs and letters were published as <title><hi rendition="#italics"
									>Social Life in England and France from the French
									Revolution</hi></title>, (1831) and <title><hi
									rendition="#italics">Journals and Correspondence</hi></title>
							(1865) [<ref target="#MW">MW</ref>].</gloss>
					</item>
					<item><term xml:id="BettyWilliam">Betty, William Hen. West (William Henry West),
							1791-1874 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Better known as "Master Betty" or "the young <ref target="#Roscius"
								>Roscius</ref>," William Henry West Betty was a popular child actor
							on the English stage in the early nineteenth century. Though a sensation
							as a child actor, he was not successful as an adult. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="BickerstaffIsaac">Isaac Bickerstaff&#8212; </term>
						<gloss>Pseudonym. See <ref target="#SteeleRichard">Richard Steele</ref> and
								<ref target="#SwiftJonathan">Jonathan Swift</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BickerstaffeIsaac">Bickerstaff, Isaac, 1735-1812 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Not to be confused with <ref target="#BickerstaffIsaac">Isaac
								Bickerstaff</ref>, the alias used by <ref target="#SteeleRichard"
								>Richard Steele</ref> and <ref target="#SwiftJonathan">Jonathan
								Swift</ref>, this Isaac Bickerstaff (or Bickerstaffe) was an Irish
							playwright and librettist. He had varying success in his works
							throughout his life, but his play <hi rendition="#italics"><title>The
									Maid of the Mill</title></hi> (1765) was one of his successful
							ones. He also wrote <hi rendition="#italics"><title>Lionel and
									Clarissa</title></hi> (1768), a comic opera. [<ref target="#GR"
								>GR</ref>]</gloss>
					</item>
					<item><term xml:id="BillingtonElizabeth">Billington, Elizabeth, 1765-1818
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Notable British opera singer whose voice was characterized by its
							sweetness, power, and precision. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="BlacklockThomas">Blacklock, Thomas, 1721-1791 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Known as &quot;<title>the blind bard,</title>&quot; the poet
							Blacklock lost his sight in early his childhood. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BlackmoreRichard">Blackmore, Richard, Sir, d. 1729 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> The legacy of this physician and prolific poet as one admired by
								<ref target="#JohnsonSamuel">Samuel Johnson</ref> and yet the butt
							of scorn in <ref target="#PopeAlexander">Alexander Pope</ref>&apos;s <hi
								rendition="#italics"><title>Dunciad</title></hi> epitomizes the
							controversies over his merits among his contemporaries. <hi
								rendition="#italics"><title>Creation</title></hi> (1712) is his most
							respected poem. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BlackstoneWilliam">Blackstone, William, 1723-1780 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>An English jurist and Tory politician, William Blackstone is best
							remembered for his <hi rendition="#italics"><title>Commentaries on the
									Laws of England</title></hi>, an expansive and accessible
							treatise on English common law which influenced the development of the
							United States legal system after the Revolutionary War. Blackstone also
							studied poetry during his time at Oxford, and his notes on <ref
								target="#ShakespeareWilliam">Shakespeare</ref> were published in
								<ref target="#SteevensGeorge">George Steevens</ref>&apos; 1793
							edition of <ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s
							plays. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BlairRobert">Blair, Robert, 1699-1746 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Scottish poet whose work <hi rendition="#italics"><title>The
									Grave</title></hi> gave rise to the graveyard school, a genre of
							poetry characterized by its morbid appeal and themes of mortality and
							bereavement. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BlanchardLaman"> Blanchard, Samuel Laman 1804-1845 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Poet, essayist, editor, and the biographer of <ref
								target="#LandonLetitia"><name>Letitia Elizabeth Landon</name></ref>.
								[<ref target="#VS">VS</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BlessingtonMarguerite">Blessington, Marguerite, Countess of,
							1789-1849 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Extraordinarily hard-working, particularly after her family&apos;s
							finances were ruined by the extravagance of her companion, the <ref
								target="#OrsayAlfred">Comte d&apos;Orsay</ref>, Lady Blessington was
							known for novels, travel writing, periodical editing and contributions,
							and editing and authoring copy for popular literary gift books. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BlountMartha">Blount, Martha Marie, 1690-1763 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Blount, Martha Marie, 1690-1763 (Library of Congress Name
							Authority)—Martha Marie Blount was a close friend to author <ref
								target="#PopeAlexander">Alexander Pope</ref>, so much so that some
							contemporaries speculated that she was his lover or even secret wife.
							Because her family estate was concentrated on her younger brother, the
							shy, quiet-tempered Martha spent many of her adult years living with her
							more difficult sister Teresa (b. 1688), addressee of <ref
								target="#PopeAlexander">Pope</ref>&apos;s poems &quot;Epistle to
							Miss Blount, with the Works of <ref target="#Voiture"
							>Voiture</ref>&quot; (1710) and &quot;Epistle to Miss Blount, on her
							Leaving the Town after the Coronation&quot; (1714). Blount was also
							cousin to Arabella Fermor, subject of <ref target="#PopeAlexander"
								>Pope</ref>&apos;s <hi rendition="#italics"><title>Rape of the
									Lock</title></hi>. When <ref target="#PopeAlexander">Pope</ref>
							died, he left Martha an inheritance sufficient to enable her for the
							first time to establish a household independent of her sister. [<ref
								target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="Boccaccio">Boccaccio, Giovanni, 1313-1375 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Italian writer, poet, and Renaissance humanist. <hi
								rendition="#italics"><title>The Decameron</title></hi> (1348-1353)
							is his collection of 100 tales that inspired fiction by many subsequent
							writers. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="BoccaliniT">Boccalini, Triano, 1556-1613 (British
							Library)&#8212; </term>
						<gloss>Italian historical and satirical writer who served in various
							government functionary positions. His best known works include <hi
								rendition="#italics"><title>Ragguagli di Parmaso</title></hi>
							(1612), <hi rendition="#italics"><title>Centuria Seconda</title></hi>
							(1613), and the posthumously published <hi rendition="#italics"
									><title>Pietra di Paragone Politico</title></hi> (1615). [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BoiardoMatteo">Boiardo, Matteo Maria, 1440 or 41-1494 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Italian poet Matteo Maria Boiardo was best known for the chivalric
							romance epic, <hi rendition="#italics"><title>L&apos;Orlando
									Innamorato</title></hi> (1495). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Boileau">Boileau Despr&#233;aux, Nicolas, 1636-1711 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Best known for his satires, <hi rendition="#italics"
									><title>epitres</title></hi>, and <hi rendition="#italics"
									><title>L&apos;Art po&#233;tique</title></hi> (1674), French
							poet, satirist, and critic Nicolas Boileau published <hi
								rendition="#italics"><title>Dialogue des H&#233;ros de
								Roman</title></hi> in 1688. His translation of Longinus&apos;s <hi
								rendition="#italics"><title>Peri Hypsous</title></hi> as <hi
								rendition="#italics"><title>Le Trait&#233; du Sublime</title></hi>
							(1674; <hi rendition="#italics"><title>Treatise on the
								Sublime</title></hi>) was followed by <hi rendition="#italics"
									><title>R&#233;flexions critiques sur Longin</title></hi> (1694;
								<hi rendition="#italics"><title>Critical Reflections on
									Longinus</title></hi>), which argued for the necessity of
							classical poetic models. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="BoissyLouis">Boissy, Louis de, 1694-1758 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Successful and prolific French poet, playwright, and satirist. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="BoleynAnne">Anne Boleyn, Queen, consort of <ref
								target="#HenryVIIIKingofEngland">Henry VIII</ref>, King of England,
							1507-1536 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Second wife of <ref target="#HenryVIIIKingofEngland">King Henry
								VIII</ref> and mother of <ref target="#ElizabethIQueenofEngland"
								>Queen Elizabeth I</ref>. While married to his first wife, <ref
								target="#HenryVIIIKingofEngland">Henry VIII</ref> made numerous
							attempts to seduce Boleyn, all of which she refused. The pope&apos;s
							refusal to allow <ref target="#HenryVIIIKingofEngland">Henry</ref> an
							annulment of his marriage with <ref target="#CatherineofAragon"
								>Catherine of Aragon</ref> in favor of marrying Anne Boleyn led to
							England&apos;s break from the Catholic church and the beginning of the
							English Reformation. After Boleyn was unsuccessful in bearing <ref
								target="#HenryVIIIKingofEngland">Henry</ref> a son, <ref
								target="#HenryVIIIKingofEngland">Henry</ref> sought to break from
							the marriage in favor of his mistress, Jane Seymore. <ref
								target="#HenryVIIIKingofEngland">Henry</ref> had Boleyn arrested for
							high treason, and she was beheaded four days later. Historians have
							largely dismissed the charges against her, including adultery, incest,
							and conspiring to kill her husband, as false. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BolingbrokeHenryStJohn">Bolingbroke, Henry St. John, Viscount,
							1678-1751 (Library of Congress Name Authority)&#8212; </term>
						<gloss>As a British Tory politician, philosopher, and political journalist,
							Viscount Bolingbroke famously opposed the Walpole administration.
							Bolingbroke maintained friendships with notable authors including <ref
								target="#PopeAlexander">Alexander Pope</ref> and <ref
								target="#SwiftJonathan">Johnathan Swift</ref>. A prolific writer,
							Bolingbroke was especially known for his histories and political
							journalism, including such publications as <hi rendition="#italics"
									><title>A Dissertation upon Parties</title></hi> (1735); <hi
								rendition="#italics"><title>A Letter on the Spirit of
									Patriotism</title></hi> (1736); <hi rendition="#italics"
									><title>Letters to a Young Nobleman on the Study and Use of
									History</title></hi> (1738); <title><hi rendition="#italics"
									>Idea of a Patriot King</hi></title> (1738); <hi
								rendition="#italics"><title>Remarks on the History of
									England</title></hi> (1743); <hi rendition="#italics"
									><title>Familiar Epistle to the Most Impudent Man
								Living</title></hi> (1749); and <hi rendition="#italics"
									><title>Letters on the Study and Use of History</title></hi>
								(1752).[<ref target="#RD">RD</ref>] [<ref target="#VW">VW</ref>]
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BoothBarton">Booth, Barton, 1681-1733 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>One of the most famous English actors of his time, Booth was a
							successful tragedian and joint-manager of the <ref target="#DruryLane"
								>Theatre Royal, Drury Lane</ref> with <ref target="#CibberColley"
								>Colley Cibber</ref>, Thomas Doggett, and Robert Wilks. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Boreas">Boreas&#8212;</term>
						<gloss>Greek god of the north wind. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BorgiaCesare">Borgia, Cesare, 1476?-1507 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Illegitimate son of Pope Alexander VI, he served in the Italian Wars.
							Though he was able to ascend to power, he was not able to solidify and
							retain it, thus inspiring <ref target="#MachiavelliNiccolo">Niccolo
								Machiavelli</ref> to write <hi rendition="#italics"><title>The
									Prince</title></hi>. [<ref target="#ZP">ZP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BoswellJames">Boswell, James, 1740-1795 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Judge and unsuccessful political aspirant, essayist, poet, and
							critic, but most famous for <hi rendition="#italics"><title>The Life of
										<ref target="#JohnsonSamuel">Samuel Johnson</ref>,
									LL.D</title></hi> (1791), Boswell established the modern
							biographical focus on the intimacies of private character through this
							famous biography and his preface defending his methods. That publication
							was preceded by <hi rendition="#italics"><title>The Journal of a Tour to
									the Hebrides with <ref target="#JohnsonSamuel">Samuel
										Johnson</ref>, LL.D.</title></hi> (1785), which appeared
							shortly after Johnson&apos;s death and aroused reader enthusiasm for a
							portrait that includes personal foibles as well as venerable
							accomplishments. Also notable as a unique combination of biography of
							Pascal Paoli, history, and travel journal, <hi rendition="#italics"
									><title>An Account of Corsica</title></hi> (1768) helped inspire
							British popular support for Corsica&apos;s struggle against French
							domination. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BowlesWilliam">Bowles, William Lisle , 1762-1850 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Author of <hi rendition="#italics"><title>Fourteen
								Sonnets</title></hi> (1789), admired by the major <ref
								target="#LakeSchool">Lake School</ref> authors. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BoydellJohn">Boydell, John, 1719-1804 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> London engraver, publisher, and printseller; the various series he
							sponsored included a gallery of paintings of subjects from <ref
								target="#ShakespeareWilliam">Shakespeare</ref>, which first opened
							in 1789 and expanded in subsequent years. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BoyleRobert">Boyle, Robert, 1627-1691 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Younger brother to <ref target="#OrreryRoger">Roger Boyle, earl of
								Orrery</ref>, Robert Boyle was primarily a scientist. His <hi
								rendition="#italics"><title>Martyrdom of Theodora and of
									Didymus</title></hi> was printed in 1687. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BoyleRoger">Boyle, Roger&#8212; </term>
						<gloss>See <ref target="#OrreryRoger">Orrery, Roger Boyle, Earl of</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BradshaighDorothy">Bradshaigh, Dorothy, Lady, ca. 1708-1785
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>
							<hi rendition="#italics">n&#233;e</hi> Dorothy Bellingham; frequent
							correspondent with <ref target="#RichardsonSamuel">Samuel
								Richardson</ref> and others; sister to <ref
								target="#EchlinElizabeth">Lady Echlin</ref>. She married Sir Roger
							Bradshaigh, 1699-1770 (<hi rendition="#italics"><title>Oxford Dictionary
									of National Biography</title></hi>) in 1731. In her essay on
								<ref target="#RichardsonSamuel">Richardson</ref>, <ref
								target="#BarbauldMrs">Anna Letitia Barbauld</ref> occasionally
							spells the name "Bradshaw." [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BradshawLady">Bradshaw, Lady&#8212; </term>
						<gloss>Appears as an alternate spelling of <ref target="#BradshaighDorothy"
								>Bradshaigh</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BrantSebastian">Brant, Sebastian, 1458-1521 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>German satirist, poet, professor of law, and imperial official.
							Brandt&apos;s <hi rendition="#italics"><title>Das
								Narrenschiff</title></hi> was the most popular literary work of
							fifteenth-century Germany. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="BrentCharlotte">Brent, Charlotte, 1734-1802 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Popular English soprano singer, pupil and mistress of the famous
							composer Thomas Arne, and later wife of violinist Thomas Pinto. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="BretonNicholas">Breton, Nicholas, 1545?-1626? (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English poet and novelist, stepson of <ref target="#GascoigneGeorge"
								>George Gascoigne</ref>. Breton&apos;s prose and verse spanned many
							genres, including satire, romance, religion, and politics. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BrevalJohn">Breval, John, 1680?-1738 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>A miscellaneous writer descended from a protestant French refugee
							family, John Durant Breval dabbled in poetry, history, playwrighting,
							and travel writing. Breval was also engaged in a long-standing quarrel
							with <ref target="#PopeAlexander">Alexander Pope</ref>, both writers
							mercilessly ridiculing one another in multiple publications. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Briareus">Briareus&#8212;</term>
						<gloss>Also called Aegaeon, in Greek mythology, Briareus was one of three
							50-headed, 100-armed brothers, the Hecatoncheires (&quot;hundred&quot;
							and &quot;hands&quot; in Greek), who aided <ref target="#Zeus"
								>Zeus</ref> in his defense against the Titans. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BrookeArthur">Brooke, Arthur, -1563 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English poet best remembered for his <hi rendition="#italics"
									><title>The Tragicall Historye of Romeus and
							Juliet</title></hi>, a narrative poem which became the key source for
								<ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>Romeo and Juliet</title></hi>. The poem
							is a translation and adaptation of the French translation of a story in
								<ref target="#BandelloMatteo">Matteo Bandello</ref>&apos;s <hi
								rendition="#italics"><title>Novelle</title></hi>. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BrookeFrances">Brooke, Frances, 1724?-1789 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Brooke began her literary career with <title><hi
									rendition="#italics">The Old Maid</hi></title> (1755-6), a witty
							essay periodical that she operated under the pseudonym &quot;Mary
							Singleton, Spinster,&quot; and that was reprinted as a single volume in
							1764. This periodical staging interactions between a vivid central
							voice, the perspectives of other contributors (probably fictional), and
							reader correspondence (much of which may also have been fictional), it
							is no surprise that her first full-length literary effort was a drama,
									<title><hi rendition="#italics">Virginia: A Tragedy</hi></title>
							(1756), which she was unable to get staged. Her first two novels
							similarly capitalized on dramatic dialog skills in their epistolary
							form. The first, <title><hi rendition="#italics">The History of Lady
									Julia Mandeville</hi></title> (1763), was issued anonymously. It
							was quite successful, going through multiple editions in its first year.
							Around the time of its publication, Brooke left England, the country
							where she was born and lived her early life, to join her husband, who
							was serving in Canada as part of the British army. <title><hi
									rendition="#italics">The History of Emily Montague</hi></title>
							by &quot;the Author of Lady Julia Mandeville&quot; (1769) capitalizes on
							her Canadian experiences. Though not as successful as her previous
							novel, this one was also well received and is lauded by some as the
							first Canadian novel. A second anonymous Canadian novel, <title><hi
									rendition="#italics">All&apos;s Right at Last</hi></title>
							(1774), has tentatively been attributed to Brooke largely on the basis
							of its subject matter. <title><hi rendition="#italics">The
									Excursion</hi></title> (1777), with its lampoon of actor and
							stage manager <ref target="#GarrickDavid">David Garrick</ref>, followed
							next. At this point Brooke began to achieve some dramatic success with
							stagings of her tragedy <title><hi rendition="#italics">Siege of
									Sinope</hi></title> in 1781, and two comic operas, <title><hi
									rendition="#italics">Rosina</hi></title> in 1782 and <title><hi
									rendition="#italics">Marian</hi></title> in 1788. Her final
							novel, <title><hi rendition="#italics">The History of Charles
									Mandeville</hi></title>, was posthumously published in 1790. In
							addition to her own creative works, Brooke translated several from the
							French, including <hi rendition="#italics"><title>Letters from Juliet
									Lady Catesby</title></hi> (1760), an epistolary novel by <ref
								target="#RiccoboniMarie">Marie Riccoboni</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BrookeHenry">Brooke, Henry, 1703?-1783 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Irish author Henry Brooke published poems, opera, political polemics,
							novels, and plays. Among his most important works, <hi
								rendition="#italics"><title>The Fool of Quality</title></hi>
							(1765-70) and <hi rendition="#italics"><title>Juliet Grenville; or, The
									History of the Human Heart</title></hi> (1774), both novels of
							sensibility, mix that genre with exposition of political principles.
							Though his first and best-remembered play <hi rendition="#italics"
									><title>Gustavus Vasa, the Deliverer of His Country</title></hi>
							(1739) was banned from the stage because of its applicability to English
							politics in its time, he continued to write several other dramas with
							provocative political content. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BrownCharles">Brown, Charles Brockden, 1771-1810 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> As the first professional American author, Brown was known for his
							Gothic novels, especially <hi rendition="#italics"
									><title>Wieland</title></hi> (1798), <hi rendition="#italics"
									><title>Arthur Mervyn</title></hi> (1799), <hi
								rendition="#italics"><title>Ormond</title></hi> (1799), <hi
								rendition="#italics"><title>Edgar Huntly</title></hi> (1799), and
								<hi rendition="#italics"><title>Memoirs of Carwin, the
									Biloquist</title></hi> (1803–1805). Brown edited or operated a
							number of periodicals during his life, including the <hi
								rendition="#italics"><title>Monthly Magazine, and American
									Review</title></hi> (1799-1800), renamed the <hi
								rendition="#italics"><title>American Review, and Literary
									Journal</title></hi> (1801-1802); the <hi rendition="#italics"
									><title>Literary Magazine, and American Register</title></hi>
							(1803-1807); and the <hi rendition="#italics"><title>American Register,
									or General Repository of History, Politics, and
								Science</title></hi> (1807-1809). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BrownJohn">Brown, John, 1715-1766 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>John Brown was an English priest, playwright, and essayist. One of
							his notable plays is <hi rendition="#italics"
								><title>Barbarossa</title></hi> (1754), a tragedy about the
							notorious 15th and 16th century pirate <ref target="#BarbarossaAnuj"
								>Anuj Barbarossa</ref>. [<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BrowneWilliam">Browne, William, 1590-approximately 1645
							(Library of Congress Name Authority)&#8212;</term>
						<gloss> An English pastoral poet with an acute eye for nature, known for his
							long poem <hi rendition="#italics"><title>Britannia&apos;s
									Pastorals</title></hi>, two parts published in 1613 and 1616,
							with a third unfinished part printed posthumously in 1832 (1613-16). Two
							of his poems appeared as well in <title><hi rendition="#italics">The
									Shepheard&apos;s Pipe</hi></title>, a collection of eclogues by
							various authors. [<ref target="#JDP">JDP</ref>] [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item><term xml:id="BrowningElizabeth">Browning, Elizabeth Barrett, 1806-1861
							(Library of Congress Name Authority)&#8212;</term>
						<gloss> As one of the most accomplished poets of nineteenth-century Britain,
							Elizabeth Barrett was proposed as a possible successor to <ref
								target="#WordsworthWilliam">William Wordsworth</ref> as poet
							laureate. Barrett enjoyed a physically active and intellectually
							vigorous childhood. Under the guidance of her brother Edward&apos;s
							tutor and the family&apos;s neighbor, classicist Hugh Stuart Boyd, she
							studied Greek, Latin, Hebrew, and several modern continental languages,
							becoming deeply versed in these literatures and eventually producing
							several translations from Greek poetry, including one of <ref
								target="#Aeschylus">Aeschylus</ref>&apos;s <hi rendition="#italics"
									><title>Prometheus Bound</title></hi>, first published in 1833.
							She began writing poetry as a very young child, and by fourteen had
							penned <hi rendition="#italics"><title>The Battle of
								Marathon</title></hi> (1820), which her father had privately
							printed. By age fifteen she was publishing publicly as well, two of her
							poems appearing anonymously in the <hi rendition="#italics"><title>New
									Monthly Magazine</title></hi>. That same year Elizabeth Barrett
							and several of her siblings fell ill of an uncertain disorder that may
							have been either tuberculosis of the spine or bronchitis. Sent to a spa
							for treatment, she returned an invalid under physician&apos;s orders to
							avoid intellectually strenuous pursuits. Nevertheless, she continued to
							read, study, and write, producing <hi rendition="#italics"><title>An
									Essay on the Mind</title></hi> (1826) as well as several shorter
							poems by age 20. Despite her poetic success, the next decade brought her
							several crushing losses and a dangerous intensification of her illness:
							the unexpected death of her much-loved mother in 1828, the loss of the
							family home, and, in 1838 a hemorrhage of her lungs which forced her to
							a spa on England&apos;s south coast, where she spent the next three
							years, and where her brother Edward, with whom she was exceptionally
							close, drowned in 1840. By the time she returned to London in 1841,
							again under orders to avoid intellectual stimulation, both her physical
							and emotional health seemed irretrievably broken. Yet her poetry
							appeared regularly in periodicals and popular gift annuals, and <hi
								rendition="#italics"><title>The Seraphim, and Other
								Poems</title></hi> was published in 1838. Despite her illness, too,
							when Barrett returned to London she enjoyed a widening circle of
							literary and artistic acquaintances, including <ref
								target="#WordsworthWilliam">William Wordsworth</ref>, Walter Savage
							Landor, Mary Russell Mitford, art critic <ref target="#JamesonAnna">Anna
								Jameson</ref>, and painter Benjamin Robert Hayden. Her second volume
							of poetry, <hi rendition="#italics"><title>Poems</title></hi> (1844),
							established her beyond question as a significant poet. It also brought
							her a warm letter from Robert Browning, initiating a passionate
							courtship that culminated, because of her father&apos;s fervent
							opposition to her marriage, in the couple&apos;s elopement and departure
							for Italy in 1846. During their courtship, Elizabeth composed the
							sonnets collected as <hi rendition="#italics"><title>Sonnets from the
									Portuguese</title></hi>, which appeared in an expanded 1850
							edition of <hi rendition="#italics"><title>Poems</title></hi>. Under the
							influence of a more active life and the genial Italian climate,
							Elizabeth&apos;s health improved dramatically. She continued to publish,
							with <hi rendition="#italics"><title>Casa Guidi Windows</title></hi>
							(1851), her response to the Italian struggle for independence the next
							major work to appear. Her epic poem <hi rendition="#italics"
									><title>Aurora Leigh</title></hi> (1856) details the maturation
							and career of a fictional female poet, and is often compared to <ref
								target="#WordsworthWilliam">William Wordsworth</ref>&apos;s
							autobiographical epic, <hi rendition="#italics"><title>The
									Prelude</title></hi> (1850). Strong in its criticism of
							Victorian social mores, particularly the restrictive attitudes toward
							women, the poem scandalized many critics, but enjoyed immediate public
							success. Her last volume to be published in her lifetime, <hi
								rendition="#italics"><title>Poems before Congress</title></hi>
							(1860), returns to the subject of Italian politics. Having enjoyed a
							period of relatively good health after her marriage, Elizabeth Barrett
							Browning&apos;s health again began to deteriorate, and in 1861 a rupture
							in her lungs proved fatal. She left behind a body of work that
							contemporaries praised as placing her at the apex of female poetic
							tradition and even her detractors recognized for its combination of
							sensitivity and intellectual depth. [<ref target="#MW"
						>MW</ref>]</gloss></item>
					<item>
						<term xml:id="BruceJames">Bruce, James, 1730-1794 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>A Scottish explorer who discovered the source of the Blue Nile in
							1770. His five volume <hi rendition="#italics"><title>Travels to
									Discover the Sources of the Nile, in the Years
								1768–73</title></hi> was published in 1790. [<ref target="#VW"
								>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BrumoyPierre">Brumoy, Pierre, 1688-1742 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>French Jesuit historian, classicist, and man of letters. His analyses
							of Greek dramas in <hi rendition="#italics"><title>Le Th&#233;&#226;tre
									des Grecs</title></hi> (1730) were especially esteemed. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BrutusMarcus">Brutus, Marcus Junius, 85?-42 B.C. (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A notable orator and high-ranking Roman politician, Brutus became a
							leader in the successful assassination plot against <ref
								target="#CaesarJulius">Julius Caesar</ref> after <ref
								target="#CaesarJulius">Caesar</ref> declared his divinity and named
							himself permanent dictator. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BryanFrancis">Bryan, Francis, Sir, -1550 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Poet, courtier, favorite of <ref target="#HenryVIIIKingofEngland"
								>Henry VIII</ref>, and friend of <ref target="#WyattThomas">Sir
								Thomas Wyatt</ref>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="BuccleuchAnneScott">Buccleuch, Anne Scott, Duchess of,
							1651-1732 (Library of Congress Name Authority)&#8212;</term>
						<gloss>A wealthy Scottish peeress, Anne Scott was 1<hi rendition="#sup"
								>st</hi> Duchess of Buccleuch and Duchess of Monmouth through her
							marriage to <ref target="#MonmouthJamesScott">James Scott</ref>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="BuchananGeorge">Buchanan, George, 1506-1582 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>A satirical poet and eventually preceptor to <ref
								target="#JamesIKingofEngland">James I of England</ref> (James VI of
							Scotland), Buchanan spent seven months of his life imprisoned in a
							Portuguese monastery for his advocacy of Lutheranism. An incident from
							Buchanan&apos;s <title><hi rendition="#italics">Rerum Scoticarvm
									Historia</hi></title>, published posthumously in 1582, was the
							inspiration for <ref target="#SmollettTobias">Tobias
							Smollett</ref>&apos;s unsuccessful play <title><hi rendition="#italics"
									>The Regicide</hi></title> (1749). [<ref target="#VW">VW</ref>],
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BudgellEustace">Budgell, Eustace, 1686-1737 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A cousin of <ref target="#AddisonJoseph">Joseph Addison</ref> and a
							contributor to the <hi rendition="#italics"
								><title>Spectator</title></hi>, the <hi rendition="#italics"
									><title>Guardian</title></hi>, and probably the <hi
								rendition="#italics"><title>Tatler</title></hi>, Budgell also
							authored his own periodical, the <hi rendition="#italics"
									><title>Bee</title></hi>. He was one of the figures satirized in
								<ref target="#PopeAlexander">Alexander Pope</ref>&apos;s <hi
								rendition="#italics"><title>Dunciad</title></hi> (1728). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BuffonGeorges">Buffon, Georges Louis Lecler, comte de,
							1707-1788 (Library of Congress Name Authority)&#8212; </term>
						<gloss>A French naturalist and author, he dedicated the majority of his life
							to the forty-four volume <title><hi rendition="#italics">Histoire
									Naturelle</hi></title> (1749-1804). [<ref target="#VW"
							>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BullJohn">Bull, John&#8212; </term>
						<gloss>See <ref target="#JohnBull">John Bull</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="BulwerEdwardLytton">Bulwer, Edward Lytton, 1803-1873
							(Library of Congress Name Authority)&#8212;</term>
						<gloss> A prolific English novelist and dramatist known for his popular and
							diverse novels and plays, Bulwer-Lytton wrote in a variety of genres
							from history and mystery, to romance, science fiction, horror, and the
							occult. Bulwer-Lytton was also a member of Parliament, serving two
							non-consecutive terms (first as a reformer, then returning after 11
							years as a Conservative) before being appointed colonial secretary in
							1858. His personal life became notorious after an acrimonious divorce,
							followed by his ex-wife <ref target="#LyttonRosinaBulwer"
							>Rosina</ref>&apos;s publication of her thinly fictionalized <hi
								rendition="#italics"><title>Cheveley, or the Man of
								Honour</title></hi> (1839), a bitter satire of her ex-husband&apos;s
							infidelities. Bulwer&apos;s literary career began while he was still at
							Cambridge with the award of the Chancellor&apos;s Prize for his poem
									<title><hi rendition="#italics">Sculpture</hi></title>. His
							early works, novels of manners like <hi rendition="#italics"
									><title>Pelham; or, The Adventures of a Gentleman</title></hi>
							(1828) and <hi rendition="#italics"><title>Paul Clifford</title></hi>
							(1830), are said to be influenced by his friendship with <ref
								target="#GodwinWilliam">William Godwin</ref>. He is best known for
							historical novels like <hi rendition="#italics"><title>The Last Days of
									Pompeii</title></hi> (1834) and <hi rendition="#italics"
									><title>Rienzi, the Last of the Roman Tribunes</title></hi>
							(1835); a series of domestic novels starting with <hi
								rendition="#italics"><title>The Caxtons: A Family
								Picture</title></hi> (1849); his utopian novel, <hi
								rendition="#italics"><title>The Coming Race</title></hi> (1871); and
							his plays, <hi rendition="#italics"><title>The Lady of
								Lyons</title></hi> (1838), <hi rendition="#italics"
									><title>Richelieu</title></hi> (1839), and <hi
								rendition="#italics"><title>Money</title></hi> (1840). The following
							list of his other publications is not exhaustive, but covers most of his
							novels as well as several other notable works. These include <hi
								rendition="#italics"><title>Falkland</title></hi> (1827); <hi
								rendition="#italics"><title>O&apos;Neill; or, The Rebel</title></hi>
							(1827); <hi rendition="#italics"><title>The Disowned</title></hi>
							(1828); <hi rendition="#italics"><title>Devereux: A Tale</title></hi>
							(1829); <hi rendition="#italics"><title>The Siamese Twins: A Satirical
									Tale of the Times</title></hi> (1831); <hi rendition="#italics"
									><title>Eugene Aram: A Tale</title></hi> (1832); <hi
								rendition="#italics"><title>England and the English</title></hi>
							(1833); <hi rendition="#italics"><title>Godolphin: A Novel</title></hi>
							(1833); <hi rendition="#italics"><title>Ernest Maltravers</title></hi>
							(1837); <hi rendition="#italics"><title>Alice; or, The Mysteries: A
									Sequel to "Ernest Maltravers"</title></hi> (1838); <hi
								rendition="#italics"><title>Night and Morning</title></hi> (1841);
								<hi rendition="#italics"><title>Zanoni</title></hi> (1842); <hi
								rendition="#italics"><title>The Last of the Barons</title></hi>
							(1843); <hi rendition="#italics"><title>Lucretia; or, The Children of
									Night</title></hi> (1846); <hi rendition="#italics"
									><title>Harold, the Last of the Saxon Kings</title></hi> (1848);
								<hi rendition="#italics"><title>King Arthur: An Epic
								Poem</title></hi> (1849); <hi rendition="#italics"><title>What Will
									He Do With It? by Pisistratus Caxton</title></hi> (1858); <hi
								rendition="#italics"><title>A Strange Story</title></hi> (1862); <hi
								rendition="#italics"><title>The Parisians</title></hi> (1873); and
								<hi rendition="#italics"><title>Kenelm Chillingly: His Adventures
									and Opinions</title></hi> (1873). [<ref target="#KI">KI</ref>]
							and [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BunyanJohn">Bunyan, John, 1628-1688 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Allegorical author and sometime preacher, Bunyan produced among his
							more important works <hi rendition="#italics"><title>Grace Abounding to
									the Chief of Sinners</title></hi> (1666), <hi
								rendition="#italics"><title>The Pilgrim&apos;s Progress</title></hi>
							(1678), and <hi rendition="#italics"><title>The Life and Death of Mr
									Badman</title></hi> (1680). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BurghHubert">Burgh, Hubert de, -1243 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>A powerful political figure, Hubert de Burgh, 1<hi rendition="#sup"
								>st</hi> Earl of Kent, served as an ambassador and sheriff under
								<ref target="#JohnKingofEngland">King John</ref> before his
							promotion to Chief Justiciar of England and Ireland, a position he held
							during the reigns of <ref target="#JohnKingofEngland">King John</ref>
							and successor Henry III. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BurgoyneJohn">Burgoyne, John, 1722-1792 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>John Burgoyne was a British general, as well as a popular playwright.
							As a soldier, he took part in the Seven Years’ War as well as the
							American Revolution. Burgoyne fought in several Canadian battles during
							the Revolutionary War, and he led an ultimately ill-fated excursion to
							cut off the New England colonies from the southern colonies. The
							excursion resulted in Burgoyne surrendering, bringing him back to
							England in dishonor. Burgoyne saw success as a dramatist, having written
							several plays, the most notable of which were <hi rendition="#italics"
									><title>The Maid of the Oaks</title></hi> (1774) and <hi
								rendition="#italics"><title>The Heiress</title></hi> (1786). [<ref
								target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BurkeEdmund">Burke, Edmund, 1729-1797 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Statesman, philosopher, historian, and sometime poet, Irish-born
							Edmund Burke is by far the most articulate representative of the
							conservative perspective on the French Revolution. His <hi
								rendition="#italics"><title>Reflections on the Revolution in
									France</title></hi> (1790) responds critically to a
							pro-revolution sermon by Rev. <ref target="#PriceRichard">Richard
								Price</ref> by castigating the French for their failure to respect
							historically sanctioned traditional government and private property.
							Burke also made a landmark contribution to eighteenth-century aesthetic
							discourse with <hi rendition="#italics"><title>A Philosophical Enquiry
									into the Origin of our Ideas of the Sublime and
									Beautiful</title></hi> (1757). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="BurnetThomas">Burnet, Thomas, Sir, 1694-1753 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English barrister, judge, poet, essayist, and wit. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="BurneyCharles">Burney, Charles, 1726-1814 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Musician, composer, and highly respected musicologist; father of
							novelist <ref target="#BurneyFanny">Fanny Burney</ref>. A contributor to
								<hi rendition="#italics"><title>The Cyclopedia; or, Universal
									Dictionary of Arts, Sciences, and Literature</title></hi>
							(1802-1819), Burney authored and translated a number of other works on
							music, musicians, and music history, the most important of which include
								<hi rendition="#italics"><title>The Present State of Music in France
									and Italy</title></hi> (1771), <hi rendition="#italics"
									><title>The Present State of Music in Germany, the
								</title></hi><hi rendition="#italics"><title>Netherlands, and the
									United Provinces</title></hi> (1773), and <hi
								rendition="#italics"><title>A General History of Music, From the
									Earliest Ages to the Present Period</title></hi> (1776-1789).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BurneyFanny">Burney, Fanny, 1752-1840 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A well loved novelist, Fanny (or Frances) Burney authored <hi
								rendition="#italics"><title>Evelina; or, A Young Lady&apos;s
									Entrance into the World</title></hi> (1778), <hi
								rendition="#italics"><title>Cecilia; or, Memoirs of an
									Heiress</title></hi> (1782), <hi rendition="#italics"
									><title>Camilla; or, A Picture of Youth</title></hi> (1796), and
								<hi rendition="#italics"><title>The Wanderer; or, Female
									Difficulties</title></hi> (1814). She also wrote <hi
								rendition="#italics"><title>Memoirs of Dr. Burney</title></hi>
							(1832) about her father, <ref target="#BurneyCharles">Charles
								Burney</ref>, a musician, composer, and highly respected
							musicologist. After serving some years in the British court as an
							attendant on Queen Charlotte, Fanny Burney became Madame D&apos;Arblay
							through her marriage to the &#233;migr&#233; French officer <ref
								target="#ArblayGen">Alexandre D&apos;Arblay</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BurnsGilbert">Burns, Gilbert 1760?-1827 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Gilbert and his brother, poet <ref target="#BurnsRobert"><name>Robert
									Burns</name></ref>, took a joint lease of their father&apos;s
							farm at Mossgiel near Mauchline, Scotland where they both worked as
							farmers. Gilbert wrote letters to various people in his lifetime, which
							have served in uncovering the life of his famous brother. [<ref
								target="#VS">VS</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BurnsRobert">Burns, Robert, 1759-1796 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Scottish poet and collector of rural and traditional songs, Burns
							was sometimes known as the Ploughman Poet for his vocation as a farmer
							and his depictions of rural life. Much of his work is written in his
							native Scots. Though admired by many of his contemporaries, Burns was
							continually dogged by financial strains. His <hi rendition="#italics"
									><title>Poems, Chiefly in the Scottish Dialect</title></hi>
							(1786) was repeatedly reissued in enlarged editions. He is also credited
							with collecting and editing the song collection <hi rendition="#italics"
									><title>The Merry Muses of Caledonia: A Collection of Favorite
									Scots Songs</title></hi> (c. 1800). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="BurtonRobert">Burton, Robert, 1577-1640 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Along with aspiring to summarize everything that had ever been
							written about melancholy, Burton&apos;s widely admired<hi
								rendition="#italics"><title> Anatomy of Melancholy</title></hi>
							(1621) contains a rich trove of legendary love stories. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="BuskMary">Busk, M. M. (Library of Congress Name
							Authority)&#8212;</term><gloss>Born in London in 1779 as Mary Margaret
							Blair, this author, translator, and journalist was educated by her
							mother, with possible assistance from masters. In addition to history,
							composition, and a seemingly unusual understanding of the sciences, she
							developed proficiency in French, Italian, Latin, Dutch, German, and
							Spanish. Her father was a successful non-conformist businessman with an
							inclination to gamble, connected with many of the leading intellectuals
							of the day, and Mary Margaret was exposed to their conversation, another
							probable informal source of education. She married barrister William
							Busk (1769-1849) in 1796. William was initially prosperous, but after
							some losses sustained in an expensive and unsuccessful parliamentary
							election campaign, he was insolvent, and Mary Margaret turned to writing
							for remuneration, publishing for the first time when she was in her 40s.
							Family connections to <hi rendition="#italics"><title>Blackwood&apos;s
									Edinburgh Magazine</title></hi> enabled her to break into
							periodical work, initially anonymously, but soon she began negotiating
							with periodical editors under her own name. She contributed a large
							number of articles to each of the <hi rendition="#italics"
									><title>Foreign Quarterly Review</title></hi>, <hi
								rendition="#italics"><title>Blackwood&apos;s Edinburgh
									Magazine</title></hi>, and the <hi rendition="#italics"
									><title>Athenaeum</title></hi>, as well as perhaps a few
							contributions to other periodicals, theorizing about and reviewing
							literature in all the languages in which she had facility. Her work
							offers a substantial contribution to familiarizing British audiences
							with a broad range of foreign literature. In addition to her reviewing
							work, she authored poems, plays, tales, and histories. Some of her more
							noteworthy publications include the novel <hi rendition="#italics"
									><title>Zeal and Experience</title></hi> (1819); <hi
								rendition="#italics"><title>Tales of Fault and Feeling</title></hi>
							(1825); <hi rendition="#italics"><title>History of Spain and
									Portugal</title></hi> (1833); <hi rendition="#italics"
									><title>Plays and Poems</title></hi> (1837); <hi
								rendition="#italics"><title>Biographical Sketches European and
									Asiatic</title></hi> (1847), intended for children; and <hi
								rendition="#italics"><title>Mediaeval Popes, Emperors, Kings, and
									Crusaders, or, Germany, Italy, and Palestine, from a.d. 1125 to
									a.d. 1268</title></hi>, a work in four volumes (1854-1856). Busk
							died in 1863. [<ref target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="StuartJohn">Bute, John Stuart, Earl of, 1713-1792 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>British politician and tutor to <ref
								target="#GeorgeIIIKingofGreatBritain">King George III</ref>. [<ref
								target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ButlerEleanorLady">Butler, Eleanor, Lady, 1739-1829 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Irish noblewoman, known as one of the &quot;Ladies of
							Llangollen&quot;. With <ref target="#PonsonbySarah">Sarah
							Ponsonby</ref>, the subject of <ref target="#WordsworthWilliam">William
								Wordsworth</ref>&apos;s sonnet &quot;<title>To the Lady E.B. and the
								Hon. Miss P.</title>&quot;. She and <ref target="#PonsonbySarah"
								>Ponsonby</ref> left conventional marriages to move to Llangollen in
							Wales and cohabitate, fascinating and scandalizing contemporaries by
							wearing men&apos;s clothing. Though many observers believed that the two
							were a sexual couple, diary evidence suggests that may not have been the
							case. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ButlerSamuel">Butler, Samuel, 1612-1680 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Poet and satirist, Butler is best remembered for <hi
								rendition="#italics"><title>Hudibras</title></hi> (1663-4), a
							political satire of Puritan fanaticism and hypocrisy. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ByromJohn">Byrom, John, 1692-1763 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Poet, shorthand innovator and instructor, and contributor to <ref
								target="#AddisonJoseph">Joseph Addison</ref>&apos;s <hi
								rendition="#italics"><title>Spectator</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ByronGeorge">Byron, George Gordon Byron, Baron, 1788-1824
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> A phenomenally popular author also known for his flamboyant and
							scandalous personal life, Lord Byron produced so much noteworthy work
							that a complete list is impossible in a short note. Highlights include
								<hi rendition="#italics"><title>English Bards, and Scotch
									Reviewers</title></hi> (1809), <hi rendition="#italics"
									><title>Childe Harold&apos;s Pilgrimage </title></hi>(1812-19),
								<hi rendition="#italics"><title>The Giaour</title></hi> (1813), <hi
								rendition="#italics"><title>The Bride of Abydos </title></hi>(1813),
								<hi rendition="#italics"><title>The Corsair </title></hi>(1814), <hi
								rendition="#italics"><title>Lara</title></hi> (1814), <hi
								rendition="#italics"><title>Hebrew Melodies</title></hi> (1815), <hi
								rendition="#italics"><title>The Prisoner of Chillon, and Other
									Poems</title></hi> (1816), <hi rendition="#italics"
									><title>Manfred</title></hi> (1817), <hi rendition="#italics"
									><title>Beppo </title></hi>(1818), and <hi rendition="#italics"
									><title>Don Juan</title></hi> (1819-24). While assisting in the
							Greek struggle for independence from Turkish domination, Byron died of
							fever in Missolonghi. Proclaimed a national hero, to this day he
							symbolizes for many Greeks the embodiment of resistance to oppression.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HarrietByron">Harriet Byron&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>History of Sir
									Charles Grandison</title></hi> (1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CaesarAugustus">Augustus, Emperor of Rome, 63 B.C.-14 A.D.
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>First Roman Emperor following the demise of the republic that had
							been destroyed by the dictatorship of <ref target="#CaesarJulius">Julius
								Caesar</ref>, Augustus&apos;s great-uncle and adoptive father.
							Considered as one of the greatest Roman Emperors, Augustus&apos;s reign
							was characterized by relative peace and prosperity. Hence, Latin
							literature flourished during the Augustan Age, with writers inspired by
							the peace they enjoyed as well as their ruler who secured it. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CaesarJulius">Caesar, Julius [n.d.] (Library of Congress Name
							Authority); 100 B.C.-44 B.C. (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212; </term>
						<gloss> Roman general, statesman, member of the First Triumvirate, and
							eventually sole dictator, assassinated on the Ides of March. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CagliostroAlessandro">Cagliostro, Alessandro, conte di,
							1743-1795 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Medium, magician, and psychic healer Count Cagliostro enjoyed a
							number of years as a sensation in the fashionable circles of
							eighteenth-century Europe until his wife denounced him to the
							Inquisition. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Caliban">Caliban&#8212;</term>
						<gloss>The half-human, half-monster son of the banished witch Sycorax in
								<ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>The Tempest</title></hi>, one of the
							only Shakespearean figures to come to have its own literary existence
							outside of the work for which it was created. Caliban&apos;s mother dies
							shortly before the arrival of <ref target="#Prospero">Prospero</ref>,
							the rightful Duke of Milan, and Caliban&apos;s subsequent enslavement.
							Caliban worships Setebos, the entity he believes to be his mother&apos;s
							god, and appeals to her powers to free him from <ref target="#Prospero"
								>Prospero</ref>&apos;s torment. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="LaCalprenede">La Calpren&#232;de, Gaultier de Coste, seigneur
							de, d. 1663 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Calpren&#232;de was known along with d&apos;Urf&#233; and
							Scud&#233;ry for promoting literary and cultural aesthetics of delicate
							refinement exalting chivalric virtues partly through long works of
							romance fiction that constitute the most significant examples of the <hi
								rendition="#italics">Roman de longue haleine</hi>, literally the
							&quot;long-winded novel.&quot; His most popular works in that genre
							include <hi rendition="#italics"><title>Cassandre</title></hi>
							(1642-45), which stretched to ten volumes and was translated into
							English as <hi rendition="#italics"><title>Cassandra, the Fam&apos;d
									Romance</title></hi> (1652), and <hi rendition="#italics"
									><title>Cl&#233;op&#226;tre</title></hi> (1646-57), a twelve
							volume work, translated as <hi rendition="#italics"><title>Hymen&apos;s
									Praeludia, or Love&apos;s Masterpiece</title></hi> (1665). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CalvinJean">Calvin, Jean, 1509-1564 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> French theologian and Protestant reformer responsible for the
							doctrine known as Calvinism. After publishing his <hi
								rendition="#italics"><title>Institution de la religion</title></hi>
							in 1536, he moved to Geneva, where he published sermons, commentaries,
							and letters developing and refining the doctrine of predestination, sin,
							and grace. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CambridgeRichard">Cambridge, Richard Owen, 1717-1802 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> The best known work of this poet is <hi rendition="#italics"
									><title>The Scribleriad</title></hi> (1751). He contributed to
							the <hi rendition="#italics"><title>World</title></hi> between 1753 and
							1756. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CamdenWilliam">Camden, William, 1551-1623 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English antiquary, topographer, and king-of-arms. Camden is best
							remembered for his <hi rendition="#italics"
								><title>Britannia</title></hi> (1586), a pioneering topographical
							survey of Great Britain, and <hi rendition="#italics"
									><title>Annales</title></hi> (1615), the first detailed account
							of the reign of <ref target="#ElizabethIQueenofEngland">Queen
								Elizabeth</ref>, which became the basis for most later accounts of
								<ref target="#ElizabethIQueenofEngland">Elizabeth</ref>&apos;s
							reign. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CampbellElizabeth">Argyll, Elizabeth Campbell, Duchess of,
							1659-1735 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Born Elizabeth Gunning, Elizabeth married James Hamilton, sixth duke
							of Hamilton, in 1752. After his death in 1758 she married a professional
							soldier, John Campbell, who succeeded to his father’s title of Duke of
							Argyll. Elizabeth served for over two decades as lady in waiting to
							Queen Charlotte, wife of George III, for which services she was honored
							in 1776 with the title 1st Baroness Hamilton of Hameldon <hi
								rendition="#italics">suo jure</hi>. [<ref target="#RD">RD</ref>]
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CampbellThomas"> Campbell, Thomas, 1777-1844 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>A Scottish romantic poet, biographer, historian, literary critic,
							and, from 1821-1830, editor of <hi rendition="#italics"><title>New
									Monthly Magazine and Literary Journal</title></hi>, Thomas
							Campbell was recognized most widely for the poem <hi
								rendition="#italics">The Pleasures of Hope</hi> (1799) and the
							seven-volume survey of canon poets <hi rendition="#italics">Specimens of
								the British Poets</hi> (1819). [<ref target="#VS">VS</ref>] and
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Camuccini">Camuccini, Vincenzo, 1771-1844 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Prominent Roman painter of classical and clerical subjects. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CanningElizabeth">Canning, Elizabeth, 1734-1773 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Disappearing on Jan 1, 1753, Canning reemerged after 28 days with
							allegations that she had been abducted and held prisoner in a failed
							attempt to coerce her to become a prostitute. As Justice of the Peace
							for Middlesex and Westminster, <ref target="#FieldingHenry">Henry
								Fielding</ref> heard Canning&apos;s accusations, and convinced of
							her veracity, Fielding issued a warrant for her abusers’ arrest.
							Subsequent recanting by some witnesses left Canning accused of perjury
							and unleashed a flood of accounts, accusations, and counteraccusations
							in the popular press, including John Hill’s <title><hi
									rendition="#italics">The Story of Elizabeth Canning
									Considered</hi></title> (1753). In 1754, despite fairly evenly
							divided opinion among both the public and the court, Canning was
							convicted of perjury and transported to Wethersfield, Connecticut, where
							she met and married John Treat, had a family, and lived the remainder of
							her life. The case has continued to draw adherents on both sides of the
							question of Canning&apos;s guilt into the 20th century. [<ref
								target="#RD">RD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CanningGeorge">Canning, George, 1770-1827 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Canning had been a conservative British politician since the early
							1790s, serving, among other posts, as foreign minister before rising to
							Prime Minister in April 1827. In addition to his memorable political
							speeches, Mr. Canning wrote for both the <title><hi rendition="#italics"
										><ref target="#AntiJacobin">Anti-Jacobin
								Review</ref></hi></title>, which he co-founded, and the <title><hi
									rendition="#italics"><ref target="#QuarterlyReview">Quarterly
										Review</ref></hi></title>. His health failed soon after his
							Prime Minister appointment, and he died in August of the same year.
								[<ref target="#KI">KI</ref> and <ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Camoes">Cam&#245;es, Lu&#237;s de, 1524?-1580 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>As the author of the epic poem <hi rendition="#italics">Os
								Lus&#237;adas</hi> (1572), Cam&#245;es is regarded as
							Portugal&apos;s great national poet. The poem describes the Portuguese
							explorer Vasco da Gama&apos;s discovery of the sea route to India. Some
							of its details may have been partly based on Cam&#245;es&apos;s own
							travels in the east. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="CanovaAntonio">Canova, Antonio, 1757-1822 (Library of
							Congress Name Authority)&#8212;</term><gloss> An Italian neoclassical
							sculptor. [<ref target="#JDP">JDP</ref>]</gloss></item>
					<item>
						<term xml:id="CapocciErnesto">Di Belmonte, E. C. (Ernesto Capocci),
							1798-1864 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Italian author, astronomer, mathematician, and politician. Capocci
							published his fiction under the name &quot;Belmonte&quot; to avoid
							damaging his reputation as a professional. Under this name he published
							his historical novel <hi rendition="#italics"><title>Il primo
									vicer&#232; di Napoli</title></hi> in 1837. He also authored a
							science fiction novella called <hi rendition="#italics"><title>Relazione
									del viaggio alla Luna fatto da una donna nell&apos;anno di
									grazia 2057</title></hi> (<hi rendition="#italics"><title>Report
									of the Trip to the Moon done by a Woman in the Year of our Lord
									2057</title></hi>) [<ref target="#LD">LD</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="CaponiJacopo">Caponi, Jacopo, 1832-1909 (Library of Congress
							Name Authority)&#8212;</term><gloss>Italian writer and journalist. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="CapponiGino">Capponi, Gino, 1792-1876 (Library of Congress
							Name Authority)&#8212;</term><gloss>A wealthy Italian statesman,
							historian, Catholic liberal, and influential figure in the Italian
							Unification movement, Gino Capponi&apos;s salon in Florence was said to
							be a hub for leading European liberals. Capponi founded two periodicals,
								<hi rendition="#italics"><title>L&apos;Antologia</title></hi>
							(&quot;Anthology&quot;) and <hi rendition="#italics"><title>Archivio
									storico italiano</title></hi> (&quot;Italian Historical
							Review&quot;), as well as his 1875 masterpiece, <hi rendition="#italics"
									><title>Storia della repubblica di Firenze</title></hi>
							(&quot;History of the Republic of Florence&quot;). [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Caravaggio">Caravaggio, Michelangelo Merisi da, 1573-1610
							&#8212; </term>
						<gloss>Italian painter whose intensely chiaroscuro effects inspired the
							development of tenebrism, where such dramatic lighting dominates the
							style. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CarewThomas">Carew, Thomas, 1595?-1639? (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English poet and one of the most famous members of the Cavalier
							group. Carew&apos;s poems were admired for their mastery of mood,
							imagery, and language. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CareyHenry">Carey, Henry, 1687?-1743 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English poet, playwright, songwriter, patriot, and anti-<ref
								target="#WalpoleHorace">Walpolean</ref> satirist. Carey is best
							remembered for his ballads, particularly &quot;<title>Sally in our
								Alley.</title>&quot; [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CarlyleAlexander">Carlyle, Alexander, 1722-1805 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Scottish churchman, memoirist, and political commentator. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CarlyleThomas">Carlyle, Thomas, 1795-1881 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Carlyle&apos;s humorous, idiosyncratic <hi rendition="#italics"
									><title>Sartor Resartus</title></hi> (1836) presents spiritual
							and philosophical reflections in the form of a biography of the
							fictional professor Diogenes Teufelsdröckh. <hi rendition="#italics"
									><title>The French Revolution</title></hi> (1837) offered a
							dramatic reassessment of recent historical events that presented the
							revolution as an inevitable consequence of bad government. <hi
								rendition="#italics"><title>On Heroes, Hero-Worship &amp; the Heroic
									in History</title></hi> (1841) argues that idolization of
							charismatic heroes is the foundation of all loyalties. Both <hi
								rendition="#italics"><title>Chartism</title></hi> (1839) and <hi
								rendition="#italics"><title>Past and Present</title></hi> (1843)
							discuss the chartist movement, the latter by contrasting the current
							situation with that in the middle ages. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="CaroAnnibal">Caro, Annibal, 1507-1566 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss> Roman poet, translator, and critic whose notable works include <hi
								rendition="#italics"><title>Gli Straccioni</title></hi> (1544), a
							translation of Virgil&apos;s <hi rendition="#italics">Aeneid</hi>
							(1581), and, posthumously, <hi rendition="#italics">Lettere
								familiare</hi> (1572-74). [<ref target="#ZP"
						>ZP</ref>]</gloss></item>
					<item><term xml:id="CarolineofAnsbach">Caroline, Queen, consort of <ref
								target="#GeorgeIIKingofGreatBritain">George II, King of Great
								Britain</ref>, 1683-1737 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Caroline of Brandenburg-Ansbach was the German-born wife of <ref
								target="#GeorgeIIKingofGreatBritain">King George II</ref>. As the
							beautiful and intelligent Queen consort, Caroline was said to have had
							much influence over her husband and his court. She is considered
							responsible for establishing <ref target="#WalpoleRobert">Sir Robert
								Walpole</ref> as prime minister. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="CarterElizabeth">Carter, Elizabeth, 1717-1806 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A well regarded poet and member of <ref
								target="#MontaguMrsElizabeth">Elizabeth Montagu</ref>&apos;s
							Bluestocking Circle, Carter was also regarded as one of
							eighteenth-century Britain&apos;s leading female intellectuals for her
							translation, <hi rendition="#italics"><title>All the Works of Epictetus,
									Which Are Now Extant</title></hi> (1758), a milestone in the
							learned achievements of women. The first publication of her collected
							verse appeared as <hi rendition="#italics"><title>Poems upon Particular
									Occasions</title></hi> (1738). The subsequent <hi
								rendition="#italics"><title>Poems on Several Occasions</title></hi>
							came out in 1762 and was subsequently reprinted in an enlarged edition.
							She also edited the works of her friend and correspondent <ref
								target="#TalbotCatherine">Catherine Talbot</ref> in <hi
								rendition="#italics"><title>The Works of the Late Mrs. Catherine
									Talbot</title></hi> (1780). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="CartwrightWilliam">Cartwright, William, 1611-1643 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English poet, playwright, scholar, and preacher. Cartwright was a
							member of the literary group &quot;Sons of <ref target="#JonsonBen"
								>Ben</ref>,&quot; though his poor imitations of <ref
								target="#JonsonBen">Jonson</ref> have put the legitimacy of this
							status into question. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CaryllJohn">Caryll, John, 1667-1736 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Second Jacobite Baron Caryll of Dunford and friend of <ref
								target="#PopeAlexander">Alexander Pope</ref>, deemed "John Caryll
							the Younger." [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CassandraGreek">Cassandra&#8212; </term>
						<gloss>In Greek mythology, the visionary daughter of King Priam of Troy was
							condemned by the god Apollo to prophesy but never be believed. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CassandraCalprenede">Cassandra&#8212; </term>
						<gloss>The eponymous heroine of a sentimental novel by <ref
								target="#LaCalprenede">Calpren&#232;de</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Cassius">Cassius Longinus, Gaius, active 54 B.C.-42 B.C.
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Roman general, senator, and brother-in-law of <ref
								target="#BrutusMarcus">Brutus</ref>, best known as the leader of the
							conspiracy to assassinate <ref target="#CaesarJulius">Julius
								Caesar</ref>. Following the death of <ref target="#CaesarJulius"
								>Caesar</ref>, Cassius and <ref target="#BrutusMarcus">Brutus</ref>
							engaged in war with the Second Triumvirate, the three-man dictatorship
							which took the place of <ref target="#CaesarJulius">Caesar</ref>&apos;s
							rule in the Roman Republic. Cassius committed suicide after his defeat
							at the Battle of Philippi. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CastiglioneBaldassarre">Castiglione, Baldassarre, conte,
							1478-1529 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Italian diplomat, courtier, and writer, whose most well known
							literary work was <hi rendition="#italics"><title>Il libro del
									cortegiano</title></hi> (1528). [<ref target="#ZP"
							>ZP</ref>]</gloss></item>
					<item>
						<term xml:id="Castlereagh">Castlereagh, Robert Stewart, Viscount, 1769-1822
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>The Irish-born Robert Stewart had a highly influential career in
							British politics and foreign service. He played a key role in subduing
							the Irish rebellion of 1798 and in the Act of Union of 1800. At that
							time, he was criticized for his mild approach toward the Irish and his
							tolerance for Catholicism. Later he was associated with harsh repressive
							measures, especially as memorialized in <ref target="#ShelleyPercy"
								>Percy Bysshe Shelley</ref>&apos;s poem &quot;<title>The Mask of
								Anarchy</title>.&quot; He became the 2nd Marquess of Londonderry in
							1821, following the death of his father, the 1st Marquess. In 1822,
							suffering from psychological distress associated with overwork, he
							committed suicide. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CatherineofAragon">Catherine, of Aragon, Queen, consort of
							Henry VIII, King of England, 1485-1536 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>As wife of <ref target="#HenryVIIIKingofEngland">King Henry
								VIII</ref>, Catherine was Queen of England from June 1509 until May
							1533. After many years of marriage, Henry became frustrated with the
							failure of the union to produce a male heir to the throne and sought to
							have the marriage annulled so he could marry Anne Boleyn. When the Pope
							refused the annulment, Henry established himself as the head of the
							Church of England and instituted divorce proceedings. Because Catherine
							refused to acknowledge the divorce, he banished her from the court for
							the duration of her life. Before her marriage, as ambassador to England
							for Aragon, Catherine was the first European woman ambassador. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CatherineofValois">Catherine, of Valois, Queen, consort of
								<ref target="#HenryVKingofEngland">Henry V</ref>, King of England,
							1401-1437 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Daughter of <ref target="#CharlesVIKingofFrance">Charles VI</ref> of
							France, wife of <ref target="#HenryVKingofEngland">Henry V</ref>, mother
							of <ref target="#HenryVIKingofEngland">Henry VI</ref>, and grandmother
							of <ref target="#HenryVIIKingofEngland">Henry VII</ref>.
							Catherine&apos;s marriage with <ref target="#HenryVKingofEngland">Henry
								V</ref> aimed to eventually make <ref target="#HenryVKingofEngland"
								>Henry</ref> the King of France and end the Hundred Years&apos; War,
							but <ref target="#HenryVKingofEngland">Henry</ref> died before the plan
							could be executed. Catherine remarried Owen Tudor, making it possible
							for her grandson to ascend to the English throne. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CatherineIEmpressofRussia">Catherine I, Empress of Russia,
							1684-1727 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Though born a Polish peasant, Catherine became the mistress and then
							the second wife of <ref target="#PeterIofRussia">Peter the Great of
								Russia</ref>. Catherine had a short two-year reign as empress
							following her husband's death. [<ref target="#BDW">BDW</ref>]</gloss>
					</item>
					<item><term xml:id="CatherineIIEmpressofRussia">Catherine II, Empress of Russia,
							1729-1796 (Library of Congress Name Authority)&#8212;</term><gloss>
							Often known as &quot;Catherine the Great,&quot; Catherine II presided
							over a period of prosperity in which Russia, after which the country
							emerged as a world power. Born Sophie von Anhalt-Zerbst, she came to
							power in consequence of a coup overthrowing her husband, Peter III. She
							saw herself as an enlightened ruler, writing on education and
							patronizing the arts. [<ref target="#JDP">JDP</ref>] [<ref target="#MW"
								>MW</ref>]</gloss></item>
					<item><term xml:id="CatleyAnn">Catley, Ann, 1745-1789 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Controversial English actress, singer, and prostitute, known for her
							sexually explicit roles such as Polly in <ref target="#GayJohn">John
								Gay</ref>'s <hi rendition="#italics"><title>The Beggar's
									Opera</title></hi>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Cato">Cato, Marcus Porcius, 95 B.C.-46 B.C. (Library of
							Congress Name Authority) &#8212; </term>
						<gloss> Roman statesman, orator, and follower of the Stoic philosophy. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Catullus">Catullus, Gaius Valerius [n.d.] (Library of Congress
							Name Authority); c. 84 B.C.-c. 54 B.C. (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212; </term>
						<gloss> Roman poet and contemporary of <ref target="#CaesarJulius">Julius
								Caesar</ref>, whose love poetry was particularly influential on
							subsequent poets. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CavendishMargaret">Cavendish, Margaret&#8212; </term>
						<gloss>See <ref target="#NewcastleMargaret">Newcastle, Margaret Cavendish,
								Duchess of</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CeciliaSt">Cecilia, Saint (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Living in the third century C.E., the legendary St. Cecilia was among
							the most revered of the Roman virgin martyrs and the patron saint of
							music and musicians. Her feast day is celebrated on November 22<hi
								rendition="#sup">nd</hi>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CenciBeatrice">Cenci, Beatrice, 1577-1599 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Daughter of Count Francesco Cenci, who abused his wife and raped
							Beatrice numerous times. After unsuccessfully reporting him to
							authorities, Beatrice, her stepmother, and her brothers murdered the
							Count. They were tortured and executed, becoming a legend of resistance
							to tyranny.</gloss>
					</item>
					<item>
						<term xml:id="CentlivreSusanna">Centlivre, Susanna, 1667?-1723 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>English poet, playwright, and actress, born Susanna Freeman and also
							known professionally as Susanna Carroll. Centlivre was considered among
							the most influential female playwrights of her time, alongside <ref
								target="#BehnAphra">Aphra Behn</ref>, with some of her plays being
							performed for over two centuries. Centlivre was married thrice&#8212;her
							first husband, supposedly <ref target="#FoxStephen">Sir Stephen
								Fox</ref>, died less than a year after the couple wed. Centlivre's
							early biographers claim that she then married an army officer by the
							name of Carroll who died in a duel a year and a half into their
							marriage. Centlivre kept and wrote under his name for seven years, until
							her third marriage to Joseph Centlivre, a cook to <ref
								target="#AnneQueenofGreatBritain">Queen Anne</ref>. Historians are
							divided as to how Centlivre came to the London writing scene. One
							account states that <ref target="#HammondAnthony">Anthony Hammond</ref>,
							a student of St. John's College at Cambridge, found her weeping at the
							side of the road, became taken by her charms, and smuggled her into the
							university. This account claims she studied grammar, logic, rhetoric,
							and ethics for months before she aroused suspicion and set out for
							London. A more likely account states that Centlivre joined a troupe of
							strolling actors in Stamford, a town 25 miles from her hometown of
							Holbeach, at which point she became popular for the breeches roles she
							assumed. The breeches roles, coupled with her outspoken political
							writings as an ardent Whig, led many to regard Centlivre as a masculine
							figure. By the end of her life, Centlivre was held in high literary
							esteem for her poems, letters, books, and plays, particularly her
							comedies. Her most notable works include <hi rendition="#italics"
									><title>The Wonder! A Woman Keeps a Secret</title></hi> (1714),
								<hi rendition="#italics"><title>A Bold Stroke for a
								Wife</title></hi> (1718), <hi rendition="#italics"><title>The
									Gamester</title></hi> (1705), <hi rendition="#italics"
									><title>The Perjur'd Husband: or, The Adventures of
									Venice</title></hi> (1700), <hi rendition="#italics"><title>The
									Busie Body</title></hi> (1709), and <hi rendition="#italics"
									><title>Love's Contrivance</title></hi> (1703). [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Cervantes">Cervantes Saavedra, Miguel de, 1547-1616 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Spanish novelist, poet, and playwright. His most famous work, <hi
								rendition="#italics"><title>Don Quixote</title></hi> (1605-15), a
							picaresque tale of chivalric literary influences gone wrong, is one of
							the great landmarks in the history of fiction. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChalkhillJohn">Chalkhill, John, active 1600 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Lesser-known English poet whose work has been compared to that of
								<ref target="#ChamberlayneWilliam">William Chamberlayne</ref>.
							Chalkhill authored two poems in Izaak Walton&apos;s <hi
								rendition="#italics"><title>The Compleat Angler</title></hi> and a
							pastoral poem, <hi rendition="#italics"><title>Thealma and
									Clearchus</title></hi>, published posthumously by Walton. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChamberlayneWilliam">Chamberlayne, William, 1619-1689 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>English physician, dramatist, and poet, who fought on the Royalist
							side at the Battle of Newberry. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChanningJohannis">Channing, Johannis, [n.d.] (Library of
							Congress Name Authority); a.k.a. John Channing, c.1703-1775 (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212; </term>
						<gloss> Apothecary and translator of Arabic medical treatises. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChanningWilliamEllery">Channing, William Ellery, 1780-1842
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>A clergyman and literary critic, Channing was friend to a number of
							important literary figures of the American Renaissance. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ChapmanGeorge">Chapman, George, 1559?-1634 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English dramatist, poet, and translator. Chapman&apos;s translations
							of <ref target="#Homer">Homer</ref> remained the standard for centuries.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChaponeMrs">Chapone, Mrs. (Hester), 1727-1801 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Born Hester Mulso, Chapone became a significant figure in <ref
								target="#MontaguMrsElizabeth">Elizabeth Montague</ref>&apos;s
							eighteenth-century bluestocking circle. Her <hi rendition="#italics"
									><title>Letters on the Improvement of the Mind</title></hi>
							(1773) proposed a rigorous course of self education for women. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Charlemagne">Charlemagne, Emperor, 742-814 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> King of the Franks from 768 and legendary figure of <title>La
								Chanson de Roland</title> (<hi rendition="#italics"><title>The Song
									of Roland</title></hi>) (c. 1100), which narrates the Battle of
							Roncesvalles (Roncevaux) in 778. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CharlesIKingofEngland">Charles I, King of England, 1600-1649
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>King of England, Scotland, and Ireland of the House of Stuart, son of
								<ref target="#JamesIKingofEngland">King James VI of Scotland</ref>.
							Charles I&apos;s authoritarian rule led to the English Civil War which
							resulted in his execution. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CharlesIAnjou">Charles I, King of Naples, 1226-1285 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Member of the French Capetian dynasty, King of Sicily and Naples,
							also known as &quot;Charles of Anjou.&quot; Charles I created an
							impressive empire through his exploits in Italy, though it dissolved
							prior to his death. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CharlesIIKingofEngland">Charles II, King of England, 1630-1685
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Exiled to France during the English Civil Wars and Interregnum,
							Charles II returned to England in 1660 to be crowned king, bringing
							French court culture as well as artistic and cultural sophistication
							with him to inaugurate a reign of relative political stability and
							flourishing arts but characterized by detractors as profligate and
							immoral. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="CharlesIVKingofFrance">Charles IV, King of France, 1294-1328
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Charles IV, also known as "Charles the Fair" and "Charles the Bald,"
							was the last king of the direct line of the House of Capet, reigning as
							King of Navarre and King of France from 1322 to 1328. Charles died
							without a male heir, leading to a succession dispute between <ref
								target="#EdwardIIIKingofEngland">Edward III of England</ref> and
								<ref target="#PhilipVIKingofFrance">Philip of Valois</ref> that
							resulted in the Hundred Years' War. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item><term xml:id="CharlesV">Charles V, Holy Roman Emperor, 1500-1558 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Archduke of Austria, King of Spain, and Holy Roman Emperor beginning
							in 1519. His reign was largely characterized by his struggle to hold the
							Catholic empire together in the wake of the Protestant Reformation in
							Europe. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CharlesVIKingofFrance">Charles VI, King of France, 1368-1422
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>First referred to as &quot;the Beloved&quot; and later &quot;the
							Mad,&quot; Charles VI ascended to the throne at the age of eleven and
							increasingly suffered from psychotic episodes that rendered him an
							ineffectual ruler. Although Charles signed the Treaty of Troyes shortly
							after the French defeat at the Battle of Agincourt, making his future
							son-in-law <ref target="#HenryVKingofEngland">Henry V</ref> heir to the
							French throne, <ref target="#HenryVKingofEngland">Henry</ref> died
							shortly before Charles, leading to the French re-entering the Hundred
							Years&apos; War and earning victory for the French House of Valois.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="CharlesVIII">Charles VIII, King of France, 1470-1498
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>King of France beginning in 1483, Charles VIII began the French
							expeditions into Italy that lasted until the mid-16th century. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CharlesEdwardPrince">Charles Edward, Prince, grandson of <ref
								target="#JamesIIKingofEngland">James II, King of England</ref>,
							1720-1788 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Known as &quot;Bonnie Prince Charlie&quot; by his supporters and
							&quot;The Young Pretender&quot; by detractors, Charles Edward Stuart was
							raised in exile after his grandfather, <ref
								target="#JamesIIKingofEngland">James II</ref>, was deposed from the
							British throne for his ambitions to return England to the Catholic
							faith. Prince Charles Edward mounted the Jacobite Uprising from Scotland
							in an effort to reclaim the throne for the Stuart royal line. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Chateaubriand">Chateaubriand, Fran&#231;ois-Ren&#233;, vicomte
							de, 1768-1848 (Library of Congress Name Authority)&#8212; </term>
						<gloss> An exceptionally versatile writer, Francois-Auguste-Rene de
							Chateaubriand was the foremost literary figure of early
							nineteenth-century France. Chateaubriand&apos;s <hi rendition="#italics"
									><title>Atala</title></hi> (1801) is a novel of ill-fated love
							between two American Indians of opposing tribes. His literary criticism
							was highly regarded, especially his <hi rendition="#italics"
									><title>Sketches of English Literature; with Considerations on
									the Spirit of the Times, Men, and Revolutions</title></hi>
							(London: Henry Colburn, 1836), translated from <hi rendition="#italics"
									><title>Essai sur la litt&#233;rature anglaise et
									Consid&#233;rations sur le g&#233;nie des hommes, des temps et
									des r&#233;volutions</title></hi> (1836). Other works of note
							include <hi rendition="#italics"><title>Le G&#233;nie du
									Christianisme</title></hi> (1802) and <hi rendition="#italics"
									><title>Ren&#233;</title></hi> (1805), the story of an
							idealistic and alienated European who comes to America to find solace.
							Originally part of <hi rendition="#italics"><title>Le G&#233;nie du
									Christianisme</title></hi>, both <hi rendition="#italics"
									><title>Atala</title></hi> and <hi rendition="#italics"
									><title>Ren&#233;</title></hi> were detached for separate
							publication. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChattertonThomas">Chatterton, Thomas, 1752-1770 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Inspired by a growing English interest in antiquated and primitive
							poetry, Chatterton fabricated a number of works supposedly by
							fifteenth-century Bristol sheriff Thomas Rowley, whom Chatterton
							fictitiously recast as a poet, providing spurious documentation for the
							poems&apos; authenticity as well. Made desperate by poverty, he
							committed suicide while still in his teens, inspiring his reception
							among Romantic readers as a quintessential example of tragically
							neglected genius. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChaucerGeoffrey">Chaucer, Geoffrey, d. 1400 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>A translatory, diplomat, and customs official as well as a poet,
							Chaucer is most famous for <hi rendition="#italics"><title>The
									Canterbury Tales</title></hi>, written in the late fourteenth
							century and composed partly of narratives that Chaucer adapted or even
							appropriated from <ref target="#Boccaccio">Boccaccio</ref>&apos;s <hi
								rendition="#italics"><title>Decameron</title></hi>. Chaucer&apos;s
							many other works include <hi rendition="#italics"><title>The Legend of
									Good Women</title></hi> (c. 1386), which collects tales
							primarily from <ref target="#Ovid">Ovid</ref> and <ref
								target="#Boccaccio">Boccaccio</ref>; <hi rendition="#italics"
									><title>Troilus and Criseyde</title></hi> (c. 1386), an extended
							narrative poem adapted from <ref target="#Boccaccio"
							>Boccaccio</ref>&apos;s <hi rendition="#italics"><title>Il
									Filostrato</title></hi> relating a dark story of ill-fated love
							during the Trojan War; and three dream vision poems, <hi
								rendition="#italics"><title>The Book of the Duchess</title></hi>
							(written c. 1370), <hi rendition="#italics"><title>The House of
									Fame</title></hi> (c. 1380), and <hi rendition="#italics"
									><title>The Parliament of Fowls</title></hi> (c. 1380). Chaucer
							also authored a number of shorter works, some comic, others lyrical, and
							a prose <hi rendition="#italics"><title>Treatise on the
									Astrolabe</title></hi>. His most important translations include
								<hi rendition="#italics"><title>The Romance of the Rose</title></hi>
							and Boethius&apos;s <hi rendition="#italics"><title>Consolation of
									Philosophy</title></hi>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="StanhopePhilip">Chesterfield, Philip Dormer Stanhope, Earl of,
							1694-1773 (Library of Congress Name Authority)&#8212;</term>
						<gloss>British statesman, diplomat, man of letters, and acclaimed wit, best
							known for his <hi rendition="#italics"><title>Letters to His Son on the
									Art of Becoming a Man of the World and a Gentleman</title></hi>
							(1774), a guide to etiquette, worldly success, and the art of pleasing.
							Respected by some, he earned the criticism of many for his apparent
							cynicism and contempt for women, especially in the later letters. [<ref
								target="#LD">LD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ChetwoodKnightley">Chetwood, Knightley, 1679-1752&#8212; </term>
						<gloss>One of the Chetwoods of Queens County, Ireland and nephew of
							Knightley Chetwood, Dean of Gloucester, 1650-1720 (Library of Congress
							Name Authority), this Knightley Chetwood is most known for his
							friendship with <ref target="#SwiftJonathan">Jonathan Swift</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChetwoodWR">Chetwood, W. R. (William Rufus), -1766 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English or Anglo-Irish bookseller, publisher, playwright, and
							adventure novelist best known for his <hi rendition="#italics"
									><title>General History of the Stage</title></hi> (1749). [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="ChiariPietro">Chiari, Pietro [n.d.] (Library of Congress
							Name Authority); 1711–85 (Oxford Reference)&#8212;</term>
						<gloss>Italian Catholic priest, playwright, librettist, novelist, and rival
							of <ref target="#Goldoni">Goldoni</ref>. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="Chimene">Chimene&#8212; </term>
						<gloss>Character in <ref target="#CorneillePierre">Corneille</ref>&apos;s
								<hi rendition="#italics"><title>Le Cid</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChristianIIKingofDenmark">Christian II, King of Denmark,
							Norway, and Sweden 1481-1559 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>King of Denmark and Norway from 1513 until 1523, and Sweden from 1520
							until 1521. He was the last monarch of the Scandinavian Kalmar Union,
							losing his position as King of Sweden to <ref
								target="#GustavIKingofSweden">Gustav Vasa</ref>. [<ref target="#BDW"
								>BDW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ChurchillCharles">Churchill, Charles, 1731-1764 (Library of
							Congress Name Authority)&#8212; </term><gloss>A premiere English
							satirist and poet. His best known work, <title><hi rendition="#italics"
									>The Rosciad</hi></title> (1761), made him a household name.
								[<ref target="#VW">VW</ref>]</gloss>
					</item>
					<item><term xml:id="ChurchillHenrietta">Marlborough, Henrietta Churchill,
							Duchess of, 1681-1733 (Library of Congress Name Authority)&#8212;</term>
						<gloss>The 2<hi rendition="#sup">nd</hi> Duchess of Marlborough, Henrietta
							Churchill was the daughter of the famous general <ref
								target="#MarlboroughJohnChurchill">John Churchill</ref> and Sarah
							Jennings, a friend and business manager to <ref
								target="#AnneQueenofGreatBritain">Queen Anne</ref>. She became Lady
							Henrietta Godolphin through marriage in 1698 and subsequently
							Viscountess Rialton in 1706 and Countess of Godolphin in 1712. It was
							rumored that Henrietta's fifth child, Mary, was the result of her affair
							between Henrietta and <ref target="#CongreveWilliam">William
								Congreve</ref>. Upon his death in 1729, <ref
								target="#CongreveWilliam">Congreve</ref> left his entire fortune to
							Henrietta. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="ChurchyardThomas">Churchyard, Thomas, 1520?-1604 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English poet, pamphleteer, courtier, prot&#233;g&#233; of the <ref
								target="#HowardHenry">Earl of Surrey</ref>, and mercenary soldier.
							Churchyard&apos;s most notable work is his contribution to the
							collection <hi rendition="#italics"><title>A Mirror for
									Magistrates</title></hi>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CibberColley">Cibber, Colley, 1671-1757 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Actor, playwright, and poet laureate after 1730, Cibber was
							especially known for his theatrical comedies, the most notable of which
							include <hi rendition="#italics"><title>She Would and She Would
									Not</title></hi> (1702) and <hi rendition="#italics"><title>The
									Careless Husband</title></hi> (1704). He was also the hero of
								<ref target="#PopeAlexander">Alexander Pope</ref>&apos;s <hi
								rendition="#italics"><title>Dunciad</title></hi>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CibberSusannah">Cibber, Susannah Maria Arne, 1714-1766
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Second wife to <ref target="#CibberTheophilus">Theophilus
								Cibber</ref> and said to be the greatest actress of eighteenth
							century London, Susannah Cibber was known for her ability to emotionally
							move her audiences by both her expressive singing voice and her acting
							skills. At the time of her death, Susannah Cibber was the highest-paid
							actress in England. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CibberTheophilus">Cibber, Theophilus 1703-1758 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Son of the successful actor, playwright, and theatre owner <ref
								target="#CibberColley">Colley Cibber</ref> and husband of popular
							tragic actress <ref target="#CibberSusannah">Susannah Cibber</ref>,
							Theophilus Cibber was an actor, author, and playwright whose limited
							abilities and scandalous private life earned him a poor reputation with
							the public. His memories of his theatrical career provide substantial if
							not always accurate content for his <hi rendition="#italics"><title>The
									Lives of the Poets of Great Britain and Ireland</title></hi>
							(1753). [<ref target="#BDW">BDW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Cicero">Cicero, Marcus Tullius (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Living from 106-43 B.C.E., Cicero was a Roman statesman, lawyer,
							scholar, philosopher, Academic Skeptic, writer, and orator.
							Cicero&apos;s writings strove to uphold republican ideals toward the end
							of the civil wars which would destroy the Roman Republic. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Cideville">Cideville, Pierre-Robert Le Cornier, seigneur de,
							1693-1776 (Library of Congress Name Authority)&#8212; </term>
						<gloss>French magistrate and friend of literary figures including <ref
								target="#Boileau">Boileau</ref>, <ref target="#Moliere"
								>Moli&#232;re</ref>, and <ref target="#Voltaire">Voltaire</ref>.
								[<ref target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="ClairautAlexisClaude">Clairaut, Alexis-Claude, 1713-1765
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> A prominent French mathematician, astronomer, and translator. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ClanvoweJohn">Clanvowe, John, Sir, 1341?-1391 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An English diplomat, soldier and poet. He was born to a Marcher
							family originally of Welsh extraction. He himself was probably of mixed
							Anglo-Welsh origin. He held lands that lay in the present-day
							Radnorshire district of Powys and in Herefordshire. He was a personal
							friend of <ref target="#ChaucerGeoffrey">Geoffrey Chaucer</ref>. He was
							one of the &quot;Lollard knights&quot; (with supposedly heretical views)
							at the court of <ref target="#RichardIIKingofEngland">King Richard
								II</ref>. Clanvowe&apos;s best-known work was <hi
								rendition="#italics"><title>The Boke of Cupide, God of Love, or The
									Cuckoo and the Nightingale</title></hi>, a 14th-century debate
							poem influenced by <ref target="#ChaucerGeoffrey">Chaucer</ref>&apos;s
								<hi rendition="#italics"><title>Parliament of Fowls</title></hi>. He
							is believed to be the father of <ref target="#ClanvoweThomas">Sir Thomas
								Clanvowe</ref>. [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ClanvoweThomas">Clanvowe, Thomas, Sir, active 1400 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An English courtier, poet, and sheriff of Herefordshire, believed to
							be the son of <ref target="#ClanvoweJohn">Sir John Clanvowe</ref>. [<ref
								target="#JDP">JDP</ref>]</gloss>
					</item>
					<item><term xml:id="ClarendonEdward">Clarendon, Edward Hyde, Earl of, 1661-1723
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>1<hi rendition="#sup">st</hi> Earl of Clarendon and Baron Hyde of
							Hindon, Edward Hyde was an English aristocrat and politician known by
							his noble title of "Lord Cornbury." Hyde became a prominent political
							figure at the start of the Glorious Revolution of 1688, when Hyde's army
							shifted their loyalty from the Catholic <ref
								target="#JamesIIKingofEngland">King James II</ref> to his Protestant
							challenger <ref target="#WilliamIIIKingofEngland">William of
								Orange</ref>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="ClarissaHarlowe">Clarissa Harlowe&#8212; </term>
						<gloss>Heroine of <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s novel <hi rendition="#italics"
									><title>Clarissa</title></hi> (1747-9). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Claudius">Claudius</term>
						<gloss>Uncle to the title character in <ref target="#ShakespeareWilliam"
								>William Shakespeare</ref>&apos;s drama <hi rendition="#italics"
									><title>Hamlet</title></hi>. <ref target="#Claudius"
								>Claudius</ref> kills the king, <ref target="#Hamlet"
							>Hamlet</ref>&apos;s father, and ascends to the throne. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ClaytonThomas">Clayton, Thomas, 1673-1725 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English composer, violinist, and member of the king's band from 1692
							to 1702. Clayton wrote the music for <ref target="#AddisonJoseph">Joseph
								Addison</ref>'s libretto to create their opera <hi
								rendition="#italics"><title>Rosamond</title></hi> (1707). [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Clelia">Clelia&#8212; </term>
						<gloss>The eponymous heroine of a novel by <ref target="#ScuderyMadeleine"
								>Mme. de Scud&#233;ry</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="ClementVII">Clement VII, Pope, 1478-1534 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Born Giulio de&apos;Medici, Clement VII&apos;s eleven years of papal
							authority were characterized by religious, military, and political
							conflict in the wake of the Protestant Reformation. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ClementXIV">Clement XIV, Pope, 1705-1774 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Born Giovanni Vincenzo Antonio Ganganelli, Clement XIV was the pope
							from 1769-1774. He authored the brief <hi rendition="#italics"
									><title>Dominus ac Redemptor</title></hi> (1773), which
							suppressed the Society of the Jesuits. [<ref target="#ZP"
							>ZP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Clementina">Clementina della Porretta &#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison</title></hi> (1753-4). Clementina, an
							Italian woman, is one of the four rivals vying for the affection of the
							eponymous hero. [<ref target="#MW">MW</ref>] [<ref target="#LD"
							>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CleopatraVIIQueenofEgypt">Cleopatra, Queen of Egypt, -30 B.C.
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The prototypic romantic femme fatal, Cleopatra VII Philopator was the
							lover of <ref target="#CaesarJulius">Julius Caesar</ref>, later wife of
								<ref target="#AntoniusMarcus">Mark Antony</ref>, and final ruler of
							the Ptolemaic Kingdom of Egypt. After the assassination of <ref
								target="#CaesarJulius">Caesar</ref>, Cleopatra allied herself with
							the Second Triumvirate, whose foremost members were <ref
								target="#AntoniusMarcus">Antony</ref> and <ref
								target="#CaesarAugustus">Octavian</ref>. Cleopatra and <ref
								target="#AntoniusMarcus">Antony</ref> began their love affair while
								<ref target="#AntoniusMarcus">Antony</ref> remained married to <ref
								target="#CaesarAugustus">Octavian</ref>&apos;s sister, <ref
								target="#Octavia">Octavia</ref>, and <ref target="#AntoniusMarcus"
								>Antony</ref> became heavily reliant on Cleopatra as a source of
							funding and military aid. Cleopatra and <ref target="#AntoniusMarcus"
								>Antony</ref> married after he obtained a divorce with <ref
								target="#Octavia">Octavia</ref>, an event which ignited the tensions
							between <ref target="#AntoniusMarcus">Antony</ref> and <ref
								target="#CaesarAugustus">Octavian</ref>, resulting in civil war
							between the two triumvirs. After their forces were defeated by <ref
								target="#CaesarAugustus">Octavian</ref>, <ref
								target="#AntoniusMarcus">Antony</ref> and Cleopatra committed
							suicide, leaving their children to the care of <ref target="#Octavia"
								>Octavia</ref>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Cl&#233;ryJean-Baptiste"> Cl&#233;ry, M., 1759-1809 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Jean Baptiste Cl&#233;ry, the personal <hi rendition="#italics"
								>cameriere</hi> (valet) of <ref target="#LouisXVIKingofFrance"/>King
							Louis XVI during his imprisonment, published his journal of the
							revolution, <hi rendition="#italics"><title>Journal de ce qui s'est
									passé à la tour du Temple pendant la captivité de Louis
									XVI</title></hi>, in 1798. It contained a moving account of the
							king&apos;s treatment at the hands of the revolutionary government and
							his last farewell to his family before his death. [<ref target="#JDP"
								>JDP</ref>] and [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Clytemnestra">Clytemnestra, Queen of Mycenae (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>According to <hi rendition="#italics"><title>The
								Oresteia</title></hi> by <ref target="#Aeschylus">Aeschylus</ref>,
							Clytemnestra was enraged when her husband and king of Mycenae <ref
								target="#Agamemnon">Agamemnon</ref> sacrificed their daughter
							Iphigenia to propitiate the gods and gain favorable winds to sail to
							Troy to make war. On <ref target="#Agamemnon">Agamemnon</ref>'s return
							from the siege of Troy, Clytemnestra and her lover Aegisthus killed him.
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ColburnHenry">Colburn, Henry, d. 1855 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Particularly known as a fiction publisher, Colburn was widely
							accused of &quot;puffing&quot; these works in the various literary
							periodicals he also published, among them the <hi rendition="#italics"
									><title>New Monthly Magazine</title></hi>, the <hi
								rendition="#italics"><title>Literary Gazette</title></hi>, the <hi
								rendition="#italics"><title>Athenaeum</title></hi> (very briefly),
							the <hi rendition="#italics"><title>Court Journal</title></hi>, and the
								<hi rendition="#italics"><title>United Service Journal</title></hi>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ColeridgeSamuel">Coleridge, Samuel Taylor, 1772-1834 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> One of the most important British Romantic period writers and a
							mesmerizing conversationalist and lecturer, Coleridge authored poetry,
							plays, criticism, journalism, and philosophical works. His most
							important poetic works include <hi rendition="#italics"><title>Poems on
									Various Subjects</title></hi> (1796), <hi rendition="#italics"
									><title>Fears in Solitude</title></hi> (1798), <hi
								rendition="#italics"><title>Lyrical Ballads</title></hi> (with <ref
								target="#WordsworthWilliam">William Wordsworth</ref>, 1798), <hi
								rendition="#italics"><title>Christabel; Kubla Khan, a Vision; The
									Pains of Sleep</title></hi> (1816), and <hi rendition="#italics"
									><title>Sibylline Leaves</title></hi> (1817). His plays include
								<hi rendition="#italics"><title>The Fall of Robespierre</title></hi>
							(with <ref target="#SoutheyRobert">Robert Southey</ref> 1794) and <hi
								rendition="#italics"><title>Remorse</title></hi> (1813). He authored
							the periodicals <hi rendition="#italics"><title>The
								Watchman</title></hi> (1796), <hi rendition="#italics"><title>The
									Friend</title></hi> (1809-1810), and <hi rendition="#italics"
									><title>The Statesman&apos;s Manual</title></hi> (1816). His <hi
								rendition="#italics"><title>Biographia Literaria</title></hi> (1817)
							is a part aesthetic, part philosophical study in the format of a
							literary autobiography. <hi rendition="#italics"><title>Specimens of the
									Table Talk of the late Samuel Taylor Coleridge</title></hi>
							(1835) provides a posthumous record of his conversation. A series of his
							lectures was published posthumously as <hi rendition="#italics"
									><title>Seven Lectures upon <ref target="#ShakespeareWilliam"
										>Shakespeare</ref> and <ref target="#MiltonJohn"
										>Milton</ref></title></hi> (1856). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CollierJane">Collier, Jane, 1715?-1755 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Author of the humorous <hi rendition="#italics"><title>An Essay on
									the Art of Ingeniously Tormenting</title></hi> (1753) and
							collaborator with <ref target="#FieldingSarah">Sarah Fielding</ref> on
								<hi rendition="#italics"><title>The Cry: A New Dramatic
									Fable</title></hi> (1754); with her sister Margaret (Collier,
							Margaret, 1719-1794 [Library of Congress Name Authority]), one of the
							Miss Colliers that <ref target="#BarbauldMrs">Anna Letitia
								Barbauld</ref> refers to in her biography of <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CollierJeremy">Collier, Jeremy, 1650-1726 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English theatre critic, theologian, and leading non-juror bishop
							(clergy who refused to pledge allegiance to the new monarchs <ref
								target="#WilliamIIIKingofEngland">William III</ref> and <ref
								target="#MaryIIQueenofEngland">Mary II</ref> following the
							deposition of <ref target="#JamesIIKingofEngland">James II</ref> in the
							Glorious Revolution of 1688). Collier is most remembered for his 1698
							anti-theatre pamphlet, <hi rendition="#italics"><title>A Short View of
									the Immorality and Profaneness of the English
							Stage</title></hi>. This pamphlet attacks significant playwrights such
							as <ref target="#DrydenJohn">John Dryden</ref>, <ref
								target="#VanbrughJohn">John Vanbrugh</ref>, <ref
								target="#CongreveWilliam">William Congreve</ref>, and <ref
								target="#WycherleyWilliam">William Wycherley</ref>. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CollinsWilliam">Collins, William, 1721-1759 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Producing only a relatively small body of work and plagued by mental
							illness during his later life, Collins was nevertheless one of the most
							influential poets of the pre-Romantic later eighteenth century. As
							portrayed in his odes, his conception of poetry as visionary, even
							prophetic, inspired many of his immediate successors. Major publications
							of his works included <hi rendition="#italics"><title>Persian
									Eclogues</title></hi> (1742), revised as <hi
								rendition="#italics"><title>Oriental Eclogues</title></hi> (1757),
								<hi rendition="#italics"><title>Verses Humbly Address&apos;d to Sir
									Thomas Hanmer: On His Edition of Shakespear&apos;s
								Works</title></hi> (1743), revised as <hi rendition="#italics"
									><title>An Epistle: Addrest to Sir Thomas Hanmer, on His Edition
									of Shakespear&apos;s Works</title></hi> (1744), <hi
								rendition="#italics"><title>Odes on Several Descriptive and
									Allegoric Subjects</title></hi> (1747), <hi rendition="#italics"
									><title>Ode Occasion&apos;d by the Death of Mr.
								Thomson</title></hi> (1749), <hi rendition="#italics"><title>The
									Passions: An Ode</title></hi> (1750), and <hi
								rendition="#italics"><title>An Ode on the Popular Superstitions of
									the Highlands of Scotland</title></hi> (1788). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CollinsWpainter">Collins, William, 1788-1847 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A popular English landscape and portrait painter who excelled in art
							from an early age, Collins exhibited and sold his work consistently
							between 1809 and his death. Collins was especially recognized for his
							picturesque landscapes and rustic scenes of rural life. His painting
								<title>&quot;The Sale of the Pet Lamb&quot;</title> brought his name
							to the forefront in 1812, but he earned his admission as an associate of
							the Royal Academy in 1814 on the merit of two other paintings,
								<title>&quot;The Blackberry Gatherers&quot;</title> and
								<title>&quot;The Birdcatchers.&quot;</title> He is also the father
							of novelist <ref target="#CollinsWilkie">Wilkie Collins</ref>. [<ref
								target="#KI">KI</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CollinsWilkie">Collins, Wilkie, 1824-1889 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English novelist, trained lawyer, and father of the first English
							detective novels. Of his more than 30 novels, various short stories,
							travel literature, and plays, <hi rendition="#italics"><title>The Woman
									in White</title></hi> (1860) and <hi rendition="#italics"
									><title>The Moonstone</title></hi> (1868) are the most
							well-known because of their contributions to the genre of detective
							fiction. He was also friends with Charles Dickens, whose periodical <hi
								rendition="#italics"><title>Household Words</title></hi> published
							many of Collins’ novels. [<ref target="#KI">KI</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ColmanGeorgeElder">Colman, George, 1732-1794 (Library of
							Congress Name Authority) [George Colman, the Elder]&#8212; </term>
						<gloss>This playwright, theater manager, and close friend to actor <ref
								target="#GarrickDavid">David Garrick</ref> was also known as a
							generous mentor in the eighteenth century theatrical world. Among the
							most popular of his many works figure <hi rendition="#italics"
									><title>The Clandestine Marriage</title></hi> (1766), <hi
								rendition="#italics"><title>Polly Honeycombe</title></hi> (1760),
							and <hi rendition="#italics"><title>The Jealous Wife</title></hi>
							(1761). Colman the Elder managed the <ref target="#Haymarket">Haymarket
								Theatre</ref> from 1776 to 1794. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="ColmanGeorgeYounger">Colman, George, 1762-1836 (Library of
							Congress Name Authority) [George Colman, the Younger]&#8212; </term>
						<gloss>Following in his father&apos;s footsteps as an actor, manager, and
							comic playwright, Colman the Younger also authored a enormous body of
							work that includes as some of its most substantial pieces <hi
								rendition="#italics"><title>Inkle and Yarico</title></hi> (1787),
								<hi rendition="#italics"><title>The Iron Chest</title></hi> 1796),
								<hi rendition="#italics"><title>The Heir-at-Law</title></hi> (1797),
							and <hi rendition="#italics"><title>John Bull</title></hi> (1803). He
							succeeded his father as manager of the <ref target="#Haymarket"
								>Haymarket Theatre</ref>, filling that role from 1794 to 1817. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ColonnaProspero">Colonna, Prospero, 1452-1523 (<hi
								rendition="#italics">Encyclopedia Britannica</hi>)&#8212;</term>
						<gloss>Italian noble and condottiero (captain of a mercenary company)
							serving Spain and the Papal States during the Italian wars. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ColonnaVittoria">Colonna, Vittoria, 1492-1547 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Italian Renaissance poet particularly esteemed for her love poems to
							her husband, Ferrante d&apos;Avalos, Marquis of Pescara, who died from
							war wounds. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ComteAuguste">Comte, Auguste, 1798-1857 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Isidore-Auguste-Marie-François-Xavier Comte, known as Auguste Comte,
							was a French philosopher, writer, and mathematician who founded the
							school of positivism and established sociology as a field of study.
								[<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CongreveWilliam">Congreve, William, 1670-1729 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English playwright, poet, translator, man of letters, and Whig
							politician who is widely considered among the greatest comic writers of
							the Restoration period. Congreve's writings helped to shape the comedy
							of manners genre through his mastery of comic dialogue and satire.
							Congreve became the protégé of <ref target="#DrydenJohn">John
								Dryden</ref> at the age of 17, later to collaborate with him on his
								<hi rendition="#italics"><title>Satires of <ref target="#Juvenal"
										>Juvenal</ref> and Persius</title></hi> (1693). Congreve's
							most notable plays include <hi rendition="#italics"><title>The Old
									Bachelor</title></hi> (1693), <hi rendition="#italics"
									><title>The Double Dealer</title></hi> (1694), <hi
								rendition="#italics"><title>Love for Love</title></hi> (1695), <hi
								rendition="#italics"><title>The Mourning Bride</title></hi> (1697),
							and <hi rendition="#italics"><title>The Way of the World</title></hi>
							(1700). [<ref target="#LD">LD</ref>]</gloss>
					</item>

					<item>
						<term xml:id="ConstableArchibald">Constable, Archibald, 1774-1827 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Scottish bookseller and publisher. Constable is best remembered as
							the publisher of the <hi rendition="#italics"><ref
									target="#EdinburghReview"><title>Edinburgh
								Review</title></ref></hi> and the novels of <ref
								target="#ScottWalter">Sir Walter Scott</ref>. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ConstanceDuchessofBrittany">Constance, Duchess of Brittany,
							1161-1201 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Duchess of Brittany and Countess of Richmond, widow of Geoffrey II
							and Ranulf de Blondeville, 6th Earl of Chester. Constance was the
							sister-in-law of <ref target="#RichardIKingofEngland">Richard I</ref>
							and the mother of <ref target="#ArthurI">Arthur I</ref>, <ref
								target="#RichardIKingofEngland">Richard I</ref>&apos;s nephew and
							chosen heir. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CookeGeorge">Cooke, George Frederick, 1756-1812 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English actor known for his erratic personal habits and commanding
							stage presence. Cooke initiated the romantic acting style, drawing on
							the naturalistic style of <ref target="#GarrickDavid">David
								Garrick</ref> and <ref target="#MacklinCharles">Charles
								Macklin</ref>. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Coriolanus">Coriolanus, Cnaeus Marcius (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>A legendary Roman general who was said to have lived in the 6<hi
								rendition="#sup">th</hi> and 5<hi rendition="#sup">th</hi> centuries
							B.C., Coriolanus received his surname for his valor at the siege of
							Corioli (in 493) in the war against the Volsci. During the 491 famine
							which plagued Rome, Coriolanus suggested that the government withhold
							grain until the people consented to the abolition of the Tribune of the
							Plebs. For this the tribunes demanded his exile, and Coriolanus took
							refuge with the Volsci, eventually leading their army to battle against
							the Roman forces. However, pleas from his mother and wife caused
							Coriolanus to withdraw the Volscian forces from Rome. Although the
							specifics of his fate remain unclear to historians, it seems that
							Coriolanus did not participate in the war again, and he died among the
							Volsci. The story of Coriolanus&apos; life has been retold by such
							leading historians as <ref target="#Plutarch">Plutarch</ref>, Livy, and
							Dionysius of Halicarnassus. Additionally, Coriolanus is the subject of
								<ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s play, <hi
								rendition="#italics"><title>Coriolanus</title></hi>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CorneillePierre">Corneille, Pierre, 1606-1684 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Though his drama <hi rendition="#italics"><title>Le Cid</title></hi>
							(1637), inspired by a twelfth century Spanish narrative, provoked a
							critical controversy over its violation of classical standards,
							Corneille came to be regarded as one of the greatest French dramatists
							of his time. A non-exhaustive list of his many works includes <hi
								rendition="#italics"><title>Horace</title></hi> (1640), <hi
								rendition="#italics"><title>Cinna</title></hi> (1643), <hi
								rendition="#italics"><title>Polyeucte</title></hi> (1643), <hi
								rendition="#italics"><title>La Mort de Pompée</title></hi> (<hi
								rendition="#italics"><title>The Death of Pompey</title></hi>, 1644),
							the comedy <hi rendition="#italics"><title>Le Menteur</title></hi> (<hi
								rendition="#italics"><title>The Liar</title></hi>, 1644), <hi
								rendition="#italics"><title>Rodogune</title></hi> (1645), <hi
								rendition="#italics"><title>Théodore</title></hi> (1646), <hi
								rendition="#italics"><title>Héraclius</title></hi> (1647), <hi
								rendition="#italics"><title>Andromède</title></hi> (1650), <hi
								rendition="#italics"><title>La Toison d'or</title></hi> (<hi
								rendition="#italics"><title>The Golden Fleece</title></hi>, 1660),
								<hi rendition="#italics"><title>Sertorius</title></hi> (1662), <hi
								rendition="#italics"><title>Othon</title></hi> (1664), <hi
								rendition="#italics"><title>Agésilas</title></hi> (1666), <hi
								rendition="#italics"><title>Attila</title></hi> (1667), <hi
								rendition="#italics"><title>Psyché</title></hi> (1671, a comedy in
							collaboration with <ref target="#Moliere">Molière</ref>), and his
							unsuccessful last play, <hi rendition="#italics"
								><title>Suréna</title></hi> (1674). Corneille also authored
							criticism and translations, including <hi rendition="#italics"
									><title>Trois discours sur le poème dramatique</title></hi> (<hi
								rendition="#italics"><title>Three Discourses on Dramatic
									Poetry</title></hi>, 1660), a defense of his methods in <hi
								rendition="#italics"><title>Le Cid</title></hi> hinging on the
							assertion that <ref target="#Aristotle">Aristotle</ref>'s principles
							were never meant to be strictly literal. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="CosimoI">Cosimo I, Grand-Duke of Tuscany, 1519-1574 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>A member of the Medici family, Cosimo I was elected Duke of Florence
							with the support of <ref target="#CharlesV">Charles V</ref> in 1537.
							Cosimo I brought the whole of Tuscany under his control by 1569 and
							became known as &quot;Cosimo the Great.&quot; [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CottinMadame">Cottin, Madame (Sophie), 1770-1807 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Her <hi rendition="#italics"><title>Mathilde</title></hi> (1805) and
								<hi rendition="#italics"><title>Elisabeth, ou les exil&#233;s de
									Sib&#233;rie</title></hi> (1806) were both popular throughout
							Europe. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CoventGarden">Covent Garden Theatre (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>The Theatre Royal Covent Garden opened in 1732 under the management
							of <ref target="#RichJohn">John Rich</ref>. While <ref
								target="#RichJohn">Rich</ref> was manager, <ref
								target="#GarrickDavid">David Garrick</ref> spent a season or so
							performing there before taking over management of the theater at <ref
								target="#DruryLane">Drury Lane</ref>. <ref target="#RichJohn"
								>Rich</ref> died in 1761, and by 1767 management devolved onto <ref
								target="#ColmanGeorgeElder">George Colman the elder</ref> and Thomas
							Harris (died 1820). Harris became sole manager after <ref
								target="#ColmanGeorgeElder">George Colman the elder</ref>'s
							departure in 1774 and remained active until 1809. During that time, the
							theater saw such acting innovations as <ref target="#MacklinCharles"
								>Charles Macklin</ref>'s 1773 performance as Macbeth in Scottish
							costume. The theater was gutted and reconstructed twice, once in 1782
							and once in 1792, increasing its capacity. In 1803, <ref
								target="#KembleJohn">John Philip Kemble</ref> was persuaded to leave
								<ref target="#DruryLane">Drury Lane</ref> for <ref
								target="#CoventGarden">Covent Garden</ref>, where, along with
							acting, he assumed a managing role which lasted until 1821, when his
							brother <ref target="#KembleCharles">Charles</ref> took over. In 1808,
							the theater burned down, and when it reopened in 1809 with a reduced
							capacity, <ref target="#KembleJohn">Kemble</ref> tried to compensate by
							eliminating the low-price shilling gallery, precipitating the Old Price
							riots that, after roughly two months, forced him to reinstitute the
							previous pricing policies. In 1817, <ref target="#CoventGarden">Covent
								Garden</ref> followed <ref target="#DruryLane">Drury Lane</ref> in
							instituting gas lighting for stage and auditorium. Meanwhile, although
							it featured some of the most popular actors of the day, including <ref
								target="#KembleJohn">Kemble</ref>, his elder sister <ref
								target="#SiddonsSarah">Sarah Siddons</ref> and his younger brother
								<ref target="#KembleCharles">Charles Kemble</ref>, <ref
								target="#KembleCharles">Charles Kemble</ref>'s daughter Fanny
							Kemble, <ref target="#KeanEdmund">Edmund Kean</ref> and his son <ref
								target="#KeanCharles">Charles Kean</ref>, and <ref
								target="#MacreadyWilliam">William Charles MacReady</ref>, Covent
							Garden, like most of its counterparts in the London theater scene,
							proved a financial drain on its succession of managers and proprietors,
							and in 1842 it closed. Remodeled and opened as the Royal Italian Opera
							House with a capacity of over 4000 in 1847, the theater burnt again in
							1856, reopening in 1858 with a capacity a bit over of 2000. Known since
							1939 as the Royal Opera House, it is now the home of The Royal Opera and
							The Royal Ballet. [<ref target="#MW">MW</ref>] </gloss>
					</item>

					<item>
						<term xml:id="CoventryFrancis">Coventry, Francis, 1725?-1759 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Coventry's picaresque novel <hi rendition="#italics"><title>The
									History of Pompey the Little; or, The Life and Adventures of a
									Lap-Dog</title></hi> (1751) enjoyed much success. Coventry also
							authored <hi rendition="#italics"><title>Penshurst: A Poem</title></hi>
							(1750). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SirRogerdeCoverley">Sir Roger de Coverley&#8212; </term>
						<gloss>A character often featured in <ref target="#AddisonJoseph">Joseph
								Addison</ref>&apos;s <hi rendition="#italics"
									><title>Spectator</title></hi> papers. His name is taken from
							that of a popular dance. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CowleyAbraham">Cowley, Abraham, 1618-1667 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Playwright, poet, and satirist, Abraham Cowley employed his pen on
							the royalist side during the English Civil War. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CowleyHannah">Cowley, Mrs. (Hannah), 1743-1809 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A popular comic playwright, Hannah Cowley is best remembered for <hi
								rendition="#italics"><title>A Bold Stroke for a Husband</title></hi>
							(1783) and <hi rendition="#italics"><title>The Belle&apos;s
									Stratagem</title></hi> (1780). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="CowperWilliamEarl">Cowper, William Cowper, Earl,
							approximately 1665-1723 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>A prominent English politician during the reign of <ref
								target="people.html#AnneQueenofGreatBritain">Queen Anne</ref> and
							the first Lord High Chancellor (the highest-ranking minister in England
							and Scotland). [<ref target="#BDW">BDW</ref>] [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="CowperWilliam">Cowper, William, 1731-1800 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Poet who is sometimes viewed as a precursor to the Romantic poets
							partly for his sensitive and accurate descriptions of nature. His best
							known works include <hi rendition="#italics"><title>The
								Task</title></hi> (<ref target="#JohnsonJoseph">J. Johnson</ref>,
							1785) and &quot;<title>The Castaway</title>&quot; (1803). He was subject
							to severe bouts of depression with a strong religious overtone for much
							of his life. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CrabbeGeorge">Crabbe, George, 1754-1832 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>An author known for his verse tales which bring sympathy and humor to
							an acute observation of human failings, Crabbe is best remembered for
								<hi rendition="#italics"><title>The Village: A Poem</title></hi>
							(1783); <hi rendition="#italics"><title>The Borough: A Poem</title></hi>
							(1810); and <hi rendition="#italics"><title>Tales</title></hi> (1812).
							Other works include <hi rendition="#italics"><title>Inebriety, A
									Poem</title></hi> (1775); <title><hi rendition="#italics">The
									Candidate; A Poetical Epistle To The Authors Of </hi><title><ref
										target="#ReviewMonthly"><title>Monthly
									Review</title></ref></title></title> (1780); <hi
								rendition="#italics"><title>The Library. A Poem</title></hi> (1781);
								<hi rendition="#italics"><title>The News-paper: A Poem</title></hi>
							(1785); <hi rendition="#italics"><title>A Discourse, Read in the Chapel
									at Belvoir Castle, After the Funeral of His Grace the Duke of
									Rutland, Late Lord Lieutenant of the Kingdom of Ireland
									(1788)</title></hi>; <hi rendition="#italics"><title>A Variation
									of Public Opinion and Feelings Considered, as it Respects
									Religion. A Sermon</title></hi> (1817); <hi rendition="#italics"
									><title>Tales of the Hall</title></hi> (1819) and his collected
								<hi rendition="#italics"><title>The Works of the Rev. George
									Crabbe</title></hi> (1823). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CradockCharlotte">Cradock, Charlotte, d. 1744 (<title><hi
									rendition="#italics">Oxford Dictionary of National
									Biography</hi></title>)&#8212; </term>
						<gloss>The first wife of <ref target="#FieldingHenry">Henry Fielding</ref>,
							with whom he had five children. In the preface of <title><hi
									rendition="#italics">Miscellanies</hi></title>, published one
							year prior to her death, he wrote, &quot;one from whom I draw all the
							solid Comfort of my Life.&quot; [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CrashawRichard">Crashaw, Richard, 1613?-1649 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An English poet and lyricist with profoundly High Church beliefs,
							Crashaw was forced to flee to the continent after the rise of the
							seventeenth-century Puritan government, converting to Catholicism in
							1645. He lived first in France, then Italy. He was best known for a
							collection of primarily mystical religious poems, <hi
								rendition="#italics"><title>Steps to the Temple. Sacred Poems, With
									other Delights of the Muses</title></hi> (1646) and the
							posthumously-published <hi rendition="#italics"><title>Carmen Deo
									Nostro</title></hi> (1652). By the nineteenth century he was
							admired primarily for the musicality of his verse and the delicacy of
							his language, and some of his work has inspired or been set to music.
								[<ref target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Crassus">Crassus, Marcus Licinius [n.d.] (Library of Congress
							Name Authority); c. 115 -53 B.C. (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212; </term>
						<gloss> Roman politician and a member of the First Triumvirate. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Crebillonfils">Cr&#233;billon, Claude-Prosper Jolyot de,
							1707-1777 (Library of Congress Name Authority) [Cr&#233;billon <hi
								rendition="#italics"><title>fils</title></hi>]&#8212; </term>
						<gloss>Son of <ref target="#Crebillonpere">Cr&#233;billon <hi
									rendition="#italics"><title>p&#232;re</title></hi></ref>,
							Cr&#233;billon <hi rendition="#italics"><title>fils</title></hi>
							authored several licentious and satirical novels which earned him both
							popularity and a few periods of exile in the provinces. The best known
							of them include <hi rendition="#italics"
									><title>L&apos;&#233;cumoire</title></hi> (1735), <hi
								rendition="#italics"><title>Les &#201;garements du coeur et de
									l&apos;esprit</title></hi> (1736), and <hi rendition="#italics"
									><title>Le Sopha, conte moral</title></hi> (1742). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Crebillonpere">Cr&#233;billon, M. de (Prosper Jolyot),
							1674-1762 (Library of Congress Name Authority) [Cr&#233;billon <hi
								rendition="#italics"><title>p&#232;re</title></hi>]&#8212; </term>
						<gloss>Noted for his dramas on classical subjects rather than the lascivious
							novels that constitute <ref target="#Crebillonfils">his son</ref>&apos;s
							claim to fame. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CrispinSaint">Crispin, Saint, -approximately 287 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Legendary Christian patron saint of shoemakers, glovemakers, lace
							workers, and leather workers, beheaded on the 25<hi rendition="#sup"
								>th</hi> of October by Roman Emperor Diocletian. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CromwellOliver">Cromwell, Oliver, 1599-1658 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English soldier, general, and statesman who led the parliamentary
							armies against Charles I in the English Civil War and served as the Lord
							Protector of England, Ireland, and Scotland in the period of the
							republican commonwealth. While many prominent figures have denounced
							Cromwell as a dictator, he was a champion of liberty in the eyes of poet
								<ref target="#MiltonJohn">John Milton</ref>, his private secretary
							for the Council of State. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Cruikshank">Cruikshank, George, 1792-1878 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss> A satirical political cartoonist, Cruikshank was also known for his
							book illustrations, including for some of Charles Dickens&apos;s novels.
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="CumberlandDenison">Cumberland, Denison, -1774 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Irish Anglican clergyman and father of <ref
								target="#CumberlandRichard">Richard Cumberland</ref> whose most
							significant titles included Bishop of Clonfert and Bishop of Kilmore.
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="CumberlandRichard">Cumberland, Richard, 1732-1811 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Though far more known as a playwright, Cumberland did author an
							occasional novel, including <hi rendition="#italics"
									><title>Arundel</title></hi> (1789) and <hi rendition="#italics"
									><title>Henry</title></hi> (1795). Two of his early plays are
							among his best: <hi rendition="#italics"><title>The
								Brothers</title></hi>, which debuted in 1769, and <hi
								rendition="#italics"><title>The West Indian</title></hi>, first
							staged in 1771. Other plays of his include <hi rendition="#italics"
									><title>The Jew</title></hi> (1794), <hi rendition="#italics"
									><title>First Love</title></hi> (1795), and <hi
								rendition="#italics"><title>The Wheel of Fortune</title></hi>
							(1795). Cumberland’s <hi rendition="#italics"
								><title>Memoirs</title></hi> were published in 1806 and 1807. [<ref
								target="#GR">GR</ref>] [<ref target="#MW">MW</ref>] [<ref
								target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CumberlandWilliam">Cumberland, William Augustus, Duke of,
							1721-1765 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Son of <ref target="#GeorgeIIKingofGreatBritain">George II</ref>,
							called &quot;Butcher&quot; Cumberland for his brutal suppression of
							Highland Jacobites after the Battle of Culloden in 1746. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Cunobelinus">Cunobelinus, King of the Britons, -43? (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Ruler of a large area of southeastern Britain prior to the Roman
							occupation. Cunobelinus became a popular figure in British legend, most
							famously immortalized by <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s <hi rendition="#italics"
									><title>Cymbeline</title></hi>, though the play is not an
							accurate reflection of the events in Cunobelinus&apos; life or career.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="CurioniAntonio">Curioni, Antonio (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Late-eighteenth century publisher of a number of guides and grammars
							to the Italian language.</gloss>
					</item>
					<item>
						<term xml:id="CutlerJohn">Cutler, Sir John, 1st Baronet of Tothill Street,
							Westminster, 1607-1693 (History of Parliament Trust)&#8212;</term>
						<gloss>Knighted and made Baronet in 1660 for his financial support of the
							Restoration, Sir John Cutler was a grocer, financier, and Member of
							Parliament. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CyrustheGreat">Cyrus, King of Persia, d. 529 B.C. (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Founder of the Persian empire. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DacreCharlotte">Dacre, Charlotte, 1782?-1825 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English author of Gothic novels and part of the della Cruscan
							movement in poetry writing under the pseudonym &quot;Rosa Matilda.&quot;
							Dacre&apos;s romance and gothic novels often featured unconventional
							female characters who displayed violence, ambition, and sexual desire.
							Her fictional works include <hi rendition="#italics"><title>The
									Confessions of the Nun of St Omer</title></hi> (1805), <hi
								rendition="#italics"><title>Zofloya; or, The Moor</title></hi>
							(1806), <hi rendition="#italics"><title>The Libertine</title></hi>
							(1807), and <hi rendition="#italics"><title>The Passions</title></hi>
							(1811). She also published the poetry volumes <hi rendition="#italics"
									><title>Hours of Solitude</title></hi> (1805) and <hi
								rendition="#italics"><title>George the Fourth</title></hi> (1822).
								[<ref target="#LD">LD</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Danbys">Danbys&#8212; </term>
						<gloss>A family of characters in <ref target="#RichardsonSamuel">Samuel
								Richardson</ref>&apos;s <hi rendition="#italics"><title>The History
									of Sir Charles Grandison</title></hi> (1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DArblayMadame">D&apos;Arblay, Madame&#8212; </term>
						<gloss>See <ref target="#BurneyFanny">Burney, Fanny</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DallasRobertCharles">Dallas, Robert Charles, 1754-1824
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>A Jamaican-born poet and novelist, Dallas&apos;s fictional works
							included <hi rendition="#italics"><title>Percival, or Nature
									Vindicated</title></hi> (1801), <hi rendition="#italics"
									><title>Aubrey</title></hi> (1804), <hi rendition="#italics"
									><title>The Morelands. Tales Illustrative of the Simple and
									Surprising</title></hi> (1805), <hi rendition="#italics"
									><title>The Knights: Tales Illustrative of the
									Marvellous</title></hi> (1808), and <hi rendition="#italics"
									><title>Sir Francis Darrell; Or the Vortex</title></hi> (1820).
							He also published a volume of poems, two dramas, and some polemical
							works. He had a connection for some years with <ref
								target="#ByronGeorge">Byron</ref>, and his <hi rendition="#italics"
									><title>Recollections of the Life of Lord Byron from the year
									1808 to the end of 1814</title></hi> (1825) was published
							posthumously. He also authored <hi rendition="#italics">The History of
								the Maroons from their Origin to the Establishment of their Chief
								Tribe at Sierra Leone<title/></hi> (1803). </gloss>
					</item>
					<item>
						<term xml:id="DanielSamuel">Daniel, Samuel, 1562-1619 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English playwright, historian, man of letters, and poet.
							Daniel&apos;s poetry and prose alike were strongly characterized by his
							contemplative sense of history. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Dante">Dante Alighieri, 1265-1321 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>One of the most revered poets in the history of western literature,
							Dante is also remarkable as an early instance of a major European poet
							writing in the vernacular. Caught up by the political controversies of
							his time, he spent is last years exiled from his native Florence. His
							most famous work, <hi rendition="#italics"><title>The Divine
									Comedy</title></hi>, comprised of <hi rendition="#italics"
									><title>The Inferno</title></hi>, <hi rendition="#italics"
									><title>Purgatory</title></hi>, and <hi rendition="#italics"
									><title>Paradise</title></hi>, narrates his imaginative journey
							through these three realms guided first by the poet <ref
								target="#Virgil">Virgil</ref>, then by his lover <ref
								target="#PortinariBeatrice">Beatrice</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DarwinCharles">Darwin, Charles, 1809-1882 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Credited with articulating the theory of evolution, Darwin first
							attracting wide attention with the <hi rendition="#italics"
									><title>Journal of Researches into the Geology and Natural
									History of the Various Countries Visited by H.M.S.
									Beagle</title></hi> (1839). He published widely on topics of
							natural history, especially geology and botany, both before and after
							the two works on which his greatest fame rests, <hi rendition="#italics"
									><title>On the Origin of Species by means of Natural
									Selection</title></hi> (1859, subsequently revised), and the
							even more controversial <hi rendition="#italics"><title>The Descent of
									Man</title></hi> (1871). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DarwinErasmus">Darwin, Erasmus, 1731-1802 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Physician, botanist, poet, and grandfather of <ref
								target="#DarwinCharles">Charles Darwin</ref>. Containing a nascent
							theory of evolution, <hi rendition="#italics"><title>The Loves of
									Plants</title></hi> (1789) was later incorporated into <hi
								rendition="#italics"><title>The Botanic Garden</title></hi> (1791).
							In depicting plant reproduction and generation, Darwin&apos;s imagery
							sometimes becomes so erotic that some conservative authorities on
							education recommended denying young ladies access to his work. In
							addition to his two other major pieces, <hi rendition="#italics"
									><title>Zoonomia</title></hi> (1794) and <hi
								rendition="#italics"><title>The Temple of Nature</title></hi>
							(1803), he published additional works on botany as well as commemorative
							poetry and treatises on scientific topics and female education<hi
								rendition="#italics"><title>.</title></hi> [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DavenantWilliam">D&apos;Avenant, William, 1606-1668 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>A prolific English playwright as well as a theatre manager, Royalist
							soldier, and poet laureate following the death of <ref
								target="#JonsonBen">Ben Jonson</ref>. A few of Davenant's more
							notable works include <hi rendition="#italics"><title>The
								Witts</title></hi> (1634), <hi rendition="#italics"><title>The
									Temple of Love</title></hi> (1635), and <hi rendition="#italics"
									><title>Madagascar</title></hi> (1638). Davenant also claimed to
							be the illegitimate son of <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>. [<ref target="#LD">LD</ref>] [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DaversLady">Lady Davers&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Pamela</title></hi> (1740-1). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="DaviesJohn">Davies, John, Sir, 1569-1626 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English poet, lawyer, member of the House of Commons, and Attorney
							General for Ireland. His poem <hi rendition="#italics"><title>Orchestra,
									or a Poem of Dancing</title></hi> is reflective of the
							Elizabethan contemplation of the relationship between human activity and
							natural order. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DaviesThomas">Davies, Thomas, 1713-1785 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Scottish bookseller, actor, and author, best known for his <hi
								rendition="#italics"><title>Life of <ref target="#GarrickDavid"
										>Garrick</ref></title></hi> (1780) and <hi
								rendition="#italics"><title>Dramatic Miscellanies</title></hi>
							(1783). [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DayThomas">Day, Thomas, 1748-1789 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Day&apos;s sentimental <hi rendition="#italics"><title>History of
									Sanford and Merton</title></hi> (1783-9), a milestone in the
							history of children&apos;s literature, took its inspiration from <ref
								target="#BrookeHenry">Henry Brooke</ref>&apos;s <hi
								rendition="#italics"><title>Fool of Quality</title></hi>, <ref
								target="#DefoeDaniel">Daniel Defoe</ref>&apos;s <hi
								rendition="#italics"><title>Robinson Crusoe</title></hi>, and <ref
								target="#RousseauJeanJacques">Jean-Jacques Rousseau</ref>&apos;s <hi
								rendition="#italics"><title>Emile</title></hi>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DefoeDaniel">Defoe, Daniel, 1661?-1731 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Defoe already had a long and prolific career as a noted political
							journalist when he published his first novel, <hi rendition="#italics"
									><title>The Life and Strange Surprizing Adventures of Robinson
									Crusoe</title></hi>, in 1719. It was followed by <hi
								rendition="#italics"><title>The Fortunes and Misfortunes of the
									Famous Moll Flanders</title></hi> (1721), <hi
								rendition="#italics"><title>A Journal of the Plague
								Year</title></hi> (1722), and <hi rendition="#italics"><title>The
									Fortunate Mistress: Or, A History Of The Life and Vast Variety
									of Fortunes of… the Person known by the Name of the Lady
									Roxana</title></hi> (1724). His many social and political pieces
							include <title><hi rendition="#italics">The True-Born
								Englishman</hi></title> (1701), <title><hi rendition="#italics">The
									Shortest Way with the Dissenters</hi></title> (1702), <title><hi
									rendition="#italics">Reformation of Manners</hi></title> (1704),
							a periodical publication entitled <title><hi rendition="#italics">The
									Review</hi></title> (1704-1713), and <title><hi
									rendition="#italics">Family Instructor</hi></title> (1715), and
									<title><hi rendition="#italics">Religious Courtship</hi></title>
							(1729). Defoe was also well known for essays on timely social issues,
							stories of the supernatural, and accounts of notorious criminals such as
									<title><hi rendition="#italics">True Relation of the Apparition
									of one Mrs. Veal.</hi></title> (1705) and <hi
								rendition="#italics"><title>The History of the Remarkable Life of
									John Sheppard</title></hi> (1724). [<ref target="#MW">MW</ref>]
								[<ref target="#RD">RD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DekkerThomas">Dekker, Thomas, approximately 1572-1632 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Elizabethan pamphleteer and dramatist. Dekker&apos;s plays were
							characterized by his Protestant themes and vivid depictions of London
							life through colloquial speech. Dekker collaborated with many famous
							dramatists of the period, including <ref target="#FordJohn">John
								Ford</ref>, <ref target="#MassingerPhilip">Philip Massinger</ref>,
								<ref target="#MiddletonThomas">Thomas Middleton</ref>, and <ref
								target="#WebsterJohn">John Webster</ref>. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DelanyMrs">Delany, Mrs. (Mary), 1700-1788 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Letter writer and prominent bluestocking, friend to some of the
							eighteenth century&apos;s most noted literary producers and patrons.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DellaCasaGiovanni">Della Casa, Giovanni, 1503-1556 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>An Italian bishop with a talent for satirical and lyric poetry and
							translations, Della Casa is best known as the author of <title><hi
									rendition="#italics">Galateo: Or, A Treatise on Politeness and
									Delicacy of Manners</hi></title> (1558). [<ref target="#RD"
								>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="DelilleJacques"> Delille, Jacques, 1738-1813. Malheur et la
							piti&#233; (Library of Congress Name Authority)&#8212; </term>
						<gloss>French author, primarily of poetry, whose first fame rested on his
							translations of <ref target="#Virgil">Virgil</ref>. [<ref target="#JDP"
								>JDP</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RD">Dejmal, Rachel&#8212; </term>
						<gloss>Student contributor.</gloss>
					</item>
					<item>
						<term xml:id="Demosthenes">Demosthenes (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Ancient Greek statesman and orator in opposition to <ref
								target="#PhilipofMacedon">Philip II of Macedon</ref> and <ref
								target="#AlexandertheGreat">Alexander the Great</ref>, Demosthenes
							lived from 384-322 BCE. His speeches provide valuable insight into
							fourth-century Athenian society and politics. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DenhamJohn">Denham, John, Sir, 1615-1669 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Anglo-Irish poet, Member of Parliament, and Royalist during the
							English Civil War. During the transitional literary period in which he
							wrote, Denham established the genre of the local meditative poem, in
							which a single, familiar landscape is leisurely explored. He is best
							remembered for his poem <hi rendition="#italics"><title>Cooper&apos;s
									Hill</title></hi>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DennisJohn">Dennis, John, 1657-1734 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English critic and dramatist. Dennis was engaged in a long quarrel
							with <ref target="#PopeAlexander">Alexander Pope</ref> as a result of
							the former&apos;s assertion of the importance of passion in poetry.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Desdemona"> Desdemona (Fictitious character) (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Wife of <ref target="#Othello">Othello</ref> in <ref
								target="#ShakespeareWilliam">William Shakespeare</ref>&apos;s
							tragedy, <hi rendition="#italics"><title>Othello, the Moor of
									Venice</title></hi>. In the play, she is murdered by her
							jealous, manipulated husband. [<ref target="#JDP">JDP</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DesmaraisJean">Jean Desmarais&#8212;</term><gloss>Character in
								<ref target="#BulwerEdwardLytton">Edward Bulwer Lytton</ref>’s <hi
								rendition="#italics">Devereux<title/></hi> (1829). An impeccably
							dressed, philosophical French valet. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="DewesAnne">D&apos;Ewes, Anne, 1707-1761 (Library of Congress
							Name Authority) [Mrs. Dews]&#8212; </term>
						<gloss>Cookbook author and sister to <ref target="#DelanyMrs">Mary
								Delany</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LD">DeWitt, Laura &#8212; </term>
						<gloss>Student contributor.</gloss>
					</item>
					<item>
						<term xml:id="DibdinCharlesSr">Dibdin, Charles, 1745-1814 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>An actor, dramatist, and songwriter known for his sea songs. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Diderot">Diderot, Denis, 1713-1784 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Philosopher, novelist, playwright, translator, and critic, Diderot
							was for his rationalism, religious skepticism, and scientific empiricism
							a key figure in the Enlightenment. His <hi rendition="#italics"
									><title>Encyclop&#233;die</title></hi> stands as a landmark in
							the systemization and popular dissemination of technical and scientific
							knowledge. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="DiggesWest">Digges, West, 1720?-1786 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English actor and theatre manager whose most popular roles include
							Jaffeir in <ref target="#OtwayThomas">Thomas Otway</ref>'s <hi
								rendition="#italics"><title>Venice Preserv'd</title></hi>, Sir John
							Brute in <ref target="#VanbrughJohn">John Vanbrugh</ref>'s <hi
								rendition="#italics"><title>The Provoked Wife</title></hi>, and the
							eponymous hero of <ref target="#AddisonJoseph">Joseph Addison</ref>'s
								<hi rendition="#italics"><title>Cato</title></hi>, as well as
							several <ref target="#ShakespeareWilliam">Shakespearean</ref> characters
							such as <ref target="#Macbeth">Macbeth</ref>, <ref target="#Shylock"
								>Shylock</ref>, <ref target="#LearKingofBritain">King Lear</ref>,
							and <ref target="#WolseyThomas">Wolsey</ref>. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="DillonWentworth">Roscommon, Wentworth Dillon, Earl of,
							1633?-1685 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Anglo-Irish soldier, landlord, and poet, enthusiastically praised by
							his contemporaries, including <ref target="#PopeAlexander">Alexander
								Pope</ref> and <ref target="#AddisonJoseph">Joseph Addison</ref>.
							His most notable works include his translation of <ref target="#Horace"
								>Horace</ref>&apos;s <hi rendition="#italics"><title>Ars
									Poetica</title></hi> and his <hi rendition="#italics"
									><title>Essay on Translated Verse</title></hi>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DionysiusI">Dionysius I, approximately 430 B.C.-367 B.C.
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Greek tyrant of Syracuse, Sicily, also called &quot;Dionysius the
							Elder.&quot; Although his military prowess protected Sicily from
							conquest by Carthage, his cruelty and greed made him an unpopular public
							figure. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Dionysus">Dionysus&#8212; </term>
						<gloss>The Greek god of the grape harvest, wine, fertility, and theatre.
								[<ref target="#KI">KI</ref>]</gloss>
					</item>
					<item>
						<term xml:id="DisraeliIsaac">D&apos;Israeli, Isaac, 1766-1848 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A British writer, essayist, and scholar, Isaac D&apos;Israeli
							created such works as <hi rendition="#italics"><title>Curiosities of
									Literature</title></hi> (1791) and <hi rendition="#italics"
									><title>The Literary Character of Men of Genius, Drawn From
									Their own Feelings and Confessions</title></hi> (1818), a
							revision of <hi rendition="#italics"><title>An Essay on the Manners and
									Genius of the Literary Character</title></hi> (1795). [<ref
								target="#VS">VS</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="DodsleyRobert">Dodsley, Robert, 1703-1764 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Known first as a poet, Dodsley opened a London bookselling business
							in 1735. His shop became an important gathering place for literary and
							publishing figures of the mid-eighteenth century. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="DonneJohn">Donne, John, 1572-1631 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Dean of St. Paul&apos;s Cathedral in London and leading poet of the
							Metaphysical school, Donne is best known for his religious verse and
							love poetry. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DonnellanAnne">Donnellan, Anne (1700-1762)&#8212; </term>
						<gloss> Amateur musician and friend of <ref target="#HandelGeorge">George
								Frideric Handel</ref>, Donnellan was friends as well with several
							notable bluestockings and literary figures, especially <ref
								target="#MontaguMrsElizabeth">Elizabeth Montagu</ref> and <ref
								target="#DelanyMrs">Mary Delany</ref>. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="DonQuixote">Don Quixote&#8212;</term>
						<gloss>The eponymous hero of the novel by <ref target="#Cervantes"
								>Cervantes</ref> muddles the line between reality and fiction as a
							result of his reading chivalric romances. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="DouglasArchibald">Douglas, Archibald, fourth earl of Douglas,
							and first duke of Touraine in the French nobility (c.1369–1424) (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212;</term>
						<gloss>Scottish nobleman and commander in the wars against the English in
							the early fifteenth century. Douglas was captured by <ref
								target="#PercyHenry">Sir Henry Percy</ref> at the Battle of Homildon
							Hill in 1402 and taken prisoner by the English king in 1403 after
							fighting in a battle with his captors against the king, not to be
							released until 1413. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DownesJohn">Downes, John, active 1661-1719 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English theatre prompter during the Restoration period, best known
							for his <hi rendition="#italics"><title>Roscius Anglicanus</title></hi>
							(1708), a historical review of the stage. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="DraytonMichael">Drayton, Michael, 1563-1631 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An extremely prolific English poet and playwright who worked in a
							wide range of poetic genres and who frequently collaborated on plays
							with Henry Chettle and Thomas Dekker. Among Drayton&apos;s many
							publications, just a few of note include <hi rendition="#italics"
									><title>Idea. The Shepheards Garland</title></hi> (1593); <hi
								rendition="#italics"><title>Ideas Mirrour</title></hi> (1594); <hi
								rendition="#italics"><title>Endimion and Phobe</title></hi> (1595);
								<hi rendition="#italics"><title>Englands Heroicall
								Epistles</title></hi> (1597); <hi rendition="#italics"
									><title>Poly-Olbion</title></hi> (1612-1622); <hi
								rendition="#italics"><title>The Battaile of Agincourt</title></hi>
							(1627); and <hi rendition="#italics"><title>Nimphidia, the Court of
									Fayrie</title></hi> (1627). He also published several volumes of
							poems on historical or mythical personages and historical subjects.
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="DrummondWilliam">Drummond, William, 1585-1649 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>First noteworthy Scottish poet to pointedly write in English. Also
							known as &quot;Drummond of Hawthornden,&quot; William Drummond
							introduced the canzone, a medieval Italian metrical form, into English
							poetry. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DruryLane">Theatre Royal, Drury Lane (London, England)
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Reputed to be the world’s oldest theater location in continuous use,
							the site of the Theatre Royal, Drury Lane was first transformed from a
							cockfighting venue to a location for dramatic productions during the
							reign of <ref target="#JamesIKingofEngland">James I</ref>. Closed down
							by the Puritans during the early 1640s, it was revived soon after the
							Restoration under a patent issued to <ref target="#KilligrewThomas"
								>Thomas Killigrew</ref>. The new building boasted an audience
							capacity of 700 and soon featured the period’s best-known performers,
							including <ref target="#GwynNell">Nell Gwyn</ref>, the mistress of <ref
								target="#CharlesIIKingofEngland">Charles II</ref>. Having escaped
							the Great Fire of 1666, this building was destroyed by a separate fire
							in 1672. <ref target="#KilligrewThomas">Killigrew</ref> rebuilt,
							reopening in 1674 with a capacity of about 2000. Under the management of
								<ref target="#CibberColley">Colley Cibber</ref> (1710-1733), <ref
								target="#GarrickDavid">David Garrick</ref> (1747-76), <ref
								target="#SheridanRichard">Richard Brinsley Sheridan</ref>
							(1776-1788, though he retained ownership of the patent after that date),
							and <ref target="#KembleJohn">John Philip Kemble</ref> (1788-1802),
							among others, this building was the home of such eighteenth-century
							theatrical innovations as the naturalistic acting of <ref
								target="#GarrickDavid">Garrick</ref> and <ref
								target="#MacklinCharles">Charles Macklin</ref>, the institution of
							regular rehearsals, and the removal of audience members from the stage.
							In 1791, <ref target="#SheridanRichard">Sheridan</ref> had the theater
							demolished and rebuilt to a capacity of 3600. The new building was
							destroyed by fire in 1809. Its replacement, which stands today, opened
							in 1812, and in 1817 it became the first theater to be gas-lit
							throughout. The Theatre Royal Drury Lane has seen performances from many
							of the world’s greatest stage actors in English, including, during the
							eighteenth and nineteenth centuries, <ref target="#MacklinCharles"
								>Charles Macklin</ref>, <ref target="#GarrickDavid">David
								Garrick</ref>, <ref target="#CibberSusannah">Susannah Cibber</ref>,
								<ref target="#KembleJohn">John Philip Kemble</ref>, <ref
								target="people.html#SiddonsSarah">Sarah Siddons</ref>, <ref
								target="#KeanEdmund">Edmund Kean</ref>, <ref target="#KeanCharles"
								>Charles Kean</ref>, and <ref target="#MacreadyWilliam">William
								Charles Macready</ref>, who, during his tenure as manager from 1841
							to 1843, introduced several noteworthy reforms. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>

					<item>
						<term xml:id="DrydenErasmus">Dryden, Sir Erasmus, 1st Bt. (1553-1632), of
							Canons Ashby, Northants (History of Parliament Trust)&#8212;</term>
						<gloss>English politician, member of the House of Commons, and founder of
							Canons Ashby House, Northamptonshire. Sir Erasmus Dryden was the
							grandfather of poet <ref target="#DrydenJohn">John Dryden</ref>, as well
							as a distant relative of <ref target="#SwiftJonathan">Jonathan
								Swift</ref> and Anne Hutchison. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="DrydenJohn">Dryden, John, 1631-1700 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Poet laureate of England from 1668 until his death. Particularly
							productive as a playwright, Dryden also ventured into a wide range of
							other genres, including satires, lyric poetry, essays, and literary
							criticism. His best-known dramatic works include an adaptation of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>The Tempest</title></hi> (1667, pub.
							1670) and two other plays, <hi rendition="#italics"><title>Marriage A la
									Mode</title></hi> (1671; pub. 1673) and <hi rendition="#italics"
									><title>All for Love</title></hi> (1677, pub. 1678). Other
							highlights in his work include <hi rendition="#italics"><title>Of
									Dramatick Poesie: An Essay</title></hi> (1668), one of the
							classics in the canon of literary criticism; <hi rendition="#italics"
									><title>Absalom and Achitophel</title></hi> (1681), a political
							poem in support of <ref target="#CharlesIIKingofEngland">Charles
								II</ref>; and <hi rendition="#italics"><title>Mac
								Flecknoe</title></hi> (1682), a devastating satire of several rival
							poets. Additional play productions include <hi rendition="#italics"
									><title>The Wild Gallant</title></hi> (1663), <hi
								rendition="#italics"><title>The Indian Queen</title></hi> Sir Robert
							Howard, 1664), <hi rendition="#italics"><title>The Rival
								Ladies</title></hi> (1664), <hi rendition="#italics"><title>The
									Indian Emperor</title></hi> (1665), <hi rendition="#italics"
									><title>Secret Love</title></hi> (1667), <hi
								rendition="#italics"><title>Sir Martin Mar-All</title></hi> (with
							William Cavendish, duke of Newcastle,1667), <hi rendition="#italics"
									><title>An Evening&apos;s Love; or, The Mock
								Astrologer</title></hi> (1668), <hi rendition="#italics"
									><title>Tyrannic Love</title></hi> (1669), <hi
								rendition="#italics"><title>The Conquest of Granada</title></hi>
							(1671), <hi rendition="#italics"><title>The Assignation; or, Love in a
									Nunnery</title></hi> (1672), <hi rendition="#italics"
									><title>Amboyna</title></hi> (1673), <hi rendition="#italics"
									><title>Aureng-Zebe</title></hi> (1675), <hi
								rendition="#italics"><title>The Kind Keeper; or, Mr.
									Limberham</title></hi> (1678), <hi rendition="#italics"
									><title>Oedipus </title></hi>(with Nathaniel Lee, 1678), <hi
								rendition="#italics"><title>Troilus and Cressida </title></hi>(from
								<ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s play,
							1679), <hi rendition="#italics"><title>The Spanish Friar</title></hi>
							(1680), <hi rendition="#italics"><title>The Duke of Guise</title></hi>
							with Nathaniel Lee, 1682), <hi rendition="#italics"><title>Albion and
									Albanius</title></hi> (text by Dryden, music by Louis Grabu,
							1685), <hi rendition="#italics"><title>Don Sebastian</title></hi>
							(1689), <hi rendition="#italics"><title>Amphitryou</title></hi> (1690),
								<hi rendition="#italics"><title>King Arthur</title></hi> (text by
							Dryden, music by Henry Purcell, 1691), <hi rendition="#italics"
									><title>Cleomenes</title></hi> (with <ref
								target="#SoutherneThomas">Thomas Southerne</ref>, 1692), and <hi
								rendition="#italics"><title>Love Triumphant</title></hi> (1694).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="BecuJeanne">Du Barry, Jeanne B&#233;cu, comtesse, 1743-1793
							(Library of Congress Name Authority)&#8212;</term><gloss> Born Jeanne
							B&#233;cu, Du Barry was a courtesan in French aristocratic circles who
							became the last ma&#238;tresse-en-titre, or official mistress, of King
							Louis XV. She was beheaded during the Reign of Terror in 1793. [<ref
								target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="DuChateletEmilie">Du Ch&#226;telet, Gabrielle Emilie Le
							Tonnelier de Breteuil, marquise, 1706-1749 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>One of eighteenth-century France&apos;s most significant women
							intellectuals, Mme. du Ch&#226;telet was also notable for her facility
							with languages, her athletic ability, her success at gambling, and her
							deep intellectual and emotional relationship with <ref
								target="#Voltaire">Voltaire</ref>, who left Paris with her when
							threatened with prosecution for his <hi rend="#italics"><title>Lettres
									Philosophiques</title></hi> (1734) and with whom Mme. du
							Ch&#226;telet openly carried on an affair of several years duration. Du
							Châtelet left behind a substantial body of work, both original and
							translations of literary, scientific, philosophical, and mathematical
							work by a wide range of prominent intellectuals. Of these her 1759
							translation of <ref target="#NewtonIsaac">Sir Isaac Newton</ref>&apos;s
								<hi rendition="#italics"><title>Principia Mathematica</title></hi>,
							was the most important and remained the only French translation of <ref
								target="#NewtonIsaac">Newton&apos;s</ref> treatise for many years.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DufresnoyCharles">Dufresnoy, Charles-Alphonse, 1611-1668
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>French painter, poet, and writer on art, best known for his <hi
								rendition="#italics"><title>De arte graphica</title></hi> (1668), a
							Latin poem which influenced centuries of aesthetic discourse. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DuncombeJohn">Duncombe, John, 1729-1786 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Author of <hi rendition="#italics"><title>The Feminead; or Female
									Genius</title></hi> (1757) and, with his father <ref
								target="#DuncombeWilliam">William Duncombe</ref>, <hi
								rendition="#italics"><title>The Works of Horace in English
									Verse</title></hi> (1757-9), John Duncombe married <ref
								target="#DuncombeSusanna">Susanna Highmore</ref>, daughter of <ref
								target="#HighmoreJoseph">Joseph and Susanna Highmore</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DuncombeSusanna">Duncombe, Susanna 1725-1812 (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212; </term>
						<gloss>
							<hi rendition="#italics">n&#233;e</hi> Highmore; an artist in her own
							right, she was daughter to painter <ref target="#HighmoreJoseph">Joseph
								Highmore</ref> and his wife, also Susanna. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DuncombeWilliam">Duncombe, William, 1690-1769 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Poet and playwright. Between 1757 and 1759, he and his son,
							clergyman and writer <ref target="#DuncombeJohn">John Duncombe</ref>,
							published <hi rendition="#italics"><title>The Works of Horace in English
									Verse.</title></hi> [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DyerGeorge">Dyer, George, 1755-1841 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Biographer, historian, theologian, poet, and critic, Dyer was known
							for his congeniality despite his personal eccentricities. His poetry
							appeared in <hi rendition="#italics"><title>Poems</title></hi> (1792),
								<hi rendition="#italics"><title>The Poet&apos;s Fate</title></hi>
							(1797), <hi rendition="#italics"><title>Poems</title></hi> (1801), and
								<hi rendition="#italics"><title>Poems and Critical
								Essays</title></hi> (1802). <hi rendition="#italics"><title>Poetics,
									or a Series of Poems and Disquisitions on Poetry</title></hi>
							(1812) defends his poetic method, which some of his contemporaries had
							criticized as misguided. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DysonJeremiah">Dyson, Jeremiah, 1722-1776 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Dyson was not only <ref target="#AkensideMark">Mark
							Akenside</ref>&apos;s friend and literary patron, but he supported
							Akenside&apos;s medical practice as well. As Akenside&apos;s literary
							executor, Dyson edited a collection of Akenside&apos;s poetry published
							as <hi rendition="#italics"><title>The Poems of Mark Akenside,
									M.D.</title></hi> (1772). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="EastlakeSirCharles">Eastlake, Charles L. (Charles Locke),
							1836-1906 (Library of Congress Name Authority)&#8212;</term>
						<gloss> Painter and art critic Sir Charles Eastlake was elected President of
							the Royal Academy and knighted in 1850, served as the first President of
							the Photographic Society beginning 1853 and became Director of the
							National Gallery in 1855. He married the reviewer, travel author, and
							art critic <ref target="#EastlakeElizabethRigby">Elizabeth Rigby</ref>
							in 1949. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="EastlakeElizabethRigby">Eastlake, Elizabeth, 1809-1893
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>Lady Elizabeth Eastlake, n&#233;e Rigby, began her reviewing career
							in 1836 at the <hi rendition="#italics"><title>Foreign Quarterly
									Review</title></hi> and regularly contributed to the <ref
								target="#QuarterlyReview"><hi rendition="#italics"><title>Quarterly
										Review</title></hi></ref>. After a trip to Russia, she
							produced the travel memoir <hi rendition="#italics"><title>First
									Residence on the Shores of the Baltic</title></hi> (1841) as
							well as two works of fiction, <hi rendition="#italics"><title>The
									Jewess: a tale from the shores of the Baltic</title></hi> (1843)
							and the collection <hi rendition="#italics"><title>Livonian
									Tales</title></hi> (1846). She married the painter <ref
								target="#EastlakeSirCharles">Sir Charles Eastlake</ref> in 1849 and
							collaborated with him thereafter on several treatises on art. Her
							numerous other writings on art included <hi rendition="#italics"
									><title>Five Great Painters</title></hi> (1883), and she
							collaborated with <ref target="#JamesonAnna">Anna Jameson</ref> on <hi
								rendition="#italics"><title>The History of Our Lord as Exemplified
									in Works of Art</title></hi> (1864), the final volume of <ref
								target="#JamesonAnna">Jameson</ref>&apos;s four volume <hi
								rendition="#italics"><title>Sacred and Legendary Art</title></hi>.
							Eastlake&apos;s essay <hi rendition="#italics"
									><title>Photography</title></hi>, which argued against its
							inclusion among the fine arts, is one of the earliest commentaries on
							the medium. Her fluency in French, Italian, and German enabled her to
							translate several works by foreign art scholars and critics.
							Eastlake&apos;s publications helped popularize foreign art and
							literature for the nineteenth-century British public. [<ref target="#MW"
								>MW</ref>]</gloss></item>
					<item>
						<term xml:id="EatonCharlotte">Eaton, Charlotte A. (Charlotte Anne),
							1788-1859 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Born Charlotte Anne Waldie, Eaton began her writing career with a
							manuscript entitled &quot;<title>At Home and Abroad,</title>&quot; which
							she temporarily abandoned after publishing a letter in the <hi
								rendition="#italics"><title>Monthly Magazine</title></hi> (vol. 2,
							1814) addressing the similarities between her work in progress and <ref
								target="#EdgeworthMaria">Maria Edgeworth</ref>&apos;s novel <hi
								rendition="#italics">Patronage</hi>. After visiting the Waterloo
							battlefield in 1815, Eaton authored <hi rendition="#italics"
									><title>Narrative of a Residence in Belgium, During the Campaign
									of 1815, and of a Visit to the Field of Waterloo. By an
									Englishwoman</title></hi> (1817). She spent the years 1816-1818
							in Italy, thereafter producing the popular <hi rendition="#italics"
									><title>Rome in the Nineteenth Century</title></hi> (1820). Next
							published, <hi rendition="#italics"><title>Continental
									Adventures</title></hi> was issued anonymously in 1826. In 1831,
							after once again picking up her abandoned manuscript, she published <hi
								rendition="#italics"><title>At Home and Abroad</title></hi>. She
							also revised and republished <hi rendition="#italics"><title>Narrative
									of a Residence in Belgium</title></hi> as <hi
								rendition="#italics"><title>The Days of the Battle, or, Quatre Bras
									and Waterloo; by and Englishwoman Resident in Brussels in June
									1815</title></hi> (1853). In 1822 she married the banker Stephen
							Eaton (1780-1832). After Stephen Eaton&apos;s death, Charlotte Eaton
							continued to carry on the family banking business as a senior partner
							until her own death in 1859. [<ref target="#MW">MW</ref>]
						</gloss></item>
					<item>
						<term xml:id="EchlinElizabeth">Echlin, Elizabeth, Lady, 1704?-1782? (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>
							<hi rendition="#italics">n&#233;e</hi> Elizabeth Bellingham; literary
							patroness and an occasional author herself, Lady Echlin was sister to
								<ref target="#BradshaighDorothy">Lady Bradshaigh</ref> and wife to
							Sir Robert Echlin, 1699-1757 (<hi rendition="#italics"><title>Oxford
									Dictionary of National Biography</title></hi>). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="EdgeworthMaria">Edgeworth, Maria, 1767-1849 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A popular Irish author of fiction and children&apos;s literature,
							Edgeworth sometimes collaborated with her father, politician Richard
							Lovell Edgeworth. Her first publication, with publisher <ref
								target="#JohnsonJoseph">Joseph Johnson</ref>, was <title><hi
									rendition="#italics">Letters for Literary Ladies</hi>
							</title> (1795). Johnson was both an important publisher and a family
							friend, and Edgworth&apos;s publishing relationship with him continued
							for the duration of Johnson&apos;s life. Her better known novels include
								<hi rendition="#italics"><title>Castle Rackrent</title></hi> (1800),
								<hi rendition="#italics"><title>Belinda</title></hi> (1801), <hi
								rendition="#italics"><title>The Modern Griselda: A Tale</title></hi>
							(1805), <hi rendition="#italics"><title>Leonora</title></hi> (1806), and
								<hi rendition="#italics"><title>Harrington</title></hi> (1817).
							Other noteworthy works include <hi rendition="#italics"><title>Practical
									Education</title></hi> (1798), <hi rendition="#italics"
									><title>Popular Tales</title></hi> (1804), and <hi
								rendition="#italics"><title>Tales of Fashionable Life</title></hi>
							(1809-12), which includes, among others, the tales
								&quot;<title>Ennui</title>&quot; (1809) and &quot;<title>The
								Absentee</title>&quot; (1812). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="EdinburghReview"><hi rendition="#italics"><title>Edinburgh
									Review</title></hi></term>
						<gloss>Established in 1802 under publisher <ref target="#ConstableArchibald"
								>Archibald Constable</ref>, the extremely influential,
							liberal-leaning <hi rendition="#italics"><title>Edinburgh
								Review</title></hi>, was published quarterly until 1929. The
							periodical did much to disseminate the ideas of the Scottish
							Enlightenment and helped cement Edinburgh&apos;s reputation as a
							literary capital. It&apos;s most important rival was the <hi
								rendition="#italics"><ref target="#QuarterlyReview"><title>Quarterly
										Review</title></ref></hi>. Though not it&apos;s first
							editor, <ref target="#JeffreyFrancis">Francis Jeffrey</ref>, who took
							over in 1803, established the periodical&apos;s tone and reputation,
							making it a model of the type of literary and cultural journalism that
							still dominates the genre today. Not all of <ref
								target="#JeffreyFrancis"> Jeffrey</ref>&apos;s views have enjoyed
							the same longevity, however, including his condemnation of major
							Romantic authors such as <ref target="#WordsworthWilliam"
								>Wordsworth</ref> and <ref target="#ByronGeorge">Byron</ref>. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="EdmundofLangley">Edmund [Edmund of Langley], first duke of
							York (1341–1402)(<hi rendition="#italics"><title>Oxford Dictionary of
									National Biography</title></hi>)&#8212;</term>
						<gloss>An English prince, the fifth legitimate son (fourth surviving) of
								<ref target="#EdwardIIIKingofEngland">King Edward III</ref>. As the
							Duke of York, Edmund was the founder of the House of York, through which
							Yorkist claimants attempted to seize the throne during the Wars of the
							Roses. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="EdwardIIIKingofEngland">Edward III, King of England, 1312-1377
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> King of England from 1327 to 1377, he led the country into the
							Hundred Years War with France. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="EdwardIVKingofEngland">Edward IV, King of England, 1442-1483
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Called, until 1459, Earl of March, Edward IV, the House of York
							representative, became King of England in June 1461 during the War of
							the Roses after deposing Lancastrian King Henry VI. In October 1470
							Henry VI was briefly reinstalled on the throne, but was defeated and
							then died in May 1471, when Edward returned to the throne and held power
							until his death. [<ref target="#JDP">JDP</ref>] </gloss>
					</item>
					<item><term xml:id="EdwardVKingofEngland">Edward V, King of England, 1470-1483
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The eldest surviving son of <ref target="#EdwardIVKingofEngland">King
								Edward IV</ref>, young Edward V was the King of England from April
							to June of 1483, when he was deposed and possibly murdered by his uncle,
							the future <ref target="#RichardIIIKingofEngland">King Richard
							III</ref>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="EdwardPrinceofWales">Edward, Prince of Wales, 1330-1376
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Known as The Black Prince allegedly because of the black armor he
							wore as a commander in the Hundred Years War, Edward was son and heir
							apparent to <ref target="#EdwardIIIKingofEngland">Edward III</ref> but
							predeceased his father. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="EdwardsRichard">Edwards, Richard, 1523?-1566 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An English farmer, poet, dramatist, and composer, sometimes known as
							Richard Edwardes. His play <hi rendition="#italics"><title>Palamon and
									Arcite</title></hi>, now lost, was performed for the court of
								<ref target="#ElizabethIQueenofEngland">Elizabeth I</ref> in 1566.
								<hi rendition="#italics"><title>The excellent Comedie of two the
									moste faithfullest Frendes, Damon and Pithias</title></hi>
							(published 1571) is his only now-extant drama. Some of his poems
							appeared in the <hi rendition="#italics"><title>Paradise of Dainty
									Devices</title></hi> (1576). [<ref target="#JDP">JDP</ref>]
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="EdwardsThomas">Edwards, Thomas, 1699-1757 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Author of <hi rendition="#italics"><title>Canons of
									Criticism</title></hi> (1748) as well as a number of sonnets
							respected by his contemporaries. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="EliedeBeaumontMme">Elie de Beaumont, Mme. (Anne-Louise
							Morin-Dumesnil), 1729-1783 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Known for her <hi rendition="#italics"><title>Lettres du marquis de
									Roselle</title></hi> (1764). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="ElizabethIQueenofEngland">Elizabeth I, Queen of England,
							1533-1603 (Library of Congress Name Authority)&#8212; </term>
						<gloss> The last of the Tudor monarchs, Elizabeth became queen in 1558.
							Sometimes known as &quot;the Virgin Queen&quot; for the fact that she
							never married, she presided over what many regarded as a golden age of
							British arts and expansionism. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ElizabethofYork">Elizabeth, Queen, consort of Henry VII, King
							of England, 1465-1503 (Library of Congress Name Authority)&#8212; </term>
						<gloss> The daughter of <ref target="#EdwardIVKingofEngland">Edward
							IV</ref>, Elizabeth of York was married to <ref
								target="#HenryVIIKingofEngland">Henry VII</ref> in 1486, thereby
							uniting the houses of York and Lancaster over the British throne and
							effectively ending The Wars of the Roses. [<ref target="#JDP"
							>JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="EllistonRW">Elliston, R. W. (Robert William), 1774-1831&#8212; </term>
						<gloss>Elliston was an actor and theater manager, working at many different
							locations throughout England. Duke Aranza in <ref target="#TobinJohn"
								>John Tobin</ref>’s <hi rendition="#italics"><title>The Honey
									Moon</title></hi> is considered one of his best performances.
								[<ref target="#LD">LD</ref>] [<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="EmeryJohn">Emery, John, 1777-1822&#8212; </term>
						<gloss>The son of two actors, John Emery was initially schooled for a career
							as a stage musician. As an actor, he was well received in numerous
							roles, including that of Tyke in the <ref target="#CoventGarden">Covent
								Garden</ref> premier of <ref target="#MortonThomas">Thomas
								Morton</ref>’s <hi rendition="#italics"><title>School of
									Reform</title></hi> (1805). [<ref target="#GR">GR</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="EmilyJervois">Emily Jervois&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison</title></hi> (1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="Epaminondas">Epaminondas, approximately 420 B.C.- (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Living from approximately 420 B.C. to 362 B.C., Epaminondas was a
							Greek statesman, military strategist, and general who was credited with
							ending the military dominance of Sparta, thereby permanently shifting
							the power paradigm among Greek states. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="Epictetus">Epictetus (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>A stoic philosopher who lived from ca. AD 50-125. He was born a slave
							in Phrygian, Hierapolis in the household of the freedman Epaphroditus in
							Rome; he later manumitted and started a school of philosophy in
							Nicopolis. [<ref target="#RD">RD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ErasmusDesiderius">Erasmus, Desiderius, -1536 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Dutch humanist, Catholic priest, and editor of the <title>New
								Testament</title>, Erasmus is considered one of the greatest
							scholars of the northern Renaissance. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Euphrosyne">Euphrosyne&#8212; </term>
						<gloss>In Greek mythology, one of the Three Charites or Graces. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Euripides">Euripides [n.d.] (Library of Congress Name
							Authority); c. 484 B.C.-406 B.C. (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212; </term>
						<gloss> One of the three most important early Athenian tragic dramatists.
							Among the nineteen of his plays that have survived, the best known
							include <hi rendition="#italics"><title>The Bacchae</title></hi> (405),
								<hi rendition="#italics"><title>Iphigenia at Aulis</title></hi>
							(405), <hi rendition="#italics"><title>Orestes</title></hi> (408), <hi
								rendition="#italics"><title>Iphigenia at Tauris</title></hi> (414?),
								<hi rendition="#italics"><title>The Trojan Women</title></hi> (415),
								<hi rendition="#italics"><title>Electra</title></hi> (417), <hi
								rendition="#italics"><title>Andromache</title></hi> (426?), and <hi
								rendition="#italics"><title>Medea</title></hi> (431). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Eurydice">Eurydice&#8212;</term>
						<gloss>In Greek myth, wife of <ref target="#Orpheus">Orpheus</ref>, who was
							killed by a snake. To rescue her, <ref target="#Orpheus">Orpheus</ref>
							descended into the underworld, but his efforts were foiled when he
							violated the conditions imposed on his success by looking back to
							reassure himself that his wife was still with him. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="EustaceJohnChetwode">Eustace, John Chetwode, approximately
							1762-1815 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Catholic priest whose travels in Greece, Sicily, and Malta resulted
							in the publication of <hi rendition="#italics"><title>A Tour through
									Italy</title></hi> (1813). His brief travels in France resulted
							in <hi rendition="#italics"><title>Letter from Paris</title></hi>
							(1814). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FabriDomenico">Fabri, Domenico, 1711-1761 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Italian writer, author of <hi rendition="#italics">Delle lettere
								familiari d&apos;alcuni Bolognesi del nostro secolo</hi> (1744).
								[<ref target="#ZP">ZP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FabyanRobert">Fabyan, Robert, -1513 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> A late fifteenth-century London sheriff who redacted a number of
							sources on events in British history into <title><hi
									rendition="#italics">The Concordance of Chronicles</hi></title>.
							Also known as Robert Fabian. [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FairfaxEdward">Fairfax, Edward, d. 1635 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Translated <ref target="#TassoTorquato">Tasso</ref>&apos;s <hi
								rendition="#italics"><title>Gerusalemme liberata</title></hi> as <hi
								rendition="#italics"><title>Godfrey of Bulloigne; or, the Recoverie
									of Jerusalem</title></hi> (1600). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Falstaff">Falstaff, Sir John&#8212;</term>
						<gloss>A fictional knight appearing in three of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s plays: <hi
								rendition="#italics"><title><ref target="#HenryIVKingofEngland">King
										Henry IV</ref></title></hi> Parts 1 and 2, and <hi
								rendition="#italics"><title>The Merry Wives of Windsor</title></hi>.
							Sir John Falstaff is the friend of <ref target="#HenryVKingofEngland"
								>Prince Hal</ref>, the future <ref target="#HenryVKingofEngland"
								>King Henry V</ref>, and is characterized by his vanity and fatness.
							Falstaff spends much of his time drinking with petty criminals, and he
							largely lives off of stolen money. Although the character does not
							appear in the play, Falstaff&apos;s death at the Battle of Agincourt is
							mentioned in <hi rendition="#italics"><title><ref
										target="#HenryVKingofEngland">King Henry
								V</ref></title></hi>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FarquharGeorge">Farquhar, George, 1677?-1707 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Born in Northern Ireland, playwright George Farquhar was best known
							for his comic plays including <title><hi rendition="#italics">The
									Constant Couple</hi></title> (1699) and <title><hi
									rendition="#italics">The Recruiting Officer</hi></title> (1706).
							He died at the age of 29 only days after his successful play <title><hi
									rendition="#italics">The Beaux' Stratagem</hi></title>
							premiered. Other plays, several of which are adaptations from the work
							of other authors, include <hi rendition="#italics"><title>Love and a
									Bottle</title></hi> (1698), <hi rendition="#italics"><title>Sir
									Harry Wildair</title></hi> (1701), <hi rendition="#italics"
									><title>The Stage-Coach</title></hi> (1702), <hi
								rendition="#italics"><title>The Inconstant</title></hi> (1702), and
								<hi rendition="#italics"><title>The Twin-Rivals</title></hi> (1702).
							Non-dramatic book publications include <hi rendition="#italics"
									><title>The Adventures of Covent-Garden</title></hi> (1699), <hi
								rendition="#italics"><title>Love and Business</title></hi> (1702),
								<hi rendition="#italics"><title>Love's Catechism</title></hi>
							(1707), and <hi rendition="#italics"><title>Barcellona. A
								Poem.</title></hi> (1710). [<ref target="#BDW"
						>BDW</ref>]</gloss></item>
					<item><term xml:id="FarrenElizabeth">Farren, Elizabeth, 1762-1829 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Prominent Irish actress of the late 18<hi rendition="#sup">th</hi>
							century who began performing with her mother and sisters around the age
							of 12. Through her marriage to Edward Smith-Stanley, 12<hi
								rendition="#sup">th</hi> Earl of Derby, Farren held the title of
							Countess of Derby from 1797 until her death. She was often compared to
								<ref target="#AbingtonFrances">Frances Abington</ref>, her only true
							rival in talent and popularity at the time. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="FaulknerGeorge">Faulkner, George, 1699?-1775 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Important Dublin bookseller. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FeltonJohn">Felton, John, 1595?-1628 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>A lieutenant in the English army who assassinated <ref
								target="#VilliersGeorge">George Villiers</ref>, First Duke of
							Buckingham. After leading multiple failed military expeditions, thereby
							damaging the reputation of <ref target="#CharlesIKingofEngland">Charles
								I</ref>, <ref target="#VilliersGeorge">Villiers</ref> was hated by
							the public, who rejoiced at the news of his assassination. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FenelonFrancois">F&#233;nelon, Fran&#231;ois de Salignac de La
							Mothe- 1651-1715 (Library of Congress Name Authority)&#8212; </term>
						<gloss> As preceptor for Louis, duc de Bourgogne, grandson of <ref
								target="#LouisXIVKingofFrance">Louis XIV</ref>, F&#233;nelon wrote
								<hi rendition="#italics"><title>Les Avantures de
									T&#233;l&#233;maque, fils d&apos;Ulysse</title></hi> (1699), to
							impart his liberal political views to his pupil. On the surface, the
							didactic romance narrates the voyage of Telemachus in the <hi
								rendition="#italics"><title>Odyssey</title></hi> as he searches for
							his father accompanied by the goddess Minerva, who teaches him the
							virtues of an enlightened monarch, while incorporating at the same time
							a critique on <ref target="#LouisXIVKingofFrance">Louis XIV</ref>&apos;s
							ideology of monarchy by divine right. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="FentonElijah">Fenton, Elijah, 1683-1730 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English biographer, translator, and poet. He is best remembered for
							his collaboration with <ref target="#PopeAlexander">Alexander Pope</ref>
							and William Broome on a translation of the <hi rendition="#italics"
									><title>Odyssey</title></hi>. His other significant works
							include his collection <hi rendition="#italics"><title>Poems on Several
									Occasions</title></hi>, his <hi rendition="#italics"><title>Life
									of <ref target="#MiltonJohn">John Milton</ref></title></hi>, and
							the tragedy <hi rendition="#italics"><title>Mariamne</title></hi>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="FentonLavinia">Fenton, Lavinia, 1708-1760 (Library of
							Congress Name Authority)&#8212; <gloss>English actress and socialite
								Lavinia Fenton, who debuted the role of Polly Peachum in <ref
									target="#GayJohn">John Gay</ref>'s <hi rendition="#italics"
										><title>The Beggar's Opera</title></hi> (1728), became
								Duchess of Bolton through her marriage to <ref
									target="#PowlettCharles">Charles Powlett, 3<hi rendition="#sup"
										>rd</hi> Duke of Bolton</ref>. [<ref target="#LD"
								>LD</ref>]</gloss></term></item>
					<item>
						<term xml:id="FerdinandIIAragon">Ferdinand V, King of Spain, 1452-1516
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Ferdinand the Catholic, most commonly known as &quot;Ferdinand of
							Aragon,&quot; reigned as King of Aragon (as Ferdinand II) from 1479 to
							his death, as well as joint sovereign of Spain alongside wife Queen
							Isabella I from 1474-1504. His reign saw the unification of the Spanish
							kingdoms and the beginnings of Spanish imperialism. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FerrersEdward">Ferrers, Edward, 1524x7-1564 (Dictionary of
							National Biography)&#8212;</term>
						<gloss>English courtier, Member of Parliament, and father of Henry Ferrers,
							the antiquary. An &quot;Edward Ferrys&quot; was praised as a principal
							poet in <ref target="#PuttenhamGeorge">George Puttenham</ref>&apos;s <hi
								rendition="#italics"><title>The Arte of English Poesie</title></hi>,
							but <ref target="#PuttenhamGeorge">Puttenham</ref> was likely referring
							to the work of <ref target="#FerrersGeorge">George Ferrers</ref>. There
							is no strong evidence to suggest Edward Ferrers as a poet or dramatist.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FerrersGeorge">Ferrers, George, 1500?-1579 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English courtier, Member of Parliament, poet, dramatist, editor, and
							translator, best known for his contributions to <hi rendition="#italics"
									><title>A Mirror for Magistrates</title></hi>. Ferrers was
							mistakenly assigned the first name &quot;Edward&quot; in the praise of
								<ref target="#PuttenhamGeorge">George Puttenham</ref> in <hi
								rendition="#italics"><title>The Arte of English Poesie</title></hi>.
							In 1524, Ferrers was arrested for outstanding debt on his way to
							Parliament, leading to the &quot;Ferrers Case&quot; of 1543. The case
							involved the notion of parliamentary privilege, and the decision
							established members&apos; immunity from civil arrest while Parliament
							was in session. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="FerruccioFrancesco">Ferrucci, Francesco, 1489-1530 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Italian military leader defending Florence against Holy Roman Emperor
								<ref target="#CharlesV">Charles V</ref> and Pope <ref
								target="#ClementVII">Clement VII</ref> during the Siege of Florence.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FieldingEdmund">Fielding, Edmund, 1680-1741 (<title><hi
									rendition="#italics">Oxford Dictionary of National
									Biography</hi></title>)&#8212; </term>
						<gloss>Veteran of <ref target="#MarlboroughJohnChurchill"
							>Marlborough</ref>&apos;s wars and father of the novelists <ref
								target="#FieldingHenry">Henry Fielding</ref> and <ref
								target="#FieldingSarah">Sarah Fielding</ref>. [<ref target="#RD"
								>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FieldingHenry">Fielding, Henry, 1707-1754 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Though a productive playwright and author of political and social
							improvement tracts, Fielding is best remembered for his novels,
							including <hi rendition="#italics"><title>The History of the Adventures
									of Joseph Andrews</title></hi> (1742),<hi rendition="#italics"
									><title> The Life of Mr. Jonathan Wild the Great</title></hi>
							(1743), <hi rendition="#italics"><title>The History of Tom Jones, a
									Foundling</title></hi> (1749), which constitutes one of the most
							important early landmarks in the development of the British novel, <hi
								rendition="#italics"><title>Amelia</title></hi> (1751), and
									<title><hi rendition="#italics">An Apology for the Life of Mrs.
									Shamela Andrews</hi></title> (1741), a parody of <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s <title><hi
									rendition="#italics">Pamela</hi></title>. His <hi
								rendition="#italics"><title>Journal of a Voyage to
								Lisbon</title></hi> (1755) recounts his travels on an unsuccessful
							journey to improve his health. A select list of plays by the author
							includes <title><hi rendition="#italics">The Temple Beau</hi></title>
							(1730), <title><hi rendition="#italics">Tom Thumb</hi></title> (1730),
									<title><hi rendition="#italics">Miser</hi></title> (1732), and
									<title><hi rendition="#italics">The Wedding Day</hi></title>
							(1743). Periodical publications by the author include <title><hi
									rendition="#italics">The Champion</hi></title> (1737-1740),
									<title><hi rendition="#italics">The Covent-Garden
								Journal</hi></title> (1752), <title><hi rendition="#italics">The
									True Patriot</hi></title> (1745), and <title><hi
									rendition="#italics">The Jacobite Journal</hi></title> (1747),
							among many others. Political publications by the author include
									<title><hi rendition="#italics">A Charge Delivered to the Grand
									Jury, at the Sessions of the Peace Held for the City and Liberty
									of Westminster, &amp; c. On Thursday the 29th of June
								1749</hi></title> (1749), <title><hi rendition="#italics">An Enquiry
									into the Causes of the Late Increase of Robbers etc. with Some
									Proposals for Remedying this Growing Evil</hi></title> (1751),
							and <title><hi rendition="#italics">A Proposal for Making an Effectual
									Provision for the Poor, for Amending Their Morals and for
									Rendering Them Useful Members of the Society</hi></title>
							(1753), <title><hi rendition="#italics">A Clear State of the Case of
									Elizabeth Canning, Who Hath Sworn That She Was Robbed and Almost
									Starved to Death by a Gang of Gipsies and Other Villains in
									January Last, for Which One Mary Squires Now Lies under Sentence
									of Death</hi></title> (1753). [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FieldingJohn">Fielding, John, Sir, 1721-1780 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Half-brother to the novelists <ref target="#FieldingHenry">Henry
								Fielding</ref> and <ref target="#FieldingSarah">Sarah
							Fielding</ref>. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FieldingSarah">Fielding, Sarah, 1710-1768 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Sister to <ref target="#FieldingHenry">Henry Fielding</ref>, Sarah
							Fielding (1710-1768) was also respected as a novelist. Her best known
							works include <hi rendition="#italics"><title>The Adventures of David
									Simple</title></hi> (1744 with a final volume added in 1753),
							which has elements in common with <ref target="#JohnsonSamuel">Samuel
								Johnson</ref>&apos;s later work, <hi rendition="#italics"
									><title>Rasselas</title></hi> (1759); <hi rendition="#italics"
									><title>The Governess; or, The Little Female
								Academy</title></hi> (1749) ), written especially for a young female
							audience to show that the path to virtue can be found through control of
							emotional excess, cultivation of benevolence, and submission to parental
							wisdom; <hi rendition="#italics"><title>The Cry: A New Dramatic
									Fable</title></hi> (1754), which she wrote in collaboration with
								<ref target="#CollierJane">Jane Collier</ref>; <hi
								rendition="#italics"><title>The Lives of Cleopatra and
									Octavia</title></hi> (1757); <hi rendition="#italics"><title>The
									History of the Countess of Dellwyn</title></hi> (1759); and <hi
								rendition="#italics"><title>The History of Ophelia</title></hi>
							(1760). In addition, her pamphlet, <hi rendition="#italics"
									><title>Remarks on</title></hi> Clarissa (1749), place her as
							one of the more noteworthy among mid-eighteenth century women literary
							critics. Her translation of Xenophon was published in 1762. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FieveeJoseph">Fi&#233;v&#233;e, Joseph, 1767-1839 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>French novelist, playwright, and journalist who was imprisoned during
							the French Revolution. His <hi rendition="#italics"><title>La Dot de
									Suzette, ou Histoire de Mme. de Senneterre</title></hi> was
							published in 1798, followed by <hi rendition="#italics"
									><title>Fr&#233;d&#233;ric</title></hi> (1799) and <hi
								rendition="#italics">Le divorce, le faux r&#233;volutionnaire, et
								l&apos;h&#233;ro&#239;sme des femmes</hi> (1802). [<ref target="#ZP"
								>ZP</ref>] and [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FitzherbertWilliam">Fitzherbert, William, 1712-1772
									(<title><hi rendition="#italics">Oxford Dictionary of National
									Biography</hi></title>)&#8212; </term>
						<gloss>Member of Parliament, of Tissington Hall. Father of William
							Fitzherbert, the first Baronet of Tissington. [<ref target="#RD"
								>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FletcherAndrew">Fletcher, Andrew, 1655-1716 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> As Laird of Saltoun and a member of the Scottish Parliament,
							Fletcher became known for his political and historical writing. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FletcherGuilestheYounger">Fletcher, Giles, 1588?-1623 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>English poet and cleric, known as &quot;Giles Fletcher, the
							Younger.&quot; Fletcher&apos;s most famous poem, <hi
								rendition="#italics"><title>Christ&apos;s Victory, and Triumph in
									Heaven, and Earth, over, and after Death</title></hi>,
							influenced <ref target="#MiltonJohn">Milton</ref>&apos;s <hi
								rendition="#italics"><title>Paradise Regained</title></hi>. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FletcherJohn">Fletcher, John, 1579-1625 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English playwright of the Jacobean era who famously collaborated with
								<ref target="#BeaumontFrancis">Francis Beaumont</ref>, <ref
								target="#MassingerPhilip">Philip Massinger</ref>, and other
							significant contemporaries, Fletcher also worked with <ref
								target="#ShakespeareWilliam">Shakespeare</ref> on <hi
								rendition="#italics"><title>Two Noble Kinsmen</title></hi> (1634)
							and <hi rendition="#italics"><title>Henry VIII</title></hi> (1613?).
							Fletcher is revered as one of the most influential and prolific
							dramatists of his time, his fame rivalling that of <ref
								target="#ShakespeareWilliam">Shakespeare</ref> during their lives.
							Fletcher succeeded <ref target="#ShakespeareWilliam">Shakespeare</ref>
							as the primary house playwright for the acting company the King's Men
							(known as the Lord Chamberlain's Men prior to 1603) following <ref
								target="#ShakespeareWilliam">Shakespeare</ref>'s death in 1616.
							Fletcher's major works include <hi rendition="#italics"><title>The
									Faithfull Shepheardesse</title></hi> (c. 1608-1609), <hi
								rendition="#italics"><title>The Loyall Subject</title></hi> (1618),
								<hi rendition="#italics"><title>The Chances</title></hi> (1617?),
								<hi rendition="#italics"><title>Rule a Wife and Have a
								Wife</title></hi> (1624), <hi rendition="#italics"
									><title>Philaster</title></hi> (with <ref
								target="#BeaumontFrancis">Beaumont</ref>, c. 1608–10), <hi
								rendition="#italics"><title>The Maides Tragedy</title></hi> (with
								<ref target="#BeaumontFrancis">Beaumont</ref>, c. 1608–11), <hi
								rendition="#italics"><title>A King and No King</title></hi> (with
								<ref target="#BeaumontFrancis">Beaumont</ref>, 1611), and <hi
								rendition="#italics"><title>The False One</title></hi> (with <ref
								target="#MassingerPhilip">Massinger</ref>, 1620). [<ref target="#MW"
								>MW</ref>] [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FletcherLady">Fletcher, Lady&#8212; </term>
						<gloss> See <ref target="#LintotCatherine">Lintot, Catherine</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FletcherPhineas">Fletcher, Phineas, 1582-1650 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Poet of the <ref target="#SpenserEdmund">Spenserian</ref> school and
							writer of parallel poems in English and Latin. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FletcherRichard">Fletcher, Richard (1544/5-1596) (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212;</term>
						<gloss>Priest and bishop of the Church of England and father of <ref
								target="#FletcherJohn">John Fletcher</ref>, successively holding the
							titles Dean of Peterborough, Bishop of Bristol, Bishop of Worcester, and
							Bishop of London. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Florian">Florian, 1755-1794 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Jean-Pierre Claris de Florian authored <hi rendition="#italics"
									><title>Galat&#233;e</title></hi> (1783) and <hi
								rendition="#italics"><title>Gonsalve de Cordoue</title></hi> (1791).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FooteSamuel">Foote, Samuel, 1720-1777 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Dramatist, actor, and theater manager. Shortly after the Restoration,
							Foote was awarded a patent to open the <ref target="#Haymarket"
								>Haymarket Theatre</ref>, which he operated until his death. [<ref
								target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="FordJohn">Ford, John, 1586-approximately 1640 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English poet and playwright, best known for his revenge tragedies.
							Ford&apos;s plays are notable for their poetic diction, exacting sense
							of beauty, and contemplations over human passions. Ford collaborated on
							plays with <ref target="#DekkerThomas">Thomas Dekker</ref> and William
							Rowley. His most famous works include <hi rendition="#italics"
									><title>&apos;Tis a Pity She&apos;s a Whore</title></hi>, <hi
								rendition="#italics"><title>The Broken Heart</title></hi>, and <hi
								rendition="#italics"><title>The Lover&apos;s
							Melancholy</title></hi>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ForsythJoseph">Forsyth, Joseph, 1763-1815 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss> Scottish writer Joseph Forsyth took advantage of the 1802-1803 Peace
							of Amiens to travel to Italy. He was returning to England when the Peace
							failed and was captured by the French and imprisoned until the capture
							of <ref target="#Napoleon">Napoleon</ref> in 1814. While in captivity he
							published <hi rendition="#italics"><title>Remarks on Antiquities, Arts,
									and Letters, during an Excursion in Italy in the years 1802 and
									1803</title></hi> (1813). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FoscoloUgo">Foscolo, Ugo, 1778-1827 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Revered Italian poet and novelist whose works express Italian
							sentiments and anxieties during the Napoleonic Wars and French
							Revolution. Early an enthusiast for <ref target="#Napoleon"
								>Napoleon</ref>, he debuted on the literary scene with a poem
							entitled <hi rendition="#italics"><title>A Bonaparte
								liberatore</title></hi> (1797). His disillusionment soon after was
							expressed in his novel <hi rendition="#italics"><title>Ultime lettere di
									Jacopo Ortis</title></hi> (1802), modeled on <ref
								target="#Goethe">Goethe</ref>&apos;s <hi rendition="#italics"
									><title>Sorrows of Young Werther</title></hi>. Foscolo&apos;s
							most famous work was <hi rendition="#italics"><title>Dei
									Sepolcri</title></hi> (1807). [<ref target="#LD">LD</ref>] [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FoxStephen">Fox, Stephen, 1627-1716 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Royal administrator and courtier to <ref
								target="#CharlesIIKingofEngland">King Charles II</ref>. Fox came
							from a humble background but became wealthy through his career as the
							Paymaster of the Forces (financing of the British army). [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FrancisII">Francis II, Holy Roman Emperor, 1768-1835 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>The last Holy Roman Emperor from 1792-1806. Francis II also held the
							titles of King of Hungary and King of Bohemia, eventually naming himself
							Emperor of Austria in response to <ref target="#Napoleon"
							>Napoleon</ref>&apos;s coronation as Emperor of the French. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FrancklinThomas">Francklin, Thomas, 1721-1784 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Thomas Francklin was a moderately successful writer and playwright.
							One of his most successful plays was <hi rendition="#italics"><title>The
									Earl of Warwick</title></hi> (1766). He also collaborated with
								<ref target="#SmollettTobias">Tobias Smollett</ref> on the <hi
								rendition="#italics"><title>Critical Review</title></hi>. [<ref
								target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FraserJamesBaillie">Fraser, James Baillie, 1783-1856 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Scottish picturesque watercolorist, romance author, and travel
							writer. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="FrederickPrinceofWales">Frederick Louis, Prince of Wales,
							1707-1751 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Prince of Wales, heir apparent of <ref
								target="#GeorgeIIKingofGreatBritain">King George II</ref>, and
							father of <ref target="#GeorgeIIIKingofGreatBritain">King George
								III</ref>, Frederick predeceased his father by nine years, never to
							become king. [<ref target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="FrederickIHolyRomanEmperor">Frederick I, Holy Roman Emperor,
							approximately 1123-1190 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Son of a Duke and Duke&apos;s daughter, Frederick I was Duke of
							Swabia, German king, and finally Holy Roman Emperor beginning in 1152.
							Also known as Frederick Barbarossa, his reign was characterized by his
							defiance of papal power and struggle for German predominance in Europe.
							Remembered for his political and military brilliance, Frederick I died
							during the Third Crusade. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="FrederickIV">Frederick I, King of Naples, 1451-1504 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Last king from the House of Trast&#225;mara, ruling from 1496-1501,
							more commonly known as &quot;Frederick IV&quot; as the fourth ruling
							Frederick of Sicily. In 1501 Frederick was deposed by <ref
								target="#LouisXII">Louis XII</ref> of France and his cousin King
								<ref target="#FerdinandIIAragon">Ferdinand II</ref> of Aragon. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="FuseliHenry">Fuseli, Henry, 1741-1825 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Primarily a visual artist, Swiss-born Henry Fuseli produced some
							literary achievements as well, including <hi rendition="#italics"
									><title>Aphorisms on Man</title></hi> (1788), a translation of
							Lavater&apos;s <hi rendition="#italics"><title>Vermischte
									unphysiognomische Regeln zur Selbst- und
									Menschenkenntniß</title></hi> (1787). Among his visual works,
								<hi rendition="#italics"><title>The Nightmare</title></hi> (1781) is
							probably the most famous. His <ref target="#MiltonJohn">Milton</ref>
							Gallery from the 1790s was also widely known. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LadyG">Lady G.&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison</title></hi> (1754), sister to the title
							character. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GainsboroughEarlof">Gainsborough, Earl of&#8212; </term>
						<gloss>
							<ref target="#BarbauldMrs">Anna Letitia Barbauld</ref> suggests as a
							possible model for <ref target="#RichardsonSamuel">Samuel
								Richardson</ref>&apos;s <hi rendition="#italics"
									><title>Pamela</title></hi> (1740-1) the story of Noel Baptist,
							Fourth Earl of Gainsborough (1708-1751, Bernard Burke&apos;s <hi
								rendition="#italics"><title>Genealogical and Heraldic History of the
									Peerage, Baronetage, and Knightage</title></hi>), who married
							Elizabeth Chapman, the daughter of his gameskeeper, Christopher Chapman.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GalileiGalileo">Galilei, Galileo, 1564-1642 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian physicist, mathematician, astronomer, and philosopher who, by
							means of telescopic observation, disproved the Ptolomeaic theory of the
							universe. Works include: <hi rendition="#italics"><title>La
									Billancetta</title></hi> (1586), <hi rendition="#italics"
									><title>De Motu Antiquiora</title></hi> (1590), <hi
								rendition="#italics"><title>Le mecaniche</title></hi> (1600), <hi
								rendition="#italics"><title>Le operazioni del compasso geometrico et
									militare</title></hi> (1606), <hi rendition="#italics"
									><title>Sidereus Nuncius</title></hi> (1610), <hi
								rendition="#italics"><title>Discorso intorno alle cose che stanno in
									su l&apos;acqua, o che in quella si muovono</title></hi> (1612),
								<hi rendition="#italics"><title>Istoria e dimostaziono intorno alle
									macchie solari</title></hi> (1613), <hi rendition="#italics"
									><title>Discorso del flusso e reflusso del mare</title></hi>
							(1616), <hi rendition="#italics"><title>Discorso delle
								Comete</title></hi> (1619), <hi rendition="#italics"><title>Il
									Saggiatore</title></hi> (1623), <hi rendition="#italics"
									><title>Dialogo sopra i due massimi sistemi del
								mondo</title></hi> (1632), and <hi rendition="#italics"
									><title>Discorsi e Dimostrazioni Matematiche, intorno a due
									nuove scienze</title></hi> (1638). For his <hi
								rendition="#italics"><title>Dialogo sopra i due massimi sistemi del
									mondo</title></hi> he was tried by the Inquisition and forced to
							recant. He was sentenced to house arrest, where he remained for the rest
							of his life, still continuing his scientific work. [<ref target="#ZP"
								>ZP</ref>] [<ref target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="GarrickDavid">Garrick, David, 1717-1779 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An exceptionally productive playwright and adapter, Garrick was also
							an effective theater manager and one of the most powerful and popular
							actors in the history of British theater. Most of Garrick&apos;s
							dramatic compositions consisted of adaptations of existing plays,
							especially those of <ref target="#ShakespeareWilliam">Shakespeare</ref>.
							In addition to those from <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s works, Garrick&apos;s plays include
									<title><hi rendition="#italics">Lethe; or Esop in the
									Shades</hi></title> (1740); <title><hi rendition="#italics">The
									Lying Valet</hi></title> (1741); <title><hi rendition="#italics"
									>The Provok&apos;d Wife</hi></title> (1744); <title><hi
									rendition="#italics">Miss in Her Teens: or, The Medley of
									Lovers</hi></title> (1747); <title><hi rendition="#italics"
									>Every Man in His Humour</hi></title> (1751); <title><hi
									rendition="#italics">The Chances</hi></title> (1754); <title><hi
									rendition="#italics">Lilliput</hi></title> (1756); <title><hi
									rendition="#italics">The Male Coquette</hi></title> (1757);
									<title><hi rendition="#italics">Isabella; or, The Fatal
									Marriage</hi></title> (1757); <title><hi rendition="#italics"
									>The Gamesters</hi></title> (1757); <title><hi
									rendition="#italics">The Guardian</hi></title> (1759);
									<title><hi rendition="#italics">Harlequin&apos;s
								Invasion</hi></title> (1759); <title><hi rendition="#italics">The
									Enchanter; or, Love and Magic</hi></title> (a libretto; 1760);
									<title><hi rendition="#italics">The Farmer&apos;s Return from
									London</hi></title> (1762); <title><hi rendition="#italics">The
									Clandestine Marriage</hi></title> (1766); <title><hi
									rendition="#italics">The Country Girl</hi></title> (1766);
									<title><hi rendition="#italics">Neck or Nothing</hi></title>
							(1766); <title><hi rendition="#italics">Cymon</hi></title> (1767);
									<title><hi rendition="#italics">Linco&apos;s
								Travels</hi></title> (1767); <title><hi rendition="#italics">A Peep
									Behind the Curtain; or, The New Rehearsal</hi></title> (1767);
									<title><hi rendition="#italics">The Jubilee</hi></title> (1769);
									<title><hi rendition="#italics">The Institution of the Garter;
									or, Arthur&apos;s Roundtable Restored</hi></title> (1771);
									<title><hi rendition="#italics">The Irish Widow</hi></title>
							(1772); <title><hi rendition="#italics">A Christmas Tale</hi></title>
							(1773); <title><hi rendition="#italics">The Meeting of the
								Company</hi></title> (1774); <title><hi rendition="#italics">Bon
									Ton; or, High Life above Stairs</hi></title> (1775); <title><hi
									rendition="#italics">The Theatrical Candidates</hi></title>
							(1775); and <title><hi rendition="#italics">May Day; or, The Little
									Gipsy</hi></title> (also a libretto; 1775). [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GarthSamuel">Garth, Samuel, Sir, 1661-1719 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English physician and poet whose mock-heroic poem <hi
								rendition="#italics"><title>The Dispensary</title></hi> gained
							instant success. In the poem, Garth ridicules apothecaries and their
							physician supporters. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GascoigneGeorge">Gascoigne, George, -1577 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English lawyer, soldier, member of Parliament, and poet. An important
							literary figure in the English Renaissance, Gascoigne&apos;s writing
							innovatively adapted foreign literary forms to the English language.
								[<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GascoigneWilliam">Gascoigne, Sir William (c.1350–1419) (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212;</term>
						<gloss>The Chief Justice of England during the reign of <ref
								target="#HenryIVKingofEngland">Henry IV</ref>, Gascoigne refused the
							king&apos;s orders to pronounce sentences upon prisoners who had not
							been tried by their peers. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GayJohn">Gay, John, 1685-1732 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Best known for <hi rendition="#italics"><title>The Beggar&apos;s
									Opera</title></hi>, which debuted in London in 1728, Gay
							authored numerous other noteworthy works, a few of which include the
							play <hi rendition="#italics"><title>The Distress&apos;d
								Wife</title></hi> (1734), a body of poetry, some collections of
							fables, and the libretto for <ref target="#HandelGeorge"
							>Handel</ref>&apos;s <hi rendition="#italics"><title>Acis and
									Galatea</title></hi> (1731). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="GayotdePitaval">Gayot de Pitaval, Fran&#231;ois, 1673-1743
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>A French advocate whose <title><hi rendition="#italics">Causes
									c&#233;l&#232;bres et interesantes avec les jugemens qui les out
									decidees</hi></title>, a collection of notorious criminal cases
							that had come to his attention in his official capacities, was published
							in periodic installments and various expanded editions beginning in 1734
							and continuing throughout the eighteenth century. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GellertChristian">Gellert, Christian F&#252;rchtegott,
							1715-1769 (Library of Congress Name Authority)&#8212; </term>
						<gloss> In addition to plays, a novel, verse, fables, and aesthetic
							treatises, this distinguished author of the German Enlightenment
							translated <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison</title></hi> (1753-4). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GenlisStephanie">Genlis, St&#233;phanie F&#233;licit&#233;,
							comtesse de, 1746-1830 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Among French women writers, Mme. de Genlis was one of the more
							popular with Romantic-era British women writers. Her didactic fiction
							and educational works included <hi rendition="#italics"
									><title>Ad&#232;le et Th&#233;odore</title></hi> (1782), which
							features the characters Cecile, the Duchesse de C***, and M. and Mad.
							Lagaraye. <hi rendition="#italics"><title>Les Veill&#233;es du
									Chateau</title></hi> (1784) was translated into English as <hi
								rendition="#italics"><title>Tales of the Castle; or, Stories of
									Instruction and Delight</title></hi> (1785). <hi
								rendition="#italics"><title>Les petits
								&#233;migr&#233;s</title></hi> (1798) appeared in English as <hi
								rendition="#italics"><title>The Young Exiles, or, Correspondence of
									some Juvenile Emigrants</title></hi> in 1799. <hi
								rendition="#italics"><title>Les M&#232;res rivales, ou la
									calomnie</title></hi> (1800) was translated as <hi
								rendition="#italics"><title>Rival Mothers; or, The
								Calumny</title></hi> (1800). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GeoffryofMonmouth">Geoffrey, of Monmouth, Bishop of St. Asaph,
							1100?-1154 (Library of Congress Name Authority)&#8212; </term>
						<gloss> As the author of <hi rendition="#italics"><title>Prophetiae
									Merlini</title></hi> (<hi rendition="#italics"><title>The
									Prophesies of Merlin</title></hi>) and <hi rendition="#italics"
									><title>Historia regum Britanniae</title></hi> (<hi
								rendition="#italics"><title>The History of the Kings of
									Britain</title></hi>) as well as the manuscript <hi
								rendition="#italics"><title>Vita Merlini</title></hi>, Geoffrey of
							Monmouth is an important source for the Arthurian legends. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GeorgeIKingofGreatBritain">George I, King of Great Britain,
							1660-1727 (Library of Congress Name Authority)&#8212; </term>
						<gloss> The first British monarch of the House of Hanover, George ascended
							to rule over Great Britain in 1714 on the death of his second cousin
								<ref target="#AnneQueenofGreatBritain">Anne</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GeorgeIIKingofGreatBritain">George II, King of Great Britain,
							1683-1760 (Library of Congress Name Authority)&#8212; </term>
						<gloss> King of Great Britain from 1727-1760. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="GeorgeIIIKingofGreatBritain">George III, King of Great
							Britain, 1738-1820 (Library of Congress Name Authority)&#8212; </term>
						<gloss> King of Great Britain from 1760-1820. The latter part of his reign
							was punctuated by periods of intermittent madness so that in 1811
							Parliament named as Regent his son, then Prince of Wales, but later to
							become <ref target="#GeorgeIVKingofGreatBritain">George IV.</ref> [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GeorgeIVKingofGreatBritain">George IV, King of Great Britain,
							1762-1830 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Prince Regent for George III from 1811, he became king with his
							father&apos;s death in 1820. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="GeorgePrinceofGreatBritain">George, Prince, consort of <ref
								target="#AnneQueenofGreatBritain">Anne, Queen of Great
							Britain</ref>, 1653-1708 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Husband and royal consort of <ref target="#AnneQueenofGreatBritain"
								>Queen Anne</ref>, Prince of Norway and Denmark, and Duke of
							Cumberland. George was known for his relaxed demeanor and lack of
							interest in politics. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="GeorgeSaint">George, Saint, -303 (Library of Congress Name
							Authority)&#8212; </term><gloss> Born in Cappadocia in Asia Minor, he
							became one of the most venerated saints in Christianity. As a soldier in
							Roman service, he was sentenced to death for refusing to repudiate his
							Christianity. In legend, he slew a dragon that was terrorizing a village
							populace by demanding human sacrifices. England is one of several
							nations claiming George as a patron saint. [<ref target="#MW">MW</ref>]
						</gloss></item>
					<item>
						<term xml:id="Gertrude">Gertrude, Queen of Denmark</term>
						<gloss>Character in <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s drama <hi rendition="#italics"
									><title>Hamlet</title></hi>, she is <ref target="#Hamlet"
								>Hamlet</ref>&apos;s mother. She takes <ref target="#Hamlet"
								>Hamlet</ref>&apos;s uncle <ref target="#Claudius">Claudius</ref> as
							spouse after <ref target="#Claudius">Claudius</ref> kills the king, <ref
								target="#Hamlet">Hamlet</ref>&apos;s father, and ascends to the
							throne. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GibbonEdward">Gibbon, Edward, 1737-1794 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English historian, scholar, and Member of Parliament. The reputation
							of this eminent historian rests mostly on his masterwork, <hi
								rendition="#italics"><title>The History of the Decline and Fall of
									the Roman Empire</title></hi> (1776-1788), noted for the irony
							in its representation of the rise of Christianity. [<ref target="#LD"
								>LD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GiffordWilliam">Gifford, William, 1756-1826 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English critic, editor, and poet. Gifford authored the anti-Della
							Cruscan satires <hi rendition="#italics"><title>The Baviad</title></hi>
							(1791) and <hi rendition="#italics"><title>The Maviad</title></hi>
							(1795). He edited the <hi rendition="#italics"><ref
									target="#AntiJacobin"><title> Anti-Jacobin</title></ref></hi>
							from 1797-1798 and was the first editor of the <hi rendition="#italics"
									><ref target="#QuarterlyReview"><title>Quarterly
									Review</title></ref></hi>, a position he held until 1824. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GildonCharles">Gildon, Charles, 1665-1724 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English writer who was largely paid to write low-quality and rushed
							works. As a &quot;hack writer,&quot; Gildon was a biographer, essayist,
							translator, playwright, poet, short story writer, and critic. <ref
								target="#PopeAlexander">Alexander Pope</ref> denounced Gildon&apos;s
							opportunist writing in his <hi rendition="#italics"
									><title>Dunciad</title></hi>. Gildon was likewise engaged in a
							long-term quarrel with <ref target="people.html#SwiftJonathan">Jonathan
								Swift</ref>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GiraldiGiambattista">Giraldi, Giambattista Cinzio, 1504-1573
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Italian novelist, dramatist, and poet, one of the first tragicomedy
							authors, writing under the nickname &quot;Cinthio.&quot; Cinthio&apos;s
							most famous work, his collection of short stories entitled <hi
								rendition="#italics"><title>Hecatommithi</title></hi> (1565),
							provided the source material for <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s <hi rendition="#italics"><title>Measure
									for Measure</title></hi> and <hi rendition="#italics"
									><title>Othello</title></hi>. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="GlasseHannah">Glasse, Hannah, 1708-1770 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English cookbook writer whose <hi rendition="#italics"><title>The Art
									of Cookery Made Plain and Easy</title></hi> was a bestselling
							recipe book for over a century after its initial publication. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GloverRichard">Glover, Richard, 1712-1785 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Playwright, poet, and writer on various aspects of the West Indies
							question, Glover published &quot;<title>Admiral Hosier&apos;s
								Ghost</title>&quot; in 1740. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GodwinWilliam">Godwin, William, 1756-1836 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Novelist, historian, biographer, political theorist, and spouse to
								<ref target="#WollstonecraftMary">Mary Wollstonecraft</ref>, William
							Godwin published <hi rendition="#italics"><title>An Enquiry concerning
									Political Justice, and its Influence on General Virtue and
									Happiness</title></hi> in 1793. His most important novels,
							including <hi rendition="#italics"><title>Things As They Are; or, The
									Adventures of Caleb Williams</title></hi> (1795) and <hi
								rendition="#italics"><title>St. Leon</title></hi> (1799), dramatize
							the theories that <hi rendition="#italics"><title>Political
									Justice</title></hi> advances. <hi rendition="#italics"
									><title>Fleetwood; or, The New Man of Feeling</title></hi>
							(1805) critiques the character type made famous by <ref
								target="#MackenzieHenry">Henry Mackenzie</ref>&apos;s novel <hi
								rendition="#italics"><title>The Man of Feeling</title></hi>. <hi
								rendition="#italics"><title>Mandeville. A Tale of the Seventeenth
									Century in England</title></hi> (1817) is a historical novel in
							the style of <ref target="#ScottWalter">Scott</ref>. <hi
								rendition="#italics"><title>Cloudesley: A Tale</title></hi> (1830)
							returns to the theme of aristocratic tyranny that was the subject of <hi
								rendition="#italics"><title>Caleb Williams</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Goethe">Goethe, Johann Wolfgang von, 1749-1832 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Goethe anonymously published <hi rendition="#italics"><title>Die
									Leiden des jungen Werthers</title></hi> in 1774 (translated as
								<hi rendition="#italics"><title>The Sorrows of Young
								Werther</title></hi>, 1779). The eponymous hero eventually commits
							suicide over a hopeless passion for a woman engaged to another. <hi
								rendition="#italics"><title>Wilhelm Meisters Lehrjahre</title></hi>
							(1795-1796) was translated as <hi rendition="#italics"><title>Wilhelm
									Meister&apos;s Apprenticeship</title></hi> by <ref
								target="#CarlyleThomas">Thomas Carlyle</ref> in 1824. Goethe was
							eminent as a poet and dramatist as well, with the two part verse drama
								<hi rendition="#italics"><title>Faust</title></hi> (1808 and 1832)
							as the foremost of his works. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Goldoni">Goldoni, Carlo, 1707-1793 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> A prolific Italian playwright known for his innovations in the
							dramatic form commedia dell&apos;arte who also introduced elements of
							realism into dramatic characterizations to help reform the Italian
							stage. Among his extensive list of dramatic works, his stage adaptations
							of <ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s <hi
								rendition="#italics"><title>Pamela</title></hi> (1740-1) include <hi
								rendition="#italics"><title>Pamela Nubile</title></hi> (1750) and
								<hi rendition="#italics"><title>Pamela Maritata</title></hi> (1759).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GoldsmithOliver">Goldsmith, Oliver, 1730?-1774 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Goldsmith is often regarded as the epitome of a grub street writer,
							living much of his life in poverty and debt despite authoring a massive
							body of histories, biographies, plays, poems, novels, and literary
							criticism. Goldsmith&apos;s authorial importance was acknowledged by the
							literary community with his poems <title><hi rendition="#italics">The
									Traveller</hi></title> (1764) and <title><hi
									rendition="#italics">The Hermit</hi></title> (1765), but later
							texts would give him fame. Satirical and paradoxical, <hi
								rendition="#italics"><title>The Vicar of Wakefield</title></hi>
							(1766) was his most popular novel. <hi rendition="#italics"><title>The
									Deserted Village</title></hi> (1770), his best known poem,
							depicts a traveler&apos;s reflections on the demise of Auburn, the
							village of his youth, after the native inhabitants are forced out by an
							avaricious local landowner. As a prolific literary journalist, Goldsmith
							contributed to the <hi rendition="#italics"><title>Critical
									Review</title></hi> as well as other periodicals. In 1759,
							Goldsmith published a weekly paper named <title><hi rendition="#italics"
									>The Bee</hi></title>. A collection of his works from the <ref
								target="#ReviewMonthly"><title><hi rendition="#italics">Monthly
										Review</hi></title></ref> were published under the name
									<title><hi rendition="#italics">The Citizen of the
								World</hi></title> in 1762. A further selection of Goldsmith&apos;s
							nonfiction includes <title><hi rendition="#italics">History of England
									in a Series of Letters from a Nobleman to His Son</hi></title>
							(1764), <title><hi rendition="#italics">Life of <ref
										target="#BolingbrokeHenryStJohn">Henry St. John, Lord
										Viscount Bolingbroke</ref></hi></title> (1770), <title><hi
									rendition="#italics">Life of <ref target="#ParnellThomas">Thomas
										Parnell</ref></hi></title> (1770), <title><hi
									rendition="#italics">The Roman History: from the foundation of
									the city of Rome, to the destruction of the western
								Empire</hi></title> (1769), and <title><hi rendition="#italics"
									>Retaliation, The History of Greece</hi></title> (1774). <hi
								rendition="#italics"><title>She Stoops to Conquer; or, The Mistakes
									of a Night</title></hi> (1773), Goldsmith&apos;s most famous
							dramatic comedy, features the heroine Kate Hardcastle, who descends to
							playing a servant in her own house after a potential suitor mistakes it
							for an inn. Less popular than <title><hi rendition="#italics">She Stoops
									to Conquer</hi></title> was Goldsmith&apos;s dramatic comedy
									<title><hi rendition="#italics">The Goodnatured Man</hi></title>
							(1768). <hi rendition="#italics"><title>An History of the Earth, and
									Animated Nature</title></hi> was published in 1795. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="CordobaGonzalo">Fern&#225;ndez de C&#243;rdoba, Gonzalo,
							1453-1515 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Spanish general and statesman whose military brilliance earned him
							the title &quot;The Great Captain.&quot; His most famous military
							campaigns included the Italian Wars and the Conquest of Granada. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GordonJohn">Gordon, John &#8212; </term>
						<gloss>A surgeon at the University of Glasgow and mentor to <ref
								target="#SmollettTobias">Tobias Smollett</ref> and <ref
								target="#MooreJohn">Dr. John Moore</ref>. H.L. Fulton writes,
								&quot;[<ref target="#MooreJohn">John Moore</ref>] was apprenticed to
							William Stirling and John Gordon, surgeons in a large practice and
							formerly masters to <ref target="#MooreJohn">Moore</ref>&apos;s distant
							cousin <ref target="#SmollettTobias">Tobias Smollett</ref>.&quot;
							(Fulton, H.L. &quot;Moore, John (1729-1802).&quot; <hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>. Ed. H.C.G. Matthew and Brian Harrison.
							Vol. 38. New York: Oxford UP, 2004. 970.) [<ref target="#VW">VW</ref>]
								[<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GoslingLady">Gosling, Lady&#8212; </term>
						<gloss>
							<hi rendition="#italics"><title>ne&#233;</title></hi> Elizabeth
							Midwinter, she married bookseller and banker Sir Francis Gosling
							(Gosling, Francis, Sir, d. 1768 [Library of Congress Name Authority]).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GouldHenry">Sir Henry Gould, 1643/4-1710 (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212; </term>
						<gloss>Judge of the king&apos;s bench and maternal grandfather to the
							novelist <ref target="#FieldingHenry">Henry Fielding</ref>. [<ref
								target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GowerJohn">Gower, John, 1325?-1408 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> An English poet, contemporary of <ref target="#LanglandWilliam"
								>William Langland</ref> and a personal friend of <ref
								target="#ChaucerGeoffrey">Geoffrey Chaucer</ref>. He is remembered
							primarily for three major works, <title><hi rendition="#italics">the
									Mirour de l&apos;Omme</hi></title> (c. 1376-1379), <title><hi
									rendition="#italics">Vox Clamantis</hi></title> (c. 1377-1381),
							and <title><hi rendition="#italics">Confessio Amantis</hi></title> (c.
							1390-1392), three long poems written in French, Latin, and English
							respectively, which are united by common moral and political themes.
								[<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GrafignyMme">Grafigny, Mme de (Fran&#231;oise
							d&apos;Issembourg d&apos;Happoncourt), 1695-1758 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Mme de Grafigny&apos;s novel <hi rendition="#italics"><title>Lettres
									d&apos;une P&#233;ruviennes</title></hi> (1747) tells the story
							of Zilia, an Incan princess captured by the Spanish. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="GraftonCharles">Grafton, Charles Fitzroy, Duke of, 1683-1757
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English peer and politician who served as Lord High Steward at <ref
								target="#GeorgeIKingofGreatBritain">King George I</ref>'s
							coronation, Privy Counsellor (1715), Knight of the Garter (1721), Lord
							Lieutenant of Ireland (1720-1724), and Lord Chamberlain (1724-1757).
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="GraingerJames">Grainger, James, 1721?-1766 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> The most interesting literary work by West Indian poet and physician
							James Grainger is <hi rendition="#italics"><title>The
								Sugar-Cane</title></hi> (1764). His &quot;<title>Solitude, an
								Ode</title>&quot; was reprinted, among other places, in
							Southey&apos;s <hi rendition="#italics"><title>Specimens of the Later
									English Poets</title></hi> (1807). He translated several Latin
							works, including the elegies of Tibullus. Grainger also authored
							groundbreaking medical treatises on the care of slaves. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SirCharlesGrandison">Sir Charles Grandison&#8212; </term>
						<gloss> Hero of <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison</title></hi> (1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GrandmaisonFrançois">Parseval-Grandmaison, François-Auguste
							(1759-1834) (Virtual International Authority File)&#8212;</term>
						<gloss>Initially trained as a painter, <ref
								target="people.html#GrandmaisonFrançois">Grandmaison</ref>
							(1759-1834) was appointed to the French Academy in recognition of his
							poetry in honor of <ref target="people.html#Napoleon">Napoleon
								Bonaparte</ref>. [MW]</gloss>
					</item>
					<item>
						<term xml:id="GranthamThomas">Grantham, Thomas Robinson, Baron, 1695-1770
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Diplomat and politician. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GranvilleGeorge">Lansdowne, George Granville, Baron, 1667-1735
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English Tory politician, Secretary at War, poet, and playwright.
							Influenced by the writing of <ref target="#DrydenJohn">Dryden</ref>,
							Lord Lansdowne was best known for his stage adaptations, including <hi
								rendition="#italics"><title>The Heroick Love</title></hi> (1698) and
								<hi rendition="#italics"><title>The Jew of Venice</title></hi>
							(1701). [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GravesRichardSr.">Graves, Richard, 1677-1729 (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212; </term>
						<gloss> Antiquary and father of the author Rev. <ref target="#GravesRichard"
								>Richard Graves</ref>. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GravesRichard">Graves, Richard, 1715-1804 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A gifted novelist, Graves published <hi rendition="#italics"
									><title>The Festoon</title></hi>, a collection of Epigrams in
							1765, <hi rendition="#italics"><title>The Spiritual Quixote; or, The
									Summer&apos;s Ramble of Mr. Geoffry Wildgoose</title></hi> in
							1773 and <hi rendition="#italics"><title>Columella; or, The Distressed
									Anchoret</title></hi> in 1779. <hi rendition="#italics"
									><title>Senilities; or, Solitary Amusements: in Prose and
									Verse</title></hi> appeared in 1801. Other publications by the
							author include <title><hi rendition="#italics">Euphrosyne; or,
									Amusements on the Road of Life</hi></title> (1776); <title><hi
									rendition="#italics">Eugenius; or, Anecdotes of the Golden Vale,
									an Embellished Narrative of Real Facts</hi></title> (1785);
									<title><hi rendition="#italics">Lucubrations: Consisting of
									Essays, Reveries etc. in Prose and Verse</hi></title> (1786);
									<title><hi rendition="#italics">Recollections of some
									Particulars in the Life of Recollections of Some Particulars in
									the Life of the Late <ref target="#ShenstoneWilliam">William
										Shenstone</ref>, Esq. in a Series of Letters from an
									Intimate Friend of His to----Esq. F. R. S.</hi></title> (1788);
									<title><hi rendition="#italics">Plexippus, or the Aspiring
									Plebeian</hi></title> (1790); <title><hi rendition="#italics"
									>The Reveries of Solitude; Consisting of Essays in Prose, a New
									Translation of the Muscipula, and Original Pieces in
								Verse</hi></title> (1793); <title><hi rendition="#italics">The
									Coalition; or, The Opera Rehears&apos;d: A Comedy in Three
									Acts</hi></title> (1794); <title><hi rendition="#italics">The
									Farmer&apos;s Son: A Moral Tale Inscribed to Mrs. Hannah More by
									the Rev. P. P. M. A.</hi></title> (1795); and <title><hi
									rendition="#italics">The Invalid, with the obvious Means of
									enjoying Long Life, by a Nonagenarian</hi></title> (1804). Also
							proficient in Latin, Greek, and several modern languages, Graves
							translated <title><hi rendition="#italics">Galateo; or, A Treatise on
									Politeness and Delicacy of Manners, from the Italian of Monsig.
										<ref target="#DellaCasaGiovanni">Giovanni De La
									Casa</ref></hi></title> (1774), <ref target="#Goethe"
								>Goethe</ref>&apos;s <hi rendition="#italics>">Sorrows of
								Werther</hi>(1779), probably from a French version, <ref
								target="#FenelonFrancois">F&#233;nelon&apos;s</ref>
							<title><hi rendition="#italics"> Fleurettes, Containing an Ode on
									Solitude</hi></title> (1784), Herodian, <title><hi
									rendition="#italics">The Heir Apparent; or, The Life of
									Commodus, Translated from the Greek</hi></title> (1789),
									<title><hi rendition="#italics">The Meditations of the <ref
										target="#AureliusMarcus">Emperor Marcus Aurelius
										Antoninus</ref>: A New Translation, with a Life, Notes
									Etc.</hi></title> (1792), and <title><hi rendition="#italics"
									>Hiero on the Condition of Royalty: A Conversation from the
									Greek of <ref target="#Xenophon">Xenophon</ref></hi></title>
							(1793). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GrayThomas">Gray, Thomas, 1716-1771 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> The rather reclusive Thomas Gray, one of the most esteemed poets of
							the eighteenth century, left a comparatively small body of work,
							highlights of which include <hi rendition="#italics"><title>An Ode on a
									Distant Prospect of Eton College</title></hi> (1747), <hi
								rendition="#italics"><title>An Elegy Wrote in a Country Church
									Yard</title></hi> (1751), and a collection of <hi
								rendition="#italics"><title>Odes</title></hi> (1757) that included
								&quot;<title>The Progress of Poesy</title>&quot; and
								&quot;<title>The Bard</title>&quot; (1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GreeneRobert">Greene, Robert, 1558-1592 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Popular English playwright and pamphleteer, graduate of Cambridge and
							Oxford. Greene&apos;s works provided <ref target="#ShakespeareWilliam"
								>Shakespeare</ref> with models of pastorals, romance, and dramatic
							comedy. As one of the period&apos;s &quot;university wits,&quot; Greene
							was known for his criticisms of colleagues, including a derisive
							reference to Shakespeare in the pamphlet <hi rendition="#italics"
									><title>Greene&apos;s Groats-worth of Wit</title></hi>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GressetJean">Gresset, 1709-1777 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>French poet and dramatist, Jean Baptiste Louis Gresset&apos;s
							narrative poem <hi rendition="#italics"><title>Vert-Vert</title></hi>
							garnered wide acclaim from his contemporaries for its creativity and
							wit. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GrevilleFulke">Greville, Fulke, Baron Brooke, 1554-1628
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English statesman, member of the House of Commons, dramatist,
							biographer, and philosophical poet, endorsing a plain style of writing.
							Greville's tomb describes him as &quot;Servant to <ref
								target="#ElizabethIQueenofEngland">Q. Eliz.</ref>, councellor to
								<ref target="#JamesIKingofEngland">King James</ref>, and friend to
								<ref target="#SidneyPhilip">Sir Philip Sidney</ref>.&quot; [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Grey2ndEarl">Grey, Charles Grey, Earl, 1764-1845 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>British Whig Prime Minister from 1830-1834. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item><term xml:id="GreyFrances">Grey, Frances, duchess of Suffolk, 1517–1559
								(<hi rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212;</term>
						<gloss>Née Lady Frances Brandon, Frances Grey was an English noblewoman and
							the eldest daughter of Princess Mary, <ref
								target="#HenryVIIIKingofEngland">King Henry VIII</ref>'s younger
							sister, and Charles Brandon, 1<hi rendition="#sup">st</hi> Duke of
							Suffolk. Frances Grey was the wife of <ref
								target="#GreyHenryDukeofSuffolk">Henry Grey, Duke of Suffolk</ref>
							and the mother of <ref target="#GreyJane">Lady Jane Grey</ref>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="GreyHenry">Kent, Henry Grey, Duke of, 1671?-1740 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English politician and courtier who served as Lord Chamberlain from
							1704-1710, Lord Steward of the Household from 1716-1718, and Lord Privy
							Seal from 1719-1720. Survived by none of his sons, Grey's title of Duke
							of Kent became extinct upon his death. [<ref target="#LD"
							>LD</ref>]</gloss>
					</item>
					<item><term xml:id="GreyJane">Grey, Jane, Lady, 1537-1554 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Born to <ref target="#GreyHenryDukeofSuffolk">Henry Grey</ref> and
								<ref target="#GreyFrances">Lady Francis Brandon</ref>, a
							granddaughter of <ref target="people.html#HenryVIIKingofEngland">Henry
								VII</ref>, Lady Jane, also known as "The Nine Day Queen," was
							well-educated and brought up in a zealously Protestant household. Her
							upbringing and presence at court with her first cousin once-removed,
							King Edward VI of England, led the dying Edward at age 15 to pronounce
							her his heir. Following Edward's death, she was proclaimed Queen by the
							Privy Council, but nine days later, on July 19, after <ref
								target="#MaryIQueenofEngland">Mary</ref> had roused much popular
							support, the Privy Council proclaimed <ref target="#MaryIQueenofEngland"
								>Mary</ref> queen instead. Jane was imprisoned, tried for treason,
							and, the following year, beheaded along with her husband on February
								12<hi rendition="#sup">th</hi>, 1554. [<ref target="#BDW">BDW</ref>]
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="GriffithsRalph">Griffiths, Ralph, 1720-1803 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> In addition to publishing books on a wide array of topics,
							bookseller Ralph Griffiths was also the proprietor of several literary
							journals, including the <hi rendition="#italics"><title>London
									Advertiser and Literary Gazette</title></hi> (1751-1753), the
								<hi rendition="#italics"><title>Grand Magazine of Universal
									Intelligence</title></hi> (1758-1760), and the <hi
								rendition="#italics"><title>Library</title></hi> (1761-1762). Two of
							the periodicals Griffiths founded continued long after his death: the
								<hi rendition="#italics"><title>St. James&apos;s
								Chronicle</title></hi> (1761-1866) and, most famously, the <hi
								rendition="#italics"><title><ref target="#ReviewMonthly">Monthly
										Review</ref></title></hi> (1749-1845), the first and for
							nearly half a century the most important British literary review. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GroveHenry">Grove, Henry, 1684-1738 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Clergyman and conduct and theological writer, Grove contributed as
							well to <ref target="#AddisonJoseph">Joseph Addison</ref>&apos;s <hi
								rendition="#italics"><title>Spectator</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GuariniBattista">Guarini, Battista, 1538-1612 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian poet and drama theorist who is credited with establishing the
							pastoral drama. Works include: <hi rendition="#italics"
									><title>Aminta</title></hi> (1573), <hi rendition="#italics"
									><title>Il pastor fido</title></hi> (1590), and <hi
								rendition="#italics"><title>Compendio della poesia
									tragicomica</title></hi> (1602). His <hi rendition="#italics"
									><title>Lettere</title></hi> appeared in 1593. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GuerrazziFD">Guerrazzi, Francesco Domenico, 1804-1873 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Italian politician, historical novelist, and translator involved in
							the Italian unification movement. His novels <hi rendition="#italics"
									><title>La battaglio di Benevento</title></hi> (1827) and <hi
								rendition="#italics"><title>L&apos;assedio di Firenze</title></hi>
								(<hi rendition="#italics"><title>The Siege of Florence</title></hi>,
							1836) were particularly designed to inspire fervent patriotism. Included
							among his other more important works of fiction were <hi
								rendition="#italics"><title>Veronica Cybo</title></hi> (1838), <hi
								rendition="#italics"><title>Isabella Orsini</title></hi> (1844), <hi
								rendition="#italics"><title>Serpicina</title></hi> (1847), <hi
								rendition="#italics"><title>Beatrice Cenci</title></hi> (1853), <hi
								rendition="#italics"><title>Storia di un moscone</title></hi>
							(1858), <hi rendition="#italics"><title>Pasquale Paoli</title></hi>
							(1860), and <hi rendition="#italics"><title>Il buco neor</title></hi>
							(1862). [<ref target="#LD">LD</ref>] [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GuicciardiniFrancesco">Guicciardini, Francesco, 1483-1540
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Florentine general of the papal army, governor, and historian, best
							known for his work <hi rendition="#italics">The History of Italy</hi>.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Guido">Guido&#8212; </term>
						<gloss> See <ref target="#ReniGuido">Reni, Guido</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GustavIKingofSweden">Gustav I Vasa, King of Sweden, 1496-1560
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>King of Sweden from 1523 until 1560, Gustav I deposed <ref
								target="#ChristianIIKingofDenmark">King Christian II</ref> of
							Demark, Sweden, and Norway through the Kalmar Union in the Swedish War
							of Liberation, thus establishing a hereditary monarchy through the House
							of Vasa. He later established Protestantism in Sweden. [<ref
								target="#BDW">BDW</ref>] [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="GwynNell">Gwyn, Nell, 1650-1687 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English actress, mistress of <ref target="#CharlesIIKingofEngland"
								>Charles II</ref>, and mother of James and <ref
								target="#BeauclerkCharles">Charles Beauclerk</ref>. Deemed
							&quot;pretty, witty Nell&quot; by <ref target="#PepysSamuel">Samuel
								Pepys</ref>, Gwyn was among the most famous of the Restoration
							figures of celebrity, regarded as the embodiment of the anti-Puritan
							attitudes of the Restoration period. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HabingtonWilliam">Habington, William, 1605-1654 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English poet and historian, son of Mary Habington and Sir Thomas
							Habington and nephew of Sir Edward Habington, all of whom had been
							implicated in political conspiracies surrounding the crown.
							Habington&apos;s most notable work, <hi rendition="#italics"
									><title>Castara</title></hi>, is a collection of poems dedicated
							to his wife and revered for its imaginativeness. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item><term xml:id="HalifaxCharlesMontagu">Halifax, Charles Montagu, Earl of,
							1661-1715 (Library of Congress Name Authority)&#8212;</term>
						<gloss>English poet and Whig politician who held much political sway during
							the reigns of <ref target="#WilliamIIIKingofEngland">King William
								III</ref> and <ref target="#AnneQueenofGreatBritain">Queen
								Anne</ref>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="HallJohn">Hall, John, 1627-1656 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English poet, essayist, pamphleteer, and educational reformer,
							denouncing the misuse of university revenue and advocating for the
							inclusion of new mathematics, science, and foreign language in
							curriculum. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HallJoseph">Hall, Joseph, 1574-1656 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English bishop, moralist, and satirist, noted for the versatility of
							his writing as well as his literary innovations. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HallamHenry">Hallam, Henry, 1777-1859 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English barrister, historian, fellow of the Royal Society, and
							trustee of the British Museum. He is best remembered for his works <hi
								rendition="#italics"><title>View of the State of Europe during the
									Middle Ages</title></hi> (1818), <hi rendition="#italics"
									><title>The Constitutional History of England</title></hi>
							(1827), and <hi rendition="#italics"><title>Introduction to the
									Literature of Europe, in the Fifteenth, Sixteenth and
									Seventeenth Centuries</title></hi> (1837). [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HalleckFitzGreene">Halleck, Fitz-Greene, 1790-1867 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>American poet and leading member of the Knickerbocker Group,
							remembered primarily for his satires. His <hi rendition="#italics"
									><title>Alnwick Castle, with Other Poems</title></hi> was
							published in 1827, followed by his collected <hi rendition="#italics"
									><title>Poetical works of Fitz-Greene Halleck</title></hi> in
							1847. [<ref target="#LD">LD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HallerAlbrechtvon">Haller, Albrecht von, 1708-1777 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Swiss physiologist, poet, and romance writer, whose scientific work
							did much to establish the reputation of the recently founded University
							of Göttingen. He translated <ref target="#RichardsonSamuel">Samuel
								Richardson</ref>&apos;s <hi rendition="#italics"
									><title>Clarissa</title></hi> (1747-9) into German. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HamiltonAnthony">Hamilton, Anthony, Count, 1646-1720 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Known for his <title><hi rendition="#italics">Memoires de la vie du
									comte de Grammont</hi></title> (1715). [<ref target="#VW"
								>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HamiltonDouglas">Hamilton, Douglas Hamilton, Duke of,
							1756-1799 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Second son of <ref target="#CampbellElizabeth">Elizabeth
								Campbell</ref>, duchess of Hamilton and Argyll. His older brother
							James having died at the age of fourteen, Douglas Douglas-Hamilton, 8th
							Duke of Hamilton and 5th Duke of Brandon, also inherited the title Baron
							Hamilton of Hameldon upon the death of his mother. He lived in Europe
							between 1772 and 1776 under the tutelage of <ref target="#MooreJohn">Dr.
								John Moore</ref>. He was a patron of <ref target="#MooreJohn"
								>Moore</ref>&apos;s son, the future <ref target="#MooreSirJohn">Sir
								John Moore</ref>. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HamiltonElizabeth">Hamilton, Elizabeth, 1758-1816 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Many, including Hays herself, believed that Hamilton composed the
							anonymously published <hi rendition="#italics"><title>Memoirs of Modern
									Philosophers </title></hi>(1800) to satirize London&apos;s
							radical circle in general, and author <ref target="#HaysMary">Mary
								Hays</ref> in particular. Hamilton&apos;s other novels include <hi
								rendition="#italics"><title>Translation of the Letters of a Hindoo
									Rajah</title></hi> (1796) and <hi rendition="#italics"
									><title>The Cottagers of Glenburnie</title></hi> (1808). She
							also authored several biographies, including <hi rendition="#italics"
									><title>Memoirs of the Life of Agrippina, Wife of
									Germanicus</title></hi> (1804). She was respected as well for
							her educational and conduct literature, the most prominent of which are
							her <hi rendition="#italics"><title>Letters on the Principles of
									Education</title></hi> (1801) and <hi rendition="#italics"
									><title>Letters Addressed to the Daughter of a
								Nobleman</title></hi> (1806). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HamiltonJamesGeorge">Hamilton, James George Hamilton, Duke of,
							1755-1769 (Library of Congress Name Authority)&#8212; </term>
						<gloss>First son of <ref target="#CampbellElizabeth">Elizabeth
								Campbell</ref>, duchess of Hamilton and Argyll. James died from an
							illness in 1769 at the age of fourteen. [<ref target="#RD"
							>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Hamlet">Hamlet&#8212; </term>
						<gloss>Title character in <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s c. 1660-1661 play. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HammondAnthony">Hammond, Anthony, 1668-1738 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>English official, politician, poet, and pamphleteer who was admitted
							to St. John's College at Cambridge in 1685. A popular though probably
							apocryphal story states that Hammond found young <ref
								target="#CentlivreSusanna">Susanna Centlivre</ref> weeping at the
							side of the road and decided to smuggle her into St. John's College,
							where she attended class under the guise of a man. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HammondJames">Hammond, James, 1710-1742 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English poet and politician, best remembered for his elegies. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HandelGeorge">Handel, George Frideric, 1685-1759 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> German composer who emigrated to London, Handel was a prolific and
							much loved author of well over 100 operas, oratorios, concertos, and
							other musical pieces, including his most famous work, <hi
								rendition="#italics"><title>Messiah</title></hi> (1742). An
							extremely abbreviated list of a few other major works includes <hi
								rendition="#italics"><title>Ode for the Birthday of Queen
									Anne</title></hi> (1713), <hi rendition="#italics"><title>Water
									Music</title></hi> (1717), <hi rendition="#italics"><title>Acis
									and Galatea</title></hi> (1718), <hi rendition="#italics"
									><title>The Harmonious Blacksmith</title></hi> (1720), <hi
								rendition="#italics"><title>Giulio Cesare</title></hi> (1724), <hi
								rendition="#italics"><title>Tamerlano</title></hi> (1724), <hi
								rendition="#italics"><title>Zadok the Priest</title></hi> (1727),<hi
								rendition="#italics"><title> Alcina</title></hi> (1735), <hi
								rendition="#italics"><title>Alexander&apos;s Feast</title></hi>
							(1736), <hi rendition="#italics"><title>Ode for St. Cecilia&apos;s
									Day</title></hi> (1739), <hi rendition="#italics"
									><title>Saul</title></hi> (1739), <hi rendition="#italics"
									><title>Israel in Egypt</title></hi> (1739), <hi
								rendition="#italics"><title>Semele</title></hi> (1743), <hi
								rendition="#italics"><title>Hercules</title></hi> (1745), and <hi
								rendition="#italics"><title>Fireworks Music</title></hi> (1749).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HanmerThomas">Hanmer, Thomas, Sir, 1677-1746 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Known mostly for his political career, Hanmer also made a few minor
							contributions to the field of literature. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Hannibal">Hannibal, 247 B.C.-182 B.C. (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Carthaginian statesman and general leading the forces of Carthage
							against Rome during the Second Punic War. Alongside <ref
								target="#AfricanusScipio">Scipio Africanus</ref> and <ref
								target="#AlexandertheGreat">Alexander the Great</ref>, Hannibal is
							considered to be one of the greatest military minds of Mediterranean
							antiquity. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="HarcourtGeorge">Harcourt, George Simon Harcourt, Earl,
							1736-1809 (Library of Congress Name Authority)&#8212;</term>
						<gloss>The 2<hi rendition="#sup">nd</hi> Earl Harcourt, styled Viscount
							Nuneham until inheriting the title of Earl Harcourt in 1777, George
							Harcourt was an English politician and patron of the arts. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="HarcourtSimon">Harcourt, Simon Harcourt, Earl, 1714-1777
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The 1<hi rendition="#sup">st</hi> Earl Harcourt, known as the
							Viscount Harcourt between 1727 and 1749, Simon Harcourt was a British
							general and diplomat who served as the Lord Lieutenant of Ireland from
							1772 to 1776. [<ref target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="YorkePhilip">Hardwicke, Philip Yorke, Earl of, 1690-1764
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English politician and lawyer who served as the Lord High Chancellor
							of Great Britain from 1737 to 1756. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="HardyngJohn">Hardyng, John, 1378-1465? (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A late fourteenth and early fifteenth-century soldier turned
							historian, author of <hi rendition="#italics"><title>The Chronicle of
									John Hardyng</title></hi>, printed in London by Grafton in 1543
							and recently suggested as a source for Sir Thomas Malory&apos;s <hi
								rendition="#italics"><title>Morte D'arthur</title></hi>. [<ref
								target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HarleyRobert">Harley, Robert&#8212; </term>
						<gloss> See <ref target="#OxfordRobertHarley">Oxford, Robert Harley, Earl
								of</ref>, 1661-1724. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Harmodius">Harmodius&#8212; </term>
						<gloss> Ancient writer whose work is known through later quotations rather
							than through surviving texts. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HarpokratesEgyptiandeity">Harpokrates (Egyptian deity)
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Also Harpocrates; the Greek version of one aspect of the Egyptian
							god <ref target="#HorusEgyptiandeity">Horus</ref>, who represented in
							this form the rising sun. [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HarringtonJames">Harrington, James, 1611-1677 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Political philosopher James Harrington authored <hi
								rendition="#italics"><title>The Common-wealth of Oceana</title></hi>
							(1656), in which he promotes his ideas on the ideal design of a
							republic. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="HarrisThomas">Harris, Thomas, -1820 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>The principal owner and manager of the <ref target="#CoventGarden"
								>Covent Garden Theatre</ref> between 1774 and 1820, Thomas Harris
							was also a philanthropist, Secret Service agent, and confidant of <ref
								target="#GeorgeIIIKingofGreatBritain">King George III</ref>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="HartCharles">Hart, Charles, -1683 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Prominent English actor and Royalist soldier during the English Civil
							War, most likely the son of William Hart, nephew of <ref
								target="#ShakespeareWilliam">William Shakespeare</ref>. Hart was
							known for his natural air of dignity which resulted in his frequently
							playing royal roles. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HartleyDavid">Hartley, David, 1705-1757 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> In his <hi rendition="#italics"><title>Observations on Man, his
									Frame, his Duty, and his Expectations</title></hi> (1749),
							physician David Hartley expounded a physiological theory of
							&quot;vibrations&quot; to explain his conviction that the moral sense
							was not inborn, but rather a consequence of the association of ideas.
							Particularly after his work was popularized by <ref
								target="#PriestleyJoseph">Joseph Priestley</ref> in his abridgment
								<hi rendition="#italics"><title>Hartley&apos;s Theory of the Human
									Mind on the Principle of the Association of Ideas</title></hi>
							(1775), Hartley&apos;s ideas exerted broad influence on literature,
							philosophy, medicine, psychology, and issues such as education and
							reform. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HartsonHall">Hartson, Hall, -1773 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Hall Hartson was an Irish poet and playwright who produced only a few
							works, one of which was the tragedy <hi rendition="#italics"><title>The
									Countess of Salisbury</title></hi> (1767), adapted from Thomas
							Leland’s novel <hi rendition="#italics"><title>Longsword</title></hi>
							(1762). [<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item><term xml:id="HastingsWilliam">Hastings, William Hastings, Lord,
							1430?-1483 (Library of Congress Name Authority)&#8212;</term>
						<gloss>The 1<hi rendition="#sup">st</hi> Baron of Hastings, William Hastings
							was an English diplomat and soldier, as well as the Master of Mint and
							Lord Chamberlain of the royal household of <ref
								target="#EdwardIVKingofEngland">King Edward IV</ref>. Hastings
							raised troops for <ref target="#EdwardIVKingofEngland">Edward</ref>
							during the Earl of Warwick's Rebellion, supporting the House of York
							during the Wars of the Roses. Following <ref
								target="#EdwardIVKingofEngland">Edward</ref>'s death, Hastings took
								<ref target="#EdwardIVKingofEngland">Edward</ref>'s royal mistress,
								<ref target="#ShoreJane">Jane Shore</ref>, as his concubine. <ref
								target="#ShoreJane">Shore</ref> encouraged Hastings to oppose the
							ascension of the Yorkist Duke of Gloucester, later <ref
								target="#RichardIIIKingofEngland">Richard III</ref>, to the throne.
							Upon seizing the throne, <ref target="#RichardIIIKingofEngland"
								>Richard</ref> had Hastings executed for treason. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="HawesStephen">Hawes, Stephen, -1523? (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> English poet, author of <hi rendition="#italics"><title>The Example
									of Vertu</title></hi> (1504); <hi rendition="#italics"
									><title>The Passetyme of Pleasure</title></hi> (1509); <hi
								rendition="#italics"><title>The Conuercyon of Swerers</title></hi>
							(1509); A Joyfull Medytacyon to all Englonde of the Coronacyon of Our
							Moost Natural Soverayne Lorde Kynge Henry the Eyght (1509); and <hi
								rendition="#italics"><title>The Comforte of Lovers</title></hi>
							(1515). [<ref target="#JDP">JDP</ref>] [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HawkesworthJohn">Hawkesworth, John, 1715?-1773 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A schoolmaster, poet, dramatist, novelist, and periodical editor,
							Hawkesworth had almost no formal education. His literary career began
							first with poetry, some of which was published in the <title><hi
									rendition="#italics">Gentleman’s Magazine</hi></title>, where he
							later worked as editor. His stage productions include: <title><hi
									rendition="#italics">Amphitryon; or, The Two Sosias: A
									Comedy</hi></title>, adapted from John Dryden (1756); <title><hi
									rendition="#italics">Oroonoko: A Tragedy</hi></title>, adapted
							from Thomas Southerne, (1759); <title><hi rendition="#italics">Zimri: An
									Oratorio</hi></title> (music by Thomas Stanley) (1760);
									<title><hi rendition="#italics">Edgar and Emmeline: A Fairy
									Tale</hi></title> (1761); and <title><hi rendition="#italics"
									>The Fall of Egypt: An Oratorio</hi></title> (music by Thomas
							Stanley) (1774). <title><hi rendition="#italics">Almoran and Hamet: An
									Oriental Tale</hi></title>, his only novel, was published
							anonymously in 1761. He published a translation of <ref
								target="#FenelonFrancois">F&#233;nelon&apos;s</ref>
							<title><hi rendition="#italics"> The Adventures of
								Telemachus</hi></title> in 1768. Hawkesworth incorporated a
							noteworthy biographical sketch of <ref target="#SwiftJonathan">Jonathan
								Swift</ref> to his edition of <title><hi rendition="#italics">The
									Works of Jonathan Swift ... with Some Account of the
									Author&apos;s Life and Notes Historical and
								Explanatory</hi></title> (1754-1765), and he edited as well a
							collection of accounts of recent south sea exploratory voyages,
									<title><hi rendition="#italics">An Account of the Voyages
									undertaken by the Order of His Present Majesty for making
									Discoveries in the Southern Hemisphere ... by Commodore Byron,
									Captain Wallis, Captain Carteret, and Captain Cook, in the
									Dolphin, the Swallow, and the Endeavour</hi></title> (1773). His
							periodical <title><hi rendition="#italics">The Adventurer</hi></title>
							(1753, 1754) was modeled on <ref target="#JohnsonSamuel">Samuel
								Johnson</ref>&apos;s <title><hi rendition="#italics"
								>Rambler</hi></title>. It’s combination of essays, Eastern tales,
							and anecdotes of English life, about half of which were authored by
							Hawkesworth, proved highly popular. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HawkinsJohn">Hawkins, John, 1719-1789 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English magistrate, author, and friend of <ref
								target="#JohnsonSamuel">Dr. Samuel Johnson</ref> and <ref
								target="#WalpoleHorace">Horace Walpole</ref>. Sir John Hawkins was
							author of <hi rendition="#italics"><title>A General History of the
									Science and Practice of Music</title></hi> (1776), the first
							history of music to be published in English, as well as the first full
							biography of his close friend, the <hi rendition="#italics"><title>Life
									of <ref target="#JohnsonSamuel">Samuel
								Johnson</ref></title></hi> (1787). [<ref target="#LD"
							>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HayleyWilliam">Hayley, William, 1745-1820 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English poet, biographer, essayist, patron of the arts, and friend of
								<ref target="#CowperWilliam">William Cowper</ref> and William Blake.
							Hayley is best remembered for his <hi rendition="#italics"><title>Life
									of <ref target="#CowperWilliam">Cowper</ref></title></hi>, a
							biography which contributed to the foundation of the modern biography.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Haymarket">Haymarket Theatre (London, England) (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>The Haymarket Theatre opened in late 1720, only to struggle
							financially for its first several years. In the 1730s, <ref
								target="#FieldingHenry">Henry Fielding</ref> staged a series of
							satires parodying prime minister <ref target="#WalpoleRobert">Robert
								Walpole</ref>. These pieces drew audiences, but they also enraged
							Walpole sufficiently to prompt him to engineer passage of the Stage
							Licensing Act of 1737, which initiated the censorship of British drama
							that continued through most of the twentieth century. The act closed the
							Haymarket, but beginning around 1741, <ref target="#FooteSamuel">Samuel
								Foote</ref>, <ref target="#CibberColley">Colley Cibber</ref>, and
								<ref target="#MacklinCharles">Charles Macklin</ref> staged dramas
							illegitimately for several years, until finally <ref
								target="#FooteSamuel">Foote</ref> was awarded a limited license,
							which restricted performance of legitimate drama to the summer months,
							when the Patent theatres were closed. He opened under the name Theatre
							Royal Haymarket in 1767. After <ref target="#FooteSamuel">Foote</ref>,
							the Haymarket was managed by <ref target="#ColmanGeorgeElder">George
								Colman the elder</ref> from 1776 to 1794 and by <ref
								target="#ColmanGeorgeYounger">his son</ref> from 1794-1817. The
							younger <ref target="#ColmanGeorgeYounger">Colman</ref>'s extravagance
							and inept management led to the sale of the theater to his
							brother-in-law, David Morris. At the behest of the <ref
								target="#GeorgeIVKingofGreatBritain">Prince Regent</ref>, the
							theater was rebuilt in 1820 by architect John Nash at its current
							location, adjacent to the original site. It reopened on July 4, 1821
							with a production of <ref target="#SheridanRichard">Sheridan</ref>'s <hi
								rendition="#italics"><title>The Rivals</title></hi>. Over the next
							two centuries, it has been remodeled or refurbished several times,
							incorporating such theatrical innovations as gas lighting and a full
							bar. As one of London's top theaters, it has staged scores of
							outstanding dramas and seen the performances of many of the world’s most
							celebrated theatrical actors. [<ref target="#MW">MW</ref>] </gloss>
					</item>

					<item>
						<term xml:id="HaysMary">Hays, Mary, 1759 or 60-1843 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A close friend of <ref target="#WollstonecraftMary">Mary
								Wollstonecraft</ref> and <ref target="#GodwinWilliam">William
								Godwin</ref>, feminist, philosopher, biographer, historian, literary
							critic, novelist, and educational writer <ref target="#HaysMary">Mary
								Hays</ref> was among the most radical of British women writers
							during the 1790s. Mary Hays's early education reflected the views of her
							parents, rational dissenters John and Elizabeth Hays, and was heavily
							informed by debates at the Dissenting meeting house. Her career as an
							intellectual began with her publication of <hi rendition="#italics"
									><title>Cursory Remarks on an Enquiry into the Expediency and
									Propriety of Public or Social Worship: Inscribed to Gilbert
									Wakefield</title></hi> (1791), a defense of nonconformist
							religious practices, which she published under the pseudonym Eusebia.
							Next followed a collection for the improvement of young women, <hi
								rendition="#italics"><title>Letters and Essays, Moral and
									Miscellaneous</title></hi> (1793), a collaborative work with her
							sister Elizabeth. Hays published two major novels, <hi
								rendition="#italics"><title>Memoirs of Emma Courtney</title></hi>
							(1796), drawn substantially from autobiography, and <hi
								rendition="#italics"><title>The Victim of Prejudice</title></hi>
							(1799), and three lesser novels, <hi rendition="#italics"><title>Harry
									Clinton</title></hi> (1804), <hi rendition="#italics"><title>The
									Brothers; or, Consequences</title></hi> (1815), and <hi
								rendition="#italics"><title>Family Annals; or, The
								Sisters</title></hi> (1817). Her anonymously published <hi
								rendition="#italics"><title>Appeal to the Men of Great Britain in
									Behalf of Women</title></hi> (1798) is her most important
							feminist statement, but her views on the condition of women are evident
							in much of her work, including her novels and her biographical series
							such as <hi rendition="#italics"><title>Female Biography; or, Memoirs of
									Illustrious and Celebrated Women, of all Ages and
									Countries</title></hi> (1803) and <hi rendition="#italics"
									><title>Memoirs of Queens</title></hi> (1821). Hays was brought
							in to complete <hi rendition="#italics"><title>History of England, from
									the Earliest Records, to the Peace of Amiens: In a Series of
									Letters to a Young Lady at School</title></hi> (1806), which
								<ref target="#SmithCharlotte">Charlotte Smith</ref> had begun but
							become too ill to continue. Hays contributed at least some novel reviews
							to the <hi rendition="#italics"><title>Analytical Review</title></hi>
							while <ref target="#WollstonecraftMary">Mary Wollstonecraft</ref> was a
							regular contributor, and it is believed she may have edited the novels
							section of the periodical for a few months as well. Hays met <ref
								target="#WollstonecraftMary"> Wollstonecraft</ref> through a London
							circle of radical and dissenting intellectuals, and the two became fast
							friends. After <ref target="#WollstonecraftMary">Wollstonecraft</ref>'s
							death in 1797, Hays became the primary target of antifeminist attacks in
							the press during a period of regressive attitudes. Hays never married,
							and with limited income and only moderate acclaim for her work, the last
							20 years of her life were difficult. Following her death, Hays's work
							received little academic or critical attention until the feminist
							movement of the twentieth century.[<ref target="#LD">LD</ref>] [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HaywoodEliza">Haywood, Eliza Fowler, 1693?-1756 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Among the better-known productions of the almost inexhaustible actor
							and writer Eliza Haywood are the novels <hi rendition="#italics"
									><title>Love in Excess; or, The Fatal Enquiry
							</title></hi>(1719-1720), <hi rendition="#italics"><title>The History of
									Miss Betsy Thoughtless</title></hi> (1751), and <hi
								rendition="#italics"><title>The Invisible Spy</title></hi> (1755).
							Her <hi rendition="#italics"><title>Anti-Pamela; or, Feign&apos;d
									Innocence Detected, in a Series of Syrena&apos;s
									Adventures</title></hi> (1741) satirized <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s popular
							novel. Haywood penned a large number of plays as well, and conducted an
							essay periodical loosely modeled on <ref target="#AddisonJoseph">Joseph
								Addison</ref>&apos;s <hi rendition="#italics"
									><title>Spectator</title></hi> which she called <hi
								rendition="#italics"><title>Female Spectator</title></hi>
							(1744-1746). After that paper ended, she followed it for a few months by
							another, the <hi rendition="#italics"><title>Parrot</title></hi> (1746),
							a name she had already used for a periodical during 1728. She was among
							the many writers attacked by <ref target="#PopeAlexander">Alexander
								Pope</ref> in <hi rendition="#italics"><title>The
								Dunciad</title></hi>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HesilrigeSirArthur">Hazelrig, Sir Arthur&#8212; </term>
						<gloss> Sir Arthur Hesilrige, 7th Baronet, d. 1763 (Bernard Burke,<hi
								rendition="#italics"><title> A Genealogical and Heraldic History of
									the Peerage, Baronetage, and Knightage</title></hi>) presided
							over the demise of Noseley Hall, the family seat. The story of Hesilrige
							and his wife Hannah was one of several suggested as the original for
								<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s <hi
								rendition="#italics"><title>Pamela</title></hi> (1740-1). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Hector">Hector&#8212; </term>
						<gloss>A Trojan prince at the time of the fall of Troy, from Greek mythology
							and the poetry of <ref target="#Homer">Homer</ref>. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Helen">Helen of Troy&#8212; </term>
						<gloss>Greek mythology attributes the cause of the Trojan War to Helen,
							daughter of Zeus and Leda, who though married to Menelaus, King of
							Sparta, ran away with Paris, the young, handsome Prince of Troy. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Heliodorus">Heliodorus, of Emesa [n.d.] (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Born in Emesa in Syria, author Heliodorus wrote <hi
								rendition="#italics"><title>The &#198;thiopica</title></hi> or <hi
								rendition="#italics"><title>Theagenes and Charicleia</title></hi> in
							the third or fourth century CE. He became Bishop of Tricca or Trieca in
							Thessaly. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HemansFelicia">Hemans, Felicia, 1793-1835 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Coming of age during the Napoleonic wars, Felicia Dorothea Browne
							Hemans was regarded as a sort of prodigy, though her first published
							volume, <hi rendition="#italics">Poems, by Felicia Dorothea Browne</hi>
							(1808), did not meet with critical approval. She eventually became
							well-known for her patriotic, religious, sentimental, and historical
							poetry, song lyrics, and translations, eventually attaining popularity
							with the reading public as well as critical acclaim. Her work included
							themes of home, homesickness, and exile, connecting them to wartime
							sacrifice and suffering and to claims for nationhood through relations
							between land, gender, and class. Writing and publishing prolifically to
							support her large family, she eventually produced, in addition to <hi
								rendition="#italics">Poems</hi>, the following substantial list of
							publications: <hi rendition="#italics">England and Spain; or, Valour and
								Patriotism, by Felicia Dorothea Browne</hi> (1808); <hi
								rendition="#italics">The Domestic Affections, and Other Poem</hi>s
							(1812); <hi rendition="#italics">The Restoration of the Works of Art to
								Italy: A Poem</hi> (1816); <hi rendition="#italics">Modern Greece. A
								Poem</hi> (1817); <hi rendition="#italics">Translations from
								Camoens, and other Poets, with Original Poetry</hi> (1818); <hi
								rendition="#italics">Tales, and Historic Scenes in Verse</hi>
							(1819); <hi rendition="#italics">Wallace&apos;s Invocation to Bruce. A
								Poem</hi> (1819); <hi rendition="#italics">The Sceptic: A Poem</hi>
							(1820); <hi rendition="#italics">Stanzas to the Memory of the Late
								King</hi> (1820); <hi rendition="#italics">Dartmoor, A Poem: Which
								Obtained the Prize of Fifty Guineas proposed by The Royal Society of
								Literature</hi> (1821); <hi rendition="#italics">A Selection of
								Welsh Melodies</hi> (with music arranged by John Parry, 1821); <hi
								rendition="#italics">The Siege of Valencia; A Dramatic Poem. The
								Last Constantine: with Other Poems</hi> (1823); <hi
								rendition="#italics">The Vespers of Palermo; A tragedy, in five
								acts</hi> (1823); <hi rendition="#italics">The Forest Sanctuary; and
								Other Poem</hi>s (1825); <hi rendition="#italics">Hymns on the Works
								of Nature. For the Use of Children</hi> (1827); <hi
								rendition="#italics">Records of Woman: with Other Poems</hi> (1828);
								<hi rendition="#italics">A Set of Original Songs</hi> (with music
							composed by J. Z. Herrmann and H. F. Chorley, 1830); <hi
								rendition="#italics">A Collection of Peninsular Melodies</hi>, 2
							volumes, (with music arranged by G. L. Hodges, 1830); <hi
								rendition="#italics">Songs of the Affections, with Other Poems</hi>
							(1830); <hi rendition="#italics">Scenes and Hymns of Life, with other
								religious poems</hi> (1834); <hi rendition="#italics">National
								Lyrics, and Songs for Music</hi> (1835); and the posthumous <hi
								rendition="#italics">Poetical Remains of the late Mrs. Hemans</hi>,
							edited by D. M. Moir (1836). [<ref target="#VS">VS</ref>] and [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HenaultCharles">H&#233;nault, Charles-Jean-Fran&#231;ois,
							1685-1770 (Library of Congress Name Authority)&#8212;</term>
						<gloss>French writer, historian, President of the Chamber of Inquiries, and
							friend of <ref target="#Voltaire">Voltaire</ref>. H&#233;nault&apos;s
							most notable work was his <hi rendition="#italics"
									><title>Abr&#233;g&#233; chronologique de l&apos;histoire de
									France</title></hi>, a popular history of France&apos;s
							political and military spheres. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HendersonJohn">Henderson, John, 1747-1785 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Popular English actor who, after the death of <ref
								target="#GarrickDavid">David Garrick</ref>, took on the mantle of
							the greatest Shakespearean actor. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HenryIVKingofEngland">Henry IV, King of England, 1367-1413
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Previously known as Henry Bolingbroke, Duke of Hereford, King Henry
							IV asserted his claim to the throne as the heir of the house of
							Lancaster, usurping the throne of <ref target="#RichardIIKingofEngland"
								>King Richard II</ref>. During his reign, Henry IV successfully
							gathered power, despite repetitive uprisings by English nobles. However,
							the administrative and financial issues faced by Henry IV&apos;s rule
							eventually led to the demise of the Lancaster dynasty. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HenryIVKingofFrance">Henry IV, King of France, 1553-1610
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> King of Navarre from 1572 and of France from 1589, Henry IV was
							known almost as much for his numerous love affairs as for his political
							effectiveness during a period of extreme hostility and widespread
							violence between Catholics and Protestants. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HenryVKingofEngland">Henry V, King of England, 1387-1422
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The son of <ref target="#HenryIVKingofEngland">Henry IV</ref>, father
							of <ref target="#HenryVIKingofEngland">Henry VI</ref>, and Prince of
							Wales prior to his coronation as king, Henry V continued the Lancaster
							dynasty and became known as one of the greatest warrior kings for his
							success in the Hundred Years&apos; War against France, particularly his
							victory in the Battle of Agincourt in 1415. Henry V&apos;s profligate
							youth was dramatized by <ref target="#ShakespeareWilliam"
								>Shakespeare</ref> in his Henriad plays. Although Henry V was known
							to be occasionally cruel and unchivalrous, he was generally acknowledged
							to be a brave, pious, and honorable king. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HenryVIKingofEngland">Henry VI, King of England, 1421-1471
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The timid and reclusive King of England and proclaimed King of
							France, Henry VI was an ineffective ruler who inherited a turbulent
							political climate. Henry VI&apos;s reign saw the continuation of the
							Hundred Years&apos; War, and his ineptitude as a king led to the
							dynastic conflict which resulted in the Wars of the Roses. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HenryVIIKingofEngland">Henry VII, King of England, 1457-1509
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> King of England, reigning from when he seized the crown from <ref
								target="#RichardIIIKingofEngland">Richard III</ref> in August 1485
							to his death in April 1509. [<ref target="#JDP">JDP</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HenryVIIIKingofEngland">Henry VIII, King of England, 1491-1547
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> A representative of the Tudor line and father to <ref
								target="#ElizabethIQueenofEngland">Elizabeth I</ref>, Henry became
							king in 1509. He led the separation of the Church of England from papal
							authority and the Roman Catholic church. A patron of the arts, he was a
							capable musician and poet in his own right. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="Heraclius">Heraclius, Emperor of the East, approximately
							575-641 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Eastern Roman Emperor whose reign lost Egypt, Palestine, Syria, and
							Byzantine Mesopotamia to the Islamic Rashidun Caliphate. [<ref
								target="#BDW">BDW</ref>] [<ref target="#LD">LD</ref>]</gloss></item>

					<item>
						<term xml:id="Hercules">Heracles (Greek) or Hercules (Latin)&#8212;</term>
						<gloss>Hero known for his strength, stamina, and courage, and particularly
							for his accomplishment of a series of extraordinary labors. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HerbertGeorge">Herbert, George, 1593-1633 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Welsh-born poet and priest, George Herbert is associated with the
							Metaphysical literary movement and best remembered for his religious
							poetry and strong dictional selection. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HerbertMary">Herbert, Mary, Countess of Pembroke&#8212; </term>
						<gloss> See <ref target="#PembrokeMarySidney">Pembroke, Mary Sidney
								Herbert</ref> [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="Hermes">Hermes (Greek deity) (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Hermes, son of <ref target="#Zeus">Zeus</ref>, is the Olympian god of
							shepherds, trade, speed, sleep, language, thieves, and luck in the
							ancient Greek religion. According to tradition, Hermes is the messenger
							of the Gods and guide of the dead in their journey to the underworld, as
							his winged sandals allow him to travel between worlds. Hermes is often
							considered the Greek counterpart of Mercury in the ancient Roman
							pantheon. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Herodian">Herodian (Library of Congress Name Authority)&#8218; </term>
						<gloss>A Greek historian who lived c. 170 to c. 240. He wrote <title><hi
									rendition="#italics">History of the Roman Empire since Marcus
									Aurelius</hi></title>, which was published after the year 240.
								[<ref target="#RD">RD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Herodotus">Herodotus (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Living from roughly 484-420 B.C.E., Herodotus was an ancient Greek
							historian and geographer, his most notable work being the <hi
								rendition="#italics"><title>Histories</title></hi>, an expansive
							account of the Greco-Persian Wars. Much like those of <ref
								target="#Homer">Homer</ref>, his works are known for their
							storytelling quality. Although the <hi rendition="#italics"
									><title>Histories</title></hi> contain many fantastical
							elements, much of the narrative&apos;s content has been found to be
							credible and accurate. As the creator of the first cohesive and
							comprehensive account of such an extensive topic, Herodotus has been
							deemed &quot;The Father of History.&quot; [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HerrickRobert">Herrick, Robert, 1591-1674 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Counted among the &quot;sons of <ref target="#JonsonBen">Ben
								[Jonson}</ref>&quot; and the Cavalier poets, Robert Herrick was a
							cleric and poet best known for his revival of the ancient classic lyric.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Hesiod">Hesiod [n.d.] (Library of Congress Name Authority); c.
							700 B.C. (<hi rendition="#italics"><title>Encyclopedia
									Britannica</title></hi>)&#8212; </term>
						<gloss>Major works of this early Greek poet include <hi rendition="#italics"
									><title>Theogeny</title></hi>, <hi rendition="#italics"
									><title>Works and Days</title></hi>, and, more questionably, <hi
								rendition="#italics"><title>Shield of Heracles</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HeywoodJohn">Heywood, John, approximately 1497?-1580? (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>English musician, poet, and playwright. As a playwright, Heywood
							primarily wrote comedy scripts for his boy actors. He is best remembered
							for his adaptions of French farce and innovations in the development of
							the English stage comedy through his interludes. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MrHickman">Mr. Hickman&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Clarissa</title></hi> (1747-9). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HighmoreJoseph">Highmore, Joseph, 1692-1780 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> British portrait and historical painter and painting theorist. His
							wife Susanna (1689/90-1750 [<hi rendition="#italics"><title>Oxford
									Dictionary of National Biography</title></hi>]) was a poet.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HighmoreSusanna">Highmore, Miss Susanna&#8212; </term>
						<gloss> See <ref target="#DuncombeSusanna">Dunscombe, Susanna</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HildesleyMark">Hildesley, Mark, 1698-1772 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Bishop of Sodor and Man. With his predecessor <ref
								target="#WilsonThomas">Thomas Wilson</ref> he translated the Bible
							into Manx. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HillAaron">Hill, Aaron, 1685-1750 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>A versatile but only moderately successful playwright, theater
							manager, and essayist, Hill was one of <ref target="#PopeAlexander"
								>Alexander Pope’s</ref> targets in <hi rendition="#italics"
									><title>The Dunciad</title></hi>. As a business man, Hill not
							only managed the <ref target="#DruryLane">Drury Lane</ref> and the
							Queen's Theatre in the Haymarket for brief periods, but was involved in
							concerns as varied as lumber for Navy ships, potash production, beech
							nut oil, winemaking, and more. As an author, he began with <hi
								rendition="#italics"><title>A full and just Account of the Present
									State of the Ottoman Empire</title></hi> (1709), the account of
							his impromptu solo journey as a teenager from Britain to <ref
								target="#PagetWilliam">his uncle</ref>'s ambassadorial post in
							Turkey. After that, he ranged from a libretto for <ref
								target="#HandelGeorge">George Frederic Handel</ref>'s <hi
								rendition="#italics"><title>Rinaldo</title></hi> (1711) through
							subjects as varied as plays, poetry, theatrical reporting, history,
							biography, financial speculation, and business. His periodical
							miscellany <hi rendition="#italics"><title>The Plain Dealer</title></hi>
							ran from March 1724-May 1725, while the theatrical periodical <hi
								rendition="#italics"><title>The Prompter</title></hi> ran from
							November 1734-July 1736. His plays, to mention only the more successful,
							include <hi rendition="#italics"><title>The Fatal
								Extravagance</title></hi> (1721), a one-act play that deals with the
							South Sea bubble, <hi rendition="#italics"><title>The Tragedy of
									Zara</title></hi> (1735), which was translated from <ref
								target="#Voltaire">Voltaire</ref>’s play <hi rendition="#italics"
									><title>Zaïre</title></hi>, <hi rendition="#italics"
									><title>Alzira</title></hi> (1736), also an adaptation from <ref
								target="#Voltaire">Voltaire</ref>, and <hi rendition="#italics"
									><title>Merope</title></hi> (1749) from <ref target="#Voltaire"
								>Voltaire</ref>'s play of the same title. [<ref target="#GR"
								>GR</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>

					<item>
						<term xml:id="HillIsabel"> Hill, Isabel, 1800-1842 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Translator of <ref target="#StaelGermainede"><name> Madame de
									Sta&#235;l</name></ref>&apos;s 1807 work <hi
								rendition="#italics"><title> Corinne; Or, Italy</title></hi> (1833).
								[<ref target="#VS">VS</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HillJohn">Hill, John, 1714?-1775 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Also known as Sir John Hill, he was a notable botanist, writer, and
							journalist. Many of his publications are collected in <title><hi
									rendition="#italics">The letters and papers of Sir John Hill,
									1714-1775</hi></title> (1982). Between the years of 1752 and
							1753, Hill engaged in a &quot;paper war&quot; with rival authors
							including <ref target="#SmollettTobias">Tobias Smollett</ref> and <ref
								target="#FieldingHenry">Henry Fielding</ref>. In particular,
									<title><hi rendition="#italics">The Story of <ref
										target="#CanningElizabeth">Elizabeth Canning</ref>
									Considered</hi></title> (1753) was hostile to <ref
								target="#CanningElizabeth">Canning</ref> and <ref
								target="#FieldingHenry">Fielding</ref>, arguing in favor of the
							perjury verdict that resulted in <ref target="#CanningElizabeth"
								>Canning</ref>&apos;s transportation to Connecticut.[<ref
								target="#RD">RD</ref>] and [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="HippisleyJane">Hippisley, Jane (1719–1791) (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212;</term>
						<gloss>Popular British actress and mezzo-soprano, referred to as "Mrs.
							Green" after 1747 and best known for her roles of <ref target="#Ophelia"
								>Ophelia</ref> in <ref target="#GarrickDavid">David Garrick</ref>'s
							adaptation of <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>'s <hi rendition="#italics"
								><title>Hamlet</title></hi> (1772), Mrs. Malaprop in <ref
								target="#SheridanRichard">Richard Brinsley Sheridan</ref>'s <hi
								rendition="#italics"><title>The Rivals</title></hi> (1775), and the
							titular character of <ref target="#SheridanRichard">Sheridan</ref>'s <hi
								rendition="#italics"><title>The Duenna</title></hi> (1775). [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="HoadlyBenjamin">Hoadly, Benjamin, 1676-1761 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English clergyman, theologian, and father of <ref
								target="#HoadlyDrBenjamin">Dr. Benjamin Hoadly</ref> and <ref
								target="#HoadlyJohn">John Hoadly</ref>, best remembered as the
							initiator of the Bangorian Controversy which challenged the authority of
							Church government. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="HoadlyDrBenjamin">Hoadly, Dr. (Benjamin), 1706-1757 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Physician and researcher into electricity, Hoadly authored one
							enormously popular dramatic comedy, <hi rendition="#italics"><title>The
									Suspicious Husband</title></hi> (1747). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="HoadlyJohn">Hoadly, John, 1711-1776 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English cleric, dramatist, and poet. John Hoadly was the brother of
								<ref target="#HoadlyDrBenjamin">Dr. Benjamin Hoadly</ref> and the
							son of <ref target="#HoadlyBenjamin">Benjamin Hoadly</ref>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="HoccleveThomas">Hoccleve, Thomas, 1370?-1450? (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An English poet and clerk, sometimes known as Thomas Occleve. Some
							of his better works include &quot;The Letter of Cupid,&quot; <hi
								rendition="#italics"><title>The Regement of Princes</title></hi>
							(1411-1412), &quot;The Complaint,&quot; &quot;The Dialogue with a
							Friend,&quot; &quot;How to Die,&quot; &quot;Prologue and a Miracle of
							the Blessed Virgin,&quot; and &quot;Mother of God.&quot; [<ref
								target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HogarthWilliam">Hogarth, William, 1697-1764 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>English painter and engraver, Hogarth produced numerous popular
							satirical series, including <title><hi rendition="#italics">The March to
									Finchley</hi></title>, <title><hi rendition="#italics">A
									Harlot&apos;s Progress</hi></title>, <title><hi
									rendition="#italics">A Rake&apos;s Progress</hi></title>, and
									<title><hi rendition="#italics">Marriage A-la-Mode</hi></title>.
								[<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HoggJames">Hogg, James, 1770-1835 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Indeed born in the Ettrick Forest and following the occupation of
							shepherd, James Hogg published several of his works under the sobriquet
							the &quot;Ettrick Shepherd,&quot; a character he was to continue into
							his Edinburgh writing career, including his contributions to <hi
								rendition="#italics"><title>Blackwood&apos;s Edinburgh
									Magazine</title></hi>. His first major publication, <hi
								rendition="#italics">The Mountain Bard</hi> (1807) was a collection
							of ballads. His most significant work was a novel, <hi
								rendition="#italics"><title>The Private Memoirs and Confessions of a
									Justified Sinner</title></hi> (1834). [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HolcroftThomas">Holcroft, Thomas, 1745-1809 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Radical journalist, critic, novelist, translator, and playwright;
							Holcroft&apos;s two most important novels include <hi
								rendition="#italics"><title>Anna St. Ives</title></hi> (1792), a
							novel that reworks plot and character elements of <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s <hi
								rendition="#italics"><title>Clarissa</title></hi> (1747-9) to shape
							a response to Edmund Burke&apos;s <hi rendition="#italics"
									><title>Reflections on the Revolution in France</title></hi>
							(1790), and <hi rendition="#italics"><title>The Adventures of Hugh
									Trevor</title></hi> (1794), which offers a more general satire
							on the established order. The majority of his plays were comedies,
							though later work includes the dark, unsuccessful drama, <hi
								rendition="#italics"><title>The Inquisitor</title></hi> (1798). A
							few other highlights include <hi rendition="#italics"><title>Alwyn; or,
									The Gentleman Comedian</title></hi> (1780), <hi
								rendition="#italics"><title>Duplicity</title></hi> (1781), <hi
								rendition="#italics"><title>Seduction</title></hi> (1787), <hi
								rendition="#italics"><title>The School for Arrogance</title></hi>
							(1791), <hi rendition="#italics"><title>The Road to Ruin</title></hi>
							(1792), his most popular piece, <hi rendition="#italics"><title>The
									Deserted Daughter</title></hi> (1795), and <hi
								rendition="#italics"><title>He&apos;s Much to Blame</title></hi>
							(1798). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HolinshedRaphael">Holinshed, Raphael, approximately 1525-1580?
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English chronicler whose popular <hi rendition="#italics"><title>The
									Chronicles of England, Scotlande, and Irelande</title></hi>
							provided much source material for Elizabethan authors such as <ref
								target="#ShakespeareWilliam">William Shakespeare</ref>, <ref
								target="people.html#SpenserEdmund">Edmund Spenser</ref>, and <ref
								target="#Marlowe">Christopher Marlowe</ref>. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item><term xml:id="HollandCharles">Holland, Charles, 1733-1769 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English actor who worked under <ref target="#GarrickDavid">David
								Garrick</ref> and was known for having affairs. Holland died from
							smallpox at the age of 36. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="FoxHenry">Holland, Henry Fox, Baron, 1705-1774 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>First Baron Holland of Foxley and notable eighteenth-century British
							politician. He attended Eton College in 1775 where he became acquainted
							with <ref target="#FieldingHenry">Henry Fielding</ref>. [<ref
								target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HomeJohn">Home, John, 1722-1808 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Scottish poet, dramatist, historian, and clergyman. <hi
								rendition="#italics"><title>Douglas,</title></hi> his best
							remembered drama, opened in 1756. His <hi rendition="#italics"
									><title>The History of the Rebellion in the Year
								1745</title></hi> appeared in 1802. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Homer">Homer [n.d.] (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Greek poet reputed to be the author of <hi rendition="#italics"
									><title>The Iliad</title></hi> and <hi rendition="#italics"
									><title>The Odyssey</title></hi>. Considered during the
							eighteenth century to be the paradigmatic example of the inspired and
							primitive bardic poet, Homer became the single most influential poet of
							all time. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Honorius">Honorius, Flavius, Emperor of Rome, 384-423 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Younger brother of <ref target="#Arcadius">Arcadius, Emperor of the
								East</ref>, Honorius ruled the western half of the Roman empire.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="HoperRachael">Hoper, Mrs., active 1748-1749 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>A little-known English actress and playwright, Rachael Hoper produced
							three plays between 1742 and 1760. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="Horace">Horace [n.d.] (Library of Congress Name Authority); 65
							B.C.-8 B.C (<hi rendition="#italics"><title>Encyclopedia
									Britannica</title></hi>)&#8212; </term>
						<gloss> A poet known for his satires, odes, and verse epistles, Horace also
							authored <hi rendition="#italics"><title>Ars Poetica</title></hi> (c. 19
							B.C.), a major landmark in the history of literary criticism and theory.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HorusEgyptiandeity">Horus (Egyptian deity) (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> One of the most significant ancient Egyptian deities. He served many
							functions, most notably god of kingship and the sky. He was known as
								<ref target="#HarpokratesEgyptiandeity">Harpocrates</ref> to the
							Ptolemaic Greeks, and was represented in a youthful form, which
							signified the rising sun. [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HowardCharles">Berkshire, Charles Howard, Earl of,
							approximately 1615-1679 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English peer, son of Thomas Howard, 1st Earl of Berkshire, and
							brother-in-law of <ref target="#DrydenJohn">John Dryden</ref>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="HowardGorges">Howard, Gorges Edmond, 1715-1786 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Irish miscellany writer, architect, and playwright, best remembered
							for his <hi rendition="#italics"><title>The Female Gamester</title></hi>
								(1778).[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="HowardHenry">Surrey, Henry Howard, Earl of, 1517?-1547
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English nobleman, politician, translator, and poet. Alongside <ref
								target="#WyattThomas">Sir Thomas Wyatt</ref>, Henry Howard
							introduced the conventions of Italian humanist poetry into English
							literature. [<ref target="#LD">LD</ref>]</gloss>
					</item>

					<item>
						<term xml:id="HowardJames">Howard, James, -1669 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>English dramatist, Royalist during the English Civil War, and
							brother-in-law of <ref target="#DrydenJohn">John Dryden</ref>.
							Howard&apos;s most famous adaptation was his 1662 staging of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>Romeo and Juliet</title></hi>, in which
							both characters survive. His two original plays are <hi
								rendition="#italics"><title>All Mistaken</title></hi> (1667) and <hi
								rendition="#italics"><title>The English Mounsieur</title></hi>
							(1666). [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HowardJohn">Howard, John, 1726-1790 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> A highly respected Dissenting hospital and prison reformer. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MissAnnaHowe">Miss Anna Howe&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Clarissa</title></hi> (1747-9). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HuetPierreDaniel">Huet, Pierre-Daniel, 1630-1721 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Scholar, skeptical philosopher, and bishop of Avranches. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HughesJohn">Hughes, John, 1677-1720 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Playwright, poet, librettist, historian, translator, editor, and
							critic; Hughes&apos;s plays include <hi rendition="#italics"
									><title>Amalasont, Queen of the Goths </title></hi>(possibly c.
							1697-1700), <hi rendition="#italics"><title>Calypso and Telemachus
								</title></hi>(1712), <hi rendition="#italics"><title>Apollo and
									Daphne</title></hi> (1716), and <hi rendition="#italics"
									><title>The </title></hi><hi rendition="#italics"
									><title>Siege</title></hi><hi rendition="#italics"><title> of
								</title></hi><hi rendition="#italics"><title>Damascus</title></hi>
							(1720). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HullThomas">Hull, Thomas, 1728-1808 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English author, dramatist, actor, theatre manager, and friend of <ref
								target="#ShenstoneWilliam">William Shenstone</ref>. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="HumeDavid">Hume, David, 1711-1776 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Noted as a philosopher and historian, Hume was among those who
							exerted the most powerful and lasting influences on eighteenth-century
							thought. His best-known publications include <hi rendition="#italics"
									><title>A Treatise of Human Nature</title></hi> (1739), <hi
								rendition="#italics"><title>Essays, Moral and Political</title></hi>
							(1741), <hi rendition="#italics"><title>Philosophical Essays Concerning
									Human Understanding</title></hi> (1748), <hi
								rendition="#italics"><title>An Enquiry </title></hi><hi
								rendition="#italics"><title>Concerning the Principles of
									Morals</title></hi> (1751), <hi rendition="#italics"
									><title>Essays and Treatises on Several Subjects,</title></hi> 4
							volumes (1753), and <hi rendition="#italics"><title>The History of Great
									Britain</title></hi> (1754-1762). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="HuntLeigh">Hunt, Leigh, 1784-1859 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English critic, essayist, journalist, poet, and co-founder of <hi
								rendition="#italics"><title>The Examiner</title></hi>, a radical
							intellectual journal advocating for Catholic emancipation, the abolition
							of the slave trade, and parliamentary reform. Hunt was the first
							publisher of <ref target="#KeatsJohn">John Keats</ref>, <ref
								target="#ShelleyPercy">Percy Shelley</ref>, Alfred Tennyson, and
							Robert Browning. In his <hi rendition="#italics"
								><title>Examiner</title></hi>, Hunt famously defended Romantic poets
							against <hi rendition="#italics"><title>Blackwood
							Magazine</title></hi>&apos;s denunciation of &quot;Cockney poetry.&quot;
							Hunt&apos;s most notable works include &quot;<title>Abou Beh
								Adhem</title>&quot; and &quot;<title>Jenny Kissed Me</title>.&quot;
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HuntingdonSelina">Huntingdon, Selina Hastings, Countess of,
							1707-1791 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Occasional writer on religious subjects. [<ref target="#MW"
							>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HutchesonFrancis">Hutcheson, Francis, 1694-1746 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Scottish moral philosopher who further developed the ideas of <ref
								target="#ShaftesburyAnthonyAshleyCooper">Shaftesbury</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="HydeAnne">York, Anne Hyde, Duchess of, 1637-1671 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Daughter of Edward Hyde, member of the English gentry, and first wife
							of <ref target="#JamesIIKingofEngland">King James II</ref>. Hyde and
								<ref target="#JamesIIKingofEngland">James</ref> conceived a child
							out of wedlock in 1659 and married in 1660. The couple developed a
							reputation for their overt public displays of affection. Hyde bore eight
							of <ref target="#JamesIIKingofEngland">James</ref>'s children, only two
							of whom survived past early childhood, future queens <ref
								target="#MaryIIQueenofEngland">Mary II</ref> and <ref
								target="#AnneQueenofGreatBritain">Anne</ref>. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Iago">Iago&#8212;</term>
						<gloss>The main antagonist in <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s <hi rendition="#italics"><title><ref
										target="#Othello">Othello</ref></title></hi>, Iago is the
							trusted advisor of <ref target="#Othello">Othello</ref>, having fought
							at his side for several years. Believing that <ref target="#Othello"
								>Othello</ref> unfairly promoted Michael Cassio to lieutenant
							instead of himself, Iago plots to manipulate <ref target="#Othello"
								>Othello</ref> into demoting Cassio, effectively bringing about the
							downfall of <ref target="#Othello">Othello</ref>, as well. Iago
							convinces <ref target="#Othello">Othello</ref> that his wife, <ref
								target="#Desdemona">Desdemona</ref>, is having an affair with
							Cassio. After <ref target="#Othello">Othello</ref> kills <ref
								target="#Desdemona">Desdemona</ref>, Iago&apos;s wife, Emilia,
							reveals Iago&apos;s deception to <ref target="#Othello">Othello</ref>.
							Iago kills Emilia in a fit of rage, and Cassio, the new authority in the
							wake of <ref target="#Othello">Othello</ref>&apos;s suicide, condemns
							Iago to imprisonment and torture as punishment for his crimes. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="InchbaldMrs">Inchbald, Mrs., 1753-1821 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> One of the most successful among Romantic-era women authors,
							Elizabeth Inchbald did only moderately well in her early career as an
							actress but went on to produce numerous theatrical adaptations and
							original plays, two novels (<hi rendition="#italics"><title>A Simple
									Story</title></hi>, 1791, and <hi rendition="#italics"
									><title>Nature and Art</title></hi>, 1796), and a substantial
							body of literary criticism, most of which appeared as prefaces to the
							plays included in <hi rendition="#italics"><title>The British
									Theatre</title></hi> (1806-1808).<lb/><lb/> Born in 1753 and
							raised near Bury St. Edwards, Elizabeth Simpson’s interest in the
							theater began when her family attended touring productions of the
							Norwich Theater Company, a troupe which she later unsuccessfully tried
							to join. In 1772 she moved to London against her family’s wishes, hoping
							to become an actor there. After some unsuccessful attempts that also
							brought her unwanted sexual harassment, she married Joseph Inchbald,
							also an actor. Despite Elizabeth’s persistent stammer, the couple toured
							as provincial players. Joseph Inchbald died suddenly in 1779, and
							Elizabeth returned to London in 1780, where she first appeared on the
							London stage in 1780 as Bellario in the Covent Garden production of <ref
								target="#BeaumontFrancis">Beaumont</ref> and <ref
								target="#FletcherJohn">Fletcher</ref>’s <hi rendition="#italics"
									><title>Philaster</title></hi>.<lb/><lb/> In 1784, Inchbald’s
							first play, <hi rendition="#italics"><title>A Mogul Tale</title></hi>,
							debuted with Inchbald playing the leading role. Thereafter, her plays
							included <hi rendition="#italics"><title>I'll Tell You What!
								</title></hi> (1785); <hi rendition="#italics"><title>Appearance is
									Against Them</title></hi> (1785); <hi rendition="#italics"
									><title>The Widow's Vow</title></hi> (1786); <hi
								rendition="#italics"><title>Such Things Are</title></hi> (1787), a
							highly-successful piece exposing social ills and celebrating reformer
								<ref target="#HowardJohn">John Howard</ref>; <hi
								rendition="#italics"><title>The Midnight Hour</title></hi> (1787),
							the first of her reworkings of French dramas; <hi rendition="#italics"
									><title>All on a Summer's Day</title></hi> (1787), which
							received only one performance; <hi rendition="#italics"><title>Animal
									Magnetism</title></hi> (1788); <hi rendition="#italics"
									><title>The Child of Nature</title></hi> (1788); <hi
								rendition="#italics"><title>The Married Man</title></hi> (1789); <hi
								rendition="#italics"><title>The Hue and Cry</title></hi> (1791); <hi
								rendition="#italics"><title>Next Door Neighbors</title></hi> (1791);
								<hi rendition="#italics"><title>Young Men and Old Women</title></hi>
							(1792); <hi rendition="#italics"><title>Every One Has His
								Fault</title></hi> (1793); <hi rendition="#italics"><title>The
									Wedding Day</title></hi> (1794); <hi rendition="#italics"
									><title>Wives as They Were, and Maids as They Are</title></hi>
							(1797); <hi rendition="#italics"><title>Lovers' Vows</title></hi>
							(1798), the play that threw the Bertram family into turmoil in <ref
								target="#AustenJane">Jane Austen</ref>'s <hi rendition="#italics"
									><title>Mansfield Park</title></hi>, which was Inchbald's
							adaptation of <hi rendition="#italics"><title>Das Kind der
								Liebe</title></hi> by August Friedrich von Kotzebue; <hi
								rendition="#italics"><title>Wise Men of the East</title></hi>
							(1799), also an adaptation from Kotzebue; and <hi rendition="#italics"
									><title>To Marry, or Not to Marry</title></hi> (1805). In 1792,
							she arranged herself for the printing of <hi rendition="#italics"
									><title>The Massacre</title></hi>, her drama of the St.
							Bartholomew's day massacre of 1572, but then complied with friends'
							advice to suppress it for its potentially inflammatory parallels to the
							French revolution.<lb/><lb/> As a critic, Inchbald is best known for her
							“Remarks” to the plays issued in <hi rendition="#italics"><title>The
									British Theatre; Or, a Collection of Plays: Which Are Acted at
									the Theatres Royal, Drury Lane, Covent Garden, and
									Haymarket</title></hi>, published by Longman, Hurst, Reese, and
							Orme and collecting 125 recently performed plays. She was also credited
							in Longman’s subsequent collections, <hi rendition="#italics"><title>A
									Collection of Farces and Other Afterpieces Which are Acted at
									the Theatres Royal, Drury Lane, Covent Garden, and Hay-Market
									... Selected by Mrs. Inchbald</title></hi> (7 vols., 1809) and
								<hi rendition="#italics"><title>The Modern Theatre; A Collection of
									Successful Modern Plays, As Acted at the Theatres Royal, London,
									selected by Mrs. Inchbald</title></hi> (10 vols., 1811), though
							in her own account, her role in both these productions consisted of
							little more than lending her name. Under the title “<title>To The
								Artist</title>,” Inchbald published the satirical essay usually
							referred to as "<title>On Novel Writing</title>" (1807) in Prince
							Hoare’s journal <hi rendition="#italics"><title>The
							Artist</title></hi>.<lb/><lb/> Inchbald died in 1821, after burning the
							manuscript of her memoirs some two years earlier. </gloss>
					</item>
					<item>
						<term xml:id="IneKingofWessex">Ine, King of Wessex (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Ine, also spelled Ini or Ina, was king of the West Saxons from 688
							until his retirement to Rome in 726. As the first West Saxon king to
							issue a code of laws, Ine and his reign are valuable to the study of
							early English society. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="IrelandWH">Ireland, W. H. (William Henry), 1777-1835 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Better known as a forger of <ref target="#ShakespeareWilliam"
								>Shakespeare</ref> manuscripts and documents, author William Henry
							Ireland also produced poetry, much of it satirical, a biography of
							Napoleon, a few volumes of verse tales (<hi rendition="#italics"
									><title>The Fisher Boy</title></hi> [1808] and <hi
								rendition="#italics"><title>The Sailor Boy</title></hi> [1809]),
							several picturesque travel volumes in collaboration with minor landscape
							artists, some largely spurious histories, and the novels <hi
								rendition="#italics"><title>The Abbess, a Romance</title></hi>
							(1799), <hi rendition="#italics"><title>Rimualdo; or, The Castle of
									Badajos</title></hi> (1800), and <hi rendition="#italics"
									><title>The Woman of Feeling</title></hi> (1804). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KI">Krystal Iseminger&#8212; </term>
						<gloss>Student contributor.</gloss>
					</item>
					<item><term xml:id="JacobGiles">Jacob, Giles, 1686-1744 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English legal writer, poet, and biographer best remembered for his
								<hi rendition="#italics"><title>A New Law Dictionary</title></hi>
							(1729) which became the most popular of its kind in the
							newly-independent United States. Jacob is also remembered for his
							collection of biographies, <hi rendition="#italics"><title>Poetical
									Register, or Lives and Characters of the English Dramatic
									Poets</title></hi>, (2 vols., 1719–20). However, Jacob's
							literary works were not as well-received as his legal ones, and he
							feuded with <ref target="#PopeAlexander">Alexander Pope</ref> publicly
							and in writing, culminating in <ref target="#PopeAlexander">Pope</ref>
							making Jacob a dunce in the 1728 edition of his <hi rendition="#italics"
									><title>The Dunciad</title></hi>. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="JamesIKingofScotland">James I, King of Scotland, 1394-1437
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> James I of Scotland spent much of his early life as a prisoner of
							the English, then part of the household of Henry V. He returned to
							Scotland and was crowned in 1424. Thereafter he exercised a strong, even
							despotic, royal hand in a country that had long been dominated by
							semi-autonomous lords, meanwhile extending his international influence
							through both marital alliances and successful warfare. His methods
							compromised Scottish internal stability, however, and in a February 1437
							coup attempt he was attacked, cornered, and, after a desperate fight,
							killed. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="JamesIKingofEngland">James I, King of England, 1566-1625
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Son of <ref target="#MaryQueenofScots">Mary, Queen of Scots</ref>,
							King James VI of Scotland became King of England in 1603 with the death
							of <ref target="#ElizabethIQueenofEngland">Elizabeth I</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="JamesIIKingofEngland">James II, King of England,
							1633-1701&#8212; </term>
						<gloss>[James VII of Scotland]- Brother to Charles II, James succeeded him
							to the throne in 1685. A convert to Catholicism, he made sweeping legal
							decisions consolidating royal power and extending tolerance to and
							empowering Catholics, leading to the Glorious Revolution of 1688, which
							placed the Dutch Protestant <ref target="#WilliamIIIKingofEngland"
								>William of Orange</ref> on the British throne. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="JamesPrinceofWales">James, Prince of Wales, 1688-1766 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Known as the "Old Pretender," or James Edward, James Francis Edward
							Stuart was the son of <ref target="#JamesIIKingofEngland">King James
								II</ref> and Prince of Wales until his father's deposition in the
							Glorious Revolution of 1688. James Edward became the claimant to the
							throne after his father's death in 1701 as James III of England and
							Ireland and James VIII of Scotland. With the support of his Jacobite
							followers and <ref target="#LouisXIVKingofFrance">King Louis XIV of
								France</ref>, his father's cousin, James Edward made a few attempts
							to reclaim the crown. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="JamesonAnna">Jameson, Mrs. (Anna), 1794-1860 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss> Travel writer, art historian, and feminist Anna Brownell Jameson
							pursued her varied and prolific writing career by necessity. Daughter of
							a miniature painter, by age 16 she was already helping to support her
							family as a governess. In one of her assignments she toured France and
							Italy with her employer, resulting in her first significant publication,
								<hi rendition="#italics"><title>A Lady’s Diary</title></hi> (1826),
							a fictionalized account of her travels that was republished by <ref
								target="#ColburnHenry">Henry Colburn</ref> as <hi
								rendition="#italics"><title>Diary of an Ennuy&#233;e</title></hi>
							later the same year. In 1825 she married Robert Jameson but separated
							from him a few years later. She published <hi rendition="#italics"
									><title>The Loves of the Poets</title></hi> anonymously in 1829,
							then republished it as <hi rendition="#italics"><title>Memoirs of the
									Loves of the Poets</title></hi> in 1831 and <hi
								rendition="#italics"><title>The Romance of Biography; or, Memoirs of
									Women Loved and Celebrated by Poets, from the Days of the
									Troubadours to the Present Age</title></hi> in 1837. <hi
								rendition="#italics"><title>Memoirs of Celebrated Female
									Sovereigns</title></hi> appeared in 1831 and was followed by <hi
								rendition="#italics"><title>Characteristics of Women</title></hi>
							(1832), a collection of essays on <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s heroines that was repeatedly enlarged.
							Other publications included <hi rendition="#italics"><title>The Beauties
									of the Court of <ref target="#CharlesIIKingofEngland">King
										Charles the Second</ref></title></hi> (1834); <hi
								rendition="#italics"><title>Visits and Sketches at Home and
									Abroad</title></hi> (1834); <hi rendition="#italics"
									><title>Sketches of Germany</title></hi> (1837); <hi
								rendition="#italics"><title>Winter Studies and Summer Rambles in
									Canada</title></hi> (1838); <hi rendition="#italics"
									><title>Sketches of Italy</title></hi> (1841); <hi
								rendition="#italics"><title>A Handbook to the Public Galleries of
									Art In and Near London</title></hi> (1842); <hi
								rendition="#italics"><title>Companion to the Most Celebrated Private
									Galleries of Art in London</title></hi> (1844); <hi
								rendition="#italics"><title>Memoirs and Essays Illustrative of Art,
									Literature, and Social Morals</title></hi> (1846); <hi
								rendition="#italics"><title>A Commonplace Book of Thoughts,
									Memories, and Fancies</title></hi> (1854); <hi
								rendition="#italics"><title>A Hand-Book to the Courts of Modern
									Sculpture</title></hi> (1854); <hi rendition="#italics"
									><title>Sisters of Charity</title></hi> (1855); <hi
								rendition="#italics"><title>The Communion of Labour</title></hi>
							(1856); <hi rendition="#italics"><title>Sketches of Art, Literature, and
									Character</title></hi> (1857); <hi rendition="#italics"
									><title>Memoirs of Early Italian Painters</title></hi> (1859);
							and <hi rendition="#italics"><title>Studies, Stories, and
									Memoirs</title></hi> (1859). Her best known work, <hi
								rendition="#italics"><title>Sacred and Legendary Art</title></hi>,
							comprised the four volumes <hi rendition="#italics"><title>Legends of
									the Saints</title></hi> (1848); <hi rendition="#italics"
									><title>Legends of the Monastic Orders</title></hi> (1850); <hi
								rendition="#italics"><title>Legends of the Madonna</title></hi>
							(1852); and <hi rendition="#italics"><title>The History of Our Lord as
									Exemplified in Works of Art</title></hi> (with <ref
								target="#EastlakeElizabethRigby">Elizabeth Eastlake</ref>, 1864).
							Jameson also edited and/or introduced a number of other works and
							translated <hi rendition="#italics"><title>Social Life in Germany,
									Illustrated in the Acted Dramas of Her Royal Highness the
									Princess Amelia of Saxony</title></hi>, by Amelia, Princess of
							Saxony (1840). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="JohnKingofBohemia">Jan, Lucemburský, King of Bohemia,
							1296-1346 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Known in English as John the Blind or John of Luxembourg, Jan
							Lucemburský was King of Bohemia from 1310 to his death in 1346 at the
							Battle of Crécy during the Hundred Years' War. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="JeffreyFrancis">Jeffrey, Francis Jeffrey, Lord, 1773-1850
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Minimally successful in the legal profession for which he was
							trained, Jeffrey found his calling in 1802 when he and a few of his
							friends founded the <hi rendition="#italics"><ref
									target="#EdinburghReview"><title>Edinburgh
								Review</title></ref></hi>, with Jeffrey taking over as editor in
							1803. Though Jeffrey often expressed literary views vigorously
							unsympathetic to the Romantic authors of his day, espousing judgments
							that have not stood the test of time, he remains a major figure in the
							history of literary criticism, journalism, and the development of the
							modern periodical. With the rise of the reform movement in the early
							decades of the nineteenth century, Jeffrey also began a career as a whig
							politician before returning to the legal profession in 1834 as a judge.
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="JeffreysGeorge">Jeffreys, George, 1645-1689 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Called to the bar in 1668, Jeffreys rose to prominence through
							vigorous activity and astute cultivation of business and political
							contacts. As recorder of London and later Chief Justice of Chester, his
							royalist sympathies were apparent in his decisions and opinions, and
								<ref target="#CharlesIIKingofEngland">Charles II</ref> made him a
							baronet in 1681. In 1683 he was appointed to the king&apos;s bench,
							where he presided over some of the proceedings consequent on the Rye
							House plot to assassinate <ref target="#CharlesIIKingofEngland">Charles
								II</ref> as well as a large number of prosecutions for seditious
							libel. In 1685 Jeffreys presided in the western assizes, also remembered
							as &quot;The Bloody Assizes&quot; after the unsuccessful rebellion
							mounted by the <ref target="#MonmouthJamesScott">Duke of Monmouth</ref>
							culminated in nearly 1400 cases tried under Jeffreys, most resulting in
							conviction and sentencing for execution. Many were transported, but
							roughly 200 were actually put to death, earning Jeffreys the epithet
							&quot;The Hanging Judge.&quot; In the political upheaval of the Glorious
							Revolution, Jeffreys was himself accused of treason and imprisoned in
							the Tower of London, where he died the following spring. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="JephsonRobert">Jephson, Robert, 1736-1803 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Robert Jephson was an Irish politician and dramatist. His most
							notable works include his tragedy <hi rendition="#italics"
									><title>Braganza</title></hi> (1775), <hi rendition="#italics"
									><title>The Conspiracy</title></hi> (1796), <hi
								rendition="#italics"><title>Julia</title></hi> (1797), <hi
								rendition="#italics"><title>The Law of Lombardy</title></hi> (1779),
							and <hi rendition="#italics"><title>The Count of Narbonne</title></hi>
							(1781). Jephson also published <hi rendition="#italics"><title>The
									Confessions of Jacques Baptiste Couteau</title></hi>, a satire
							on the excesses of the French Revolution. [<ref target="#GR"
							>GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MrsJervis">Mrs. Jervis&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Pamela</title></hi> (1740-1). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MrsJewkes">Mrs. Jewkes&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Pamela</title></hi> (1740-1). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="JewsburyMaria">Jewsbury, Maria, 1800-1833 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Within the span of her short life, Maria Jewsbury&apos;s work
							included poetry, fiction, satire, reflective essays, and literary
							criticism. Upon her mother's death, Jewsbury assumed responsibility for
							her six siblings at the age of 19, a role she filled for over 12 years,
							during which time she published in <hi rendition="#italics"><title>The
									Manchester Gazette</title></hi>, <hi rendition="#italics"
									><title>The Athenaeum</title></hi>, and a number of gift
							annuals. She anonymously published <hi rendition="#italics"
								>Phantasmagoria; or, Sketches of Life and Literature</hi>, (1825) a
							collection dedicated to <ref target="#WordsworthWilliam"><name>William
									Wordsworth</name></ref>, which he praised. Around the same time,
							Jewsbury became friends with <ref target="#HemansFelicia"><name>Felicia
									Hemans</name></ref>, dedicating her next volume <hi
								rendition="#italics">Lays for Leisure Hours</hi> (1829) to her. <hi
								rendition="#italics">The Three Histories: The History of an
								Enthusiast. The History of a Nonchalant. The History of a
								Realist</hi> (1830) was Jewsbury&apos;s last full-length publication
							and also contains a tribute to <ref target="#HemansFelicia"
									><name>Hemans</name></ref> in the form of a portrait of a gifted
							woman artist. From 1830-1832, Jewsbury published a number of significant
							literary critical essays in the <hi rendition="#italics"
								>Athenaeum<title/></hi>. Jewsbury was also friends with <ref
								target="#LandonLetitia">Letitia E. Landon</ref>, who commended
							Jewsbury's eloquence of prose. In 1832, Jewsbury married Rev. William K.
							Fletcher, a chaplain with the East India Company, and soon after, the
							couple left for India, where, a few weeks short of her thirty-third
							birthday, Jewsbury died of cholera, cutting short a promising literary
							career. Jewsbury's writing is known for its elegance, fluency of
							expression, and emotional intensity, as well as its exploration of
							female identity, loss, and the necessity of human connection to nature.
								[<ref target="#LD">LD</ref>] [<ref target="#VS">VS</ref>] </gloss>
					</item>
					<item><term xml:id="JoanofArc">Joan, of Arc, Saint, 1412-1431 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Also known as the Maid of Orléans, Joan of Arc is the patron saint of
							France, considered one of history's greatest martyrs and revered for her
							subversion of gender roles. The daughter of peasant farmers, Joan became
							a military commander during the Hundred Years' War between England and
							France by convincing the French King Charles VII that she had received
							divine orders to save the French from English domination. At the age of
							17, Joan led the French forces in a pivotal victory at the siege of
							Orléans, driving away the English army. A year later, Joan was captured
							by English agents and burned at the stake as a heretic. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="SaintJohn">Saint John&#8212; </term>
						<gloss> Believed to have authored the biblical book of Revelation while in
							exile on the island of Patmos, Saint John is by some also regarded as
							the same apostle of Jesus credited with the gospel of John. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="JohnBull">John Bull&#8212; </term>
						<gloss> A fictional personification of English character originating in a
							series of pamphlets by <ref target="#ArbuthnotJohn">John Arbuthnot</ref>
							that later figures in satires, caricatures, and cartoons. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="JohnKingofEngland">John, King of England, 1167-1216 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>The youngest surviving son of Henry II and a controversial ruler,
							King John became a popular figure for fictionalization after his death,
							his most popular portrayals being the eponymous character in <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>King John</title></hi> and the villain
							of the Robin Hood legends. During his reign, King John lost the Angevin
							Empire with his French lands being seized by King Philip II of France.
							Landowner dissatisfaction with this loss as well as with John&apos;s
							despotic rule led to the sealing of the <hi rendition="#italics"
									><title>Magna Carta</title></hi>. While some historians
							acknowledge John&apos;s capabilities as an administrator and military
							leader, many believe his strengths to be overshadowed by his petty,
							spiteful, and cruel tendencies. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="JohnofGaunt">John, of Gaunt, Duke of Lancaster, 1340-1399
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>An English royal prince, the fourth son of <ref
								target="#EdwardIIIKingofEngland">King Edward III</ref>. John of
							Gaunt was the eldest son to survive <ref
								target="#EdwardIIIKingofEngland">Edward</ref>, though the crown went
							to <ref target="#RichardIIKingofEngland">Richard II</ref>, the grandson
							of <ref target="#EdwardIIIKingofEngland">Edward</ref> through his
							deceased heir apparent, <ref target="#EdwardPrinceofWales">Edward,
								Prince of Wales</ref>. As Duke of Lancaster, John of Gaunt founded
							the House of Lancaster, which his descendants would come to use as their
							claim to the throne during the English civil Wars of the Roses. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="JohnsonJoseph">Johnson, Joseph, 1738-1809 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Frequently described as radical or at least progressive,
							eighteenth-century bookseller and publisher Joseph Johnson made
							important contributions to the careers of several women critics,
							including <ref target="#BarbauldMrs">Anna Letitia Barbauld</ref>, <ref
								target="#WollstonecraftMary">Mary Wollstonecraft</ref>, and <ref
								target="#HaysMary">Mary Hays</ref>, all of whom contributed to his
							literary review, the <title><hi rendition="#italics">Analytical
									Review</hi></title>, which ran from 1788 to 1799. Johnson also
							published creative work by all three of these writers among many others.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="JohnsonSamuel">Johnson, Samuel, 1709-1784 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Literary biographer, critic, fiction writer, moralist, and poet,
							Samuel Johnson was one of the two or three most important figures in
							eighteenth-century British literary history. His most notable poem, <hi
								rendition="#italics"><title>The Vanity of Human Wishes</title></hi>
							(1749), makes its content clear in its title. His fable <hi
								rendition="#italics"><title>Rasselas</title></hi>, first published
							under the title <hi rendition="#italics"><title>The Prince of
									Abissinia</title></hi> (1759), narrates the story of the
							residents of a fictional Happy Valley, who enjoy gratification of all
							wants, but nevertheless find themselves discontented because they have
							nothing to long or hope for and so no outlet to exercise imagination. He
							is also known for his allegorical moral tale <hi rendition="#italics"
									><title>Vision of Theodore</title></hi> (1748). His two essay
							periodicals, <hi rendition="#italics"><title>The Rambler</title></hi>
							(1750-1752) and <hi rendition="#italics"><title>The Idler</title></hi>
							(1758-1760), were well received, though not as popular as predecessors
							such as <ref target="#AddisonJoseph">Joseph Addison</ref>&apos;s <hi
								rendition="#italics"><title>Spectator</title></hi>. Johnson&apos;s
								<hi rendition="#italics"><title>Dictionary of the English
									Language</title></hi> (1755), a massive undertaking for a single
							researcher, remained the standard for a century after its publication.
							Johnson&apos;s own commentary in <hi rendition="#italics"><title>The
									Plays of <ref target="#ShakespeareWilliam"
									>Shakespeare</ref></title></hi> (1765) was later supplemented
							with the remarks of <ref target="#SteevensGeorge">George Steevens</ref>
							(1773) to become one of the landmarks in the history of <ref
								target="#ShakespeareWilliam">Shakespeare</ref> criticism. But
							Johnson&apos;s most important contribution to criticism is his <hi
								rendition="#italics"><title>Prefaces, Biographical and Critical, to
									the Works of the English Poets</title></hi> (1779-81), better
							known as <hi rendition="#italics"><title>The Lives of the
								Poets</title></hi>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="JohnstoneCharles">Johnstone, Charles, 1719?-1800? (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Irish novelist whose best-known work is <hi rendition="#italics"
									><title>Chrysal; or, The Adventures of a Guinea</title></hi>
							(1760-65). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="JohnstoneJohn">Johnstone, John Henry, 1749-1828 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Irish actor, singer, and comedian, often dubbed "Irish" Johnstone or
							"Jack" Johnstone for his notable Stage Irishman roles. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="JonasPhilip">Jonas, Philip&#8212; </term>
						<gloss>A conjurer or magician specializing in card tricks who was active
							during the mid to late eighteenth century in London. He was challenged
							briefly by a second Mr. Jonas in 1769, and for a time advertised himself
							as "the famous Jonas (who is the real and only Mr. Jonas)." A third Mr.
							Jonas performed under royal patronage at Bath as late as 1814. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="JonesHenry">Jones, Henry, 1721-1770 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Henry Jones was an Irish poet. Though he made promising connections
							in the nobility and with actor, playwright, and theatre manager <ref
								target="#CibberColley">Colley Cibber</ref>, his drunkenness and
							irascible temper often got in the way of his success. He wrote <hi
								rendition="#italics"><title>The Earl of Essex</title></hi>, staged
							in 1753. [<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item><term xml:id="JonesStephen">Jones, Stephen, 1763-1827 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English literary editor best remembered for his 1812 revision of <ref
								target="#BakerDavid">David Erskine Baker</ref>'s <hi
								rendition="#italics"><title>Biographia Dramatica</title></hi>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="JonsonBen">Jonson, Ben, 1573?-1637 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> An English playwright, poet, and literary critic, whose artistry
							exerted a lasting impact upon English poetry and stage comedy. He
							popularized the comedy of humours, a genre of comedy based on characters
							who each show one or two overriding traits based on the dominance of
							corresponding bodily humours. Known for satirical plays and for his
							lyric poetry, he is generally regarded as the second most important
							English dramatist, after <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>, during the reign of <ref
								target="#JamesIKingofEngland">James I</ref>. Among his works are the
							dramas <hi rendition="#italics"><title>Every Man and his
								Humour</title></hi> (1598); <hi rendition="#italics"><title>Every
									Man Out of His Humour</title></hi> (1599); <hi
								rendition="#italics"><title>The Fountaine of Selfe-love; or,
									Cynthias Revells</title></hi> (1600); <hi rendition="#italics"
									><title>Poetaster</title></hi> (1601); <hi rendition="#italics"
									><title>Sejanus his Fall</title></hi> (1603); <hi
								rendition="#italics"><title>The Mask of Blackness</title></hi>
							(1605); <hi rendition="#italics"><title>Volpone; or, the
								Foxe</title></hi> (1605-6); <hi rendition="#italics"><title>Epicene,
									or the Silent Woman</title></hi> (1609-10); <hi
								rendition="#italics"><title>The Alchemist</title></hi> (1610); <hi
								rendition="#italics"><title>Love Restored</title></hi> (1612); <hi
								rendition="#italics"><title>Bartholomew Fayre</title></hi> (1614);
								<hi rendition="#italics"><title>The Devil is an Ass</title></hi>
							(1616); <hi rendition="#italics"><title>Mercurie Vindicated from the
									Alchemists at Court</title></hi> (1616); <hi
								rendition="#italics"><title>The Staple of News</title></hi> (1626);
								<hi rendition="#italics"><title>The Magnetic Lady</title></hi>
							(1631); and <hi rendition="#italics"><title>A Tale of a Tub</title></hi>
							(1633). [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="JordanDorothy">Jordan, Dorothy, 1761-1816 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Born Dorothea Bland, Dorothy Jordan was an Anglo-Irish actress who
							changed her name to avoid rumors regarding her illegitimate child with
							the future King William IV. Jordan ultimately bore ten of William&apos;s
							children, all out of wedlock. A lively actress, Jordan was best known
							for her comic breeches roles. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Jupiter">Jupiter (Roman deity)(Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Jupiter, often called Jove in English, is the king of gods in the
							ancient Roman pantheon. He is often considered equivalent to the Greek
							deity <ref target="#Zeus">Zeus</ref>. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Juvenal">Juvenal (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Living from approximately 55-127 CE, Decimus Junius Juvenalis, the
							most influential of the Roman satiric poets, is known in English as
							&quot;Juvenal.&quot; Juvenal&apos;s collection of poems, <hi
								rendition="#italics"><title>Satires</title></hi>, has been studied
							for its representation of ancient Rome and its critique of Roman
							paganism. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KantImmanuel">Kant, Immanuel, 1724-1804 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>German philosopher who marked the transition from the Enlightenment
							to the nineteenth century. His <title><hi rendition="#italics"
									>Beobachtungen &#252;ber das Gef&#252;hl des Sch&#246;nen und
									Erhabenen</hi></title> (1764) was translated as <title><hi
									rendition="#italics">Observations on the Feeling of the
									Beautiful and Sublime</hi></title>. Among his major works that
							followed, the <title><hi rendition="#italics">Kritik der reinen
									Vernunft</hi></title> (1781; translated as <title><hi
									rendition="#italics">Critique of Pure Reason</hi></title>, 1855)
							established his fame when its ideas were condensed and reformulated in
									<title><hi rendition="#italics">Prolegomena zu einer jeden
									k&#252;nftigen Metaphysik</hi></title> (1783; translated as
									<title><hi rendition="#italics">Prolegomena to Every Future
									Metaphysic</hi></title>, 1819). <title><hi rendition="#italics"
									>Kritik der praktischen Vernunft</hi></title> (1788; <title><hi
									rendition="#italics">Critique of Practical Reason</hi></title>)
							and <title><hi rendition="#italics">Kritik der Urteilskraft</hi></title>
							(1790; <title><hi rendition="#italics">Critique of
								Judgement</hi></title>) then followed. Kant also published a number
							of essays in the <title><hi rendition="#italics">Berliner
									Monatsschrift</hi></title>. [<ref target="#VW">VW</ref>] and
								[<ref target="#MW">MW</ref>}</gloss>
					</item>
					<item>
						<term xml:id="KeanCharles">Kean, Charles John, 1811?-1868 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Actor, theater manager, and son of the more famous <ref
								target="#KeanEdmund">Edmund Kean</ref>, with whom Charles sometimes
							shared the stage. More successful in the provinces than in London,
							Charles Kean nevertheless appeared at <ref target="#DruryLane">Drury
								Lane</ref>, <ref target="#CoventGarden">Covent Garden</ref>, and
								<ref target="#Haymarket">Haymarket</ref> theatres, as well as
							several performances on the American stage. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="KeanEdmund">Kean, Edmund, 1787-1833 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English tragic actor. Kean's sensational stage celebrity was
							undermined by his ferocious temper and chronic drunkenness. Kean began
							his stage career under his mother's supervision while still a child.
							After quite a few years as a provincial actor, his career was launched
							in earnest in 1814 with his spellbinding and original portrayal of <ref
								target="#Shylock">Shylock</ref> in the <ref target="#DruryLane"
								>Drury Lane</ref> production of <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>'s <hi rendition="#italics"><title>Merchant of
									Venice</title></hi>. Despite the unreliability that stemmed from
							his frequent intoxication, he enjoyed some years of success in fiery or
							villainous roles, but as his compulsions overtook him, his performances
							deteriorated. In 1833 he collapsed on stage while playing Othello and
							died a few weeks later. [<ref target="#MW">MW</ref>]</gloss>
					</item>

					<item>
						<term xml:id="KeatsJohn">Keats, John, 1795-1821 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>One of the principal figures of the Romantic movement, John Keats
							belonged to the second generation of Romantic poets, alongside <ref
								target="#ShelleyPercy">Percy Shelley</ref> and <ref
								target="#ByronGeorge">Lord Byron</ref>. Having received little
							formal education, Keats was initially apprenticed to a surgeon, and he
							eventually broke off his apprenticeship to work as a dresser, becoming
							more involved in the literary realm as he began to dabble in poetry in
							1814. By 1817, his literary interests had come to fruition, and he left
							his position to dedicate himself entirely to poetry. Early in his
							writing career, Keats was influenced by the writings of <ref
								target="#WordsworthWilliam">Wordsworth</ref> and <ref
								target="#SpenserEdmund">Spenser</ref>, as well as <ref
								target="#ChapmanGeorge">Chapman</ref>&apos;s translations of <ref
								target="#Homer">Homer</ref>. The year 1818 was tumultuous for Keats,
							experiencing worsening tuberculosis symptoms while falling in love with
							Fanny Brawne, the two becoming engaged later that year. Keats died of
							tuberculosis in Rome before he could marry Brawne. Although he had
							achieved some acknowledgement during his lifetime, Keats was convinced
							that his poetry would attain no lasting significance, having experienced
							the harsh criticism of <ref target="#LockhartJohn">John Lockhart</ref>,
							derisively deeming Keats as a member of the vulgar &quot;Cockney
							School.&quot; Despite the minimal success Keats experienced in his six
							short years as a writer, posthumously, he has become among the most
							critically acclaimed poets in English history, remembered for his vivid
							imagery, sensuality, and profound philosophical expressions informed by
							classical legend. In addition, Keats&apos; articulation of
							&quot;negative capability&quot; (the capacity of a poet to pursue an
							artistic vision even when it leads to confusion and uncertainty) has
							influenced generations of poets. A very few of Keats&apos; most notable
							works include his major odes, &quot;The Eve of St. Agnes,&quot;
							&quot;Hyperion,&quot; &quot;The Fall of Hyperion,&quot; and
							&quot;Lamia.&quot; [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KellyHugh">Kelly, Hugh, 1739-1777 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>An English dramatist, Kelly is best known for his sentimental comedy,
									<title><hi rendition="#italics">False Delicacy</hi></title>
							(1768). Also a periodical essayist, Kelly assisted <ref
								target="#LennoxCharlotte">Charlotte Lennox</ref> with her popular
									<title><hi rendition="#italics">Lady&apos;s Museum</hi></title>
							(1760-1). [<ref target="#VW">VW</ref> and <ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="KembleCharles">Kemble, Charles, 1775-1854 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>A member of the prominent theatrical Kemble family, Charles Kemble
							was an actor and theatre manager who initiated the practice of
							historically accurate sets and costuming in stage productions. Kemble
							was among the most popular of early nineteenth-century actors, and he
							had several siblings who were also among London's top-tier performers.
							He was joint proprietor of <ref target="#CoventGarden">Covent Garden
								Theatre</ref>. Formally retiring from the stage at the end of 1836,
							he then served as Examiner of Plays until 1840. He also translated at
							least one play, producing <hi rendition="#italics"><title>The Point of
									Honor</title></hi> (1800) from <hi rendition="#italics"
									><title>Le Déserteur</title></hi> (1782) by Louis-Sébastien
							Mercier. [<ref target="#GR">GR</ref>] [<ref target="#LD"
							>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="KembleFanny">Kemble, Fanny, 1809-1893 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Daughter of actor and theater manager <ref target="#KembleCharles"
								>Charles Kemble</ref> and niece to the more famous <ref
								target="#KembleJohn">John Philip Kemble</ref> and his elder sister
								<ref target="#SiddonsSarah">Sarah Siddons</ref>, Francis Anne
							Kemble, better known as Fanny, was nevertheless a reluctant entrant into
							the profession of acting. She debuted as <ref
								target="#ShakespeareWilliam">Shakespeare</ref>'s Juliet in 1829
							largely to help <ref target="#KembleCharles">her father</ref> recoup his
							finances as manager of <ref target="#CoventGarden">Covent Garden
								Theatre</ref>. Her performances were very well-received, and in
							subsequent roles she seems to have been equally successful in comic and
							tragic parts. In 1832, she left with her father for America to tour the
							New York and Philadelphia stages. In Philadelphia she met and married
							Pierce Mease Butler, heir to several Georgia plantations, who over time
							became the owner of hundreds of slaves. The marriage failed, partly
							because of Fanny's strong-minded abolitionist views and partly because
							of her husband's infidelities. <hi rendition="#italics"><title>Her
									Journal of a Residence on a Georgian Plantation</title></hi>,
							recounting her observations on her husband's Sea Islands plantation, was
							written during 1838-9 but not published until 1863. Fanny Kemble
							remained in America for 20 years, and when she returned to England, she
							spent a few years appearing occasionally on London and provincial stages
							with limited success, faring better with dramatic readings from <ref
								target="#ShakespeareWilliam">Shakespeare</ref>. She authored and
							translated plays, including her <hi rendition="#italics"><title>Francis
									the First</title></hi> (1832) and <hi rendition="#italics"
									><title>The Star of Seville</title></hi> (1837), and she
							published a number of volumes of journals, memoirs, and personal
							reflections as well as a volume of poetry. Her <hi rendition="#italics"
									><title>Notes on Some of <ref target="#ShakespeareWilliam"
										>Shakespeare</ref>'s Plays</title></hi> was published in
							1882. [<ref target="#MW">MW</ref>]</gloss>
					</item>

					<item>
						<term xml:id="KembleJohn">Kemble, John Philip, 1757-1823 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Popular English actor, theatre manager, and member of the significant
							Kemble theatrical family. Kemble&apos;s popularity dramatically
							increased in 1785 after acting opposite of his renowned sister, <ref
								target="#SiddonsSarah">Sarah Siddons</ref>, in a production of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>Macbeth</title></hi>. As the manager of
							the <ref target="#DruryLane">Drury Lane</ref> and <ref
								target="#CoventGarden">Covent Garden</ref> theatres in London,
							Kemble&apos;s innovations led to improvement in the reputation of the
							theatrical profession. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KembleStephen">Kemble, Stephen, 1740-1822 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>From the prominent Kemble theatrical family, Stephen Kemble was a
							successful theatre manager, actor, and writer. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item><term xml:id="KeroualleLouise">Portsmouth and Aubigny, Louise-Renée de
							Kéroualle, Duchess of, 1649-1734 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Duchess of Portsmouth in England and Duchesse d'Aubigny in the
							peerage of France, Louise de Kéroualle was the French mistress of <ref
								target="#CharlesIIKingofEngland">King Charles II</ref>. She was
							known to have great political savvy, though she was the least popular of
							his mistresses. [<ref target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="Khadijah">Khadījah, -approximately 619 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Born approximately 554, Khadījah bint Khuwaylid was a wealthy
							merchant and the first wife and follower of the Islamic prophet <ref
								target="#Muhammad">Muhammad</ref>. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item><term xml:id="KhalidalWalid">Khālid ibn al-Walīd, -641 or 642 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Military commander and convert to Islam who, under both <ref
								target="#Muhammad">Muhammad</ref> and <ref target="#AbuBakr">Abū
								Bakr</ref>, was renowned for his military prowess. [<ref
								target="#BDW">BDW</ref>][<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="KilligrewThomas">Killigrew, Thomas, 1612-1683 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Dramatist and theater manager. Having gained a theater patent shortly
							after the English Restoration, Killigrew founded the <ref
								target="#DruryLane">Theatre Royal Drury Lane</ref>, which he opened
							in 1662 under the name Theatre Royal on Brydges Street. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="KingThomas">King, Thomas, 1730-1805 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Leading English actor and theatre manager who continued acting into
							his seventies. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="KlingerFriedrich">Klinger, Friedrich Maximilian, 1752-1831
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Klinger&apos;s play <hi rendition="#italics"><title>Sturm und
									Drang</title></hi> (1776) gave the title to the
							eighteenth-century German literary movement of the same name. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KlopstockFriedrich">Klopstock, Friedrich Gottlieb, 1724-1803
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Germany&apos;s first major poet of the eighteenth-century, Klopstock
							was a significant influence on the <hi rendition="#italics"><title>Sturm
									und Drang</title></hi> poetic movement to follow. A few of his
							most important works include <hi rendition="#italics"><title>The
									Messiah</title></hi> (1748-1773); a number of religiously
							inspired stage tragedies, especially <hi rendition="#italics"><title>The
									Death of Adam</title></hi> (1757), <hi rendition="#italics"
									><title>Solomon</title></hi> (1764), and <hi
								rendition="#italics"><title>David</title></hi> (1772); and a large
							body of shorter poetry. His essay, &quot;<title>On Divine
								Poetry,</title>&quot; written as an introduction to <hi
								rendition="#italics"><title>The Messiah</title></hi>, inaugurates a
							new critical concern with the emotional effects of poetry in its claim
							that a work of genius must &quot;move the soul.&quot; [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KlopstockMargareta">Klopstock, Margareta, 1728-1758 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Also known as Meta, the Danish wife of the poet <ref
								target="#KlopstockFriedrich">Friedrich Gottlieb Klopstock</ref> was
							an esteemed literary intellectual whose letters charmed her
							contemporaries. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KnightSamuel">Knight, Samuel, approximately 1677-1746 (Library
							of Congress Name Authority)&#8218; </term>
						<gloss>Archdeacon of Berkshire from 1735 to 1746. [<ref target="#RD"
								>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="KnowlesCharles">Knowles, Charles, Sir, 1704?-1777 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>The Rear-Admiral of Great Britain, Sir Charles Knowles famously and
							successfully sued <ref target="#SmollettTobias">Tobias Smollett</ref>
							for libel in 1761. [<ref target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="KnowlesMary">Knowles, Mary, 1733-1807 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Born Mary Morris, Knowles married physician Thomas Knowles. A poet,
							friend of <ref target="#JohnsonSamuel">Samuel Johnson</ref>, and a
							gifted conversationalist, Knowles published her &quot;<title>Dialogue
								between <ref target="#JohnsonSamuel">Dr. Johnson</ref> and Mrs.
								Knowles</title>&quot; in the <title><hi rendition="#italics"
									>Gentleman&apos;s Magazine</hi></title> in June 1971. [<ref
								target="#RD">RD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="KockPaulde">Kock, Paul de, 1793-1871 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Known for racy novels about sophisticated Parisian life, such as <hi
								rendition="#italics"><title>Georgette</title></hi> (1820), <hi
								rendition="#italics"><title>Gustave, ou le Mauvais
								Sujet</title></hi> (1821), <hi rendition="#italics"><title>Mon
									voisin Raymond</title></hi> (1822), and <hi rendition="#italics"
									><title>L&apos;Amant de lune</title></hi> (1847). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="KotzebueAugust">Kotzebue, August von, 1761-1819&#8212; </term>
						<gloss> An extremely prolific German novelist, playwright, historian, and
							political appointee whose political career was as controversial as his
							literary output. He is probably best known to English-speaking audiences
							for his <hi rendition="#italics">
								<title>Das Kind der Liebe</title></hi>, the play which, adapted by
								<ref target="#InchbaldMrs">Elizabeth Inchbald</ref> as <hi
								rendition="#italics">
								<title>Lover's Vows</title></hi> (1798), threw the Bertram family
							into chaos in <ref target="#AustenJane">Jane Austen's</ref> novel <hi
								rendition="#italics">
								<title>Mansfield Park</title></hi> (1814). [GR]</gloss>
					</item>
					<item>
						<term xml:id="KydThomas">Kyd, Thomas, 1558-1594 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Elizabethan playwright whose <hi rendition="#italics"><title>The
									Spanish Tragedy; or, Hieronimo is Mad Again</title></hi> was
							among the most popular productions during its time, inaugurating the
							genre of the revenge tragedy. A close friend of <ref target="#Marlowe"
								>Marlowe</ref>, Kyd was arrested in 1593 under charges of atheism.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Laertes">Laertes</term>
						<gloss>Character in <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s drama <hi rendition="#italics"
									><title>Hamlet</title></hi>. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LaFayetteMadame">La Fayette, Madame de (Marie-Madeleine Pioche
							de La Vergne), 1634-1693 (Library of Congress Name Authority)&#8212; </term>
						<gloss> French author whose best-known work, <hi rendition="#italics"
									><title>La Princesse de Cl&#232;ves</title></hi> (1678), was
							initially believed to have been written by a man, with <ref
								target="#HuetPierreDaniel">Bishop Huet</ref> and <ref
								target="#SegraisJean">Jean Regnauld de Segrais</ref> among those
							proposed as candidates for author. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LafontaineAugust">Lafontaine, August Heinrich Julius,
							1758-1831 (Library of Congress Name Authority)&#8212; </term>
						<gloss> German author of novels and moral tales, August Lafontaine was one
							of the most popular writers of his time. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="LaFontaineJean">La Fontaine, Jean de, 1621-1695 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> La Fontaine&apos;s poetic <hi rendition="#italics"
									><title>Fables</title></hi> were drawn from eastern and
							classical sources. He updated the Cupid and Psyche story in <hi
								rendition="#italics"><title>Les Amours de Psich&#233; et de
									Cupidon</title></hi> (1669). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="LaHarpeJean">La Harpe, Jean-François de, 1739-1803 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>French writer, playwright, and critic, known for his harsh and
							controversial histories and criticisms of French literature. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="LakeSchool">Lake School&#8212; </term>
						<gloss> The poets who for a time lived and collaborated in the northern
							English lake district, including <ref target="#WordsworthWilliam"
								>William Wordsworth</ref>, <ref target="#ColeridgeSamuel">Samuel
								Taylor Coleridge</ref>, and <ref target="#SoutheyRobert">Robert
								Southey</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LambCharles">Lamb, Charles, 1775-1834 (Library of Congress
							Name Authority)&#8212;</term><gloss>Charles Lamb&apos;s modest family
							origins included a father who was a servant and a mother who was the
							daughter of a female domestic. Though his parents bore seven children,
							only Charles, his older sister <ref target="#LambMary">Mary</ref>, and
							the oldest boy John survived infancy. Charles was educated at
							Christ&apos;s Hospital, joining the East India Company soon after he
							left the school. During 1795 he suffered a mental breakdown and was
							confined for six weeks. In 1796, <ref target="#LambMary">Mary</ref> also
							suffered a breakdown, stabbing and killing their mother. <ref
								target="#LambMary">Mary</ref>, too, was confined for insanity and
							released only on condition that Charles agree to care for her, a
							responsibility he held to despite the trials of returning her to an
							asylum periodically for treatment. Charles Lamb began publishing
							literary work first with poems, then his novel <hi rendition="#italics"
									><title>Rosamund Gray</title></hi> in 1798, followed by some
							unsuccessful farces, profuse literary journalism, and successful
							children&apos;s literature, most notably his well-loved collaboration
							with <ref target="#LambMary">Mary</ref>, <hi rendition="#italics"
									><title>Tales from Shakespear</title></hi> (1807). His
							compilation <hi rendition="#italics"><title>Specimens of English
									Dramatic Poets who Lived about the Time of
								Shakespeare</title></hi> (1808) was admired. Lamb is best remembered
							for his series of essays in the <hi rendition="#italics"><title>London
									Magazine</title></hi> under the pseudonym “Elia.” He formed
							close friendships with many of the literary notables of the period,
							especially <ref target="#ColeridgeSamuel">Samuel Taylor Coleridge</ref>,
								<ref target="#WordsworthWilliam">William</ref> and <ref
								target="#WordsworthDorothy">Dorothy Wordsworth</ref>, and <ref
								target="#GodwinWilliam">William Godwin</ref>. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LambMary">Lamb, Mary, 1764-1847 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Lamb, Mary, 1764-1847 (Library of Congress Name Authority)— Sister of
							the author <ref target="#LambCharles">Charles Lamb</ref>, Mary Lamb
							collaborated with her brother on <hi rendition="#italics"><title>Tales
									from <ref target="#ShakespeareWilliam"
								>Shakespeare</ref></title></hi> (1807) as well as some other works
							for children. After <ref target="#LambCharles">Charles</ref> left
							school, he and Mary resided in their family home until 1796. At that
							point, exhausted from the strain of caring for aged parents, Mary
							stabbed and killed their mother and was institutionalized for insanity.
							Eventually released to <ref target="#LambCharles">Charles</ref>&apos;s
							care, she experienced periodic recurrences of instability, several
							requiring temporary rehospitalization. Her essay &quot;<title>On
								Needleworking</title>&quot; appeared in the <hi rendition="#italics"
									><title>British Lady&apos;s Magazine</title></hi> in April 1815.
							Lamb argued for the professionalization of needlework to provide a
							respectable and reliable source of income for women thus employed,
							thereby enabling them to enjoy greater equality with men. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LambardLady">Lambard, Lady&#8212; </term>
						<gloss> Jane, <hi rendition="#italics">n&#233;e</hi> Fowler (b. 1695), wife
							of Sir Multon Lambard (1675-1758), of Seven Oaks in Kent. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>

					<item>
						<term xml:id="LandonLetitia">L. E. L. (Letitia Elizabeth Landon), 1802-1838
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> A celebrity sensation for her best-selling poetry and the erotic
							scandal that is inextricable from her fame, Letitia Landon, better known
							as L. E. L., enjoyed a wide and appreciative audience for her poetry and
							literary essays. Less known to her readers and still often unsung today
							was her periodical editing work and anonymous reviewing, especially for
							the <hi rendition="#italics"><title>Literary Gazette</title></hi>,
							edited by Landon&apos;s literary mentor and eventual lover, William
							Jerdan. In addition, Landon made momentous contributions to the popular
							early-Victorian gift annuals, authoring and editing entire volumes of
							some of the more successful and contributing poetry to many others.
							Landon first began writing poetry for her own enjoyment, but when her
							family found itself in financial crisis, Landon&apos;s mother showed
							some poems to Jerdan, who lived nearby. First publishing only in the <hi
								rendition="#italics"><title>Literary Gazette</title></hi>, Landon
							brought out her debut volume of poetry, <hi rendition="#italics"
									><title>The Fate of Adelaide, A Swiss Romantic Tale; and Other
									Poems</title></hi> in 1821. Though only moderately successful,
							this volume was soon followed by <hi rendition="#italics"><title>The
									Improvisatrice; and Other Poems</title></hi> (1824), which
							quickly went into several editions. This success coupled with the death
							of her father the same year placed Landon as the main financial support
							for both her mother and her brother. She continued regular contributions
							to the <hi rendition="#italics"><title>Literary Gazette</title></hi> and
							other periodicals, especially the <hi rendition="#italics"><title>New
									Monthly Magazine</title></hi>, meanwhile bringing out a number
							of other poetry volumes, including <hi rendition="#italics"><title>The
									Troubadour; Catalogue of Pictures, and Historical
									Sketches</title></hi> (1825), <hi rendition="#italics"
									><title>The Golden Violet, with its Tales of Romance and
									Chivalry; and Other Poems</title></hi> (1827), <hi
								rendition="#italics"><title>The Venetian Bracelet, The Lost Pleiad,
									A History of the Lyre, and Other Poems</title></hi> (1829), and
								<hi rendition="#italics"><title>The Vow of the Peacock, and Other
									Poems</title></hi> (1835). Landon also authored three novels,
								<hi rendition="#italics"><title>Romance and Reality</title></hi>
							(1831), <hi rendition="#italics"><title>Francesca Carrara</title></hi>
							(1834), and <hi rendition="#italics"><title>Ethel Churchill; or The Two
									Brides</title></hi> (1837). She wrote a play, several
							translations, and some children’s literature as well. Landon died rather
							mysteriously shortly after her marriage to George Maclean, governor of
							the Cape Coast settlement on the African Gold Coast. The inquest
							officially assigned the cause of death to accidental prussic acid
							poisoning, but Landon’s romantic public image and the stormy course of
							her relationship with Maclean have left doubts about the verdict to this
							day. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LanglandWilliam">Langland, William, 1330?-1400? (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A cleric from the Malvern Hills sometimes referred to as Robert De
							Langlonde or Robert Langley, author of the dream vision poem <title><hi
									rendition="#italics">Piers Plowman</hi></title> (c.1367-70).
								[<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LathomFrancis">Lathom, Francis, 1774-1832 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Originally an actor and playwright, Lathom soon turned gothic
							novelist, eventually authoring over a score of novels and some half a
							dozen plays, including some translations and adaptations. His first
							novel was called <hi rendition="#italics"><title>The Castle of
									Ollada</title></hi> (1795). <hi rendition="#italics"><title>The
									Midnight Bell</title></hi> (1798) is one of the novels Isabella
							Thorpe plans to peruse with Catherine Morland in <ref
								target="#AustenJane">Jane Austen</ref>&apos;s <hi
								rendition="#italics"><title>Northanger Abbey</title></hi> (1818).
								<hi rendition="#italics"><title>Men and Manners</title></hi> (1799)
							is regarded as his best work. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LatimerBishop">Latimer, Hugh, 1485?-1555 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Made Bishop of Worcester under <ref target="#HenryVIIIKingofEngland"
								>Henry VIII</ref>, Latimer was martyred for his Protestant views by
								<ref target="#MaryQueenofScots">Mary, Queen of Scots</ref> [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Lavall&#233;eJoseph">Lavall&#233;e, Joseph, 1747-1816 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Joseph Lavall&#233;e, the marquis de Bois-Robert, was a prolific
							French author, translator, and man of letters. [<ref target="#JDP"
								>JDP</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="Laura">Laura&#8212; </term>
						<gloss>The addressee of many love sonnets by the Italian author <ref
								target="#PetrarcaFrancesco">Petrarch</ref>. [<ref target="#KI"
								>KI</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LavaterJohann">Lavater, Johann Caspar, 1741-1801 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Founder of the pseudo-sciences of physiognomy and animal magnetism,
							Lavater was also known for his <hi rendition="#italics"
									><title>Vermischte unphysiognomische Regeln zur Selbst- und
									Menschenkenntniß</title></hi> (1787), translated by <ref
								target="#FuseliHenry">Henry Fuseli</ref> as <hi rendition="#italics"
									><title>Aphorisms on Man</title></hi> (1788). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LauderdaleJamesMaitland">Lauderdale, James Maitland, Earl of,
							1759-1839 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Politician, political economist, and eighth earl of Lauderdale. He
							was Keeper of the Great Seal of Scotland and represented Scotland in the
							House of Lords. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Layamon">Layamon, active 1200 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>La&#541;amon was a late twelfth-century priest, author of the
									<title><hi rendition="#italics">Brut</hi></title>, a history of
							England during the Arthurian era. He is also sometimes known as Laweman
							or Lawman, among other spellings. [<ref target="#JDP">JDP</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LeakeJames">Leake, James, -1764 (Library of Congress Name
							Authority); 1686-1764 (<hi rendition="#italics"><title>Oxford Dictionary
									of National Biography</title></hi>)&#8212; </term>
						<gloss> Brother to <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s second wife, <ref
								target="#RichardsonElizabethwife">Elizabeth</ref>, and Bath&apos;s
							most important bookseller, James Leake was Richardson&apos;s longtime
							friend. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LearKingofBritain">Lear, King of England (Legendary character)
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Protagonist of <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s tragedy <hi rendition="#italics"
									><title>King Lear</title></hi>. King Lear begins the play as a
							conceited, shallow character, concerned with power and appearances
							rather than responsibility and genuine devotion. After a period of
							increasing insanity, King Lear experiences an epiphany that leads to his
							remorse, humility, and empathy. However, the play ends tragically, with
							the death of King Lear&apos;s daughter and Lear&apos;s return to
							madness. The play takes its eponymous protagonist from the mythological
							Leir of Britain, whose story appears in <ref
								target="people.html#GeoffryofMonmouth">Geoffrey of Monmouth</ref>'s
							twelfth-century pseudohistory, <hi rendition="#italics"><title>Historia
									Regum Britanniae</title></hi> (<hi rendition="#italics"
									><title>The History of the Kings of Britain</title></hi>).
							According to that text, <ref target="people.html#LearKingofBritain"
								>Leir</ref> ruled in the eighth century B.C.E. However, no account
							of Leir is recognized as verifiable history. [<ref target="#LD"
							>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Leda">Leda&#8212;</term>
						<gloss>A figure in Greek mythology, the daughter of a king and wife of King
							Tyndareos of Sparta. After being seduced by <ref target="#Zeus"
								>Zeus</ref> in the form of a swan, Leda bore four children, two sets
							of twins in two eggs&#8212;<ref target="#Helen">Helen</ref> and <ref
								target="#Clytemnestra">Clytemnestra</ref> in one egg, Castor and
							Pollux in the other. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="LeoniMichael">Leoni, Michael, -1796 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Popular tenor singer and hazzan of the Great Synagogue of London,
							born Myer Lyon but better known by his stage name Michael Leoni. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="LeeEdwardHenry">Lichfield, Edward Henry Lee, Earl of,
							1663-1716 (Library of Congress Name Authority)&#8212;</term>
						<gloss>An English peer and son of a baronet, Edward Henry Lee married Lady
							Charlotte Fitzroy, an illegitimate daughter of <ref
								target="#CharlesIIKingofEngland">King Charles II</ref>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="LeeNathaniel">Lee, Nathaniel, 1653?-1692 &#8212;</term>
						<gloss>A leading tragic dramatist in his time and an occasional collaborator
							with <ref target="#DrydenJohn">John Dryden</ref>, Lee was an early
							leader in the dramatic use of blank verse. He is known as well for the
							violent content of some of his work. His plays include <hi
								rendition="#italics"><title>The Tragedy of Nero, Emperour of
									Rome</title></hi> (1674), <hi rendition="#italics"
									><title>Sophonisba, or Hannibal&apos;s Overthrow</title></hi>
							(1675), <hi rendition="#italics"><title>Gloriana, or the Court of
									Augustus Caesar</title></hi> (1676), <hi rendition="#italics"
									><title>The Rival Queens, or the Death of Alexander the
									Great</title></hi> (1677), <hi rendition="#italics"
									><title>Mithridates King of Pontus</title></hi> (1678), <hi
								rendition="#italics"><title>Oedipus</title></hi> (with <ref
								target="#DrydenJohn">John Dryden</ref>, 1678), <hi
								rendition="#italics"><title>Caesar Borgia; Son of Pope Alexander the
									Sixth</title></hi> (1679), <hi rendition="#italics"
									><title>Theodosius: or, The Force of Love</title></hi> (1680),
								<hi rendition="#italics"><title>Lucius Junius Brutus; Father of his
									Country</title></hi> (1680), <hi rendition="#italics"><title>The
									Duke of Guise</title></hi> (with <ref target="#DrydenJohn">John
								Dryden</ref>, 1682), <hi rendition="#italics"><title>The Princess of
									Cleve</title></hi> (1683), <hi rendition="#italics"
									><title>Constantine the Great</title></hi> (1683), and <hi
								rendition="#italics"><title>The Massacre of Paris</title></hi>
							(1689). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LeeRichard">Lee, Richard, 1611-1684 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Presbyterian clergyman, rector of Hatfield, chaplain to George Monck,
							and father of <ref target="#LeeNathaniel">Nathaniel Lee</ref>. After the
							Restoration, Dr. Lee conformed to the Church of England. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LeFevreJohn">Le Fevre, John&#8212; </term>
						<gloss> Often mentioned friend of <ref target="#RichardsonSamuel">Samuel
								Richardson</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="LelandThomas">Leland, Thomas, 1722-1785 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Irish novelist, historian, translator, and Anglican priest, best
							remembered for his <hi rendition="#italics"><title><ref
										target="#LongespeeWilliam">Longsword, Earl of
										Salisbury</ref>: An Historical Romance</title></hi> (1762).
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="LennoxCharlotte">Lennox, Charlotte, ca. 1729-1804 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Born Charlotte Ramsay, Lennox is known as a versatile woman of
							letters, part of the eighteenth-century Bluestocking circle and friend
							to numerous other literary luminaries such as <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>, <ref
								target="#JohnsonSamuel">Samuel Johnson</ref>, <ref
								target="#GoldsmithOliver">Oliver Goldsmith</ref>, and <ref
								target="#BurneyFanny">Fanny Burney</ref>. She is best remembered for
							her 1752 novel <title><hi rendition="#italics">The Female Quixote; or,
									The Adventures of Arabella</hi></title>, an update and parody of
								<ref target="#Cervantes">Cervantes</ref>&apos;s <title><hi
									rendition="#italics">Don Quixote</hi></title>, though in the
							case of <title><hi rendition="#italics">The Female Quixote</hi></title>
							the heroine&apos;s delusions are set in motion by her voluminous reading
							of recent French fiction. It was preceded by <title><hi
									rendition="#italics">The Life of Harriot Stuart</hi></title>
							(1751), Lennox&apos;s first novel, and by <title><hi
									rendition="#italics">Poems on Several Occasions, Written by a
									Young Lady</hi></title> (1747), her first publication. Her next
							novel, <title><hi rendition="#italics">Henrietta</hi></title> (1758),
							took a story by <ref target="#Marivaux">Marivaux</ref> for its model. It
							was popular enough that Lennox adapted it for the stage as <title><hi
									rendition="#italics">The Sister</hi></title>, but the play
							survived only one performance in 1769. Meanwhile, Lennox began a career
							of editing and translating, including <title><hi rendition="#italics"
									>Shakespear Illustrated</hi></title> (1753-1754), which collects
							novels and stories from which <ref target="#ShakespeareWilliam"
								>Shakespeare</ref> drew many of his plots. She also produced an
							essay periodical, the <title><hi rendition="#italics">Lady&apos;s
									Museum</hi></title> (1760-1) under the pseudonym &quot;The
							Trifler&quot;. Though not the only woman writer of this time to run a
							periodical, she was something of an innovator, partly because with a
							title page blazoning &quot;by the author of <title><hi
									rendition="#italics">The Female Quixote</hi></title>&quot;
							anonymity was a mere fiction, and partly for use of the forum to
							serialize her next novel, <title><hi rendition="#italics"
								>Sophia</hi></title> (1762), which appeared in the <title><hi
									rendition="#italics">Lady&apos;s Museum</hi></title> under the
							title &quot;The History of Harriot and Sophia&quot; from 1760-1.
							Lennox&apos;s play <title><hi rendition="#italics">Old City
								Manners</hi></title> (1775) was much more successful than her
							previous drama. Her final and far less successful novel <title><hi
									rendition="#italics">Euphemia</hi></title> (1790) was her first
							attempt at the epistolary form. Lennox completed a number of
							translations, including <title><hi rendition="#italics">Memoirs of <ref
										target="#DukeofSully">Maximilian de Bethune, Duke of
										Sully</ref></hi></title> (1751), <ref target="#Voltaire"
								>Voltaire</ref>&apos;s <title><hi rendition="#italics">The Age of
									Louis XIV</hi></title> (1752), <title><hi rendition="#italics"
									>The Memoirs of the Countess of Berci</hi></title> (1756),
									<title><hi rendition="#italics">Memoirs for the History of
									Madame de Maintenon and of the Last Age</hi></title> (1757),
									<title><hi rendition="#italics">The Greek Theatre of <ref
										target="#BrumoyPierre">Father Brumoy</ref></hi></title>
							(1759), and <title><hi rendition="#italics">Meditations and Penitential
									Prayers</hi></title> by the Duchess de la Valli&#232;re (1774).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="AemiliusMarcus">Lepidus, Marcus Aemilius, -13 B.C. (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Roman general, statesman, ally of <ref target="#CaesarJulius">Julius
								Caesar</ref>, and later triumvir. Alongside <ref
								target="#AntoniusMarcus">Mark Antony</ref> and <ref
								target="#CaesarAugustus">Octavian</ref>, Aemilius helped to form the
							Second Triumvirate which ruled the Roman Republic following the death of
								<ref target="#CaesarJulius">Caesar</ref>. However, Aemilius was the
							least powerful of the three triumvirs, and in 36 B.C.E., he was removed
							from power. [LD] </gloss>
					</item>
					<item>
						<term xml:id="LeSageAlain">Le Sage, Alain Ren&#233;, 1668-1747 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> French novelist Alain Le Sage was also a prolific playwright. His
							major works include the <hi rendition="#italics"><title>Histoire de Gil
									Blas de Santillane</title></hi> (1715), <hi rendition="#italics"
									><title>Le Diable Boiteux</title></hi> (1707), <hi
								rendition="#italics"><title>Le Bachelier de Salamanque</title></hi>
							(1736), and <hi rendition="#italics"><title>Histoire de Guzman
									d&apos;Alfarache</title></hi> (1732), an adaptation of <hi
								rendition="#italics"><title>Vita del Picaro Guzman
									d‘Alfarache</title></hi> (1599-1604), by <ref
								target="#AlemanMateo">Mateo Alemán</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LeTourneurP">Le Tourneur, P. (Pierre), 1736-1788 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> French translator of English poetry, particularly the works of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>, <ref
								target="#YoungEdward">Young</ref>, <ref target="#JohnsonSamuel"
								>Johnson</ref>, and <ref target="#MacphersonJames">Macpherson</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>

					<item>
						<term xml:id="LewisWilliamThomas">Lewis, William Thomas, 1746?-1812&#8212; </term>
						<gloss>Lewis was an actor at <ref target="#CoventGarden">Covent Garden</ref>
							for the entirety of his career, performing there for 35 years. He was
							called “Gentleman Lewis” because of his refined acting style. [<ref
								target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LilloGeorge">Lillo, George, 1693-1739 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English jeweler and dramatist. Lillo&apos;s most famous work, a
							domestic tragedy entitled <hi rendition="#italics"><title>The London
									Merchant</title></hi> (1731), depicted members of the middle
							class as the play&apos;s protagonists, rather than the typical royal or
							aristocratic heroes of the time. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="LinleyThomasElder">Linley, Thomas, 1733-1795 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English bass singer, musical teacher, director, and composer. Linley
							and his son, <ref target="#LinleyThomasYounger">Thomas Linley the
								Younger</ref> collaborated to compose the successful comic opera <hi
								rendition="#italics"><title>The Duenna</title></hi> (1775), with its
							libretto written by his son-in-law, <ref target="#SheridanRichard"
								>Richard Brinsley Sheridan</ref>. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item><term xml:id="LinleyThomasYounger">Linley, Thomas, 1756-1778 (Library of
							Congress Name Authority</term>
						<gloss>Also known as Tom Linley or Thomas Linley, Junior, Thomas Linley the
							Younger was the eldest son of the esteemed composer <ref
								target="#LinleyThomasElder">Thomas Linley</ref>. Linley the Younger
							was a prodigious violinist and composer, sometimes referred to as the
							"English Mozart." Linley and his father collaborated to compose the
							successful comic opera <hi rendition="#italics"><title>The
									Duenna</title></hi> (1775), with its libretto written by his
							brother-in-law, <ref target="#SheridanRichard">Richard Brinsley
								Sheridan</ref>. Linley's promising career was tragically cut short
							when he died in a boating accident at the age of 22. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="LintotCatherine">Lintot, Catherine, 1733-1816 (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212; </term>
						<gloss> After inheriting her father&apos;s bookselling business, Lintot went
							into partnership with <ref target="#RichardsonSamuel">Samuel
								Richardson</ref> and withdrew from active management. She married
							Henry Fletcher (Fletcher, Henry, 1727?-1807 [Library of Congress Name
							Authority]), who was awarded a baronetcy in 1782. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="LionelofAntwerp">Lionel of Antwerp, Earl of Ulster and Duke
							of Clarence (1338–1368)(<hi rendition="#italics"><title>Oxford
									Dictionary of National Biography</title></hi>)&#8212;</term>
						<gloss>English prince, Guardian of England from 1345–46, Knight of the
							Garter from 1361, Lord Lieutenant of Ireland from 1361–66, and third
							legitimate son, second surviving, of <ref
								target="#EdwardIIIKingofEngland">King Edward III</ref>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Livy">Livy [n.d.] (Library of Congress Name Authority); c.
							59/64 B.C.E.-19 C.E. (<hi rendition="#italics"><title>Encyclopedia
									Britannica</title></hi>)&#8212; </term>
						<gloss>Titus Livius, one of the three great Roman historians, alongside
							Sallust and <ref target="#Tacitus">Tacitus</ref>, known as "Livy." His
							monumental <hi rendition="#italics"><title>History of Rome</title></hi>
							(c. 9-27 B.C.E.), spanning 142 books, influenced historical writing
							until well into the eighteenth century. [<ref target="#LD"
							>LD</ref>]</gloss>
					</item>
					<item><term xml:id="LloydRobert">Lloyd, Robert, 1733-1764 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English poet, satirist, dramatist, and editor, best remembered for
							his poem <hi rendition="#italics"><title>The Actor</title></hi> (1760)
							and comic opera <hi rendition="#italics"><title>The Capricious
									Lovers</title></hi> (1764). Lloyd held close friendships with
							prominent literary figures such as <ref target="#ColmanGeorgeElder"
								>George Colman the elder</ref>, <ref target="#ChurchillCharles"
								>Charles Churchill</ref>, and <ref target="#CowperWilliam">William
								Cowper</ref>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="LobbSamuel">Lobb, Samuel, d. 1760 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> A clergyman and friend to <ref target="#RichardsonSamuel">Samuel
								Richardson</ref>. He authored <hi rendition="#italics"><title>The
									Benevolence Incumbent on Us as Men and Christians</title></hi>
							(1746). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LoboJeronimo">Lobo, Jer&#243;nimo, 1596-1678 (Library of
							Congress Name Authority) &#8212;</term><gloss>A Jesuit priest who began
							missionary work in Abyssinia in 1625. <ref target="#JohnsonSamuel"
								>Samuel Johnson</ref>&apos;s translated account of his travels,
									<title><hi rendition="#italics">A Visit to
								Abyssinia</hi></title> was published in 1735. [<ref target="#VW"
								>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LockhartJohn">Lockhart, J. G. (John Gibson), 1794-1854
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>Scottish biographer, novelist, editor, and critic, as well as close
							friend, son-in-law, and biographer of <ref target="#ScottWalter">Sir
								Walter Scott</ref>. He contributed to <hi rendition="#italics"
									><title>Blackwood&apos;s Edinburgh Magazine</title></hi> and the
								<hi rendition="#italics"><ref target="#QuarterlyReview"
										><title>Quarterly Review</title></ref></hi>, editing the
							latter from 1825-1853. Among other works, he published a <hi
								rendition="#italics"><title>Life of <ref target="#BurnsRobert"
										>Robert Burns</ref></title></hi> in 1828 and is best
							remembered for his <hi rendition="#italics">Memoirs of the Life of <ref
									target="#ScottWalter">Sir Walter Scott</ref></hi> (1837-8),
							which is considered as one of the great biographies in the English
							language. [<ref target="#LD">LD</ref>] [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="LockeJohn">Locke, John, 1632-1704 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Locke&apos;s <hi rendition="#italics"><title>Essay Concerning Human
									Understanding</title></hi> (1690) and <hi rendition="#italics"
									><title>Thoughts Concerning Education</title></hi> (1693) both
							exerted a profound influence on educational and psychological theory
							during the eighteenth century and beyond. He argues against absolute
							monarchy in favor of government based on civil contract in <hi
								rendition="#italics"><title>Two Treatises of Government</title></hi>
							(1690). <hi rendition="#italics"><title>Some Thoughts Concerning
									Education</title></hi> (1693) also influenced the views on
							childrearing and education of a number of his eighteenth-century
							successors. He published a long list of additional works on topics such
							as government, economics, human psychology, and religion. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LodgeThomas">Lodge, Thomas, 1558?-1625 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English author, poet, and dramatist of the Elizabethan and Jacobean
							periods. Lodge is best known for his <hi rendition="#italics"
									><title>Rosalynde: Euphues Golden Legacie</title></hi> (1590),
							the source of <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s <hi rendition="#italics"><title>As You Like
									It</title></hi>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="LongespeeWilliam">Longespée, William, Earl of Salisbury,
							approximately 1176-1226 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Known as "William Longsword," William Longespée was an Anglo-Norman
							nobleman, commander, illegitimate child of King Henry II, and
							administrator under his half-brother, <ref
								target="people.html#JohnKingofEngland">King John</ref>, as well as
							King Henry III. Longespée is best remembered for his command of the
							English forces at the Battle of Damme during the 1213–1214 Anglo-French
							War. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Longinus">Longinus, 1st cent. (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Unidentified Greek author of <hi rendition="#italics"><title>On the
									Sublime</title></hi>, which was for a time thought to be the
							work of rhetorician and philosopher Cassius Longinus, c. 213-273. After
							his text was translated into French by <ref target="#Boileau"
								>Boileau</ref> in 1674, it become one of the central works in
							eighteenth-century aesthetic theory. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Longus">Longus [n.d.] (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>
							<hi rendition="#italics"><title>Daphnis and Chloe</title></hi> by Longus
							dates from the mid-third century CE. The English language edition by
							George Thornley and J.M. Edmonds (1935) opens its introduction
							explaining, &quot;Nothing is known of the author of the <hi
								rendition="#italics"><title>Pastoralia</title></hi>. He describes
							Mytilene as if he knew it well, and he mentions the peculiarities of the
							Lesbian vine. He may have been a Lesbian, but such local colouring need
							not have been gathered on the spot, nor if so, by a native. His style
							and language are Graeco-Roman rather than Hellenistic; he probably knew
							Vergil&apos;s <hi rendition="#italics"><title>Bucolics</title></hi>;
							like Strabo and Lucian he writes in Greek and yet bears a Roman name.
							Till the diggers discover a dated papyrus-fragment, we can say
							provisionally that he may have written as early as the beginning of the
							second century after Christ, probably not much later than the beginning
							of the third.&quot; [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Lothario">Lothario&#8212; </term>
						<gloss>Character in <ref target="#RoweNicholas">Nicholas Rowe</ref>&apos;s
								<hi rendition="#italics"><title>The Fair Penitent</title></hi>
							(1703), whose name became a byword for a cavalier seducer. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="LouisXII">Louis XII, King of France, 1462-1515 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>King from 1498, Louis XII had immense domestic popularity despite his
							disastrous mishandling of the Italian wars. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="LouisXIVKingofFrance">Louis XIV, King of France, 1638-1715
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Often called &quot;The Sun King,&quot; Louis XIV presided over a
							period of great military success and artistic and architectural
							achievement. He was responsible for the construction of the Palace of
							Versailles, an architectural marvel. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="LouisXVKingofFrance">Louis XV, King of France, 1710-1774
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Sometimes known &quot;Louis the Beloved,&quot; Louis XV was the King
							of France for fifty-nine years, the second longest in French history.
							Notwithstanding this, his reign is sometimes criticized for failing to
							address those issues that led to the French Revolution and Reign of
							Terror. [<ref target="#JDP">JDP</ref>] </gloss></item>
					<item>
						<term xml:id="LouisXVIKingofFrance">Louis XVI, King of France, 1754-1793
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>King of France beginning 1774, Louis XVI was guillotined by the
							French Revolutionary National Convention in 1793. His failed efforts to
							reform the French aristocracy undermined his popularity, and a debt
							crisis consequent on his support for the North American colonists in
							their war for independence from Britain as well as an extravagant court
							left him vulnerable to the hostility of the French middle and lower
							classes, and his palace was stormed by a revolutionary mob in 1789.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LouisXVIIIKingofFrance">Louis XVIII, King of France, 1755-1824
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Born the Count of Provence, Louis XVIII, sometimes known as
							&quot;the Desired,&quot; was the King of France from 1814-1824. Before
							his reign, he spent twenty-three years in exile during the French
							revolution and the subsequent Napoleonic empire, and was exiled again
							during the &quot;Hundred Days&quot; reign of <ref target="#Napoleon"
								>Napoleon</ref> after his escape from prison on the island of Elba.
							While Louis XVIII's 1814 Charter established France as a constitutional
							monarchy and instituted progressive reform, he subsequently retracted or
							violated several key measures. [<ref target="#JDP">JDP</ref>] [<ref
								target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="LouvetdeCouvray">Louvet de Couvray, Jean-Baptiste, 1760-1797
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Louvet authored the licentious novel <hi rendition="#italics"
									><title>Les Amours du Chevalier de Faublas</title></hi>
							(1786-91). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Lovelace">Lovelace&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Clarissa</title></hi> (1747-9). A deceptively attractive but
							vicious seducer and rapist, Lovelace became a byword for a licentious
							and predatory aristocrat. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LovelaceRichard">Lovelace, Richard, 1618-1658 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Cavalier poet and Royalist soldier during the English Civil War. His
							most notable works include &quot;<title>To Althea, from
							Prison</title>&quot; and &quot;<title>To Lucasta, Going to the
								Warres.</title>&quot; [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WidowLovick">Widow Lovick&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Clarissa</title></hi> (1747-9). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="LucasRichard">Lucas, Richard, 1648-1715 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Lucas authored a number of theological works, the most famous being
								<hi rendition="#italics"><title>An Enquiry after
								Happiness</title></hi>, the first volume of which appeared in 1685,
							and <hi rendition="#italics"><title>Practical Christianity</title></hi>
							(1677). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Lucian">Lucian&#8212; </term>
						<gloss> See <ref target="#Apuleius">Apuleius, Lucius</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LucyThomas">Lucy, Thomas, 1532-1600 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English magistrate, member of the House of Commons, and squire. Lucy
							is most remembered for his conflicts with young <ref
								target="#ShakespeareWilliam">William Shakespeare</ref>, the latter
							having been said to have poached deer from the property of the former.
							Lucy is thought to be the inspiration for the comically vain character
							of Justice Shallow from <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s <hi rendition="#italics"><title>Henry IV,
									Part 2</title></hi>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LutherMartin">Luther, Martin, 1483-1546 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> The German theologian whose challenges to church practice formed the
							foundation of the Protestant Reformation. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="Lycurgus">Lycurgus (Library of Congress Name
							Authority)&#8212;</term><gloss> A Spartan political figure, said to have
							founded the institutions of ancient Sparta, possibly around the ninth-
							or eighth-century B.C., though scholars are unable to conclusively
							determine whether he is a historical or purely legendary figure.
							Included in the laws he is credited with is a provision that newlyweds
							meet by night in the manner of secret lovers so as to preserve the
							husband from exhaustion due to excessive lovemaking. [<ref target="#JDP"
								>JDP</ref>]</gloss></item>
					<item>
						<term xml:id="LydgateJohn">Lydgate, John, 1370?-1451? (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An English poet associated for most of his life with the Benedictine
							Abbey at Bury St Edmunds. He deeply admired <ref
								target="#ChaucerGeoffrey">Geoffrey Chaucer</ref>, and many of his
							works show that influence. He authored <hi rendition="#italics"
									><title>The Complaint of the Black Knight</title></hi>; <hi
								rendition="#italics"><title>The Temple of Glas</title></hi>; <hi
								rendition="#italics"><title>The Floure of Curtesy</title></hi>; <hi
								rendition="#italics"><title>Reson and Sensuallyte</title></hi>; <hi
								rendition="#italics"><title>The Life of Our Lady</title></hi>; <hi
								rendition="#italics"><title>Troy Book</title></hi>; <hi
								rendition="#italics"><title>The Siege of Thebes</title></hi>; <hi
								rendition="#italics"><title>The Serpent of Division</title></hi>;
								<hi rendition="#italics"><title>The Pilgrimage of the Life of
									Man</title></hi>; <hi rendition="#italics"><title>The Dance of
									Death</title></hi>; <hi rendition="#italics"><title>Fall of
									Princes</title></hi>; <hi rendition="#italics"><title>The Lives
									of Saints Edmund and Fremund</title></hi> (1433); <hi
								rendition="#italics"><title>The Lives of Saint Albon and Saint
									Amphabel</title></hi>; <hi rendition="#italics"><title>Secrees
									of the Old Philosoffres</title></hi>; and <hi
								rendition="#italics"><title>The Testament of Lydgate</title></hi>.
								[<ref target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LylyJohn">Lyly, John, 1554?-1606 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English poet and dramatist known for his contributions to prose
							dialogue in English comedy. Lyly&apos;s most famous work, <hi
								rendition="#italics"><title>Euphues</title></hi>, resulted in
							Euphuism, a style of English prose characterized by its ornate language,
							excessive use of literary devices, and displays of classical knowledge.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="LytteltonGeorge">Lyttelton, George Lyttelton, Baron, 1709-1773
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> A prominent Whig politician and author, George Lyttelton was
							satirized by author <ref target="#SmollettTobias">Tobias Smollett</ref>
							in his novel <title><hi rendition="#italics">The Adventures of Peregrine
									Pickle</hi></title> (1751). He was also a friend of notable
							writers of his day including <ref target="#PopeAlexander">Alexander
								Pope</ref> and <ref target="#FieldingHenry">Henry Fielding</ref>.
							His most famous satirical work, <title><hi rendition="#italics"
									>Dialogues of the Dead</hi></title> was published in 1760.[<ref
								target="#VW">VW</ref>] [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LyttonRosinaBulwer">Lytton, Rosina Bulwer Lytton, Baroness,
							1802-1882 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Born Rosina Doyle Wheeler, Rosina Bulwer Lytton garners at least as
							much attention for her tumultuous biography as for her prolific writing.
							She married <ref target="#BulwerEdwardLytton">Edward
							Bulwer-Lytton</ref>, but the couple divorced following scandals around
							the husband&apos;s infidelities, which Rosina Lytton satirized in her
							first novel, <hi rendition="#italics"><title>Cheveley: or, The Man of
									Honour</title></hi> (1839). Her children were taken from her in
							consequence of the divorce, and, determined to disrupt her
							ex-husband&apos;s life and political aspirations, she continued to
							denounce him during a campaign for a seat in Parliament. For that, he
							had her incarcerated as insane, an ordeal that she chronicles in <hi
								rendition="#italics"><title>A Blighted Life</title></hi> (1880). Her
							other novels include: <hi rendition="#italics"><title>The Budget of the
									Bubble Family</title></hi> (1840); <hi rendition="#italics"
									><title>The Prince-Duke and the Page: An Historical
									Novel</title></hi> (1843); <hi rendition="#italics"
									><title>Bianca Cappello: An Historical Romance</title></hi>
							(1844); <hi rendition="#italics"><title>Memoirs of a
								Muscovite</title></hi> (1844); <hi rendition="#italics"><title>The
									Peer&apos;s Daughters: A Novel</title></hi> (1849); <hi
								rendition="#italics"><title>Miriam Sedley, or the Tares and the
									Wheat: A Tale of Real Life</title></hi> (1850); <hi
								rendition="#italics"><title>The School for Husbands: or
									Moli&#233;re&apos;s Life and Times</title></hi> (1852); <hi
								rendition="#italics"><title>Behind the Scenes, A Novel</title></hi>
							(1854); <hi rendition="#italics"><title>The World and His Wife, or a
									Person of Consequence, a Photographic Novel</title></hi> (1858);
								<hi rendition="#italics"><title>Very Successful</title></hi> (1859);
								<hi rendition="#italics"><title>The Household Fairy</title></hi>
							(1870); <hi rendition="#italics"><title>Where there&apos;s a Will
									there&apos;s a Way</title></hi> (1871); <hi rendition="#italics"
									><title>Chumber Chase</title></hi> (1871); <hi
								rendition="#italics"><title>Mauleverer&apos;s Divorce</title></hi>
							(1871); <hi rendition="#italics"><title>Shells from the Sands of
									Time</title></hi> (1876); and <hi rendition="#italics"
									><title>Refutation of an Audacious Forgery of the Dowager
									Lady&apos;s name to a book of the Publication of which she was
									totally Ignorant</title></hi> (1880). [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Macbeth">Macbeth, King of Scotland, active 11th century
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The monarch of Scotland from 1040 until his death in 1057,
							Macbeth&apos;s reign was largely characterized by peace until the
							English invasion in 1054. Macbeth was killed three years later in battle
							by the forces of the future Malcolm III. Prior to becoming king, Macbeth
							held the title of Mormaer of Moray, and it is believed that he was
							responsible for the death of the previous mormaer, Gille Coemg&#225;in.
							Although Macbeth is best remembered as the eponymous character of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s tragedy <hi
								rendition="#italics"><title>Macbeth</title></hi>, the play, largely
							based on <ref target="#HolinshedRaphael">Holinshed</ref>&apos;s <hi
								rendition="#italics"><title>Chronicles</title></hi>, is not accurate
							to the life of the historical figure. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MachiavelliNiccolo">Machiavelli, Niccol&#242;, 1469-1527
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Italian statesman and writer known for his strategies on securing
							rulership, relying when necessary on duplicity and force. His most
							famous text, <hi rendition="#italics"><title>Principe</title></hi> [<hi
								rendition="#italics"><title>The Prince</title></hi>] (1532), was not
							published until after his death, but it circulated widely in manuscript
							form among his friends. The dialog <hi rendition="#italics"><title>Arte
									della guerra</title></hi> (1520) and the posthumously published
								<hi rendition="#italics"><title>Discorsi sopra la prima deca di Tito
									Livio</title></hi> (1531) round off the body of his major
							political works. In addition, he published a number of lesser political
							tracts, some histories, a couple of black comedies, a biography of
							Castruccio Castracani (1520), a novella, and some poetry. [<ref
								target="#ZP">ZP</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MackenzieHenry">Mackenzie, Henry, 1745-1831 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Two of Mackenzie&apos;s novels, <hi rendition="#italics"><title>The
									Man of Feeling</title></hi> (1771) and <hi rendition="#italics"
									><title>Julia de Roubign&#233;</title></hi> (1777) rank in the
							forefront of eighteenth-century literature of sensibility. Mackenzie
							also published <hi rendition="#italics"><title>The Man of the
									World</title></hi> (1773) and edited two periodicals, <hi
								rendition="#italics"><title>The Mirror</title></hi> and <hi
								rendition="#italics"><title>The Lounger</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MacklinCharles">Macklin, Charles, approximately 1697-1797
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Irish actor and playwright whose controversial career spanned most of
							the eighteenth century. Macklin introduced the naturalistic style of
							acting to the English stage and became a prominent actor at the <ref
								target="#DruryLane">Theatre Royal, Drury Lane</ref>, where he
							accidentally killed a man while fighting over a wig. Macklin was best
							known for his performance of <ref target="#Shylock">Shylock</ref> in
								<ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>The Merchant of Venice</title></hi>, a
							role he assumed at <ref target="#DruryLane">Drury Lane</ref> in 1741. He
							also wrote <hi rendition="#italics"><title>The Man of the
								World</title></hi> (1781), a comedy. [<ref target="#LD">LD</ref>]
								[<ref target="#GR">GR</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MacphersonJames">Macpherson, James, 1736-1796 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Poet and historian James Macpherson is best known for his
							“translations” of the Gaelic epic poems by the fictitious ancient bard
							Ossian. Though the authenticity of these poems came under attack almost
							immediately, they nevertheless exerted a powerful influence on the
							British Romantic literature that soon followed. Born in a small town in
							the Scottish highlands, Macpherson began his career collecting, then
							translating Gaelic verse, and was encouraged by literary antiquarian
							Hugh Blair to publish some of these efforts as <hi rendition="#italics"
									><title>Fragments of Ancient Poetry, Collected in the Highlands
									of Scotland, and Translated from the Galic or Erse
									Language</title></hi> (1760). Supported by funds contributed in
							response to this publication, Macpherson set out to search for ancient
							Celtic poetry, returning with the alleged third century epics <hi
								rendition="#italics"><title>Fingal, an Ancient Epic Poem in Six
									Books: Together with Several Other Poems</title></hi> (1761) and
								<hi rendition="#italics"><title>Temora, an Ancient Epic Poem, in
									Eight Books: Together with Several Other Poems</title></hi>
							(1763), both professedly "Composed by Ossian, the Son of Fingal" and
							translated by Macpherson. The authenticity of Macpherson’s Celtic works
							was vehemently debated during his lifetime, but only after his death was
							it determined that the poems consisted partly of some Gaelic verse
							dating as far back as the fifteenth century and partly of Macpherson’s
							own material. Macpherson’s historiography and political writing includes
								<hi rendition="#italics"><title>An Introduction to the History of
									Great Britain and Ireland</title></hi> (1771); <hi
								rendition="#italics"><title>The History of Great Britain from the
									Restoration to the Accession of the House of
								Hannover</title></hi> (1775); <hi rendition="#italics"><title>The
									Rights of Great Britain Asserted against the Claims of America:
									Being an Answer to the Declaration of the General
									Congress</title></hi> (1776); <hi rendition="#italics"
									><title>Original Papers relative to Tanjore</title></hi> (1777),
							also possibly a Macpherson forgery; <hi rendition="#italics"><title>A
									Short History of the Opposition during the Last Session of
									Parliament</title></hi> (1779); and <hi rendition="#italics"
									><title>The History and Management of the East-India Company,
									from its Origin in 1600 to the Present Times</title></hi>
							(1779). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MacreadyWilliam">Macready, William Charles, 1793-1873 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>After getting his start as a Shakespearian actor in the provinces,
							Macready performed in London at <ref target="#CoventGarden">Covent
								Garden</ref> and <ref target="#DruryLane">Drury Lane</ref>, as well
							as other London stages and in the U.S. and Paris. Macready managed <ref
								target="#CoventGarden">Covent Garden</ref> from 1837 to 1839 and
								<ref target="#DruryLane">Drury Lane</ref> from 1841 to 1843. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="MaecenasGaius">Maecenas, Gaius Cilnius, approximately 70
							B.C.-8 B.C. (Library of Congress Name Authority)&#8212;</term>
						<gloss>Roman diplomat, friend and political advisor of the Roman emperor
								<ref target="#CaesarAugustus">Augustus</ref>, and patron of such
							significant poets as <ref target="#Horace">Horace</ref> and <ref
								target="#Virgil">Virgil</ref>. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="MalletDavid">Mallet, David, 1705?-1765 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Scottish poet, dramatist, and fellow-student of <ref
								target="#PopeAlexander">Alexander Pope</ref> and <ref
								target="#ThomsonJames">James Thomson</ref>. Mallet&apos;s best known
							work, <hi rendition="#italics"><title>William and Margaret</title></hi>,
							is an adaptation of a traditional ballad. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MaloneEdmond">Malone, Edmond, 1741-1812 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Irish Shakespearean scholar and editor who pioneered the effort to
							establish a chronology for <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s works. Malone also evaluated the
							authenticity of works supposed to be <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s, leading him to the discovery of the <ref
								target="#IrelandWH">Ireland</ref> Shakespeare forgeries. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MalthusThomasRobert">Malthus, T. R. (Thomas Robert), 1766-1834
							(Library of Congress Name Authority)&#8212;</term>
						<gloss> Malthus is one of the most famous (and notorious) British reform
							writers of the nineteenth century, so much so that
							&quot;Malthusian&quot; entered our language and appears to be here to
							stay. His views on the growing problem of poverty in early industrial
							society shaped the terms of debates on the subject throughout his
							lifetime and beyond. His <hi rendition="#italics"><title>An Essay on the
									Principle of Population</title></hi>, conceived as a reaction to
							the utopian vision of <ref target="#GodwinWilliam">William
							Godwin</ref>&apos;s <hi rendition="#italics"><title>An Enquiry into
									Political Justice</title></hi> (1793) and first published in
							1798, was repeatedly revised and extended over the next three decades.
							There Malthus expounds his most famous notion that because population
							increases geometrically while food supply increases only arithmetically,
							amelioration of the miseries associated with poverty and disaster will
							only result in more widespread and intense future misery. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Manfred">Manfred, King of Naples and Sicily, approximately
							1232-1266 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Ruler of Italy during a period of civil war and succession disputes.
							Manfred was overthrown and killed by <ref target="#CharlesIAnjou"
								>Charles of Anjou</ref> at the Battle of Benevento. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ManleyMrs">Manley, Mrs. (Mary de la Rivière), 1663-1724
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Author of the satirical <hi rendition="#italics">roman a clef </hi>
							<hi rendition="#italics"><title>The New Atalantis</title></hi> (1709),
							Manley was also well-known as a playwright. Her <hi rendition="#italics"
									><title>S</title></hi><hi rendition="#italics"><title>ecret
									Memoirs and Manners of Several Persons of Quality</title></hi>
							(1709) resulted in her arrest for libel. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="ManzoniAlessandro">Manzoni, Alessandro, 1785-1873 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Italian novelist and poet whose historical novel <hi
								rendition="#italics"><title>I promessi sposi [The
								Betrothed]</title></hi> (1827) gained popularity for its patriotic
							themes and earned Manzoni&apos;s status as a keystone Italian author.
								[<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MapWalter">Map, Walter, fl. 1200 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Author of a miscellany known as <hi rendition="#italics"><title>De
									nugis curialium</title></hi>. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="AureliusMarcus">Marcus Aurelius, Emperor of Rome, 121-180
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>Roman emperor and philosopher; born 26 April 121 in Rome, son of
							Annius Verus and Domitia Lucilla; originally named M. Annius Verus;
							became emperor 3 July 161, with name M. Aurelius Antoninus Augustus; at
							first joint ruler with Lucius Verus; upon Verus&apos;s death in 169,
							Marcus Aurelius ruled alone; he died on a military campaign in
							Viminacium and Sirmium on 17 March 180. Also known as Antoninus, author
							of <title><hi rendition="#italics">Meditations</hi></title>. [<ref
								target="#RD">RD</ref>]</gloss>
					</item>
					<item><term xml:id="MargaretofAnjou">Margaret, of Anjou, Queen, consort of <ref
								target="#HenryVIKingofEngland">Henry VI, King of England</ref>,
							1430-1482 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Margaret of Anjou, daughter of the French <ref
								target="#ReneIKingofNaples">René I of Anjou, King of Naples</ref>,
							was the queen consort of English <ref target="#HenryVIKingofEngland"
								>King Henry VI</ref>. Known for her courage and ambition, Margaret
							became a principle figure in the Wars of the Roses, the series of civil
							wars fought over the English throne from 1455 to 1487 between the houses
							of Lancaster and York. Margaret and <ref target="#HenryVIKingofEngland"
								>Henry</ref> fled after a major military defeat in 1461, only to
							return in 1471 to reclaim power with the help of their former enemy,
								<ref target="#WarwickRichardNeville">Richard Neville, Earl of
								Warwick</ref>. However, Yorkist monarch <ref
								target="#EdwardIVKingofEngland">Edward IV</ref> defeated the
							Lancastrian armies soon after their arrival. Her son was killed in
							battle, her husband soon after murdered in the Tower of London. Margaret
							remained imprisoned in England until 1475, at which point her cousin,
							King Louis XI of France, ransomed her to return to France, where she
							died in poverty at the age of 52. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="MargueriteofNavarre">Marguerite, Queen, consort of Henry II,
							King of Navarre, 1492-1549 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Marguerite de Navarre&apos;s <hi rendition="#italics"
									><title>Heptam&#233;ron</title></hi> was published posthumously
							in 1558-59 with only seventy-two tales complete. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MarinoGiambattista">Marino, Giambattista, 1569-1625 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Italian poet and founder of Marinism, the most dominant school of
							poetry in seventeenth-century Italy, characterized by a flamboyant
							style, extravagant imagery, and ornate conceits. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Marius">Marius, Gaius, ca. 157-86 B.C. (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Roman general and consul. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Marivaux">Marivaux, Pierre Carlet de Chamblain de, 1688-1763
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Especially for his unfinished <hi rendition="#italics"><title>La Vie
									de Marianne</title></hi> (1731-41), Marivaux is often regarded
							as anticipating the novels of sensibility by <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>. Marivaux also
							authored <hi rendition="#italics"><title>Le Paysan Parvenu</title></hi>
							(1734–35). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MarlboroughJohnChurchill">Marlborough, John Churchill, Duke
							of, 1650-1722 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Consequential general and statesman whose political career was
							marked by dramatic swings between favor and disfavor during the volatile
							shifts in political power and perspective of the late seventeenth and
							early eighteenth centuries. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Marlowe">Marlowe, Christopher, 1564-1593 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Playwright, poet, translator, and alleged spy, the volatile
							Christopher Marlowe was a significant influence on the work of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>. Marlowe&apos;s major
							plays include <hi rendition="#italics"><title>The Tragedie of Dido,
									Queene of Carthage</title></hi> (in collaboration with Thomas
							Nashe, 1594); <hi rendition="#italics"><title>Tamburlaine</title></hi>
							(1590); <hi rendition="#italics"><title>Edward II</title></hi> (1594);
								<hi rendition="#italics"><title>Dr. Faustus</title></hi> (1604); and
								<hi rendition="#italics"><title>The Jew of Malta</title></hi>
							(1633); He was stabbed to death in a tavern argument for reasons that
							remain unclear to this day. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Marmontel">Marmontel, Jean Fran&#231;ois, 1723-1799 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Author and literary theorist Jean Fran&#231;ois Marmontel&apos;s
							philosophical novel <hi rendition="#italics"
									><title>B&#233;lisaire</title></hi> (1765) caused an uproar
							amongst the religious establishment for its advocacy of religious
							tolerance. <hi rendition="#italics"><title>Les Incas, ou la destruction
									de l&apos;empire du P&#233;rou</title></hi> (1777) denounces the
							fanaticism of the conquistadors. He also authored <hi
								rendition="#italics"><title>Contes Moreaux</title></hi> (1755-65).
							His <hi rendition="#italics"><title>&#201;l&#233;ments de
									litt&#233;rature</title></hi> collects his essays on literary
							theory (1787). His <hi rendition="#italics"
								><title>M&#233;moires</title></hi> were published 1792-4. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MarstonJohn">Marston, John, 1575?-1634 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English dramatist, poet, and satirist, largely writing plays to be
							performed by children&apos;s companies, organized groups of exclusively
							boy actors. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MartinHenry">Martin, Henry, d. 1721 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> A British customs official, Martin (or Martyn) is described by <ref
								target="#SteeleRichard">Richard Steele</ref> as a chief contributor
							to the <hi rendition="#italics"><title>Spectator</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MartinMartin">Martin, Martin, d. 1719 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Author of <hi rendition="#italics"><title>A Description of the
									Western Islands of Scotland</title></hi> (1703). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MartineauHarriet">Martineau, Harriet, 1802-1876 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Novelist, social theorist, and literary critic. Martineau was born to
							a Unitarian textile manufacturing family of Huguenot ancestry. From her
							early childhood, Martineau experienced health problems that included
							partial deafness that increased in severity as she aged. In 1829, upon
							the failure of her family's textile business, Martineau turned to her
							writing to support herself and her family. Martineau remained unmarried
							throughout her life and was one of few female writers of her time able
							to earn enough to support herself. From 1834 to 1836, Martineau lived in
							the United States and became an avid supporter of the abolitionist
							movement, which she espoused in her writings for the remainder of her
							life. In 1846, Martineau traveled to the Middle East, which prompted her
							study of the evolution of religions. Martineau became skeptical of
							religion, including her own Unitarianism, and turned toward philosophic
							atheism, eventually supporting <ref target="#DarwinCharles">Charles
								Darwin</ref>'s emerging theory of evolution. Her most notable works
							include <hi rendition="#italics"><title>Illustrations of Political
									Economy</title></hi> (1834), <hi rendition="#italics"
									><title>Deerbrook</title></hi> (1839), <hi rendition="#italics"
									><title>The Hour and the Man</title></hi> (1841), <hi
								rendition="#italics"><title>Society in America</title></hi> (1837),
								<hi rendition="#italics"><title>The Positive Philosophy of <ref
										target="#ComteAuguste">Auguste Comte</ref>, Freely
									Translated and Condensed</title></hi> (1853), <hi
								rendition="#italics"><title>Illustrations of Taxation</title></hi>
							(1834), <hi rendition="#italics"><title>The Crofton Boys</title></hi>
							(1841), <hi rendition="#italics"><title>Letters on the Laws of Man’s
									Nature and Development</title></hi> (1851, with <ref
								target="#AtkinsonHG">H.G. Atkinson</ref>), <hi rendition="#italics"
									><title>The History of the Thirty Years’ Peace, A.D.
									1816–1846</title></hi> (1849), and her <hi rendition="#italics"
									><title>Autobiography</title></hi> (published posthumously in
							1877). She was a prolific literary critic as well, having gotten her
							start as a professional writer with "Female Writers on Practical
							Divinity," a piece she submitted pseudonymously to <hi
								rendition="#italics"><title>The Monthly Repository</title></hi>, a
							small, struggling Unitarian periodical. Her work caught the attention of
							the editor who assigned her criticism in a wide range of subjects,
							including religion and metaphysics, aesthetics, prison reform, the
							condition of women, even the expansion of the British empire. This work
							contributed to her intellectual growth and brought her to the attention
							of other periodical editors, extending her range of influence. Martineau
							is also remembered as an overlooked founder of sociology. [<ref
								target="#LD">LD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="MaryIQueenofEngland">Mary I, Queen of England, 1516-1558
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Known as Mary Tudor or "Bloody Mary," Mary I was the first queen to
							rule England in her own right. Mary I was termed "Bloody Mary" for her
							persecution of Protestants in a failed attempt to restore Roman
							Catholicism to England following her father, <ref
								target="#HenryVIIIKingofEngland">Henry VIII</ref>'s, initiation of
							the English Reformation. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="MaryIIQueenofEngland">Mary II, Queen of England, 1662-1694
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Queen of England, Scotland, and Ireland, co-reigning alongside
							husband <ref target="#WilliamIIIKingofEngland">William III</ref>. Mary
							legitimated her husband&apos;s rule as the daughter of <ref
								target="#JamesIIKingofEngland">King James II</ref>. Mary sided with
							her husband in the overthrow of her catholic father&apos;s rule, as she
							wished for more protestant policies. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MaryQueenofScots">Mary, Queen of Scots, 1542-1587 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Forced to flee to England after being deposed from rule over a
							fractious Scotland, the great niece of <ref
								target="#HenryVIIIKingofEngland">Henry VIII</ref> of England and
							mother of <ref target="#JamesIKingofEngland">James I of England</ref>
							was beheaded as a threat to the throne of her distant cousin, <ref
								target="#ElizabethIQueenofEngland">Elizabeth I</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MascardiAgostino">Mascardi, Agostino, 1591-1640 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian philosopher, poet, and rhetorician. Among other works, he
							published <hi rendition="#italics"><title>Congiura del conte
									Fieschi</title></hi> in 1629 and <hi rendition="#italics"
									><title>Arte istorica</title></hi> in 1636. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item><term xml:id="AzeglioMassimo">Azeglio, Massimo D&apos;, 1798-1866 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Italian painter, novelist, and statesman who campaigned for the
							consolidation of the fragmented Italian states into a centralized union.
							He was author of two historical novels, <hi rendition="#italics"
									><title>Ettore Fieramosca</title></hi> (1833) and <hi
								rendition="#italics"><title>Niccol&#242; dei Lapi</title></hi>
							(1841). [<ref target="#LD">LD</ref>] [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MassingerPhilip">Massinger, Philip, 1583-1640 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A prolific Jacobean dramatist, frequent collaborator with <ref
								target="#FletcherJohn">John Fletcher</ref>, <ref
								target="#BeaumontFrancis">Francis Beaumont</ref>, and others.
							Scholars tend to agree that Massinger wrote at least 15 plays
							independently and was a part of 23 collaborations. Many also believe
							that there may be upwards of a dozen of his works which have been lost.
							Among his many dramas, some of the more important include <hi
								rendition="#italics"><title>The Fatal Dowry</title></hi> (c.
							1617-1619), <hi rendition="#italics"><title>Sir John van Olden
									Barnavelt</title></hi> (1619), <hi rendition="#italics"
									><title>The Custom of the Country</title></hi> (c. 1619), <hi
								rendition="#italics"><title>The Maid of Honour</title></hi> (c.
							1621-1622), <hi rendition="#italics"><title>The Duke of
								Milan</title></hi> (c. 1621-1622), <hi rendition="#italics"
									><title>The Bondman</title></hi> (1623), <hi
								rendition="#italics"><title>The Renegado </title></hi>(1624),<hi
								rendition="#italics"><title> The Parliament of Love</title></hi>
								(1624),<hi rendition="#italics"><title> The Unnatural
								Combat</title></hi> (c. 1624-1625), <hi rendition="#italics"
									><title>A New Way to Pay Old Debts</title></hi> (1625), <hi
								rendition="#italics"><title>The Roman Actor</title></hi> (1626), <hi
								rendition="#italics"><title>Believe As You List</title></hi> (1631),
								<hi rendition="#italics"><title>The Emperor of the East</title></hi>
							(1631), <hi rendition="#italics"><title>The City Madam</title></hi>
							(1632), <hi rendition="#italics"><title>A Very Woman</title></hi>
							(1634), and <hi rendition="#italics"><title>The Bashful
								Lover</title></hi> (1636). [<ref target="#LD">LD</ref>] [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MaturinCharles">Maturin, Charles Robert, 1780-1824 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Irish Protestant clergyman, Gothic romance novelist, and dramatist,
							best known for his <hi rendition="#italics"><title>Melmoth the
									Wanderer</title></hi> (1820), a novel considered among the last
							of the classic English Gothic romances. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MaurusRabanus">Rabanus Maurus, Archbishop of Mainz, 784?-856
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>A prominent Frankish monk, poet, and scholar whose work was so
							influential as to grant him the title of Praeceptor Germaniae
							(&quot;Teacher of Germany&quot;). [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MazziniGiuseppe">Mazzini, Giuseppe, 1805-1872 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>An Italian revolutionary exiled to London for instigating
							insurrection. Founder of the journal <hi rendition="#italics"
									><title>Pensiero ed azione</title></hi> (&quot;Thought and
							Action&quot;) and author of numerous essays and several pamphlets as
							well as <hi rendition="#italics"><title>Dei Doveri dell&apos;uomo [The
									Duties of Man]</title></hi> (1860). [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item><term xml:id="Medici">Medici&#8212;</term>
						<gloss>The Florentine Medici family rose to power on the tremendous wealth
							created through the family bank that, during the fifteenth century, was
							the largest bank in Europe. On that basis, they created a political
							dynasty that ruled Florence and Tuscany from the fifteenth to eighteenth
							centuries, yielding four popes and many marriages into powerful families
							across Europe. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MediciAlessandro">Medici, Alessandro de&apos;, 1510-1537
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Nicknamed &quot;the Moor&quot; for his dark complexion, Alessandro
							was most likely the illegitimate son of <ref target="#ClementVII">Giulio
								de&apos; Medici</ref>, born to a servant of African descent. As <ref
								target="#ClementVII">Pope Clement VII</ref>, Giulio selected
							Alessandro as the Duke of Florence. Alessandro ruled from 1532 until his
							assassination by a distant cousin in 1537. Although initially admired by
							his subjects, Alessandro became regarded as a corrupt figure due to his
							misuse of taxes and attempts to extend his power. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MediciGiovanni">Medici, Giovanni de&apos;, 1498-1526 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Born Lodovico de&apos; Medici, Giovanni assumed the name of his
							father, who had died shortly after his son was born. The younger
							Giovanni became the most distinguished soldier in the history of the
								<ref target="#Medici">Medici</ref> family, serving the Papal States,
							the French, and <ref target="#CharlesV">Emperor Charles V</ref> before
							returning to the French service against the Emperor. Giovanni died from
							a battle wound received in the War of the League of Cognac. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MediciGiuliano">Medici, Giuliano de&apos;, 1453-1478 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Co-ruler of Florence alongside his brother, &quot;<ref
								target="#MediciLorenzo">Lorenzo the Magnificent</ref>.&quot;
							Giuliano was assassinated as part of the Pazzi Conspiracy to displace
							Medici rule. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MediciLorenzo">Medici, Lorenzo de&apos;, 1449-1492 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Florentine banker, ruler, and patron of Renaissance artists,
							including <ref target="#BuonarrotiMichelangelo">Michelangelo</ref>. He
							was known as &quot;Lorenzo the Magnificent&quot; for his political
							brilliance and enthusiastic patronage of art which furthered the
							cultural development of Florence. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Memnon">Memnon&#8212; </term>
						<gloss> In Greek myth, King of the Ethiopians, and slayer of Achilles in the
							Trojan War. The colossi of Memnon consist of two huge statues on the
							Nile near Luxor. One of them was reputed to &quot;sing&quot; at dawn,
							probably in consequence of an earthquake during the first century
							producing fissures through which air currents moved, sometimes producing
							a sound. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MendozaDiego">Hurtado de Mendoza, Diego (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Son of the powerful Castilian family of Mendoza and general in the
							Italian wars, living from 1469-1536 and eventually serving under <ref
								target="#CordobaGonzalo">Gonzalo Fern&#225;ndez de
								C&#243;rdoba</ref>. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Menippus">Menippus, of Gadara [n.d.] (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Cynic philosopher of the third century B.C. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="Mephistopheles">Mephistopheles&#8212;</term>
						<gloss>A demon in German folklore, appearing in Faustian legend. He serves
							as agent for the bargain in which the Faust character sells his soul to
							the devil in exchange for earthly knowledge and power. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MerimeeProsper">M&#233;rim&#233;e, Prosper, 1803-1870 (Library
							of Congress Name Authority)&#8212;</term><gloss>A versatile and prolific
							author from the French Romantic period. M&#233;rim&#233;e&apos;s first
							two publications, <hi rendition="#italics"><title>Le Th&#233;&#226;tre
									de Clara Gazul</title></hi> (1825) and <hi rendition="#italics"
									><title>La Guzla</title></hi> (1827), are spurious productions
							attributed to fictitious authors or translators. His full length
							literary writings include the dramas <hi rendition="#italics"><title>La
									Jacquerie</title></hi> (1828) and <hi rendition="#italics"
									><title>La Famille de Carvajal</title></hi> (1828) as well as
							the novel <hi rendition="#italics"><title>La Chronique du r&#232;gne de
									Charles IX</title></hi> (1829). His novellas and stories include
								<hi rendition="#italics"><title>Mateo Falcone</title></hi> (1829),
								<hi rendition="#italics"><title>Vision de Charles X</title></hi>
							(1829), <hi rendition="#italics"><title>L&apos;Enlevement de la
									Redoute</title></hi> (1829), <hi rendition="#italics"
									><title>Tamango</title></hi> (1829), <hi rendition="#italics"
									><title>Federigo</title></hi> (1829), <hi rendition="#italics"
									><title>La Vase &#233;trusque</title></hi> (1830), <hi
								rendition="#italics"><title>La Partie de trictrac</title></hi>
							(1830), <hi rendition="#italics"><title>La Double Meprise</title></hi>
							(1833), the collection <hi rendition="#italics"
									><title>Mosa&#239;que</title></hi> (1833), <hi
								rendition="#italics"><title>La V&#233;nus d&apos;Ille</title></hi>
							(1837), <hi rendition="#italics"><title>Carmen</title></hi> (1845), the
							story that later formed the basis for Georges Bizet&apos;s opera of that
							name, <hi rendition="#italics"><title>Colomba</title></hi> (1840), <hi
								rendition="#italics"><title>Lokis</title></hi> (1868), and the
							posthumously published <hi rendition="#italics"><title>La Chambre
									bleue</title></hi> (1871) and <hi rendition="#italics"
									><title>Djo&#251;mane</title></hi> (1870). Merimee was by
							profession an inspector of historical monuments, and his work led him to
							publish numerous historical works and travel accounts. He also
							translated several works from Russian and published criticism of Russian
							literature. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Merlin">Merlin&#8212; </term>
						<gloss>Legendary wizard from the Arthurian legends. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MerlinJohnJoseph">Merlin, John Joseph, 1735-1803 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>The Belgian born Merlin was known in eighteenth-century London for
							the ingenious devices exhibited at Merlin&apos;s Mechanical Museum,
							including complex mechanical toys and household devices, sickroom
							supplies such as an innovative wheelchair and an adjustable wheeled bed,
							and musical instruments both whimsical and practical. Merlin&apos;s best
							known patron would probably have been <ref target="#BurneyCharles">Dr.
								Burney</ref>, who commissioned from him a pianoforte with an
							extended keyboard for playing duets. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MetastasioPietro">Metastasio, Pietro, 1698-1782 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian poet, dramatist, and librettist. Works include: <hi
								rendition="#italics"><title>Poesie</title></hi> (1717), <hi
								rendition="#italics"><title>Giustino</title></hi> (1718), <hi
								rendition="#italics"><title>Didone abbandonata</title></hi> (1724),
								<hi rendition="#italics"><title>Demetrio</title></hi> (1731), <hi
								rendition="#italics"><title>Demofoonte</title></hi> (1733), <hi
								rendition="#italics"><title>Olimpiade</title></hi> ((1733), <hi
								rendition="#italics"><title>La clemenza di Tito</title></hi> (1734),
								<hi rendition="#italics"><title>Achille in Sciro</title></hi>
							(1736), <hi rendition="#italics"><title>Ciro riconosciuto</title></hi>
							(1736), <hi rendition="#italics"><title>Attilio Regalo</title></hi>
							(1740), <hi rendition="#italics"><title>L&apos;eroe cinese</title></hi>
							(1752), <hi rendition="#italics"><title>Il trionfo di
								Clelia</title></hi> (1762), <hi rendition="#italics"
									><title>Ruggerio</title></hi> (1771), and <hi
								rendition="#italics"><title>Estratto della Poetica
									d&apos;Aristotele</title></hi> (1782). His librettos and vocal
							pieces include <hi rendition="#italics"><title>Siroe, re di
									Persia</title></hi> (1728), <hi rendition="#italics"
									><title>Cantone in Utica</title></hi> (1727), <hi
								rendition="#italics"><title>Ezio</title></hi> (1728), <hi
								rendition="#italics"><title>Semiramide riconosciuta</title></hi>
							(1729), <hi rendition="#italics"><title>Alessandro
									nell&apos;Indie</title></hi> (1730), <hi rendition="#italics"
									><title>Artaserse</title></hi> (1730), <hi rendition="#italics"
									><title>La Libert&#224;</title></hi> (1733), and <hi
								rendition="#italics"><title>La partenza</title></hi> (1746). [<ref
								target="#ZP">ZP</ref>] and <ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="BuonarrotiMichelangelo">Michelangelo Buonarroti, 1475-1564
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Italian sculptor, painter, poet, and architect during the High
							Renaissance, Michelangelo is considered as one of the quintessential
							figures influencing Western art. His best known works include his
							sculpture <hi rendition="#italics">David</hi>, his scenes of
								<title>Genesis</title> painted on the ceiling of the Sistine Chapel,
							and his architectural design of St. Peter&apos;s Basilica. Michelangelo
							also participated in the Siege of Florence from 1528-1529, designing the
							city&apos;s fortifications to protect against the rule of the <ref
								target="#Medici">Medici</ref>. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MiddletonThomas">Middleton, Thomas, -1627 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Late-Elizabethan and early-Jacobean poet and playwright, baptized in
							1580. A prolific and popular writer, Middleton was known for his talent
							with both tragedies and comedies, sometimes combined in his famous
							tragicomedies. Middleton collaborated with playwrights such as <ref
								target="#DekkerThomas">Thomas Dekker</ref>, <ref
								target="#MassingerPhilip">Philip Massinger</ref>, and <ref
								target="#WebsterJohn">John Webster</ref>. Middleton&apos;s most
							famous plays include <hi rendition="#italics"><title>The
									Changeling</title></hi>, <hi rendition="#italics"><title>A Fair
									Quarrel</title></hi>, <hi rendition="#italics"><title>The Old
									Law</title></hi>, and <hi rendition="#italics"
									><title>Revenger&apos;s Tragedy</title></hi>. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MillerAnnaRiggs">Miller, Anna Riggs, Lady, 1741-1781 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>English poet, woman of letters, heiress, traveler, and salon hostess.
							Although she donated the proceeds to charity, Lady Miller&apos;s
							collection of compositions was harshly criticized by <ref
								target="#WalpoleHorace">Horace Walpole</ref> and <ref
								target="#JohnsonSamuel">Samuel Johnson</ref>. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MillerJames">Miller, James, 1706-1744 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>James Miller was an English minister, playwright, and poet. He
							followed his father and became a preacher for the church, but continued
							writing poems and plays to supplement his income. Miller’s last work was
								<hi rendition="#italics"><title>Mahomet</title></hi>, the Imposter
							(1744), translated from <ref target="#Voltaire">Voltaire</ref>. His
							most-known poem is a satire titled <hi rendition="#italics"
									><title>Harlequin Horace</title></hi>. [<ref target="#GR"
								>GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MillerJoe">Miller, Joe, 1684-1738 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Joseph Miller was a London comic actor whose humor inspired the
							compilation <hi rendition="#italics"><title>Joe Miller&apos;s Jests: or,
									the Wit&apos;s Vade-Mecum. Being a collection of the most
									brilliant jests, the politest repartees, the most elegant bons
									mots, and the most pleasant short stories in the English
									Language. First carefully collected in the company, and many of
									them transcribed from the mouth, of the facetious gentleman
									whose name they bear, and now set forth and published by his
									lamentable friend and former companion, Elijah Jenkins,
									Esq.</title></hi> [pseudonym for <ref target="#MottleyJohn">John
								Mottley</ref>]. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MillerPhilip">Miller, Philip, 1691-1771 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> The eighteenth century&apos;s most noted horticulturist, Miller was
							the author of several important works on gardening, the most notable of
							which were <hi rendition="#italics"><title>The Gardeners
									Kalendar</title></hi> (1731) and <hi rendition="#italics"
									><title>The Gardener&apos;s Dictionary</title></hi> (1732), both
							of which were updated for numerous additional editions. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MilnerJohn">Milner, John, 1718-1779 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Founder of the Peckham Academy and author of <title><hi
									rendition="#italics">A Practical Grammar of the Greek
									Tongue</hi></title> (1740). Milner also worked as a doctor of
							chemistry at the Peckham Academy where he instructed <ref
								target="#GoldsmithOliver">Oliver Goldsmith</ref>. [<ref target="#VW"
								>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MiltonJohn">Milton, John, 1608-1674 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> By the late eighteenth century Milton was regarded as one of
							Britain&apos;s most important literary figures, second only to <ref
								target="#ShakespeareWilliam">Shakespeare</ref>. His most influential
							poetic works included his masque <hi rendition="#italics"
									><title>Comus</title></hi> (1637),
							&quot;<title>Lycidas</title>&quot; (1638),
								&quot;<title>L&apos;Allegro</title>&quot; (1745) and &quot;<title>Il
								Penseroso</title>&quot; (1745), <hi rendition="#italics"
									><title>Paradise Lost</title></hi> (1667), <hi
								rendition="#italics"><title>Paradise Regained</title></hi> (1671),
							and <hi rendition="#italics"><title>Samson Agonistes</title></hi>
							(1671). In addition, his sonnets offered inspiration to the Romantic
							period sonnet revival. Among his prose works, <hi rendition="#italics"
									><title>Areopagitica</title></hi> (1644), originally written as
							a speech, defends freedom of the press. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Minerva">Minerva (Roman deity)(Library of Congress Name
							Authority)&#8212; </term>
						<gloss> The Roman personification of wisdom, Minerva is goddess of strategic
							warfare and arts and crafts such as spinning and weaving. She was born
							of <ref target="#Jupiter">Jupiter</ref> and Juno, springing from the
							forehead of <ref target="#Jupiter">Jupiter</ref> fully armed. She is
							often equated with the Greek goddess <ref target="#Athena">Athena</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Moliere">Moli&#232;re, 1622-1673 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Pseudonym of Jean-Baptiste Poquelin. An actor and director as well,
							Moli&#232;re is probably the best known playwright in the history of
							French drama. Some of his most important works include <hi
								rendition="#italics"><title>Les Pr&#233;cieuses
								ridicules</title></hi> (1660, <hi rendition="#italics"><title>The
									Affected Young Ladies</title></hi>), <hi rendition="#italics"
									><title>Sganarelle, ou Le Cocu imaginaire</title></hi> (1660,
								<hi rendition="#italics"><title>The Imaginary Cuckold</title></hi>),
								<hi rendition="#italics"><title>L&apos;&#201;cole des
								maris</title></hi> (1661, <hi rendition="#italics"><title>The School
									for Husbands</title></hi>), <hi rendition="#italics"><title>Le
									Misantrope</title></hi> (1666, <hi rendition="#italics"
									><title>The Misanthrope</title></hi>), <hi rendition="#italics"
									><title>L&apos;&#201;cole des femmes</title></hi> (1663, <hi
								rendition="#italics"><title>The School for Wives</title></hi>), <hi
								rendition="#italics"><title>La Critique de L&apos;&#201;cole des
									femmes</title></hi> (1663, <hi rendition="#italics"
									><title>Critique of The School for Wives</title></hi>), <hi
								rendition="#italics"><title>Le Mariage forc&#233;</title></hi>
							(1664, <hi rendition="#italics"><title>The Forced
							Marriage</title></hi>), <hi rendition="#italics">
								<title>Le Tartuffe, ou L&apos;Imposteur</title></hi> (1669, <hi
								rendition="#italics"><title>Tartuffe, or The Impostor</title></hi>),
								<hi rendition="#italics"><title>L&apos;Avare</title></hi> (1669, <hi
								rendition="#italics"><title>The Miser</title></hi>), and <hi
								rendition="#italics"><title>George Dandin, ou Le Mari
									confondu</title></hi> (1669, <hi rendition="#italics"
									><title>Georges Dandin, or The Defeated Husband</title></hi>).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Monimia">Monimia&#8212; </term>
						<gloss> The orphan character in <ref target="#OtwayThomas"
							>Otway</ref>&apos;s <hi rendition="#italics"><title>The
								Orphan</title></hi>. She dies tragically, poisoning herself out of
							guilt over the consequences of romantic entanglements that constitute
							the play&apos;s plot. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MonmouthJamesScott">Monmouth, James Scott, Duke of, 1649-1685
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Illegitimate son of <ref target="#CharlesIIKingofEngland">Charles
								II</ref>, he was executed for his role in the Monmouth Rebellion of
							1685, which attempted to overthrow <ref target="#JamesIIKingofEngland"
								>James II</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MontaguMrsElizabeth">Montagu, Mrs. (Elizabeth), 1720-1800
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Wealthy literary hostess, critic, patron of the literary arts, and
							head of the Bluestocking Circle of women intellectuals, Montagu presided
							for many years over salon-style parties famed for their intellectual
							vivacity. A landmark in literary criticism by women, her <hi
								rendition="#italics"><title>Essay on the Writing and Genius of <ref
										target="#ShakespeareWilliam">Shakespeare</ref></title></hi>
							(1769) refuted <ref target="#Voltaire">Voltaire</ref>&apos;s critique of
							the poet. As a literary patron, she was especially generous to <ref
								target="#CarterElizabeth">Elizabeth Carter</ref>, on whom she
							bestowed an annuity. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MontaguMaryWortley">Montagu, Mary Wortley, Lady, 1689-1762
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Though the subject of lampoon in the verse of <ref
								target="#PopeAlexander">Alexander Pope</ref>, Lady Montagu was
							respected by many of her contemporaries for her poetry, which she
							circulated among a coterie that included a number of the period&apos;s
							notable literary figures. She is best remembered today, however, for her
							letters, particularly the vivid accounts of her travels in Turkey after
							her husband&apos;s appointment as ambassador to Constantinople. In
							addition, after being introduced to Turkish methods of smallpox
							inoculation, she worked to introduce the practice in England. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Montalvo">Montalvo&#8212; </term>
						<gloss> See <ref target="#RodriquezdeMontalvo">Rodr&#237;guez de
								Montalvo</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ReviewMonthly"><hi rendition="#italics">Monthly Review</hi>,
							1749-1845&#8212; </term>
						<gloss>The first true literary review, the <hi rendition="#italics"
									><title>Monthly Review</title></hi> was founded by dissenting
							bookseller <ref target="#GriffithsRalph">Ralph Griffiths</ref> in 1749.
							Griffiths aimed for comprehensive coverage of the entire range of new
							publications, aspiring “to register all the new Things in general,
							without exception to any, on account of their lowness of rank, or price”
							(The <hi rendition="#italics"><title>Monthly Review</title></hi>, vol.
							1, 1749, p. 238). The leading review for the half century when <ref
								target="#GriffithsRalph">Griffiths</ref> served as editor, the <hi
								rendition="#italics"><title>Monthly Review</title></hi> provided
							summary and extract of all but the most specialized publications. <ref
								target="#GriffithsRalph">Griffiths</ref> died in 1803, and his son
							George Edward Griffiths took over management. In the face of competition
							from rivals like the <ref target="#EdinburghReview"><hi
									rendition="#italics"><title>Edinburgh Review</title></hi></ref>
							and the <ref target="#QuarterlyReview"><hi rendition="#italics"
										><title>Quarterly Review</title></hi></ref> George Edward
							Griffiths slowly converted to the now more familiar evaluative format.
							During his tenure, <ref target="#GriffithsRalph">Ralph Griffiths</ref>
							assembled an expert staff of contributors, including <ref
								target="#GoldsmithOliver">Oliver Goldsmith</ref>, <ref
								target="#BurneyCharles">Dr. Charles Burney</ref>, and other notables
							in their fields, to produce a journal respected for its high
							intellectual standards and appealing as well for its Whig,
							antiestablishment perspective. It was also the first major literary
							review to employ women as regular contributors (<ref
								target="#MoodyElizabeth">Elizabeth Moody</ref> and <ref
								target="#BarbauldMrs">Anna Letitia Barbauld</ref>). George Edward
							Griffiths attempted to maintain this high standard when he took over
							management, but though he tried to adapt to the changing critical
							environment springing from the rise of the new quarterlies, his efforts
							proved inadequate. The younger Griffiths relinquished control in 1825,
							after which the publication survived another two decades. Benjamin
							Nangle has assembled indexes of <hi rendition="#italics"><title>Monthly
									Review</title></hi> articles from marked copies running up to
							1815 (<hi rendition="#italics"><title>The Monthly Review, First Series,
									1749-1789: Indexes of Contributors and Articles</title></hi>
							[Oxford, Clarendon P, 1934] and <hi rendition="#italics"><title>The
									Monthly Review, Second Series, 1790-1815: Indexes of
									Contributors and Articles</title></hi> [Oxford, Clarendon P,
							1955]). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MontiVincenzo">Monti, Vincenzo, 1754-1828 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Italian poet and man of letters. He authored a substantial body of
							poetry, including several significant translations, but is best
							remembered for his translation of <ref target="#Homer"
							>Homer</ref>&apos;s <hi rendition="#italics"><title>Iliad</title></hi>.
							Initially opposed to the French Revolution, he switched to admiring <ref
								target="#Napoleon">Napoleon</ref> during his ascendancy and empire,
							converting again to supporting the Austrian Empire after <ref
								target="#Napoleon">Napoleon</ref>&apos;s fall. Monti&apos;s poetry
							is criticized by some as emphasizing formal precision while reflecting
							obsequious political inconsistency. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MontolieuIsabelle">Montolieu, Isabelle de, 1751-1832 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Swiss novelist and translator, Montolieu was the author of <hi
								rendition="#italics"><title>Caroline de Lichtfield, ou M&#233;moires
									d&apos;une Famille Prussienne</title></hi> (1786). She was a
							close friend of <ref target="#GenlisStephanie">Madame de Genlis</ref>,
							whose encouragement was crucial to Montolieu&apos;s decision to publish.
							In addition, Montolieu produced over 100 volumes of translations and is
							cited as the first translator of <ref target="#AustenJane">Jane
								Austen</ref>&apos;s work into French. She married Benjamin de
							Crouzas in 1769, but the marriage lasted only a few years before Crouzas
							died in 1775. In 1786 she married Baron Louis de Montolieu, who also
							pre-deceased her in 1800. In 1813 she published <hi rendition="#italics"
									><title>Le Robinson suisse ou Journal d&apos;un p&#232;re de
									famille naufrag&#233; avec ses enfants</title></hi> from the
							German text by Johann David Wyss. Montolieu&apos;s text then served as
							the source for the beloved English translation, <hi rendition="#italics"
									><title>Swiss Family Robinson</title></hi> by William Henry
							Giles Kingston (1879). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MoodyChristopherLake">Moody, Christopher Lake, 1743-1815
							(Benjamin Christie Nangle, <title><hi rendition="#italics">The </hi><ref
									target="#ReviewMonthly"><title>Monthly Review</title></ref><hi
									rendition="#italics">, First Series,
							1749-1789</hi>)</title>&#8212; </term>
						<gloss>Dissenting clergyman Christopher Lake Moody was a hard-working
							literary professional who served for many years as one of the most
							productive reviewer at <ref target="#GriffithsRalph">Ralph
								Griffiths</ref>&apos;s <hi rendition="#italics"><ref
									target="#ReviewMonthly"><title>Monthly
							Review</title></ref></hi>. He was so integral to the periodical&apos;s
							operation that there has been speculation that he may have taken on
							editorial responsibilities in addition to his reviewing duties. Moody
							also operated with <ref target="#GriffithsRalph">Griffiths</ref> the <hi
								rendition="#italics"><title>St. James’s Chronicle</title></hi> and
							contributed to other periodicals as well. He published at least one
							sermon, <hi rendition="#italics"><title>The Value of the Poor, the
									Duties Owing to Them and the Importance of Leading Them to an
									Early Acquaintance with Religion</title></hi> (1786). He also
							edited <hi rendition="#italics"><title> A sketch of Modern France : In a
									Series of Letters. Written in the Years 1796 and 1797, during a
									Tour through France. By a Lady [Louise Albanis Beaumont].
								</title></hi> [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MoodyElizabeth">Moody, Elizabeth, 1737-1814 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss> Elizabeth Moody (1737-1814) Born Elizabeth Greenly, Elizabeth Moody
							grew up in fashionable circles in the outskirts of London. She was an
							avid reader and an apt scholar in modern languages, acquiring unusual
							fluency in French and Italian, skills that are evident in her literary
							criticism. As a young woman, she circulated her verse compositions
							within a small literary coterie until shortly after her 1777 marriage to
							Dissenting clergyman <ref target="#MoodyChristopherLake">Christopher
								Lake Moody</ref>, a versatile literary professional. Soon after the
							wedding and probably with Dr. <ref target="#MoodyChristopherLake"
								>Moody</ref>&apos;s encouragement, Elizabeth Moody began publishing
							poetry in the <hi rendition="#italics"><title>General Evening
									Post</title></hi> and the <hi rendition="#italics"
									><title>Gentleman&apos;s Magazine</title></hi>. The following
							year, <ref target="#MoodyChristopherLake">Christopher Moody</ref> and
							publisher <ref target="#GriffithsRalph">Ralph Griffiths</ref> founded
							the <hi rendition="#italics"><title>St. James’s Chronicle</title></hi>
							featuring the poetry of Elizabeth Moody, now dubbed &quot;The Muse of
							Surbiton.&quot; <ref target="#GriffithsRalph">Griffiths</ref> was editor
							as well of the <hi rendition="#italics"><ref target="#ReviewMonthly"
										><title>Monthly Review</title></ref></hi>, where <ref
								target="#MoodyChristopherLake">Christopher Moody</ref> frequently
							reviewed arts and letters publications, and in 1789 Elizabeth Moody
							became the periodical&apos;s first regular woman reviewer. French and
							Italian literature makes the bulk of Moody&apos;s twenty-six reviews
							between 1789 and 1808. In 1798, Moody published <hi rendition="#italics"
									><title>Poetic Trifles</title></hi>, containing a selection of
							her periodical verse as well as many new poems. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item><term xml:id="MoodyJohn">Moody, John, 1727-1812 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Born John Cochran, John Moody was an Irish actor who assumed his new
							name upon his move to London and claimed to be a Londoner to the end of
							his life. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="MooreEdward">Moore, Edward, 1712-1757 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Moore&apos;s most significant works include the plays <hi
								rendition="#italics"><title>The Foundling</title></hi> (1748) and
								<hi rendition="#italics"><title>The Gamester</title></hi> (1753) as
							well as the periodical <hi rendition="#italics"><title>The
								World</title></hi> (1753-6). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MooreJohn">Moore, John, 1729-1802 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Scottish physician and author. Titles by the author include his most
							popular novel <hi rendition="#italics"><title>Zeluco</title></hi>
							(1789), <title><hi rendition="#italics">A View of Society and Manners in
									France, Switzerland, and Germany</hi></title> (1779), <title><hi
									rendition="#italics">Medical Sketches</hi></title> (1786),
									<title><hi rendition="#italics">A View of Society and Manners in
									Italy</hi></title> (1787), <title><hi rendition="#italics">A
									Journal during a Residence in France, from the Beginning of
									August to the Middle of December</hi></title> (1792), <title><hi
									rendition="#italics">An Account of the most remarkable Events
									that happened at Paris, from that Time to the Death of the late
									King of France</hi></title>, <title><hi rendition="#italics"
									>Edward</hi></title> (1796), and <title><hi rendition="#italics"
									>Mordaunt</hi></title> (1800). [<ref target="#RD">RD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MooreSirJohn">Moore, Sir John (1761-1809) (Oxford Dictionary
							of National Biography)&#8212; </term>
						<gloss>Son of <ref target="#MooreJohn">John Moore</ref>, the physician and
							novelist. Sir John Moore became famous in his own right for his
							successful military career. He died from an injury he sustained in the
							1809 Battle of Corruna during the Napoleonic invasion of Spain. [<ref
								target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MooreThomas">Moore, Thomas, 1779-1852 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>An Irish poet, biographer, and lyricist, Moore was best loved in his
							time for works such as <hi rendition="#italics">Irish Melodies</hi>
							(1808-1834) and <hi rendition="#italics">Lalla Rookh, An Oriental
								Romance</hi> (1817). His 1830 biography of <ref
								target="#ByronGeorge">Byron</ref> remains valuable today. [<ref
								target="#VS">VS</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MoraisFranciscode">Morais, Francisco de, ca. 1500-1572
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> This Portuguese author produced <hi rendition="#italics"
									><title>Palmerin de Inglaterra</title></hi> (<hi
								rendition="#italics"><title>Palmerin of England</title></hi>), a
							chivalric romance. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ColonelMorden">Colonel Morden&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Clarissa</title></hi> (1747-9). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="MoreHannah">More, Hannah, 1745-1833 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> The highly successful evangelical writer Hannah More was also a
							noted poet and playwright. Her poem <hi rendition="#italics"><title>The
									Bas Bleu</title></hi> (1786) commemorated <ref
								target="#MontaguMrsElizabeth">Elizabeth Montagu</ref>&apos;s
							bluestocking circle, most of whom she knew well. Her most important
							plays included <hi rendition="#italics"><title>Percy</title></hi> (1778)
							and <hi rendition="#italics"><title>The Fatal Falsehood</title></hi>
							(1779). The abolitionist <hi rendition="#italics"><title>Slavery: A
									Poem</title></hi> appeared in 1788. She was best known for a
							collection of moral tales and instruction for the poor published as <hi
								rendition="#italics"><title>Cheap Repository Tracts</title></hi>
							(1795-98). <hi rendition="#italics"><title>Strictures on the Modern
									System of Female Education</title></hi> (1799) contributed to
							the period&apos;s debates on the woman question. Her only novel, <hi
								rendition="#italics"><title>Coelebs in Search of a Wife</title></hi>
							(1808), was also one of her most popular works. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MoreThomas">More, Thomas, Sir, Saint, 1478-1535 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Rhetorician and religious writer Sir Thomas More published <hi
								rendition="#italics"><title>Utopia</title></hi> in 1516. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MorganLady">Morgan, Lady (Sydney), 1783-1859 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Irish writer Sydney Owenson tended to be coy about her age, perhaps
							because she may have been several years older than her husband. Date of
							birth speculations range from 1776-1785. Owenson began writing poetry
							and fiction while working as a governess. Her first publication, <hi
								rendition="#italics"><title>Poems, Dedicated by Permission to the
									Countess of Moira</title></hi> (1801) appeared the same year
							that the Act of Union shattered nationalist hopes for Irish
							independence. She perhaps imbibed the theme of Irish patriotism from her
							father, an actor and theater manager who had hoped to establish an Irish
							national drama. Her first novel, <hi rendition="#italics"><title>St.
									Claire, or First Love</title></hi> (1802), was republished the
							following year under the title <hi rendition="#italics"><title>St.
									Clair, or, the Heiress of Desmond</title></hi>. Its strong
							female protagonist and themes of Irish patriotism and regional detail
							recur in much of her later work. The success of that novel enabled
							Owenson to leave her governess position and pursue writing fulltime. As
							with some of <ref target="#ScottWalter">Sir Walter Scott</ref>&apos;s
							work, Owenson intended her best known and first major novel, <hi
								rendition="#italics"><title>The Wild Irish Girl</title></hi> (1806),
							to present a sympathetic vision of Ireland’s history and people. The
							enormously popular <hi rendition="#italics"><title>O&apos;Donnel. A
									National Tale</title></hi> (1814) and <hi rendition="#italics"
									><title>The O&apos;Briens and the O&apos;Flahertys; a National
									Tale</title></hi> (1827), which many regard as her best work,
							also offer powerful political works of Irish fiction. Both novels
							succeeded despite being savaged in the Tory review periodicals. Other
							works include <hi rendition="#italics"><title>A Few Reflections,
									Occasioned by the Perusal of a Work entitled &quot;Familiar
									Epistles&quot;</title></hi> (1804), the attribution of which is
							uncertain; <hi rendition="#italics"><title>The Novice of Saint
									Dominick</title></hi> (1806); <hi rendition="#italics"
									><title>France</title></hi> (1817); <hi rendition="#italics"
									><title>Florence Macarthy, an Irish Tale</title></hi> (1818);
								<hi rendition="#italics"><title>Italy</title></hi> (1821); <hi
								rendition="#italics"><title>The Life and Times of Salvator
									Rosa</title></hi> (1824); <hi rendition="#italics"
									><title>Absenteeism</title></hi> (1825); <hi
								rendition="#italics"><title>The Book of the Boudoir</title></hi>
							(1829); <hi rendition="#italics"><title>Dramatic Scenes from Real
									Life</title></hi> (1833); <hi rendition="#italics"><title>The
									Princess, or the Beguine</title></hi> (1835); <hi
								rendition="#italics"><title>Woman and Her Master</title></hi>
							(1840); <hi rendition="#italics"><title>The Book Without a
								Name</title></hi> (1841; collaboratively with Sir Charles Morgan);
							and <hi rendition="#italics"><title>Letter to Cardinal
								Wiseman</title></hi> (1851). Her play <hi rendition="#italics"
									><title>The First Attempt, or Whim of a Moment</title></hi>
							opened at the Theatre Royal in Dublin in 1807. Sydney Owenson became
							Lady Morgan in 1812, when she married physician Thomas Charles Morgan,
							who was knighted during the couple&apos;s courtship. In need of income,
							both Sir Charles and Lady Morgan produced literary journalism for a
							variety of periodicals, including the <hi rendition="#italics"
									><title>Athenæum</title></hi>, to which Lady Morgan contributed
							well over one hundred identifiable reviews on an extraordinary variety
							of topics and often incorporating explicitly political content. In 1837
							Lady Morgan was awarded a government pension for her literary work, and
							soon after, she and her husband moved from Dublin to London, where they
							established permanent residence. Although deeply grieved by Sir
							Charles&apos;s unexpected death in 1843, she remained active both
							socially and in the world of letters until shortly before her own death
							in 1859. A versatile professional writer, Sydney Owenson became in the
							course of her career not only a productive critic, but a popular
							novelist, poet, translator, travel and historical writer, and
							playwright, and key figure in the development of the national tale.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MortonThomas">Morton, Thomas, 1764-1838&#8212; </term>
						<gloss> After unsuccessfully attempting to become a lawyer, Thomas Morton
							turned to writing plays instead, authoring some two dozen overall. His
							first play was <hi rendition="#italics"><title>Columbus, or A World
									Discovered</title></hi> (1792), based on <hi
								rendition="#italics"><title>Les Incas, ou la destruction de l'empire
									du Pérou</title></hi> (1777) by <ref target="#Marmontel"
								>Marmontel</ref>. Morton’s most successful plays include <hi
								rendition="#italics"><title>The Way to Get Married</title></hi>
							(1796), <hi rendition="#italics"><title>The Cure for the Heart
									Ache</title></hi> (1797), <hi rendition="#italics"><title>Speed
									the Plough</title></hi> (1798), and <hi rendition="#italics"
									><title>The School of Reform, or, How to Rule a
								Husband</title></hi> (1805). [<ref target="#GR">GR</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="MossopHenry">Mossop, Henry, 1729?-1774 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Irish actor and theatre manager whose prominent roles included Zanga
							in <ref target="#YoungEdward">Edward Young</ref>'s <hi
								rendition="#italics"><title>The Revenge</title></hi> (1749) and <ref
								target="#RichardIIIKingofEngland">Richard III</ref> in <ref
								target="#ShakespeareWilliam">William Shakespeare</ref>'s <hi
								rendition="#italics"><title>The Tragedy of <ref
										target="#RichardIIIKingofEngland">Richard the
									Third</ref></title></hi> (1751). [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="MottleyJohn">Mottley, John, 1692-1750 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>A writer in several genres, Mottley was most prolific as a dramatist.
							He authored <hi rendition="#italics"><title>The Imperial Captives: a
									Tragedy</title></hi> (1720); <hi rendition="#italics"
									><title>Antiochus: a Tragedy</title></hi> (1721); <hi
								rendition="#italics"><title>Penelope, a Dramatic Opera</title></hi>
							(1728; with Thomas Cooke); <hi rendition="#italics"><title>The
									Craftsman: Or Weekly Journalist, a Farce</title></hi> (1728);
							the comic <hi rendition="#italics"><title>The Widow
									Bewitch&apos;d</title></hi> (1730); and <hi rendition="#italics"
									><title>The Devil To Pay; Or, the Wives
									Metamorphos&apos;d</title></hi> (1731; with Charles Coffey. He
							also compiled several volumes of jokes. Some of his publications
							appeared under the pseudonyms Robert Seymour and Elijah Jenkins. See
								<ref target="#MillerJoe">Joe Miller</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item><term xml:id="Muhammad">Muḥammad, Prophet, -632 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>The Arabic prophet of Allah and the founder of the Abrahamic religion
							of Islam, born roughly 570 C.E. [<ref target="#BDW">BDW</ref>] [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="MulsoHester">Mulso, Hester&#8212; </term>
						<gloss> See <ref target="#ChaponeMrs">Hester Chapone</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MulsoMrs">Mulso, Mrs.&#8212; </term>
						<gloss> See <ref target="#PrescottMary">Mary Prescott</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MulsoThomas">Mulso, Thomas [n.d.] (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Brother of <ref target="#ChaponeMrs">Hester Chapone</ref>, <hi
								rendition="#italics">n&#233;e</hi> Mulso, Thomas Mulso was author of
								<hi rendition="#italics"><title>Callistus; or, The man of fashion.
									And Sophronius; or, The country gentleman</title></hi> (1768).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MundenJoseph">Munden, Joseph Shepherd, 1758-1832&#8212; </term>
						<gloss>Munden was a comedic actor and a part of the company at <ref
								target="#CoventGarden">Covent Garden</ref> for 20 years, from 1790
							to 1810, before performing at <ref target="#DruryLane">Drury Lane</ref>
							until retiring in 1824. [GR]</gloss>
					</item>
					<item>
						<term xml:id="MurphyArthur">Murphy, Arthur, 1727-1805 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>A prolific and popular Irish actor, playwright, and eventually
							barrister, Murphy also translated classical history and modern poetry
							and plays, contributed to and/or edited a number of journals, and
							authored biographies on <ref target="#FieldingHenry">Henry
								Fielding</ref>, <ref target="#JohnsonSamuel">Samuel Johnson</ref>,
							and <ref target="#GarrickDavid">David Garrick</ref>. A few of his more
							notable plays include <title><hi rendition="#italics">The Englishman
									from Paris</hi></title> (1756), <title><hi rendition="#italics"
									>The Orphan of China</hi></title> (1759), and <title><hi
									rendition="#italics">The Way to Keep Him</hi></title> (1760).
							Murphy also contributed drama criticism and political essays to a number
							of journals, including the <title><hi rendition="#italics">Covent Garden
									Journal</hi></title>, the <title><hi rendition="#italics"
									>Gentleman&apos;s Magazine</hi></title>, the <title><hi
									rendition="#italics">World</hi></title>, the <title><hi
									rendition="#italics">London Chronicle</hi></title>, his own
									<title><hi rendition="#italics">Gray&apos;s Inn
								Journal</hi></title>, which he edited and authored under the
							pseudonym Charles Ranger, Esq., and other publications. He also
							published political journalism throughout his writing career. In 1762 he
							published <title><hi rendition="#italics">The Works of Henry Fielding,
									Esq; with the Life of the Author</hi></title>. [<ref
								target="#RD">RD</ref> and <ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="MurrayJohn1778">Murray, John, 1778-1843 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Son of the founder of the publishing house bearing his name. This
							John Murray was probably the most important among early nineteenth
							century British publishers, bringing out work by authors that included
								<ref target="#AustenJane">Jane Austen</ref>, <ref
								target="#ByronGeorge">Lord Byron</ref>, <ref
								target="#ColeridgeSamuel">Samuel Taylor Coleridge</ref>, <ref
								target="#ScottWalter">Walter Scott</ref>, <ref
								target="#SoutheyRobert">Robert Southey</ref>, and many others. He
							helped establish and published the <hi rendition="#italics"><ref
									target="#QuarterlyReview"><title>Quarterly
								Review</title></ref></hi> and participated for a time in <hi
								rendition="#italics"><title>Blackwood&apos;s Edinburgh
									Magazine</title></hi>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="MusausJohann">Mus&#228;us, Johann Karl August, 1735-1787
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Mus&#228;us&apos;s stories were translated and published as <hi
								rendition="#italics"><title>Popular Tales of the
								Germans</title></hi> (1791) by Gothic novelist <ref
								target="#BeckfordWilliam">William Beckford</ref>. Mus&#228;us
							anonymously published <hi rendition="#italics"><title>Physiognomische
									Reisen, voran ein physiognomisch Tagebuch</title></hi>
							(1778-1779), a satire of the work of <ref target="#LavaterJohann">Johann
								Kaspar Lavater</ref>, founder of the pseudo-sciences of physiognomy
							and animal magnetism. <ref target="#PlumptreAnne">Anne Plumptre</ref>
							translated the satire as <hi rendition="#italics"><title>Musaeus&apos;s
									Physiognomical Travels, Preceded by a Physiognomical
									Journal</title></hi> (1800). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="NairneWilliam">Nairne, William, Sir, d. 1811 (Library of
							Congress Name Authority); baptized 1731 (<hi rendition="#italics"
									><title>Oxford Dictionary of National
							Biography</title></hi>)&#8212; </term>
						<gloss> 5th Baronet of Dunsinnan; a Scottish judge who became close enough
							to <ref target="#JohnsonSamuel">Samuel Johnson</ref> to accompany him
							during part of his Scottish travels. Nairne was celebrated as highly
							principled, reputedly once paying for a poor man to take Nairne&apos;s
							own judgment to an appellate court after realizing his original judgment
							had been mistaken. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="NanteuilRobert">Nanteuil, Robert, 1623-1678 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>French portrait engraver Robert Nanteuil is credited with elevating
							engraving from the status of a craft to that of an art. As an official
							engraver for <ref target="#LouisXIVKingofFrance">Louis XIV</ref> he
							produced hundreds of portraits, including likenesses of many of the
							notable and high ranking figures of his day [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Napoleon">Napoleon I, Emperor of the French, 1769-1821</term>
						<gloss>Born in Corsica, Napoleon Bonaparte began his career in the French
							army, rising to the rank of General for his success during the wars
							following the French Revolution. In 1799 he brought about a coup
							d&apos;etat, assuming the title of First Consul of the French Republic.
							In 1804 he was crowned Emperor of France, leading the French to military
							conquest over most of Europe. He reigned as Emperor until April 1814,
							when he was forced by the allied European armies to abdicate. Exiled to
							the Mediterranean island of Elba, he remained only until his escape in
							February 1815, when he returned to France to resume his title of
							Emperor. In June of that year he was defeated at the Battle of Waterloo
							and exiled once again, this time to the Atlantic island of Saint Helena,
							where he remained until his death. His legacy is mixed; he was
							responsible for extensive modernizing reform in France, and the
							Napoleonic Code widely influenced the legal systems of many nations. On
							the other hand, his ambition for world power seemed inexhaustible and
							his campaigns were often marked by extraordinary devastation and cruelty
							towards non-combatants, including women and children. Napoleon&apos;s
							battle strategies are still studied in military schools today. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="NardiniLeonardo">Nardini, Leonardo (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Author of various selections and editions of drama, poetry, opera,
							and prose, including <hi rendition="#italics"><title>Scelta di Lettere
									familiari, degli Autori pie&#249; Celebri</title></hi> (1800).
								[<ref target="#ZP">ZP</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="NashThomas">Nash, Thomas, 1567-1601 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Elizabethan pamphleteer, poet, playwright, and author of the first
							English picaresque novel, <hi rendition="#italics"><title>The
									Unfortunate Traveller; or, The Life of Jacke
							Wilton</title></hi>, a collaboration with <ref target="#Marlowe"
								>Marlowe</ref>. Nashe&apos;s collaboration with <ref
								target="#JonsonBen">Ben Jonson</ref> on their satirical play, <hi
								rendition="#italics"><title>The Isle of Dogs</title></hi>, resulted
							in the prosecution of both men. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="NeckerJacques">Necker, Jacques, 1732-1804 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Director General of Finance under Louis XVI, Necker had much of the
							responsibility for the late eighteenth-century French financial crisis
							that precipitated the events leading to the French revolution. He was
							father to <ref target="#StaelGermainede">Germaine de Staël</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Nemesis">Nemesis&#8212; </term>
						<gloss>In Greek myth, the personification of anger. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Nestor">Nestor &#8212; </term>
						<gloss>Elder statesman and eventually King of Pylos in <ref target="#Homer"
								>Homer</ref>&apos;s <hi rendition="#italics"
								><title>Iliad</title></hi> and <hi rendition="#italics"
									><title>Odyssey</title></hi>. Wise but often long-winded and
							rather boastful, his portrayal includes an undercurrent of humor. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="NeufchateauNicolas">François de Neufchâteau, Nicolas
							Louis, comte, 1750-1828 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>French politician, agricultural scientist, poet, and playwright.
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="NewcastleMargaret">Newcastle, Margaret Cavendish, Duchess of,
							1624?-1674 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Playwright, philosopher, memoirist, and fiction writer, Margaret
							Cavendish is probably best remembered for her <hi rendition="#italics"
									><title>CCXI Sociable Letters</title></hi> (1664). She first
							published <hi rendition="#italics"><title>Poems, and
								Fancies</title></hi> in 1653, subsequently revising and republishing
							it several times. In addition to the poems, it is notable for its
							preface, which overtly intervenes to negotiate the publishing of her own
							work, an unconventional step for a woman of her class and time. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="NewtonIsaac">Newton, Isaac, Sir, 1642-1727 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Profoundly influential mathematician and natural scientist. His
							writings were voluminous, with his most important publications being <hi
								rendition="#italics"><title>Philosophi&#230; Naturalis Principia
									Mathematica</title></hi> (1687), which included his formulation
							of the law of universal gravitation, <hi rendition="#italics"
									><title>Opticks: or, A Treatise of the Reflexions, Refractions,
									Inflexions and Colours of Light</title></hi> (1704), and <hi
								rendition="#italics"><title>Arithmetica Universalis</title></hi>
							(1707). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PhippsConstantineHenry">Normanby, Constantine Henry Phipps,
							Marquess of, 1797-1863 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Constantine Henry Phipps, the first marquess of Normanby, began his
							career as a reform-leaning Member of Parliament. In 1820 he left for
							Italy, where he wrote the stories that made up the three volumes of <hi
								rendition="#italics"><title>The English in Italy</title></hi>
							(1825). Subsequent works included a collection of essays and tales
							entitled <hi rendition="#italics"><title>The English in
								France</title></hi> (1828) and four novels, <hi rendition="#italics"
									><title>Matilda</title></hi> (1825), <hi rendition="#italics"
									><title>Yes and No</title></hi> (1828), <hi rendition="#italics"
									><title>Clorinda</title></hi> (1829), and <hi
								rendition="#italics"><title>The Contrast</title></hi> (1832).
							Normanby served in various administrative and diplomatic capacities at
							locations such as Jamaica, Ireland, and France. During his French
							residence, he witnessed some of the events during the 1848 Paris
							uprising, which he chronicled in <hi rendition="#italics"><title>A Year
									of Revolution</title></hi> (1857). [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item><term xml:id="NorthFrederick">North, Frederick, Lord, 1732-1792 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>British Prime Minister from 1770 to 1782 whose insufficient
							leadership contributed to the loss of the American colonies in the
							American Revolution. [<ref target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="OldysWilliam">Oldys, William, 1696-1761 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English bibliographer and antiquarian, best remembered for his <hi
								rendition="#italics"><title>Biographia Britannica</title></hi>
							(1747-1766). [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="NorthThomas">North, Thomas, Sir, 1535-1601? (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English translator, lawyer, military officer, and justice of the
							peace, whose 1579 translation of <ref target="#Plutarch"
							>Plutarch</ref>&apos;s <hi rendition="#italics"><title>Parallel
									Lives</title></hi> became the main source for many of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s Roman plays.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Octavia">Octavia, -11 B.C. (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Elder sister of first <ref target="#CaesarAugustus">Roman Emperor
								Augustus</ref>, fourth wife of Mark Antony, and
							great-great-grandmother of Emperor Nero, also known as &quot;Octavia the
							Younger.&quot; Octavia was revered for her humanity, nobility, and
							depiction of traditional Roman femininity. Octavia helped to secure
							peace between her brother and husband as they ruled the Roman state. In
							36 B.C.E., Mark Antony left for a military excursion in the East, and
							while gone, he resumed relations with his former wife, Cleopatra VII of
							Egypt, leaving Octavia to rule their children alone, heartbroken. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="OdinNorsedeity">Odin (Norse deity) (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Odin (from Old Norse &#211;&#240;inn, &quot;The Furious One&quot;)
							is a significant deity in most if not all branches of Germanic
							mythology, especially in the Norse mythology branch of Germanic
							mythology. Among his many attributes, he is associated with wisdom,
							healing, poetry, frenzy, war, and death. [<ref target="#JDP">JDP</ref>]
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Odysseus">Odysseus &#8212; </term>
						<gloss>Hero of <ref target="#Homer">Homer&apos;s</ref>
							<title><hi rendition="#italics"> Odyssey</hi></title>, which recounts
							the adventures of this Ithacan king during his decade-long return from
							the ten year Trojan War. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="OedipusGreekmyth">Oedipus (Greek mythological figure) (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> A Greek mythological figure who rises from being an orphan to become
							King of Thebes, but in doing so inadvertently fulfills a prophecy in
							which he kills his father and sleeps with his mother, as recounted in
								<ref target="#Sophocles">Sophocles</ref>&apos; tragedy <hi
								rendition="#italics"><title>Oedipus Rex</title></hi>. [<ref
								target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="OKeeffeJohn">O'Keeffe, John, 1747-1833 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>John O’Keefe was an Irish librettist and playwright. He wrote the
							comic operas <hi rendition="#italics"><title>The Castle of
									Andalusia</title></hi> (1782) and <hi rendition="#italics"
									><title>Fontainbleau</title></hi> (1784). He also wrote the play
								<hi rendition="#italics"><title>Wild Oats, or The Strongest
									Gentlemen</title></hi> (1791). [<ref target="#GR"
							>GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="OldfieldAnne">Oldfield, Anne, 1683-1730 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>A highly lauded London actress, Oldfield was among the highest paid
							of her profession during her time. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="LadyOlivia">Lady Olivia &#8212; </term>
						<gloss> Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison</title></hi> (1754). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Olivia">Olivia&#8212; </term>
						<gloss> A central character in <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s &quot;<title>Twelfth Night</title>,&quot;
							Olivia is a countess admired by Malvolio, Sir Andrew, and Duke Orsino.
							However, Olivia falls in love with Cesario, the identity with which <ref
								target="#Viola">Viola</ref> disguises herself whilst shipwrecked in
							Illyria. Olivia mistakenly marries Sebastian, <ref target="#Viola"
								>Viola</ref>&apos;s twin brother, and the two are happy, as the
							twins are extremely similar in looks and personality. [<ref target="#LD"
								>LD</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="OnslowArthur">Onslow, Arthur, 1691-1768 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Speaker of the House of Commons from 1728-1761. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Ophelia">Ophelia</term>
						<gloss>Character in <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s drama <hi rendition="#italics"
									><title>Hamlet</title></hi>. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="OpieAmelia">Opie, Amelia Alderson, 1769-1853 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Popular as a poet, novelist, and author of short tales, Amelia
							Alderson was the wife of artist <ref target="#OpieJohn">John Opie</ref>,
							a significant figure in the circle of Norwich religious dissenters. Her
							better-known novels and tales include <hi rendition="#italics"
									><title>The Father and Daughter, A Tale, in Prose</title></hi>
							(1801), <hi rendition="#italics"><title>Adeline Mowbray; or, The Mother
									and Daughter</title></hi> (1805), <hi rendition="#italics"
									><title>Tales of Real Life</title></hi> (1813), and <hi
								rendition="#italics"><title>T</title></hi><hi rendition="#italics"
									><title>ales of the Heart</title></hi> (1820). Her volume <hi
								rendition="#italics"><title>Poems</title></hi> appeared in 1802. Her
							contributions to the abolition debate include <hi rendition="#italics"
									><title>The Negro Boy&apos;s Tale</title></hi> (1824) and <hi
								rendition="#italics"><title>The Black Man&apos;s Lament; or, How to
									Make Sugar</title></hi> (1826). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="OpieJohn">Opie, John, 1761-1807 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> British portrait and history painter. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Orestes">Orestes&#8212; </term>
						<gloss> Subject of <ref target="#Euripides">Euripides</ref>&apos;s <hi
								rendition="#italics"><title>Oresteia</title></hi>, Orestes was
							pursued by the Furies for killing his mother. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Orithyia">Orithyia&#8212;</term>
						<gloss>Daughter of King Erechtheus, this Athenian princess was abducted by
								<ref target="#Boreas">Boreas</ref>, the wind god of the north. Her
							story appears in <ref target="#Ovid">Ovid</ref>&apos;s <title><hi
									rendition="#italics">Metamorphosis</hi></title> [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="OrleansPhilippe"> Orl&#233;ans, Philippe, duc d&apos;,
							1674-1723 (Library of Congress Name Authority)&#8212;</term><gloss> Born
							Philippe Charles, duke of Chartres, later known as Philip II, duke of
							Orleans, regent of France, Philippe Charles was a member of the royal
							French family, and nephew to Louis XIV, with whom he had a feud
							regarding assigned military commands, due to which he spitefully
							neglected his wife, Louis&apos;s daughter, and earned a lasting
							reputation for scandal and debauchery. He ruled over France as regent
							during the interim period between Louis XIV's death and Louis XV's
							maturity. [<ref target="#JDP">JDP</ref>]</gloss></item>
					<item><term xml:id="OrmondeJamesButler">Ormonde, James Butler, Duke of,
							1610-1688 (Library of Congress Name Authority)&#8212;</term>
						<gloss>The 12<hi rendition="#sup">th</hi> earl and 1<hi rendition="#sup"
								>st</hi> Duke of Ormonde, James Butler was an Anglo-Irish soldier,
							statesman, and Protestant who served as the foremost agent of Royalist
							authority in Ireland from the period of the English Civil Wars to the
							Glorious Revolution of 1688. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Orpheus">Orpheus&#8212; </term>
						<gloss>In Greek myth, a singer and lyre-player whose music was so beautiful
							it could tame wild beasts. When his wife <ref target="#Eurydice"
								>Eurydice</ref> was killed by a snake, Orpheus descended to the
							Underworld to bring her back. After charming Hades with his music,
							Orpheus was permitted to retrieve his wife on condition that he not look
							back at her until they had returned to daylight. Just before reaching
							safety, Orpheus violated this condition, and <ref target="#Eurydice"
								>Eurydice</ref> was returned to the Underworld permanently. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="OrreryRoger">Orrery, Roger Boyle, Earl of, 1621-1679 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Orrery published a romance called <hi rendition="#italics"
									><title>Partheuissa</title></hi> (1664) as well as a number of
							dramatic works. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="OrsayAlfred">Orsay, Alfred Guillaume Gabriel, comte d&apos;,
							1801-1852 (Library of Congress Name Authority)&#8212; </term>
						<gloss> French artistic and literary dandy who spent much time in England
							and became the companion of <ref target="#BlessingtonMarguerite">Lady
								Blessington</ref>. He was reputed to display notable generosity, and
							his extravagance contributed to Blessington&apos;s financial ruin. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="OsborneJohn">Osborne [or Osborn], John, Sr.&#8212; </term>
						<gloss> Bookseller often associated in business with <ref
								target="#RichardsonSamuel">Samuel Richardson</ref> and Charles
							Rivington, among others. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Othello"> Othello (Fictitious character from <ref
								target="#ShakespeareWilliam">Shakespeare</ref>) (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Titular character of <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s tragedy, <title><hi rendition="#italics"
									>Othello, the Moor of Venice</hi></title>. In the play, he is
							manipulated through jealousy into madness and murders his wife, <ref
								target="#Desdemona">Desdemona</ref>. [<ref target="#JDP">JDP</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="OtwayThomas">Otway, Thomas, 1652-1685 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Playwright Thomas Otway&apos;s dramatic productions include <hi
								rendition="#italics"><title>Alcibiades</title></hi> (1675), <hi
								rendition="#italics"><title>Don Carlos</title></hi> (1676), <hi
								rendition="#italics"><title>Titus and Berenice</title></hi> (1676),
								<hi rendition="#italics"><title>The Cheats of Scapin</title></hi>
							(1676), <hi rendition="#italics"><title>Friendship in
								Fashion</title></hi> (1678), <hi rendition="#italics"><title>Caius
									Marius</title></hi> (1679), <hi rendition="#italics"><title>The
									Orphan</title></hi> (1680), <hi rendition="#italics"><title>The
									Souldiers Fortune</title></hi> (1680), <hi rendition="#italics"
									><title>Venice Preserved</title></hi> (1682), and <hi
								rendition="#italics"><title>The Atheist</title></hi> (1683). Plagued
							with pecuniary difficulties for much of his short life, he died
							destitute. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Ovid">Ovid, 43 B.C.-17 or 18 A.D. (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Roman poet whose <hi rendition="#italics"
									><title>Metamorphoses</title></hi> inspired many British
							writers, especially during the late sixteenth and early seventeenth
							centuries. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="OxfordRobertHarley">Oxford, Robert Harley, Earl of, 1661-1724
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Important literary patron and effective politician who survived
							multiple assassination attempt as he rose to the position of Lord
							Treasurer under <ref target="#AnneQueenofGreatBritain">Queen Anne</ref>,
							only to be impeached and imprisoned on treason charges under <ref
								target="#GeorgeIKingofGreatBritain">George I</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PagetWilliam">William Paget, 6th Baron Paget English peer and
							ambassador, 1637-1713 (Virtual International Authority File)&#8212; </term>
						<gloss>William Paget, uncle to <ref target="#HillAaron">author Aaron
								Hill</ref>, was English ambassador to Vienna between 1689 and 1692,
							at which point he was appointed ambassador to the Ottoman Empire, where
							he served until 1701. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PaineThomas">Paine, Thomas, 1737-1809 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> The most important reform writer of the late eighteenth century. His
							revolutionary writings made him a hero of the American revolution. His
							works were plentiful, but he is most remembered for <hi
								rendition="#italics"><title>Common Sense: Addressed to the
									Inhabitants of America</title></hi> (1776), encouraging American
							independence from England; <hi rendition="#italics"><title>The
								</title></hi><hi rendition="#italics"><title>Rights of Man: Being an
									Answer to <ref target="#BurkeEdmund">Mr. Burke</ref>&apos;s
									Attack on the French Revolution</title></hi> (1791 with a second
							part issued in 1792); and <hi rendition="#italics"><title>The Age of
									Reason</title></hi> (1793), an attack on Christianity that Paine
							published from France, where he fled on being alerted of his impending
							arrest for sedition. In France, Paine was arrested and nearly
							guillotined for his opposition to the execution of Louis XVI. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="PalmerBarbara">Cleveland, Barbara Palmer, Duchess of,
							1640-1709 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Born to the prominent Villiers family, Barbara Palmer was a favorite
							mistress of <ref target="#CharlesIIKingofEngland">King Charles II</ref>
							and bore five of his children, all of whom were eventually acknowledged
							and ennobled. She held the title of Countess of Castlemaine via her
							marriage to Roger Palmer, Earl of Castlemaine, and later became Countess
							of Southampton and Duchess of Cleveland in her own right. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="PalmerElizabeth">Palmer, Elizabeth&#8212; </term>
						<gloss>
							<hi rendition="#italics">n&#233;e</hi> Echlin, she was the daughter of
								<ref target="#EchlinElizabeth">Lady Echlin</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PamelaAndrews">Pamela Andrews&#8212; </term>
						<gloss>Heroine of <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>Pamela: or,
									Virtue Rewarded</title></hi> (1740). [<ref target="#MW"
							>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Pan">Pan (Greek deity) (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>The Greek equivalent of the Roman deity Lupercus, Pan is the deity of
							fertility and the wild, including shepherds and their flocks, mountain
							wilds, and rustic music. Pan was typically represented as a lustful
							figure sharing the ears, horns, and legs of a goat, often accompanied by
							nymphs. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ZP">Parker, Zachary&#8212;</term>
						<gloss>Student contributor.</gloss>
					</item>
					<item>
						<term xml:id="Parmenides">Parmenides (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Fifth century BCE Greek philosopher. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="ParnellThomas">Parnell, Thomas, 1679-1718 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Poet, translator, and classicist. His best regarded narrative poem,
								&quot;<title>The Hermit,</title>&quot; appeared in <hi
								rendition="#italics"><title>Poems on Several Occasions</title></hi>
							(1721). Parnell was one of the contributors to the <hi
								rendition="#italics"><title>Spectator</title></hi> and the <hi
								rendition="#italics"><title>Guardian</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PastaGiuditta">Pasta, Giuditta Maria Costanza, 1797-1865
							(Library of Congress Name Authority)&#8212;</term>
						<gloss> Pasta was an Italian operatic soprano whose vocal and physical
							expressiveness revolutionized opera and made her the foremost performer
							of her day. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="PatrickSaint">Patrick, Saint, 373?-463? (Library of Congress
							Name Authority)&#8212; </term><gloss>The primary patron saint of
							Ireland. In legend, he banished all snakes from the
						island.</gloss></item>
					<item><term xml:id="Patroclus">Patroclus (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>In <ref target="#Homer">Homer</ref>&apos;s <hi rendition="#italics"
									><title>Iliad</title></hi>, a close wartime companion of <ref
								target="#Achilles">Achilles</ref>. [<ref target="#MW"
							>MW</ref>]</gloss></item>
					<item><term xml:id="PaulApostleSaint">Paul, the Apostle, Saint (Library of
							Congress Name Authority); c. 4 B.C.E.-62–64 C.E. (<hi
								rendition="#italics"><title>Encyclopedia
							Britannica</title></hi>)&#8212;</term>
						<gloss>Born as Saul of Tarsus, Saint Paul, or Paul the Apostle, was among
							the first generation of Christians to spread the teachings of Jesus. He
							is commonly regarded as the most important figure in the history of
							Christianity after Jesus himself. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="PearceZachary">Pearce, Zachary, 1690-1774 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Author of several papers in the <hi rendition="#italics"
									><title>Guardian</title></hi> and the <hi rendition="#italics"
									><title>Spectator</title></hi>, Pearce also offered modest
							assistance to <ref target="#JohnsonSamuel">Samuel Johnson</ref> in the
							compilation of his dictionary. He was made Bishop of Rochester and Dean
							of Westminster in 1756. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PeeleGeorge">Peele, George, 1556-1596 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Poet and playwright during the Elizabethan period. Peele dabbled in
							many genres of theatre, including history, pastoral, melodrama, folk,
							and tragedy, as well as pageants. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="PellicoSilvio">Pellico, Silvio, 1789-1854 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian author, dramatist, and patriot. Writings of his hardship as a
							political prisoner inspired sympathy for the Italian nationalist
							movement. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PembrokeMarySidney">Pembroke, Mary Sidney Herbert, Countess
							of, 1561-1621 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Sister to <ref target="#SidneyPhilip">Sir Philip Sidney</ref> and
							aunt to <ref target="#WrothMary">Lady Mary Wroth</ref>, this literary
							patroness was a poet and translator in her own right, authoring a
							substantial body of religious verse. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="PercyHenry">Percy, Henry, Lord, 1364-1403 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>An English knight and rebel who fought in campaigns against Scots on
							the Anglo-Scottish border as well as the French in the Hundred
							Years&apos; War, Henry Percy was nicknamed &quot;Hotspur&quot; by the
							Scots for his speed and attack readiness. Percy aided <ref
								target="#HenryIVKingofEngland">Henry IV</ref> in the usurpation of
								<ref target="#RichardIIKingofEngland">Richard II</ref>, but
							eventually, Percy led a series of uprisings against <ref
								target="#HenryIVKingofEngland">Henry IV</ref>. Percy is a major
							character in <ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s
								<hi rendition="#italics"><title><ref target="#HenryIVKingofEngland"
										>Henry IV</ref></title></hi>, Part 1. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PercyThomas">Percy, Thomas, 1729-1811 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Poet, translator, and antiquarian Thomas Percy is best remembered
							today for his <hi rendition="#italics"><title>Reliques of Ancient
									English Poetry</title></hi> (1765), which inspired widespread
							interest in British folk literary forms such as ballads and verse tales
							as well as contributing to the late eighteenth century formation of a
							British literary canon. Percy also published <hi rendition="#italics"
									><title>Hau Kiou Choaan or The Pleasing History</title></hi>
							(1761), consisting of partly his own translation from a Portuguese
							version of the Chinese narrative, and partly a redaction of a previous
							English translation by a representative of the British East India
							Company in China. The novel&apos;s heroine, Shuy Ping Sin, suffers
							trials somewhat similar to those of the eponymous heroines of <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s <hi
								rendition="#italics"><title>Pamela</title></hi> (1740-1) and <hi
								rendition="#italics"><title>Clarissa</title></hi> (1747-9). Percy is
							also the author of <title><hi rendition="#italics">The Friar of Orders
									Grey</hi></title> (1765). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Pericles">Pericles, ca. 495-429 B.C. (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Athenian statesman. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Perseus">Perseus&#8212; </term>
						<gloss> Greek mythological figure who slew the Gorgon and rescued <ref
								target="#Andromeda">Andromeda</ref>. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="PerticariGiulio">Perticari, Giulio, conte, 1779-1822 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Italian poet and scholar, son-in-law to <ref target="#MontiVincenzo"
								>Vicenzo Monti</ref>. Perticari aided <ref target="#MontiVincenzo"
								>Monti</ref> in the debate against linguistic purism in Italy. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PepysSamuel">Pepys, Samuel, 1633-1703 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English naval administrator, politician, and diarist. Pepys&apos; <hi
								rendition="#italics"><title>Diary</title></hi>, spanning from 1660
							to 1669 and first published in 1825, is a valuable account of
							upper-class life during the English Restoration period. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PeterIofRussia">Peter I, Emperor of Russia, 1672-1725 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Also known as Peter the Great, Peter I ruled the Tsardom of Russia
							and later the Russian Empire 1682 until his death in 1725, jointly
							ruling before 1696 with his elder half-brother. Through a number of
							successful wars, he expanded the Tsardom into a much larger empire that
							became a major European power. He led a cultural revolution that
							replaced some of the traditionalist and medieval social and political
							systems with ones that were modern, scientific, westernized and based on
							the Enlightenment. Peter’s reforms made a lasting impact on Russia, and
							many institutions of Russian government trace their origins to his
							reign. [<ref target="#BDW">BDW</ref>]</gloss></item>
					<item>
						<term xml:id="PetrarcaFrancesco">Petrarca, Francesco, 1304-1374 (Library of
							Congress Name Authority)&#8212;</term><gloss>The Italian humanist and
							lyric poet referred to as &quot;Petrarch&quot; by English speakers was
							named Poet Laureate of Rome in 1341. He is best known for his series of
							sonnets to &quot;<ref target="#Laura">Laura</ref>,&quot; whose true
							identity is unknown, and through these poems, for the inspiration he
							provided to the sixteenth- and seventeenth-century British sonneteers.
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Pharamond">Pharamond&#8212; </term>
						<gloss> A legendary early king of the Franks from some time before the fifth
							century. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Phidias">Phidias, approximately 500 B.C.-approximately 430
							B.C. (Library of Congress Name Authority)&#8212;</term>
						<gloss>Athenian painter, sculptor, and architect, frequently considered the
							key founder of the Classical Greek sculptural design. His most notable
							works include his artistic design of the Parthenon, his statue of <ref
								target="#Athena">Athena</ref> on the Athenian Acropolis, and his
							Statue of <ref target="#Zeus">Zeus</ref> at Olympia, which is considered
							one of the seven wonders of the ancient world. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ChalonPhilibert">Philibert, Prince of Orange, 1502-1530
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The last member of the House of Chalon to hold the title of Prince of
							Orange, Philibert served as a commander under <ref target="#CharlesV"
								>Charles V</ref> in the War of the League of Cognac, the Sack of
							Rome, and the Siege of Florence. Philibert died in battle toward the end
							of the siege. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PhilipofMacedon">Philip II, King of Macedonia, 382 B.C.-336
							B.C. (Library of Congress Name Authority)&#8212;</term>
						<gloss>Member of the Argead Dynasty and father of <ref
								target="#AlexandertheGreat">Alexander the Great</ref>. Philip II,
							also known as &quot;Philip of Macedon,&quot; controlled the entirety of
							Greece by the end of his reign, using both diplomatic and military
							endeavors to solidify his power. This foundation allowed for <ref
								target="#AlexandertheGreat">Alexander</ref>&apos;s expansion of
							power after Philip&apos;s death. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="PhilipVIKingofFrance">Philip VI, King of France, 1293-1350
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Philip VI, otherwise known as "Philip the Fortunate" or "Philip the
							Catholic," was the first king of France from the House of Valois. His
							rain was characterized by a succession dispute with <ref
								target="#EdwardIIIKingofEngland">King Edward III of England</ref>,
							resulting in the Hundred Years' War. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="PhilipsAmbrose">Philips, Ambrose, 1674-1749 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Known best for his pastoral poetry, playwright and poet Ambrose
							Philips was praised by <ref target="#AddisonJoseph">Joseph Addison</ref>
							and <ref target="#SteeleRichard">Richard Steele</ref>, and he probably
							contributed to their periodical <hi rendition="#italics"><title>The
									Spectator</title></hi>. His best-known play was <hi
								rendition="#italics"><title>The Distrest Mother</title></hi> (1712).
							Philips also established and authored much of the content of the
							periodical <hi rendition="#italics"><title>The Freethinker</title></hi>
							from 1718-1721. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PhilipsJohn">Philips, John, 1676-1709 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An English poet, author of <hi rendition="#italics"><title>The
									Splendid Shilling. A Poem, In Imitation of <ref
										target="#MiltonJohn">Milton</ref></title></hi> (1701) and
								<hi rendition="#italics"><title>Blenheim</title></hi> (1705). [<ref
								target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="PhillipsRichard">Phillips, R. (Richard), Sir, 1767-1840
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> One of the most important publishers of the early nineteenth
							century. In addition to his many book and pamphlet publications, he
							operated several periodicals over his career, including the <hi
								rendition="#italics"><title>Leicester Herald</title></hi>, the <hi
								rendition="#italics"><title>Museum</title></hi>, the <hi
								rendition="#italics"><title>Antiquaries Magazine</title></hi>, and
							most importantly, the <hi rendition="#italics"><title>Monthly
									Magazine</title></hi>. He was convicted and imprisoned for a
							time for selling <ref target="#PaineThomas">Thomas Paine</ref>&apos;s
								<hi rendition="#italics"><title>Rights of Man</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Philostratus">Philostratus, the Athenian, active 2nd
							century-3rd century (Library of Congress Name Authority)&#8212; </term>
						<gloss> Philostratus or Lucius Flavius Philostratus, called &quot;the
							Athenian,&quot; authored the biography of first-century C.E. philosopher
								<ref target="#ApolloniusofTyana">Appolonius of Tyana</ref> in which
							he attempts to construct his subject as an alternative to Jesus Christ.
								[<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Phocion">Phocion, -318 B.C. (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>A highly respected Athenian statesman and general. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item><term xml:id="PiccinniNiccolo">Piccinni, Niccolò, 1728-1800 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian composer of the Neapolitan school. Although he has fallen
							into relative obscurity, Piccinni was among the most popular composers
							of his time. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="PilkingtonLaetitia">Pilkington, Laetitia, 1712-1750 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> An Irish-born poet and occasional playwright who was known for her
							witty conversation. Her <hi rendition="#italics"
								><title>Memoirs</title></hi> (1748-9) and correspondence offer a
							lively picture of a number of noteworthy eighteenth-century literary
							figures. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Pindar">Pindar (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Living from roughly 518 to 438 B.C.E., Pindar is frequently
							considered to be the greatest of the ancient Greek lyric poets. He was
							the first known Greek poet to have reflected on the nature of poetry and
							the role of the poet. His poetry is a valuable reflection of the beliefs
							and values of the Archaic Grecians at the beginning of the classical
							period. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="JDP">Pinkerton, Jonathan&#8212; </term>
						<gloss>Student contributor.</gloss>
					</item>
					<item>
						<term xml:id="PittHester">Chatham, Hester Grenville Pitt, Countess of,
							1720-1803 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Formerly, Lady Hester Grenville; Wife of <ref target="#PittWilliam"
								>William Pitt</ref>, first earl of Chatham. Through their marriage,
								<ref target="#PittWilliam">Pitt</ref> formed new political alliances
							with the men of the Grenville family. [<ref target="#RD"
							>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="PittWilliam">Pitt, William, Earl of Chatham, 1708-1778
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>Also known as Pitt the Elder to distinguish him from his son, Pitt
							the younger. William Pitt is best known for his long political career
							and controversial political activism; he held the office of British
							Prime Minister from 1766 to 1768. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item><term xml:id="PittWilliamYounger">Pitt, William, 1759-1806 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Known as "Pitt the Younger" to distinguish him from his father, <ref
								target="#PittWilliam">Pitt the Elder</ref>. Pitt was a British Prime
							Minister from 1783 to 1801, again resuming office from 1804 to 1806.
							Pitt orchestrated the Acts of Union 1800 which united Great Britain and
							the Kingdom of Ireland into the United Kingdom. His tenure was
							characterized by the occurrences of the French Revolution and Napoleonic
							wars. Pitt was a major catalyst in strengthening the office of prime
							minister, generally regarded as an efficient and reform-oriented
							politician. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Plato">Plato [n.d.] (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Eminent Greek philosopher who lived from c. 428 B.C.-347 B.C. He was
							a friend and admirer of <ref target="#Socrates">Socrates</ref>, whom he
							features as a character in many of his dialogues and treatises. Among
							these, some of the most important include <hi rendition="#italics"
									><title>Apology</title></hi>, <hi rendition="#italics"
									><title>Crito</title></hi>, <hi rendition="#italics"
									><title>Gorgias</title></hi>, <hi rendition="#italics"
									><title>Ion</title></hi>, <hi rendition="#italics"
									><title>Republic</title></hi>, <hi rendition="#italics"
									><title>Phaedo</title></hi>, <hi rendition="#italics"
									><title>Phaedrus</title></hi>, <hi rendition="#italics"
									><title>Symposium</title></hi>, <hi rendition="#italics"
									><title>Timaeus</title></hi>, <hi rendition="#italics"
									><title>Critias</title></hi>, and <hi rendition="#italics"
									><title>Laws</title></hi>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Plautus">Plautus, Titus Maccius (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Roman comic dramatist living from 245-184 B.C.E., known simply as
							&quot;Plautus.&quot; Plautus&apos; comedies, strongly influenced by
							Greek theatre, are the earliest complete works of Latin literature which
							have survived. Although Plautus&apos; writing has been widely criticized
							by scholars, his works remained influential long after his death,
							influencing such literary figures as <ref target="#ShakespeareWilliam"
								>Shakespeare</ref> and <ref target="#Moliere">Moli&#232;re</ref>.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PlumptreAnne">Plumptre, Anne, 1760-1818 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Novelist, translator, and travel writer, Plumptre was part of the
							late eighteenth-century Norwich dissenting community. She authored
							several novels, with <hi rendition="#italics"><title>Something New, or,
									Adventures at Campbell-house</title></hi> (1801) now the best
							remembered. <hi rendition="#italics"><title>A Narrative of a Three
									Years&apos; Residence in France</title></hi> (1810) is the
							publication that did the most for her fame. She also published <hi
								rendition="#italics"><title>Musaeus&apos;s Physiognomical Travels,
									Preceded by a Physiognomical Journal</title></hi> (1800), her
							translation of <ref target="#MusausJohann">Johann Karl August
								Mus&#228;us</ref>&apos;s anonymously published <hi
								rendition="#italics"><title>Physiognomische Reisen, voran ein
									physiognomisch Tagebuch</title></hi> (1778-1779), a satire of
							the work of <ref target="#LavaterJohann">Johann Kaspar Lavater</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Plutarch">Plutarch (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Greek historian, essayist, biographer, philosopher, and priest,
							living from roughly 46-119 C.E. Plutarch&apos;s works heavily influenced
							the development of the biography, the essay, and historical writing in
							Europe from the 16<hi rendition="#sup">th</hi> to 19<hi rendition="#sup"
								>th</hi> centuries. He is best known for his <hi
								rendition="#italics"><title>Parallel Lives</title></hi>, a set of
							biographies of eminent Greeks and Romans, as well as his <hi
								rendition="#italics"><title>Moralia</title></hi>, a collection of
							essays on ethical, political, religious, physical, and literary
							subjects. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PolidoriJohn">Polidori, John William, 1795-1821 (Oxford
							Reference)&#8212;</term>
						<gloss>English-Italian writer, physician, son of <ref
								target="#PolidoriGaetano">Gaetano Polidori</ref> and uncle to Dante
							Gabriel and Christina Rossetti. Some consider John Polidori as the
							creator of modern vampire fiction with his work &quot;<title>The
								Vampyre</title>.&quot; John Polidori was <ref target="#ByronGeorge"
								>Lord Byron</ref>&apos;s personal physician and participated in the
							famous ghost story competition in Geneva which resulted in <ref
								target="#ShelleyMary">Mary Shelley</ref>&apos;s <hi
								rendition="#italics"><title>Frankenstein</title></hi>. Inadequately
							financially supported by his writing or medical career and suffering
							from debt and depression, Polidori committed suicide in 1821. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PolidoriGaetano">Polidori, Gaetano, 1764-1853 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An Italian scholar, translator, and author who settled in London in
							1790, Polidori was father to <ref target="#PolidoriJohn">John William
								Polidori</ref>, author of <hi rendition="#italics"><title>The
									Vampyre</title></hi>, and grandfather to Dante Gabriel and
							Christina Rossetti. [<ref target="#JDP">JDP</ref>] [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Polonius">Polonius</term>
						<gloss>Character in <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s drama <hi rendition="#italics"
									><title>Hamlet</title></hi>, he is father to <ref
								target="#Laertes">Laertes</ref>. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="PomfretJohn">Pomfret, John, 1667-1702 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An English poet and clergyman, author of <hi rendition="#italics"
									><title>The Choice</title></hi> (1700). [<ref target="#JDP"
								>JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="PompeytheGreat">Pompey, the Great, 106 B.C.-48 B.C. (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>Gnaeus Pompeius Magnus, known presently as &quot;Pompey the
							Great,&quot; was considered among the greatest Late Roman generals and
							statesman. A senatorial noble, triumvir, and opponent of <ref
								target="#CaesarJulius">Julius Caesar</ref>, Pompey the Great was an
							influential figure in the transformation of the Roman Republic into the
							Roman Empire. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PonsonbySarah">Ponsonby, Sarah, 1755-1831 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>One of the &quot;Ladies of Llangollen&quot;. With <ref
								target="#ButlerEleanorLady">Lady Eleanor Butler</ref>, the subject
							of <ref target="#WordsworthWilliam">William Wordsworth</ref>&apos;s
							sonnet &quot;<title>To the Lady E.B. and the Hon. Miss P.</title>&quot;.
							She and Butler left conventional marriages to move to Llangollen in
							Wales and cohabitate, fascinating and scandalizing contemporaries by
							wearing men&apos;s clothing. Though many observers believed that the two
							were a sexual couple, diary evidence suggest that may not have been the
							case. [<ref target="#MW">MW</ref>}</gloss>
					</item>
					<item>
						<term xml:id="PopeAlexander">Pope, Alexander, 1688-1744 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Pope was so significant to the eighteenth- and nineteenth-century
							writers who followed him that an exhaustive catalog of his work is far
							beyond the scope of a brief note. Among the most important are <hi
								rendition="#italics"><title>An Essay On Criticism</title></hi>
							(1711); <hi rendition="#italics"><title>Windsor-Forest</title></hi>
							(1713); <hi rendition="#italics"><title>The Rape of the
								Lock</title></hi> (1714); <hi rendition="#italics"><title>Eloisa to
									Abelard</title></hi> (1719); <hi rendition="#italics"><title>The
									Dunciad</title></hi> (1728); <hi rendition="#italics"><title>Of
									False Taste</title></hi> (1732); <hi rendition="#italics"
									><title>An Essay On Man</title></hi> (1733-1734); <hi
								rendition="#italics"><title>An Epistle From Mr. Pope, To <ref
										target="#ArbuthnotJohn">Dr. Arbuthnot</ref></title></hi>
							(1735); <hi rendition="#italics"><title>Of The Characters of Women: An
									Epistle To A Lady</title></hi> (1735); a series of Horatian
							satires; and a sequence of pastoral poems. His edition of <hi
								rendition="#italics"><title>The Works of <ref
										target="#ShakespeareWilliam">Shakespear</ref></title></hi>
							(1725) was also a landmark, as were several of his translations, most
							notably those of <ref target="#Homer">Homer</ref>&apos;s <hi
								rendition="#italics"><title>Iliad</title></hi> (1715-1720) and<hi
								rendition="#italics"><title> Odyssey</title></hi> (1725-1726). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PortinariBeatrice">Portinari, Beatrice, 1266-1290 (Library of
							Congress Name Authority)&#8212;</term><gloss>The woman admired by the
							poet <ref target="#Dante">Dante Alighieri</ref>, mentioned in a number
							of his poems and the inspiration or model for his fictional guide in <hi
								rendition="#italics"><title>Paradiso</title></hi> (c. 1321). [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Poussin">Poussin, Nicolas, 1594?-1665 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>A French painter known for his heroic, mythological, and religious
							themes, and especially for the landscape painting that occupied much of
							his later years, Poussin was powerfully influential on French painters
							of the Romantic period. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="PowellWilliam">Powell, William, 1735-1769 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English actor who built a successful career performing on both London
							and Bristol stages. [<ref target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="PowlettCharles">Powlett [Paulet], Charles, third duke of
							Bolton (1685–1754) (<hi rendition="#italics"><title>Oxford Dictionary of
									National Biography</title></hi>)&#8212;</term>
						<gloss>English landowner, Whig politician, and peer, holding the titles of
							Earl of Wiltshire from 1685 until 1699 and Marquess of Winchester from
							1699 until 1722. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="PoyntzJohn">Poyntz, John, approximately 1485-1544 (History of
							Parliament Trust)&#8212;</term>
						<gloss>English courtier, politician, member of Parliament, and friend of
								<ref target="#WyattThomas">Sir Thomas Wyatt</ref>. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="PrattSamuelJackson">Pratt, Mr. (Samuel Jackson), 1749-1814
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Pratt&apos;s <hi rendition="#italics"><title>Emma Corbett; or, The
									Miseries of Civil War</title></hi> (1780) sets a love story
							against the backdrop of the American Revolution. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PrescottMary">Prescott, Mary&#8212; </term>
						<gloss> Friend of <ref target="#ChaponeMrs">Hester Chapone</ref>, and later
							wife to Chapone&apos;s brother, <ref target="#MulsoThomas">Thomas
								Mulso</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Prevostabbe">Pr&#233;vost, abb&#233;, 1697-1763 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> The Abb&#233; Antoine-Francois Pr&#233;vost authored <hi
								rendition="#italics"><title>Histoire du Chevalier des Grieux et de
									Manon Lescaut</title></hi> (1767). He also translated <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s major
							novels into French. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PriceRichard">Price, Richard, 1723-1791 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Radical Unitarian minister and close friend of <ref
								target="#PriestleyJoseph">Joseph Priestley</ref>, Rev. Price is best
							remembered for his sermon <hi rendition="#italics"><title>A Discourse on
									the Love of Our Country</title></hi> (1789), which provoked <ref
								target="#BurkeEdmund">Edmund Burke</ref> to write <hi
								rendition="#italics"><title>Reflections on the Revolution in
									France</title></hi>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PriestleyJoseph">Priestley, Joseph, 1733-1804 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Unitarian minister Joseph Priestley was a well known radical
							philosopher, theologian, historian, scientist, and reform writer. An
							important member of the Dissenting circle that frequented Joseph
							Johnson&apos;s publishing establishment, he was also a particularly
							close friend of <ref target="#BarbauldMrs">Anna Letitia Barbauld</ref>.
							During the 1791 &quot;church and king&quot; riots in Birmingham,
							Priestley&apos;s home and laboratory were destroyed by the mob, and in
							1794 he emigrated to America. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="PriorMatthew">Prior, Matthew, 1664-1721 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An important and influential poet, Prior was most successful with
							his publication of <hi rendition="#italics"><title>Poems on Several
									Occasions</title></hi> (1718), which included his longest poem,
								&quot;<title>Solomon on the Vanity of the World,</title>&quot; a
							soliloquy on the failure to find worldly happiness. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Proserpine">Proserpine&#8212; </term>
						<gloss> Roman goddess of the Underworld. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Prospero">Prospero&#8212;</term>
						<gloss>The fictional protagonist of <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s <hi rendition="#italics"><title>The
									Tempest</title></hi>, Prospero is the rightful Duke of Milan,
							banished to sea by his usurping brother, Antonio. Prospero and his
							daughter, Miranda, find refuge on an island, where Prospero learns
							sorcery from books and uses it to protect his daughter and control the
							other characters, such as <ref target="#Ariel">Ariel</ref> and <ref
								target="#Caliban">Caliban</ref>, whom he has enslaved. At the end of
							the play, Prospero sinks his books in the sea, likely in an effort to
							appease <ref target="#ShakespeareWilliam">Shakespeare</ref>&apos;s
							audiences, who viewed magic as devilish. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="Psalmanazar">Psalmanazar, George, 1679?-1763 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Though probably born in France, Psalmanazar claimed to be a native
							of the island of Formosa kidnapped by European missionaries and brought
							to Europe against his will. In that capacity he authored several works,
							including the far-fetched yet very successful <hi rendition="#italics"
									><title>An historical and geographical description of
									Formosa</title></hi> (1704) and a number of contributions to the
							seven volume <hi rendition="#italics"><title>An universal history; from
									the earliest account of time to the present</title></hi> (with
							G. Sale, A. Bower, G. Shelvocke, J. Campbell, J. Swinton, etc.,
							1736-44). His <hi rendition="#italics"><title>Memoirs of ****, commonly
									known by the name of George Psalmanazar: a reputed native of
									Formosa</title></hi> (1764) was published posthumously. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="PulteneyWilliam">Bath, William Pulteney, Earl of, 1684-1764
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English Whig politician who served in the House of Commons from 1707
							to 1742, at which point he was elevated to the peerage as the Earl of
							Bath by <ref target="#GeorgeIIKingofGreatBritain">King George II</ref>.
							Pulteney served as the Secretary of War (1714-1717), First Lord of the
							Treasury (1746), and Prime Minister of Great Britain as part of the
							short-lived Bath–Granville Patriot Whig ministry of 1746, although most
							historians do not consider him to have legitimately held the title.
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="PuttenhamGeorge">Puttenham, George, -1590 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English courtier and literary critic, generally accepted as the
							author of <hi rendition="#italics"><title>The Arte of English
									Poesie</title></hi>, an influential critical work on poetry and
							rhetoric. Although the authorship of the work has been disputed, with
							some suggesting his brother, Richard, to be the true author, the style
							and ideas of the book strongly align with Puttenham&apos;s other
							writings, affirming his claim to authorship. [<ref target="#LD"
							>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="QuarlesFrancis">Quarles, Francis, 1592-1644 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>English poet, best known for <hi rendition="#italics"
									><title>Emblems</title></hi> (1635) and <hi rendition="#italics"
									><title>Heiroglyphikes of the Life of Man</title></hi> (1638).
								[<ref target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="QuarterlyReview"><hi rendition="#italics"><title>Quarterly
									Review</title></hi></term>
						<gloss>The conservative <hi rendition="#italics"><title>Quarterly
									Review</title></hi>, first edited by <ref
								target="#GiffordWilliam">William Gifford</ref> and published by <ref
								target="#MurrayJohn1778">John Murray</ref> from 1809 to 1967, was
							the <ref target="#EdinburghReview"><title>Edinburgh
							Review</title></ref>&apos;s most important rival. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item><term xml:id="QuickJohn">Quick, John, 1748-1831 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Popular British comedian and tenor, best known for his roles of Tony
							Lumpkin in <ref target="#GoldsmithOliver">Oliver Goldsmith</ref>'s <hi
								rendition="#italics"><title>She Stoops to Conquer</title></hi>
							(1773), Bob Acres in <ref target="#SheridanRichard">Richard Brinsley
								Sheridan</ref>'s <hi rendition="#italics"><title>The
								Rivals</title></hi> (1775), and Isaac in <ref
								target="#SheridanRichard">Sheridan</ref>'s <hi rendition="#italics"
									><title>The Duenna</title></hi> (1775). [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="RabelaisFrancois">Rabelais, Fran&#231;ois, ca. 1490-1553?
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Rabelais&apos;s <hi rendition="#italics"><title>Gargantua and
									Pantagruel</title></hi> (1532-64) is a satirical epic that
							earned its author wide acclaim. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RacineJean">Racine, Jean, 1639-1699 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>French dramatist, poet, and historiographer best known for his
							mastery of the French classical tragedy, particularly through his adept
							use of the alexandrine line, a prominent feature of the poetic meter of
							seventeenth century French tragedy. He is also renowned for his
							characters, crafted through the Racinian view of humanity as driven by a
							need for acceptance in order to compensate for consuming feelings of
							inadequacy. Among his many works, a few of Racine&apos;s most notable
							ones include <hi rendition="#italics"><title>Andromaque</title></hi>
							(1668), <hi rendition="#italics"><title>Britannicus</title></hi> (1670),
								<hi rendition="#italics"><title>B&#233;r&#233;nice</title></hi>
							(1671), <hi rendition="#italics"><title>Bajazet</title></hi> (1672), <hi
								rendition="#italics"><title>Ph&#232;dre</title></hi> (1677), and <hi
								rendition="#italics"><title>Athalie</title></hi> (1691). [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RadcliffeAnn">Radcliffe, Ann Ward, 1764-1823 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> The foremost author in the development of the Gothic novel,
							Radcliffe also produced a travel narrative, <hi rendition="#italics"
									><title>A Journey Made in the Summer of 1794, through Holland
									and the Western Frontier of Germany, with a Return Down the
									Rhine</title></hi> (1795), which features the same proficiency
							in natural description that delighted readers of her fiction. Her novels
							include <hi rendition="#italics"><title>The Castles of Athlin and
									Dunbayne</title></hi> (1789), <hi rendition="#italics"><title>A
									Sicilian Romance</title></hi> (1790), <hi rendition="#italics"
									><title>The Romance of the Forest</title></hi> (1791), <hi
								rendition="#italics"><title>The Mysteries of Udolpho</title></hi>
							(1794), <hi rendition="#italics"><title>The Italian, or The Confessional
									of the Black Penitents</title></hi> (1797), and the posthumously
							published <hi rendition="#italics"><title>Gaston de
								Blondeville</title></hi> (1826). Her essay &quot;<title>On the
								Supernatural in Poetry</title>&quot; appeared posthumously in the<hi
								rendition="#italics"><title> New Monthly Magazine</title></hi> 16
							(February 1826): 145-52. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RaleighWalter">Raleigh, Walter, Sir, 1552?-1618 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Knighted by <ref target="#ElizabethIQueenofEngland">Queen
								Elizabeth</ref>, Sir Walter Raleigh was an author, explorer, and
							statesman. Although Sir Walter was a favorite of the <ref
								target="#ElizabethIQueenofEngland">Queen</ref>, he was accused of
							treason by her successor, <ref target="#JamesIKingofEngland">James
								I</ref>, making Sir Walter a controversial figure during his
							lifetime. Sir Walter&apos;s writing addresses the <ref
								target="#ElizabethIQueenofEngland">Queen</ref>&apos;s betrayal in
							allowing his imprisonment, as well as endeavors to disprove the charges
							of atheism brought against him. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="GR">Ramirez, Gabrielle&#8212; </term>
						<gloss>Student contributor.</gloss>
					</item>
					<item>
						<term xml:id="RamsayAllan">Ramsay, Allan, 1686-1758 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Though known for his Scottish songs and fables, Ramsay&apos;s
							greatest success was the pastoral drama <hi rendition="#italics"
									><title>The Gentle Shepherd</title></hi> (1725). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RamsayAndrewMichael">Ramsay, Chevalier (Andrew Michael),
							1686-1743 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Scottish writer Andrew Michael Ramsay settled in France in 1710,
							where he published <hi rendition="#italics"><title>Les Voyages de
									Cyrus</title></hi> in 1727. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="RandolphThomas">Randolph, Thomas, 1605-1635 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English poet and dramatist who employed Aristotelian logic in the
							creation of unique comedies. Randolph was part of the &quot;Sons of <ref
								target="#JonsonBen">Ben</ref>,&quot; a group of dramatists following
							in the footsteps of <ref target="#JonsonBen">Ben Jonson</ref>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Raphael">Raphael, 1483-1520 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Italian painter appreciated for the harmonious grace of his
							painting. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RapindeThoyras">Rapin de Thoyras, M. (Paul), 1661-1725
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Paul de Rapin authored a notable history of England (1724),
							translated from the French and published in English in 1725. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ReadJohn">Read, John&#8212; </term>
						<gloss> A clerk assistant to the House of Commons, Read was close enough
							friend to <ref target="#RichardsonSamuel">Samuel Richardson</ref> that
							Richardson intended to leave Read a mourning ring, but was prevented by
							Read&apos;s own death. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RediFrancesco">Redi, Francesco, 1626-1697 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Italian biologist, physician, linguist, and poet. His best-known
							literary work was <hi rendition="#italics"><title>Bacco in
									Toscana</title></hi> (1685). [<ref target="#ZP">ZP</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ReedIsaac">Reed, Isaac, 1742-1807 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English theatrical editor and Shakespearean scholar, best known for
							his <hi rendition="#italics"><title>Biographia Dramatica</title></hi>
							(1782). [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ReeveClara">Reeve, Clara, 1729-1807 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> A landmark figure in the development of the Gothic novel, Reeve was
							also a poet, educational writer, and literary critic. Her <title><hi
									rendition="#italics">Original Poems in Several
								Occasions</hi></title> appeared in 1769 under the initials C.R.
							Reeve&apos;s most significant novel was <hi rendition="#italics"
									><title>The Champion of Virtue. A Gothic Story</title></hi>
							(1777), republished as <hi rendition="#italics"><title>The Old English
									Baron</title></hi> (1778). Its preface offers important comments
							on the theory of the Gothic novel. Her historical novel <hi
								rendition="#italics"><title>Memoirs of Sir Roger de Clarendon, the
									Natural Son of Edward Prince of Wales, Commonly Called the Black
									Prince</title></hi> (1793) is also noteworthy. Reeve&apos;s
							other novels include <title><hi rendition="#italics">The Two Mentors: A
									Modern Story</hi></title> (1783), <title><hi
									rendition="#italics">The Exiles; or, Memoirs of the Count de
									Cronstadt</hi></title> (1788), <title><hi rendition="#italics"
									>The School for Widows: A Novel</hi></title> (1791), <title><hi
									rendition="#italics">Plans of Education; With Remarks on the
									Systems of Other Writers. In a Series of Letters Between Mrs.
									Darnford and Her Friends</hi></title> (1792), and <title><hi
									rendition="#italics">Destination; or, Memoirs of a Private
									Family</hi></title> (1799). <title><hi rendition="#italics">The
									Phoenix; or, The History of Polyarchus and Argenis</hi></title>,
							is her translation of <title><hi rendition="#italics"
								>Argenis</hi></title> (1621) by <ref target="#BarclayJohn">John
								Barclay</ref>. In literary criticism Reeve was best known for <hi
								rendition="#italics"><title>The Progress of Romance</title></hi>
							(1785) and an exchange with <ref target="#SewardAnna">Anna Seward</ref>
							in a series of letters to the <hi rendition="#italics"
									><title>Gentleman&apos;s Magazine</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ReichErasmus">Reich, Erasmus&#8212; </term>
						<gloss> A Leipzig bookseller. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="ReneIKingofNaples">René I, King of Naples and Jerusalem,
							1409-1480 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Duke of Anjou (from 1430), Duke of Bar (from 1434), and Count of
							Provence and of Piedmont (from 1434). He was also duke consort of
							Lorraine from 1431 to 1453 and king of Naples from 1435 until his
							deposition in 1442. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="ReniGuido">Reni, Guido, 1575-1642 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Italian baroque painter of mythological and religious subjects, very
							much admired in England during the Romantic period. A portrait of <ref
								target="#CenciBeatrice">Beatrice Cenci</ref> ascribed to him
							inspired <ref target="#ShelleyPercy">Percy Bysshe Shelley</ref>&apos;s
							play <hi rendition="#italics"><title>The Cenci </title></hi>(1819).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RetzJeanFrancois">Retz, Jean Fran&#231;ois Paul de Gondi de,
							1613-1679 (Library of Congress Name Authority)&#8212; </term>
						<gloss> An French churchman, who claimed literary fame for his memoirs,
							published in 1717, which detail the political intrigues of France
							between 1648 and 1652. [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ReynoldsFrederick">Reynolds, Frederick, 1764-1841 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Frederick Reynolds was a prolific if only moderately successful
							English playwright. Among his many plays was the comedy <hi
								rendition="#italics"><title>The Dramatist, or Stop Him Who
									Can</title></hi> (1789). [<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RiberaJusepe">Ribera, Jusepe de, 1591-1652 &#8212; </term>
						<gloss>Spanish artist also known as Jos&#233; de Ribera and as "Lo
							Spagnoletto." His paintings followed those of <ref target="#Caravaggio"
								>Caravaggio</ref> in style but emphasized scenes of agony and horror
							such as <hi rendition="#italics">The Martyrdom of Saint
							Bartholomew</hi>, depicting the saint&apos;s flaying. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RiccoboniMarie">Riccoboni, Marie Jeanne de Heurles Laboras de
							Mezières, 1713-1792 (Library of Congress Name Authority)&#8212; </term>
						<gloss> A French epistolary novelist, Riccoboni&apos;s influence in England
							depended on early translations of several of her novels, including <hi
								rendition="#italics"><title>Histoire de M. le marquis de
									Cressy</title></hi> (1758; translated as <hi
								rendition="#italics"><title>The History of the Marquis de
									Cressy</title></hi> in 1759), <hi rendition="#italics"
									><title>Lettres de Milady Juliette Catesby</title></hi> (1759;
							translated as <hi rendition="#italics"><title>Letters from Juliet Lady
									Catesby</title></hi> by <ref target="#BrookeFrances">Frances
								Brooke</ref>, 1760), <hi rendition="#italics"><title>Histoire de
									Miss Jenny</title></hi> (1764; translated as <hi
								rendition="#italics"><title>The History of Miss Jenny
									Salisbury</title></hi> the same year), <hi rendition="#italics"
									><title>Lettres d&apos;Ad&#233;la&#239;de de Dammartin, comtesse
									de Sancerre</title></hi> (1767; translated as <hi
								rendition="#italics"><title>Letters from the Countess de
									Sancerre</title></hi> the same year), and <hi
								rendition="#italics"><title>Lettres d&apos;Elisabeth-Sophie de
									Valli&#232;re &#224; Louise-Hortence de Canteleu, son
									amie</title></hi> (1772; translated as <hi rendition="#italics"
									><title>Letters from Elizabeth Sophia de Valiere</title></hi>
							the same year). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichJohn">Rich, John, 1682?-1761 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>An English theatre manager and actor. He is responsible for the
							popularization of English pantomime. Rich built and opened the first
								<ref target="#CoventGarden">Covent Garden Theatre</ref> in 1732 with
							profits from his successful management of Lincoln's Inn Fields Theatre.
								[<ref target="#VW">VW</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RichardIKingofEngland">Richard I, King of England, 1157-1199
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Known as &quot;the Lionhearted,&quot; for his brave fighting in the
							Crusades, Richard I&apos;s legend was popularized through a number of
							sources as part of the Robin Hood legends. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="RichardIIKingofEngland">Richard II, King of England, 1367-1400
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> King of England from 1377 until he was deposed in 1399 by Henry
							Bolingbroke, Duke of Lancaster, who became Henry IV. Probably his most
							noteworthy act was facing down the Peasant&apos;s Revolt (or Wat Tyler
							Rebellion) in 1381. [<ref target="#JDP">JDP</ref>] [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardIIIKingofEngland">Richard III, King of England,
							1452-1485 (Library of Congress Name Authority)&#8212; </term>
						<gloss> The controversial brother of <ref target="#EdwardIVKingofEngland"
								>King Edward IV</ref>, Richard reigned as King of England from 1483
							until his death in 1485 in the Battle of Bosworth Field in The Wars of
							the Roses. The victor, Henry Tudor, thereby became <ref
								target="#HenryVIIKingofEngland">Henry VII</ref>. [<ref target="#JDP"
								>JDP</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardsonAnne">Richardson, Anne (a.k.a. Nancy; baptized in
							1737)&#8212; </term>
						<gloss>
							<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s daughter
							with his wife <ref target="#RichardsonElizabethwife">Elizabeth</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardsonElizabethdaughter">Richardson, Elizabeth&#8212; </term>
						<gloss>
							<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s daughter.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardsonElizabethwife">Richardson, Elizabeth, <hi
								rendition="#italics">n&#233;e</hi> Leake&#8212; </term>
						<gloss>
							<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s second
							wife, whom he married in 1733. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardsonMarthawife">Richardson, Martha, <hi
								rendition="#italics">n&#233;e</hi> Wilde &#8212; </term>
						<gloss> Daughter of <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s master during his apprenticeship, she became in
							1721 his first wife. She died in 1731. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="RichardsonMarthadaughter">Richardson, Martha (a.k.a. Patty;
							baptized in 1736)&#8212; </term>
						<gloss>
							<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s daughter
							with his wife <ref target="#RichardsonElizabethwife">Elizabeth</ref>.
							She married Edward Brigden. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardsonMarydaughter">Richardson, Mary (a.k.a. Polly;
							baptized 1753&#8212; </term>
						<gloss>
							<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s daughter
							with his wife <ref target="#RichardsonElizabethwife">Elizabeth</ref>.
							She married Philip Ditcher. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardsonSamuel">Richardson, Samuel, 1689-1761 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Richardson is known as the inventor of the epistolary novel, which
							he developed while working on a collection of model letters, <hi
								rendition="#italics"><title>Letters Written to and for Particular
									Friends, on the Most Important Occasions</title></hi>, better
							known as <hi rendition="#italics"><title>Familiar Letters</title></hi>
							(1741). His three most famous works are all named after the sentimental
							heroes or heroines whose stories they relate. <hi rendition="#italics"
									><title>Pamela: or, Virtue Rewarded</title></hi> (1740-1) tells
							of a virtuous servant who holds out against her employer&apos;s immodest
							advances until ultimately he rewards her with marriage. In <hi
								rendition="#italics"><title>Clarissa</title></hi> (1747-9), one of
							the best-loved novels of the eighteenth century, the heroine is locked
							up by her parents in an attempt to force her to marry a wealthy but
							abhorrent neighboring landowner. Rescued by Lovelace, a rakish local
							aristocrat, she is kept prisoner and subjected to his relentless
							advances and eventual rape before her prolonged and dramatic death. The
							eponymous and infinitely kind and virtuous hero of Richardson&apos;s <hi
								rendition="#italics"><title>History of Sir Charles
								Grandison</title></hi> (1754) rescues the heroine, Harriet Byron,
							after she has been abducted by an iniquitous nobleman. The Italian
							Clementina della Porretta is one of Harriet&apos;s rivals for the
							hero&apos;s affection. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RichardsonSarah">Richardson, Sarah (a.k.a. Sally; baptized
							1740)&#8212; </term>
						<gloss>
							<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s daughter
							with his wife <ref target="#RichardsonElizabethwife">Elizabeth</ref>.
							She married Richard Crowther. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RidleyJames">Ridley, James, 1736-1765(Library of Congress Name
							Authority)&#8212;</term>
						<gloss>James Ridley is remembered mainly for his <title><hi
									rendition="#italics">Tales of the Genii</hi></title>, published
							in 1764 under the pen name Sir Charles Morell. [<ref target="#VW"
								>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RimiusHenry">Rimius, Henry, d. ca. 1757 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Author of a number of tracts on the Moravians, Rimius translated
								<ref target="#StinstraJohannes">Stinstra</ref>&apos;s <hi
								rendition="#italics"><title>A Pastoral Letter against
									Fanaticism</title></hi> into English. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RitsonJoseph">Ritson, Joseph, 1752-1803 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English antiquary, supporter of the French Revolution, and vegetarian
							activist. Ritson challenged editors of early English poetry, firmly
							believing in maintaining textual accuracy in the editing of early texts.
							As a publisher of children&apos;s songs, verses, and fairy stories,
							Ritson is best remembered for his <hi rendition="#italics"><title>Robin
									Hood: A Collection of All the Ancient Poems, Songs and Ballads
									Now Extant Relative to That Outlaw.</title></hi> [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RivingtonCharles">Rivington, Charles, 1688-1742 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A long-standing business associate and friend to <ref
								target="#RichardsonSamuel">Samuel Richardson</ref>, Rivington
							founded one of the most important family bookselling concerns of the
							late eighteenth century. Among other significant works, his firm
							published the first volume of <hi rendition="#italics"
									><title>Pamela</title></hi> (1740-1). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Robespierre">Robespierre, Maximilien, 1758-1794 &#8212; </term>
						<gloss>A French lawyer and persuasive public speaker who rose to power
							during the French Revolution, Robespierre was the primary force
							responsible for the bloody Reign of Terror and the guillotining of tens
							of thousands. Robespierre himself lost his life to the guillotine in
							July 1794. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RobinsonMary">Robinson, Mary, 1758-1800 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Mary Robinson was a novelist, poet, actress, and notable personality
							in British fashionable society. Married at fifteen after her father
							became insolvent in a whaling venture, Mary lived a fashionable life in
							London until the gambling and financial incompetence of her husband
							Thomas Robinson forced them into exile in Wales. Soon after, the
							Robinsons arranged publication of Mary&apos;s <hi rendition="#italics"
									><title>Poems</title></hi> (1775) as a means of raising money to
							satisfy creditors. Nevertheless, Thomas Robinson was arrested for debt
							and Mary and her infant daughter joined him for ten months in
							King&apos;s Bench Prison. Inspired by the experience, she composed <hi
								rendition="#italics"><title>Captivity, a Poem, and Celadon and
									Lydia, a Tale</title></hi> (1777). Having earlier attracted the
							attention of the celebrated actor <ref target="#GarrickDavid">David
								Garrick</ref>, Mary Robinson made her acting debut late in 1776.
							Three years later, <ref target="#GeorgeIIIKingofGreatBritain">King
								George III</ref>, Queen Charlotte, and <ref
								target="#GeorgeIVKingofGreatBritain">their eldest son</ref> attended
							a performance of <ref target="#ShakespeareWilliam"
							>Shakespeare</ref>&apos;s <hi rendition="#italics"><title>A
									Winter&apos;s Tale</title></hi> with Robinson playing Perdita.
							Thus began a widely known but relatively short-lived relationship with
							the <ref target="#GeorgeIVKingofGreatBritain">Prince of Wales</ref>
							that, because of the scandal, ended Robinson&apos;s acting career but
							resulted in an irregularly paid &#163;500 annuity. After this affair
							ended, she began a long-time relationship with Colonel Banastre
							Tarleton. In 1783, Robinson miscarried Tarleton&apos;s child, and the
							subsequent complications left her legs almost completely paralyzed.
							After a sojourn in France to escape Tarleton&apos;s creditors, the
							couple returned to London in 1788, where Robinson began, under the
							pseudonym &quot;Laura Marie,&quot; composing sentimentally delicate
							Della Cruscan poetry for the <hi rendition="#italics"
									><title>World</title></hi>. These pieces were collected in <hi
								rendition="#italics"><title>Poems</title></hi> (1791), with numerous
							other publications following, including <hi rendition="#italics"
									><title>Sappho and Phaon</title></hi> (1796). The preface of
							this volume, outlining the current place of the sonnet in English
							literature, helped inaugurate the sonnet revival during the romantic
							period. Though primarily a poet, Robinson authored numerous novels, the
							most noteworthy of which include <hi rendition="#italics"
									><title>Vancenza</title></hi> (1792), <hi rendition="#italics"
									><title>The Widow</title></hi> (1794), <hi rendition="#italics"
									><title>Angelina</title></hi> (1796), <hi rendition="#italics"
									><title>Hubert de Sevrac</title></hi> (1796), <hi
								rendition="#italics"><title>Walsingham</title></hi> (1797), <hi
								rendition="#italics"><title>The False Friend</title></hi> (1799),
							and <hi rendition="#italics"><title>The Natural Daughter</title></hi>
							(1799), and these did the most toward improving her financial stability.
							Her operetta, <hi rendition="#italics"><title>The Lucky
								Escape</title></hi> (1778) and her satirical drama, <hi
								rendition="#italics"><title>Nobody</title></hi> (1794) were
							produced, while her tragedy <hi rendition="#italics"><title>The Sicilian
									Lover</title></hi> (1796) appeared in print. Under the names
							&quot;Tabitha Bramble&quot; and &quot;Laura&quot;, she contributed
							poetry and for a time edited the poetry section of <hi
								rendition="#italics"><title>The Morning Post</title></hi>. <hi
								rendition="#italics"><title>A Letter to the Women of England, on the
									Cruelties of Mental Subordination</title></hi> (1799, later <hi
								rendition="#italics"><title>Thoughts on the Condition of
									Women</title></hi>), published under the pseudonym &quot;Anne
							Frances Randall,&quot; champions the woman writer. <hi
								rendition="#italics"><title>Lyrical Tales</title></hi> (1800), the
							last volume published in her lifetime, appeared only a few days before
							her death in December, 1800. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RobinsonThomas">Robinson, Thomas&#8212; </term>
						<gloss> See <ref target="#GranthamThomas">Grantham, Thomas Robinson,
								Baron</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RochefoucauldFran&#231;oisdeLa">Rochefoucauld, Fran&#231;ois
							de La, 1558-1645 (Library of Congress Name Authority)&#8212;
							</term><gloss> French aristocrat known for his sometimes acerbic <hi
								rendition="#italics"><title>Maximes</title></hi>, which he revised
							and added to until the end of his life. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RochesterJohnWilmot">Rochester, John Wilmot, Earl of,
							1647-1680 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Regarded by many of his time as one of the day&apos;s best poets,
							Rochester was known for his ribald wit, elegance, cynicism, and incisive
							satire, which he exhibited in works that circulated in a coterie
							associated with the court of <ref target="#CharlesIIKingofEngland"
								>Charles II</ref>. His work presents a particularly impressive
							example of the collaborative composition and resulting complexities of
							attribution associated with coterie poetry. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="RodriquezdeMontalvo">Rodr&#237;guez de Montalvo, Garci [n.d.]
							(Library of Congress Name Authority); c. 1440-c. 1500 (<hi
								rendition="#italics"><title>Oxford Companion to Spanish
									Literature</title></hi>)&#8212; </term>
						<gloss> Rodr&#237;guez de Montalvo&apos;s <hi rendition="#italics"
									><title>Amadis de Gaula</title></hi> (1508) is a romance
							narrative reworked from a previously existing story dating from at least
							the late thirteenth century. <ref target="#SoutheyRobert">Robert
								Southey</ref>&apos;s translation into English appeared in 1803.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RogersWoodes">Rogers, Woodes, -1732 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Rogers, later Royal Governor of The Bahamas, led the Dampier
							expedition against the Spanish which rescued <ref
								target="#SelkirkAlexander">Alexander Selkirk</ref> on February 1,
							1709. His book, <title><hi rendition="#italics">A Cruising Voyage Round
									the World</hi></title> (1712), sold well due largely to public
							fascination with <ref target="#SelkirkAlexander">Selkirk</ref>&apos;s
							rescue. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Roland">Roland&#8212;</term>
						<gloss>Originally a historical character who served under <ref
								target="#Charlemagne">Charlemagne</ref>, Roland is the legendary
							hero of the French <hi rendition="#italics">chanson de geste</hi>
							<hi rendition="#italics"><title> La Chanson de Roland</title></hi> (<hi
								rendition="#italics"><title>The Song of Roland</title></hi>) and, as
							Orlando, in the <hi rendition="#italics"><title>L&apos;Orlando
									Innamorato</title></hi> of <ref target="#BoiardoMatteo"
								>Boiardo</ref> and <ref target="#Ariosto">Ariosto</ref>&apos;s <hi
								rendition="#italics"><title>Orlando Furioso</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RosaSalvatore">Rosa, Salvatore, 1615-1673 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Especially known for his wild, dramatic landscapes and battle scenes,
							Italian painter Salvator Rosa influenced many Romantic writers’ literary
							evocations of the sublime. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Rosalind">Rosalind&#8212; </term>
						<gloss>Rosalind is the protagonist and heroine of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>As You Like It</title></hi>. Daughter of
							the exiled Duke Senior and niece of his usurper, Duke Frederick,
							Rosalind disguises herself as a shepherd named Ganymede. [<ref
								target="#LD">LD</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Roscius">Roscius Gallus, Quintus (d. 62 B.C.; <hi
								rendition="#italics"><title>Encyclopedia
							Britannica</title></hi>)&#8212; </term>
						<gloss> Roman comic actor; the most famous of his time. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RosencrantzGuildenstern">Rosencrantz and Guildenstern</term>
						<gloss>Characters in <ref target="#ShakespeareWilliam">William
								Shakespeare</ref>&apos;s drama <hi rendition="#italics"
									><title>Hamlet</title></hi>. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RosiniGiovanni">Rosini, Giovanni, 1776-1855 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian novelist, poet, playwright, historian, and intellectual.
								[<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Rossini">Rossini, Gioacchino, 1792-1868 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Italian composer particularly respected for his numerous operas. His
							best known work is <hi rendition="#italics"><title>Il barbiere di
									Siviglia</title></hi> (<hi rendition="#italics"><title>The
									Barber of Seville</title></hi>, 1816). A few of his other
							particularly well-loved compositions include L’Italiana in Algeri (The
							Italian Girl in Algiers, 1813), Cinderella (1817), Semiramide (1823),
							and William Tell (1829). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RousseauJeanBaptiste">Rousseau, Jean-Baptiste, 1670-1741
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> French poet and dramatist whose <hi rendition="#italics"><title>Odes
									sacr&#233;es</title></hi> (1702) were well regarded. He was
							exiled in 1710 for some defamatory verses attributed to him, and died in
							poverty. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RousseauJeanJacques">Rousseau, Jean-Jacques, 1712-1778
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> One of the most influential among eighteenth-century writers,
							Rousseau was one of the period&apos;s most controversial figures as
							well. His most important works translated into English include <hi
								rendition="#italics"><title>Discours qui a remport&#233; le prix à
									l&apos;Acad&#233;mie de Dijon, en l&apos;ann&#233;e 1750, sur
									cette question propos&#233;e par la m&#234;me Acad&#233;mie:
									&quot;Si le r&#233;tablissement des Sciences et des Arts a
									contribu&#233; à &#233;purer les moeurs&quot;</title></hi> (1750
							as &quot;a citizen of Geneva&quot;; translated as <hi
								rendition="#italics"><title>A Discourse on the Arts and
									Science</title></hi>, 1751), <hi rendition="#italics"
									><title>Discours sur l&apos;origine et les fondements de
									l&apos;in&#233;galit&#233; parmi les hommes</title></hi> (1755;
							translated as <hi rendition="#italics"><title>Discourse on the Origin
									and Foundations of the Inequality among Mankind</title></hi>,
							1762), <hi rendition="#italics"><title>Julie, ou la Nouvelle
									H&#233;lo&#239;se</title></hi> (1761; translated 1761), <hi
								rendition="#italics"><title>Emile</title></hi> (1762; translated
							1762), <hi rendition="#italics"><title>Du Contrat social, ou principes
									du droit politique</title></hi> (1762; translated as <hi
								rendition="#italics"><title>A Treatise on the Social Compact; or,
									The Principles of Political Law</title></hi>, 1764), <hi
								rendition="#italics"><title>Essai sur l&apos;origine des
									langues</title></hi> (1781; translated as <hi
								rendition="#italics"><title>Essay on the Origin of
								Languages</title></hi>, 1966), and his autobiographical <hi
								rendition="#italics"><title>Les Confessions de J.-J.
								</title></hi><hi rendition="#italics"
								><title>Rousseau</title></hi><hi rendition="#italics"><title>
									suivies des R&#234;veries du promeneur solitaire</title></hi>
							(1782-89; translated as <hi rendition="#italics"><title>The Confessions
									of J. J. </title></hi><hi rendition="#italics"
									><title>Rousseau</title></hi><hi rendition="#italics"><title>;
									with The Reveries of the Solitary Walker,</title></hi> 1783-91).
								<hi rendition="#italics"><title>Julie, ou la Nouvelle
									H&#233;lo&#239;se</title></hi> was an immediate and lasting
							sensation, exerting a powerful influence on late eighteenth century
							European views of sensibility and romantic love. <hi
								rendition="#italics"><title>Emile</title></hi> exploits the
							popularity of the novel form to champion Rousseau&apos;s views on
							education. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="RouthMr"> Mr. Routh&#8212; </term>
						<gloss> French language teacher and author of <hi rendition="#italics"
								>Observations sur l&apos;&#233;ducation des jeunes gens, depuis la
								fin de leur &#233;tudes, jusqu&apos;&#224; l&apos;epoque de leur
								entr&#233;e dans le monde: ouvrage destin&#233; uniquement &#224;
								L&apos;Angleterre.</hi> [<ref target="#SS">SS</ref>]</gloss>
					</item>
					<item>
						<term xml:id="RoweNicholas">Rowe, Nicholas, 1674-1718 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> English Restoration dramatist. Rowe&apos;s play productions include
								<hi rendition="#italics"><title>The Ambitious
								Stepmother</title></hi> (1700), <hi rendition="#italics"
									><title>Tamerlane</title></hi> (1701), <hi rendition="#italics"
									><title>The Fair Penitent</title></hi> (1703), <hi
								rendition="#italics"><title>The Biter</title></hi> (1704), <hi
								rendition="#italics"><title>Ulysses</title></hi> (1705), <hi
								rendition="#italics"><title>The Royal Convert</title></hi> (1707),
								<hi rendition="#italics"><title>The Tragedy of Jane
								Shore</title></hi> (1714), and <hi rendition="#italics"><title>The
									Tragedy of the Lady Jane Gray</title></hi> (1715). <ref
								target="#JohnsonSamuel">Samuel Johnson</ref>&apos;s Life of Rowe
							first appeared as a preface to the volume of <hi rendition="#italics"
									><title>Works of the English Poets</title></hi> (1779-81)
							devoted to Rowe and <ref target="#TickellThomas">Thomas Tickell</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SackAntoinette">Sack, Antoinette&#8212; </term>
						<gloss> Daughter of August Friedrich Wilhelm Sack, 1703-1786 (Library of
							Congress Name Authority), chaplain to Friedrich Wilhelm I, and sister to
							Friedrich Samuel Gottfried Sack, 1738-1817 (Library of Congress Name
							Authority), chaplain successively to Frederick the Great, Frederick
							Wilhelm II, and Frederick Wilhelm III. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="SackvilleThomas">Dorset, Thomas Sackville, Earl of, 1536-1608
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> An English statesman, poet, and dramatist; co-author of the first
							English drama written in blank verse; described in the <hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi> as &quot;representative of his period and
							its culture as a renaissance man: poet, scholar, traveler, courtier,
							statesman, a lover and patron of music and fine art. He was a religious
							man with the experience and pragmatism to tolerate his neighbors&apos;
							(and his family&apos;s) freedom of conscience in private, and not only a
							loyal servant of the crown but also a discreet man of personal charm and
							moral integrity.&quot; [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SadlerMichaelThomas">Sadler, Michael Thomas, 1780-1835
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Sadler was a member of the British House of Commons during the period
							when the Great Reform Bill was crafted. Directly opposing the views of
								<ref target="#MalthusThomasRobert">Thomas Malthus</ref>, Sadler
							argued for extension of the poor laws, and he introduced legislation for
							a ten hour work day. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SaintPierreBernardin">Saint-Pierre, Bernardin de, 1737-1814
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Saint-Pierre is the author of <hi rendition="#italics"><title>Paul
									et Virginie</title></hi> (1788) and <hi rendition="#italics"
									><title>La Chaumi&#232;re Indienne</title></hi> (1790). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="SaintRealCesar">Saint-Réal, M. l'abbé de (César Vichard),
							1639-1692 (Library of Congress Name Authority)&#8212;</term>
						<gloss>French polyglot, historiographer, and novelist best remembered for
							his novel <hi rendition="#italics"><title>Dom Carlos</title></hi>
							(1672), which became the basis of <ref target="#OtwayThomas">Thomas
								Otway</ref>'s play <hi rendition="#italics"><title>Don Carlos,
									Prince of Spain</title></hi> (1676). [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="Saladin">Saladin, Sultan of Egypt and Syria, 1137-1193
							(Library of Congress Name Authority)&#8212;</term>
						<gloss> Founder of the Ayyubid dynasty that spread under his leadership to
							include Egypt, Syria, Yemen, and Palestine, Saladin successfully
							resisted the invasions by the Christian Church to conquer Jerusalem and
							other parts of the middle east during the medieval Crusades. </gloss>
					</item>
					<item><term xml:id="SalisburyEla">Salisbury, Ela de Longespée, 1187-1261
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English peeress and wife of <ref target="#LongespeeWilliam">William
								Longespée, 3<hi rendition="#sup">rd</hi> Earl of Salisbury</ref>.
							Ela Salisbury was 3<hi rendition="#sup">rd</hi> Countess Salisbury in
							her own right from 1196 onward following the death of her father,
							William FitzPatrick, 2<hi rendition="#sup">nd</hi> Earl of Salisbury.
							Ela held the position of High Sheriff of Wiltshire for two years after
							her husband's death in 1226. After relinquishing this position, Ela
							became a nun, eventually rising to the Abbess of Lacock Abbey in
							Wiltshire, a nunnery of the Augustinian order she had founded in 1229.
								[<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Saltoun">Saltoun&#8212; </term>
						<gloss> See <ref target="#FletcherAndrew">Fletcher, Andrew</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="SandGeorge">Sand, George, 1804-1876 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss> The pseudonym of nineteenth-century French author and feminist,
							Amantine Lucile Aurore Dupin, baronne Dudevant. Sand was a prolific and
							immensely popular writer of fiction, drama, travel accounts, and
							correspondence as well as autobiographical work. A political writer
							during the French Revolution of 1848, she was critical of the Napoleonic
							Code for its inequitable treatment of women. Unhappy in her marriage,
							she separated from her husband and pursued an unconventional lifestyle
							that included dressing as a man and affairs with many lovers, most
							notable being the composer Fr&#233;d&#233;ric Chopin. A few of the best
							known among her many works include <hi rendition="#italics"
									><title>Indiana</title></hi> (1832), <hi rendition="#italics"
									><title>Valentine</title></hi> (1832), <hi rendition="#italics"
									><title>L&#233;lia</title></hi> (1833), <hi rendition="#italics"
									><title>Consuelo</title></hi> (1842-1843) and its sequel <hi
								rendition="#italics"><title>La Comtesse de Rudolstadt,</title></hi>
							(1843-1844), <hi rendition="#italics"><title>Jeanne</title></hi> (1844),
							and <hi rendition="#italics"><title>Marianne</title></hi> (1876). [<ref
								target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="Sappho">Sappho (Library of Congress Name Authority)&#8212; </term>
						<gloss>The Lesbos-born Greek lyric poet, probably from the mid-seventh
							century B.C.E., widely viewed as the mother of all female poetic
							tradition, was especially noted for love poems to the boatman Phaon.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SalmasiusClaudius">Saumaise, Claude, 1588-1653 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>French classical scholar known by Latin name &quot;Claudius
							Salmasius.&quot; During the English Civil War, Salmasius published a
							defense of England&apos;s absolute monarchy. The popularity of this
							publication disturbed <ref target="#MiltonJohn">John Milton</ref>, who
							published his <hi rendition="#italics"><title>Defensio pro Populo
									Anglicano</title></hi> (<hi rendition="#italics"><title>Defence
									of the People of England</title></hi>) in response. <ref
								target="#MiltonJohn">Milton</ref>&apos;s publication included
							personal attacks of Salmasius and his wife. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="SavageRichard">Savage, Richard, d. 1743 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Savage was best known for satirical poems and occasional verse,
							including <hi rendition="#italics"><title>The Authors of the
									Town</title></hi> (1725), <hi rendition="#italics"><title>The
									Bastard</title></hi> (a poem dedicated to his mother on his own
							illegitimate birth, 1728), <hi rendition="#italics"><title>The
									Wanderer</title></hi> (1729), and <hi rendition="#italics"
									><title>An Author to Be Lett</title></hi> (1729). He also
							authored two dramas, <hi rendition="#italics"><title>Love in a Veil: a
									Comedy</title></hi> (1719) and <hi rendition="#italics"
									><title>The Tragedy of Sir Thomas Overbury</title></hi> (1724).
							Savage lived a colorful life marked, among other events, by a conviction
							and later pardon on murder charges. He died destitute in prison. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Scarron">Scarron, Monsieur, 1610-1660 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Dramatist and novelist Paul Scarron is best remembered for his
							picaresque <hi rendition="#italics"><title>Le Roman Comique</title></hi>
							(1651-59). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SchillerFriedrich">Schiller, Friedrich, 1759-1805 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> As a playwright and lyric poet, Schiller was the most important
							author in the German <hi rendition="#italics"><title>Sturm und
									Drang</title></hi> movement. Only after it was published
							anonymously in 1781 did <hi rendition="#italics"><title>Die
									R&#228;uber</title></hi>, with its theme of taking from the rich
							to redress the wrongs done to the dispossessed, attract the attention of
							a director willing to bring it to the stage. His <hi
								rendition="#italics"><title>Der Geisterseher</title></hi> was
							published in 1788. <hi rendition="#italics"
								><title>Wallenstein</title></hi> (1799), the most successful among
							his many dramas, was translated in part by <ref
								target="#ColeridgeSamuel">Samuel Taylor Coleridge</ref> as <hi
								rendition="#italics"><title>The Piccolomini</title></hi> (1800) and
								<hi rendition="#italics"><title>The Death of
								Wallenstein</title></hi> (1800). <hi rendition="#italics"
									><title>Wilhelm Tell</title></hi> (1804) was translated into
							English as <hi rendition="#italics"><title>William Tell</title></hi> in
							1829. Schiller authored some admirable criticism, especially
								&quot;<title> &#220;ber die &#228;sthetische Erziehung des Menschen
								in einer Reihe von Briefen</title>&quot; (&quot;<title>On the
								Aesthetic Education of Man in a Series of Letters,</title>&quot;
							1795) and &quot;<title>&#220;ber naive und sentimentalische
								Dichtung</title>&quot; (&quot;<title>On Naive and Sentimental
								Poetry,</title>&quot; 1795-1796). He was appreciated for his poetry
							as well, with the two volumes of <hi rendition="#italics"
									><title>Gedichte</title></hi> being issued in 1800-1803. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SchlegelAW">Schlegel, August Wilhelm von, 1767-1845 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Appointed professor at Jena in 1798, August Wilhelm von Schlegel was
							a poet, playwright, satirist, translator, literary critic, periodical
							editor, and propogandist. With his brother <ref target="#SchlegelF"
								>Friedrich</ref> he edited the periodical <hi rendition="#italics"
									><title>The Athenæum</title></hi>. His translations of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s plays brought
							the English dramatist to a broad German audience. Schlegel&apos;s
							lectures beginning in Jena and continuing over the next fourteen years
							in Berlin and Vienna spread the Romantic aesthetic throughout Europe.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SchlegelF">Schlegel, Friedrich von, 1772-1829 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Friedrich Schlegel was a poet, novelist, classicist, philologist, and
							literary critic. He was highly influential in the development of German
							Romanticism, especially through his contributions to his brother <ref
								target="#SchlegelAW">August Wilhelm</ref>&apos;s periodical <hi
								rendition="#italics"><title>The Athen&#228;um</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="AfricanusScipio">Scipio, Africanus, approximately 236
							B.C.-183 B.C. (Library of Congress Name Authority)&#8212;</term>
						<gloss>Publius Cornelius Scipio Africanus, also known as &quot;Scipio
							Africanus the Elder,&quot; was a famed general and chief magistrate for
							the Roman Republic. He is primarily regarded for his strategic
							brilliance, which was most strongly evidenced in his defeat of <ref
								target="#Hannibal">Hannibal</ref> at the Battle of Zama during the
							Second Punic War. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="ScottWalter">Scott, Walter, Sir, 1771-1832 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Poet, novelist, biographer, critic, translator, editor, historian,
							antiquarian, and collector of literary curiosities, Scott was especially
							well loved for his representations of the culture and scenery of his
							native Scotland. His initial fame derived from Romantic poems such as
								<hi rendition="#italics"><title>The Lay of the Last
								Minstrel</title></hi> (1805), <hi rendition="#italics"
									><title>Marmion</title></hi> (1808), and <hi
								rendition="#italics"><title>The Lady of the Lake</title></hi>
							(1810). But though he continued to publish poetry, it became apparent to
							Scott by the time <hi rendition="#italics"><title>The Lady of the
									Lake</title></hi> appeared that public taste was changing, and
							he responded by turning most of his attention to novel writing,
							inaugurating the &quot;Waverly Novels&quot; series with <hi
								rendition="#italics"><title>Waverley; or, &apos;Tis Sixty Years
									Since</title></hi> (1814). Among the many novels and tales that
							followed, the most important include <hi rendition="#italics"><title>Guy
									Mannering</title></hi> (1815), <hi rendition="#italics"
									><title>The Antiquary</title></hi> (1816), <hi
								rendition="#italics"><title>Rob Roy</title></hi> (1817), <hi
								rendition="#italics"><title>The Heart of Midlothian</title></hi>
							(1818), <hi rendition="#italics"><title>The Bride of
								Lammermoor</title></hi> (1819),<hi rendition="#italics"><title>
									Ivanhoe</title></hi> (1819), <hi rendition="#italics"
									><title>Kenilworth</title></hi> (1821), and <hi
								rendition="#italics"><title>Redgauntlet</title></hi> (1824). Scott
							also produced important literary biographies of Dryden and Swift, and an
							extensive body of literary criticism, authoring prefaces to reissues of
							major works and discussing some of the most memorable literary works of
							the early nineteenth century as a reviewer for <hi rendition="#italics"
									><title>Blackwood&apos;s Edinburgh Magazine</title></hi>, the
								<hi rendition="#italics"><ref target="#EdinburghReview"
										><title>Edinburgh Review</title></ref></hi>, the <hi
								rendition="#italics"><ref target="#QuarterlyReview"><title>Quarterly
										Review</title></ref></hi>, and other periodicals. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ScriblerusClub">Scriblerus Club&#8212; </term>
						<gloss> Founded by <ref target="#ArbuthnotJohn">John Arbuthnot</ref>, the
							loose association of writing collaborators included <ref
								target="#PopeAlexander">Alexander Pope</ref> and <ref
								target="#SwiftJonathan">Jonathan Swift</ref> as well as other
							members. Their work was collected as <hi rendition="#italics"
									><title>Memoirs of the extraordinary Life, Works, and
									Discoveries of Martinus Scriblerus</title></hi> (1741). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ScuderyGeorges">Scud&#233;ry, M. de (Georges), 1601-1667
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Brother to <ref target="#ScuderyMadeleine">Madeleine de
								Scud&#233;ry</ref>, his works include the play <hi
								rendition="#italics"><title>L&apos;Amour tyrannique</title></hi>
							(1640) and the epic poem <hi rendition="#italics"
								><title>Alaric</title></hi> (1655). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="ScuderyMadeleine">Scud&#233;ry, Madeleine de, 1607-1701
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Novelist and salonni&#232;re, Mme. de Scud&#233;ry was known along
							with <ref target="#UrfeHonored">d&apos;Urf&#233;</ref> and <ref
								target="#LaCalprenede">Calpr&#232;nede</ref> for promoting literary
							and cultural aesthetics of delicate refinement exalting chivalric
							virtues partly through long works of romance fiction that constitute the
							most significant examples of the <hi rendition="#italics">Roman de
								longue haleine</hi>, literally the &quot;long-winded novel.&quot;
							She published most of her work under the name of her brother, <ref
								target="#ScuderyGeorges">Georges</ref>, but her authorship was
							recognized. <hi rendition="#italics"><title>Artam&#232;ne ou Le Grand
									Cyrus</title></hi> (1649-1653), <hi rendition="#italics"
									><title>Cl&#233;lie</title></hi> (1654-1660), and <hi
								rendition="#italics"><title>Mathilde d&apos;Aguilar</title></hi>
							(1667) are her best-remembered works. She also published conduct
							literature in the form of a series of <hi rendition="#italics"
									><title>Conversations</title></hi> excerpted from her novels.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SeckerThomas">Secker, Thomas, 1693-1768 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Archbishop of Canterbury from 1758. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="SedleyCharles">Sedley, Charles, Sir, 1639?-1701 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Dramatist and poet, he was part of a drinking and literary coterie
							attached to the court of <ref target="#CharlesIIKingofEngland">Charles
								II</ref>. His plays include <hi rendition="#italics"><title>Pompey
									the Great </title></hi>(1664), translated from Corneille, <hi
								rendition="#italics"><title>The Mulberry-Garden</title></hi> (1668),
								<hi rendition="#italics"><title>Antony and Cleopatra</title></hi>
							(1677), and <hi rendition="#italics"><title>Bellamira, Or The
									Mistress</title></hi> (1687). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="SegraisJean">Segrais, Jean Regnauld de, 1624-1701 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> French poet, novelist, translator, and collaborator with <ref
								target="#LaFayetteMadame">Mme. de La Fayette</ref>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Sejanus">Sejanus, Lucius Aelius, -31 (Library of Congress Name
							Authority)&#8212; <gloss>Commonly known as "Sejanus," Lucius Aelius
								Sejanus was the chief administrator and close friend of Roman
								Emperor Tiberius. Sejanus became the chief suspect in the murder of
								Tiberius' son, Drusus Julius Caesar, as well as a conspiracy to
								overthrow Tiberius himself. Sejanus was executed in 31 C.E., the
								year he attained a consulship, for these alleged crimes. [<ref
									target="#LD">LD</ref>]</gloss></term>
					</item>
					<item>
						<term xml:id="SelkirkAlexander">Selkirk, Alexander, 1676-1721 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Selkirk, a Scottish sailor, spent four years shipwrecked on the South
							Pacific island. His story was well known at the time and likely served
							as <ref target="#DefoeDaniel">Defoe</ref>&apos;s inspiration for <hi
								rendition="#italics"><title>The Life and Strange Surprizing
									Adventures of Robinson Crusoe</title></hi>. [<ref target="#RD"
								>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SelwynGeorge">Selwyn, George Augustus, 1719-1791 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English Member of Parliament, friend of <ref target="#WalpoleHorace"
								>Horace Walpole</ref>, and member of the Hellfire Club, an exclusive
							society for high-society rakes. Selwyn was a controversial figure due to
							his reputation for interest in the macabre and various sexual
							eccentricities. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Seneca">Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D.
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Roman statesman, orator, dramatist, and Stoic philosopher, also known
							as &quot;Seneca the Younger.&quot; Seneca was the time period&apos;s
							leading intellect and carried significant political influence as the
							tutor of Emperor Nero. He is primarily remembered for his tragedies and
							essays on Stoicism. In 65, Seneca was accused of participation in the
							Piso conspiracy to assassinate Nero and ordered to commit suicide.
							Although he was likely innocent, Seneca faced his death with exemplary
							Stoicism, a scene which has inspired numerous works of art. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Sethos">Sethos&#8212; </term>
						<gloss>A priest of Hephaistos, mentioned briefly in <ref target="#Herodotus"
								>Herodotus</ref>, who has at times been confused with Seti I, father
							of Ramesses II. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SewardAnna">Seward, Anna, 1742-1809 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Known as &quot;The Swan of Lichfield,&quot; poet, critic, and
							literary biographer Anna Seward often contributed poetry to the <hi
								rendition="#italics"><title>Gentleman&apos;s Magazine</title></hi>.
							She and novelist <ref target="#ReeveClara">Clara Reeve</ref> carried out
							a literary debate there as well through an exchange of letters, with
							Seward signing hers &quot;Benvolio.&quot; Seward also revised and edited
							her personal letters for publication, and though they did not appear
							until 1811, they made a noteworthy contribution to the field of literary
							criticism. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SeymourCharles">Somerset, Charles Seymour, Duke of, 1662-1748
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English courtier, aristocrat, and Whig known by the byname "The Proud
							Duke." Seymour helped secure the ascension of <ref
								target="#GeorgeIKingofGreatBritain">George I of Hanover</ref> to the
							crown alongside other Whig nobles. Seymour also served as the patron and
							political ally of <ref target="#RoweNicholas">Nicholas Rowe</ref>. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="Sforza">Sforza&#8212;</term>
						<gloss>The Sforza was an Italian family that came to power in the mid-15th
							century through a marriage with the <ref target="#Visconti"
								>Visconti</ref> family. The family ruled Milan for nearly a century.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Sgricci">Sgricci, Tommaso, 1789-1836 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>The best known of the Italian improvisational poets, Sgricci
							performed to large audiences and great acclaim. His method was to
							memorize prefabricated sentences, which he put together quickly to
							achieve the effect of spontaneity, dazzling huge audiences and gaining
							him wealth, prizes, fame, and eventually a place among the nobility. His
							celebrity enabled him to live semi-openly as a homosexual, protected in
							part by the Grand Duke of Tuscany, who had also granted Sgricci a
							pension after witnessing him improvise a full-length verse tragedy on
								<ref target="#MaryQueenofScots">Mary, Queen of Scots</ref>. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ShaftesburyAnthonyAshleyCooper">Shaftesbury, Anthony Ashley
							Cooper, Earl of, 1671-1713 (Library of Congress Name Authority)&#8212; </term>
						<gloss> British philosopher and historian whose emphasis on feeling in his
							writing on history, moral philosophy, and aesthetics helped to establish
							the eighteenth-century culture of sensibility. His most important work
							is <hi rendition="#italics"><title>Characteristicks of Men, Manners,
									Opinions, Times</title></hi> (1711). [<ref target="#MW"
							>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ShakespeareWilliam">Shakespeare, William, 1564-1616 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> While Shakespeare work is so widely known and biographies and
							criticism so abundant that a brief sketch can only be redundant, it is
							useful to be reminded that through the work of the eighteenth-century
							British literary history and criticism establishment, Shakespeare had by
							the later part of the century attained the status of the most exemplary
							of British writers, a national treasure and incontestable proof of
							Britain&apos;s supposed cultural superiority over the rest of the world.
							Dramatic productions include <hi rendition="#italics"><title>Henry
									VI,</title></hi> parts 1, 2, and 3 (c. 1589-1592), <hi
								rendition="#italics"><title>Richard III</title></hi> (c. 1591-1592),
								<hi rendition="#italics"><title>The Comedy of Errors</title></hi>
							(c. 1592-1594), <hi rendition="#italics"><title>Titus
								Andronicus</title></hi> (1594), <hi rendition="#italics"><title>The
									Taming of the Shrew</title></hi> (1594), <hi
								rendition="#italics"><title>The Two Gentlemen of Verona</title></hi>
							(1594), <hi rendition="#italics"><title>Love&apos;s Labor&apos;s
									Lost</title></hi> (c. 1594-1595), <hi rendition="#italics"
									><title>King John</title></hi> (c. 1594-1596), <hi
								rendition="#italics"><title>Richard II</title></hi> (c. 1595), <hi
								rendition="#italics"><title>Romeo and Juliet</title></hi> (c.
							1595-1596), <hi rendition="#italics"><title>A Midsummer Night&apos;s
									Dream</title></hi> (c. 1595-1596), <hi rendition="#italics"
									><title>The Merchant of Venice</title></hi> (c. 1596-1597), <hi
								rendition="#italics"><title>The Merry Wives of Windsor
							</title></hi>(1597), <hi rendition="#italics"><title>Much Ado About
									Nothing</title></hi> (c. 1598-1599), <hi rendition="#italics"
									><title>Henry V</title></hi> (1599?), <hi rendition="#italics"
									><title>Julius Caesar</title></hi> (1599), <hi
								rendition="#italics"><title>As You Like It</title></hi> (c.
							1599-1600), <hi rendition="#italics"><title>Hamlet</title></hi> (c.
							1600-1601), <hi rendition="#italics"><title>Twelfth Night</title></hi>
							(1601-1602?), <hi rendition="#italics"><title>Troilus and
									Cressida</title></hi> (c. 1601-1602?), <hi rendition="#italics"
									><title>All&apos;s Well That Ends Well</title></hi> (c.
							1602-1603), <hi rendition="#italics"><title>Measure for
								Measure</title></hi> (1604), <hi rendition="#italics"
									><title>Othello</title></hi> (1604), <hi rendition="#italics"
									><title>King Lear</title></hi> (1606), <hi rendition="#italics"
									><title>Timon of Athens</title></hi> (c. 1605-1608), <hi
								rendition="#italics"><title>Macbeth</title></hi> (1606), <hi
								rendition="#italics"><title>Antony and Cleopatra</title></hi>
							(c.1606-1607), <hi rendition="#italics"><title>Pericles</title></hi> (c.
							1606-1608), <hi rendition="#italics"><title>Coriolanus</title></hi> (c.
							1607-1608), <hi rendition="#italics"><title>Cymbeline</title></hi>
							(1609), <hi rendition="#italics"><title>The Winter&apos;s
								Tale</title></hi> (1611), <hi rendition="#italics"><title>The
									Tempest</title></hi> (1611), <hi rendition="#italics"
									><title>Cardenio,</title></hi> probably by Shakespeare and <ref
								target="#FletcherJohn">John Fletcher</ref> (c. 1612-1613), <hi
								rendition="#italics"><title>Henry VIII,</title></hi> by Shakespeare
							and possibly <ref target="#FletcherJohn">John Fletcher</ref> (1613), and
								<hi rendition="#italics"><title>The Two Noble Kinsmen,</title></hi>
							by Shakespeare and <ref target="#FletcherJohn">John Fletcher</ref>
							(1613). Non-dramatic verse includes his sonnets, which were published in
							1609; <hi rendition="#italics"><title>Venus and Adonis</title></hi>
							(1593), <hi rendition="#italics"><title>The Rape of Lucrece</title></hi>
							(1594), and <hi rendition="#italics"><title>The Phoenix and
									Turtle</title></hi> (1601). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="ShelleyPercy">Shelley, Percy Bysshe, 1792-1822 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Though his life was short, Percy Bysshe Shelley was a prolific poet,
							authoring a list of works far too extensive to name in full in a brief
							note. Some of the more important of them include the Gothic novel <hi
								rendition="#italics"><title>Zastrozzi</title></hi> (1810); <hi
								rendition="#italics"><title>The Necessity of Atheism</title></hi>
							(1811), a treatise that caused him to be expelled from Oxford; a variety
							of political pamphlets; <hi rendition="#italics"><title>Queen
									Mab</title></hi> (1813); <hi rendition="#italics"
									><title>Alastor</title></hi> (1816); <hi rendition="#italics"
									><title>Adonais</title></hi> (1821); <hi rendition="#italics"
									><title>Julian and Maddalo</title></hi> (1824); <hi
								rendition="#italics"><title>The Masque of Anarchy</title></hi>
							(1832); and many sonnets, odes, and other shorter poems. Among his verse
							dramas, <hi rendition="#italics"><title>The Cenci</title></hi> (1819)
							and <hi rendition="#italics"><title>Prometheus Unbound</title></hi>
							(1820) stand out. His <hi rendition="#italics"><title>Defense of
									Poetry</title></hi> (1821) represents a major landmark in
							literary criticism. In 1816, after his first wife&apos;s suicide over
							his 1814 elopement, Shelley married <ref target="#ShelleyMary">Mary
								Wollstonecraft Godwin</ref>, who was to become the author of <hi
								rendition="#italics"><title>Frankenstein</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ShelleyMary">Shelley, Mary Wollstonecraft, 1797-1851 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Most famous as the author of <hi rendition="#italics"
									><title>Frankenstein</title></hi> (1818) and wife of poet <ref
								target="#ShelleyPercy">Percy Bysshe Shelley</ref>, Mary Shelley was
							daughter of <ref target="#GodwinWilliam">William Godwin</ref> and <ref
								target="#WollstonecraftMary">Mary Wollstonecraft</ref>. She authored
							a significant body of travel narrative, biographical essays, and some
							literary criticism as well as numerous novels, novellas, and tales. In
							addition to <hi rendition="#italics"><title>Frankenstein</title></hi>,
							her novels include <hi rendition="#italics"><title>Valperga</title></hi>
							(1823), <hi rendition="#italics"><title>The Last Man</title></hi>
							(1826), <hi rendition="#italics"><title>The Fortunes of Perkin
								</title></hi><hi rendition="#italics"><title>Warbeck</title></hi>
							(1830), <hi rendition="#italics"><title>Lodore</title></hi> (1835), and
								<hi rendition="#italics"><title>Falkner</title></hi> (1837). Among
							her shorter works, those that stand out include <hi rendition="#italics"
									><title>Mathilda</title></hi> (1959), &quot;<title>The
								Transformation</title>&quot; (1831), and &quot;<title>The Mortal
								Immortal</title>&quot; (1834), the latter two originally published
							in the gift annual <hi rendition="#italics"><title>The
								Keepsake</title></hi>. Her work in editing and introducing her
							deceased husband&apos;s poems did much to define his reception for many
							years. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ShenstoneWilliam">Shenstone, William, 1714-1763 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Writer and longtime friend of <ref target="#GravesRichard">Richard
								Graves</ref>. Shenstone published his first poetical volume,
									<title><hi rendition="#italics">Poems upon Various
									Occasions</hi></title> (1737), anonymously. It contained his
							most important work, <title><hi rendition="#italics">The
									Schoolmistress</hi></title>, revised versions of which were
							published in later years. His later writings included <title><hi
									rendition="#italics">The Judgement of Hercules</hi></title>
							(1741), addressed to <ref target="#LytteltonGeorge">George
								Lyttleton</ref>. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item><term xml:id="SheridanElizabeth">Sheridan, Elizabeth Ann, 1754-1792
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Née Linley, Elizabeth Sheridan was an English singer, poet, and Whig
							writer, the daughter of <ref target="#LinleyThomasElder">Thomas Linley
								the Elder</ref> and wife of <ref target="#SheridanRichard">Richard
								Brinsley Sheridan</ref>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="SheridanFrances">Sheridan, Frances Chamberlaine, 1724-1766
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Playwright and novelist Frances Sheridan was wife to actor and
							theater manager <ref target="#SheridanThomas">Thomas Sheridan</ref> and
							mother of <ref target="#SheridanRichard">Richard Brinsley
							Sheridan</ref>, one of the eighteenth century&apos;s most important
							playwrights, who was influenced by his mother&apos;s work. Frances
							Sheridan published the novel <hi rendition="#italics"><title>Memoirs of
									Miss Sidney Bidulph</title></hi> in two parts in 1761 and 1767.
							Her play <hi rendition="#italics"><title>The Discovery</title></hi>
							(1763) is worthy of at least as much attention as any of her fiction.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SheridanRichard">Sheridan, Richard Brinsley, 1751-1816
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Though few in number, some of R. B. Sheridan&apos;s plays are still
							well remembered. His more important work includes <hi
								rendition="#italics"><title>The Rivals</title></hi> (1775), <hi
								rendition="#italics"><title>The Duenna</title></hi> (1775), <hi
								rendition="#italics"><title>The School for Scandal</title></hi>
							(1777), <hi rendition="#italics"><title>The Camp</title></hi> (1778),
							and <hi rendition="#italics"><title>The Critic</title></hi> (1779).
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SheridanThomas">Sheridan, Thomas, 1719-1788 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> An Irish actor, theater manager, and educator, Thomas Sheridan was
							husband to <ref target="#SheridanFrances">Frances Sheridan</ref> and
							father to <ref target="#SheridanRichard">Richard Brinsley
							Sheridan</ref>. In addition to his other pursuits, he delivered a series
							of lectures on elocution, which he then published in 1762, and a series
							on reading, published 1775. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ShirleyJames">Shirley, James, 1596-1666 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English educator, poet, and dramatist, a popular playwright before
							Parliament&apos;s restriction of stage plays in 1642. Shirley&apos;s
							comedies of London court society are considered his best works,
							including <hi rendition="#italics"><title>The Wittie Faire
								One</title></hi>, <hi rendition="#italics"><title>Hyde
								Park</title></hi>, and <hi rendition="#italics"><title>The Lady of
									Pleasure</title></hi>. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ShirleyMrs">Shirley, Mrs.&#8212; </term>
						<gloss> Probably Henrietta Maria, d.1792 (<hi rendition="#italics"
									><title>Oxford Dictionary of National Biography</title></hi>),
								<hi rendition="#italics">n&#233;e</hi> Phillips- wife of Walter
							Shirley (Shirley, Walter, 1725-1786 [Library of Congress Name
							Authority]), a Methodist clergyman and hymnist actively patronized by
								<ref target="#HuntingdonSelina">Lady Huntingdon</ref>. Walter
							Shirley coauthored <hi rendition="#italics"><title>A Narrative of the
									Most Remarkable Particulars in the Life of James Albert Ukawsaw
									Gronniosaw, an African Prince, as Related by
								Himself</title></hi> (1770). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ShirleyWilliam">Shirley, William, active 1739-1780 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>British merchant William Shirley, who was something of an expert on
							international commerce, wrote a small number of plays, the most notable
							of which is <hi rendition="#italics"><title>Edward the Black
									Prince</title></hi> (1750), a piece inspired by <ref
								target="#ShakespeareWilliam">Shakespeare</ref>'s historical dramas
							that was generally well received and enjoyed several revival productions
							through the eighteenth century. [<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ShoreJane">Shore, Jane, -1527? (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Jane, probably born Elizabeth, Shore was one of the mistresses of
								<ref target="#EdwardIVKingofEngland">Edward IV</ref>. Following <ref
								target="#EdwardIVKingofEngland">Edward</ref>'s death, Shore became
							mistress of Thomas Grey, 1<hi rendition="#sup">st</hi> Marquess of
							Dorset, also the stepson of <ref target="#EdwardIVKingofEngland"
								>Edward</ref> via his widow, Elizabeth Woodville. Shore also became
							the concubine of the powerful <ref target="#HastingsWilliam">William
								Hastings, 1<hi rendition="#sup">st</hi> Baron of Hastings</ref>. It
							is likely Shore helped unite the Woodville and Hastings factions against
							the protector, <ref target="#EdwardIVKingofEngland">Edward</ref>'s
							younger brother and ultimate successor, <ref
								target="#RichardIIIKingofEngland">Richard III</ref>. <ref
								target="#RichardIIIKingofEngland">Richard</ref> had Shore arrested
							shortly before taking the throne in 1483, charging her with conspiracy.
							As a result, Shore was forced to do public penance as a harlot. Shore
							was imprisoned for her crimes following her public penance, at which
							point she met Thomas Lynom, the King's Solicitor. The two married and
							had one child. It is believed Shore and Lynom finished their lives in
							relative comfort, though some accounts state that Shore died in
							destitution. [<ref target="#BDW">BDW</ref>] [<ref target="#LD">LD</ref>]
						</gloss>
					</item>

					<item>
						<term xml:id="Shylock">Shylock (Fictitious character) (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>The primary antagonist in <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s <hi rendition="#italics"><title>The
									Merchant of Venice</title></hi>, Shylock is a Venetian Jewish
							moneylender characterized by Jewish stereotypes, such as vindictiveness
							and greediness. The defeat of Shylock and his subsequent conversion to
							Christianity form the climax of the play&apos;s plot. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item><term xml:id="SiddonsHarriet">Siddons, Harriet, 1783-1844 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Scottish actress, theatre manager, and daughter-in-law of <ref
								target="#SiddonsSarah">Sarah Siddons</ref>. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="SiddonsSarah">Siddons, Sarah, 1755-1831 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>One of the most talented and popular tragedians of the eighteenth
							century, Sarah Siddons was the eldest child in the theatrical Kemble
							family. Siddons is best remembered for her portrayal of Lady Macbeth.
							Deeply identifying with the character, Siddons offered a profound
							performance that set the standard for future portrayals. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SidneyPhilip">Sidney, Philip, Sir, 1554-1586 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Sidney&apos;s major works include <hi rendition="#italics"
									><title>Arcadia</title></hi> (1590), which he dedicated to his
							sister, <ref target="#PembrokeMarySidney">Mary Herbert, Countess of
								Pembroke</ref>; the sonnet sequence <hi rendition="#italics"
									><title>Astrophel and Stella</title></hi> (1591); and a landmark
							essay in the history of literary criticism, <hi rendition="#italics"
									><title>The Defence of Poesie</title></hi> (1595). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Silenus">Silenus (Mythological character) (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>In Greek mythology, Silenus was the tutor and companion of <ref
								target="#Dionysus">Dionysus</ref>. While the satyr followers of <ref
								target="#Dionysus">Dionysus</ref> were half-goat, Silenus had the
							characteristics of a horse. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Sinbad"> Sinbad (Library of Congress Name Authority)&#8212; </term>
						<gloss>Sinbad the sailor&#8212;also spelled Sindbad&#8212;is a character of
							Arabic literature and hero of <hi rendition="#italics"><title>The
									Thousand and One Nights</title></hi>, stories based on the
							trials of seafaring merchants from Iraq. The narrative frame assigns the
							stories to Scheherazade, a Persian princess whose royal husband&apos;s
							lack of faith in female fidelity prompts him to execute each of his
							wives the morning after he marries them. Sheherazade tells the stories
							night after night, so intriguing her husband that day after day he
							extends her life long enough to hear the next night&apos;s installment.
								[<ref target="#VS">VS</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SismondiJean">Sismondi, J.-C.-L. Simonde de
							(Jean-Charles-L&#233;onard Simonde), 1773-1842 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Swiss historian and political economist, born under the surname
							Simonde. Sismondi is most remembered for his research on French and
							Italian history. He also provided the first liberal criticism of
							laissez-faire economics, advocating for such social supports as sickness
							benefits and unemployment insurance. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="SkeltonJohn">Skelton, John, 1460?-1529 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> English poet and satirist. <hi rendition="#italics"><title>Phyllyp
									Sparowe</title></hi> is his best-known poem. [<ref target="#JDP"
								>JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SkeltonPhilip">Skelton, Philip, 1707-1787 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An Irish scholar and friend of <ref target="#RichardsonSamuel"
								>Samuel Richardson</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SkrineWilliam">Skrine, William, of Arlington Street, London,
							?1721-83 (<title><hi rendition="#italics">The History of Parliament: the
									House of Commons 1754-1790</hi></title>, ed. L. Namier, J.
							Brooke., 1964)&#8212; </term>
						<gloss>Member of UK Parliament for Callington, 1771-1780. Born of Claverton
							Manor; he sold the estate to <ref target="#AllenRalph">Ralph Allen</ref>
							in 1758. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SlocockBenjamin">Slocock, Benjamin, b. 1691 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Chaplain of St. Saviour&apos;s in Southwark. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SmithCharlotte">Smith, Charlotte Turner, 1749-1806 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Poet and novelist Charlotte Turner Smith provides an unusual example
							of a Romantic period woman who began as a coterie poet, but out of
							necessity became a professional writer. Charlotte Turner was born into a
							well-to-do family, but after the early death of her mother, she was
							consigned first to the care of an aunt, then to boarding school. Soon
							after she reached her teens, her father remarried, and having thus
							become an inconvenience, Charlotte was married off at the age of fifteen
							to the dissipated, unfaithful, and violent Benjamin Smith, who kept the
							family perpetually in debt and with whom she ultimately bore twelve
							children. The groom&apos;s father clearly understood his son&apos;s
							nature, for at his death he left a significant fortune specifically for
							his daughter-in-law and grandchildren. The will was so complex, however,
							that the money was tied up in litigation until after both Charlotte and
							her husband were dead and the children matured. In the meantime,
							Smith&apos;s husband was consigned to prison for debt, where she joined
							him, there composing poetry for sale in an attempt to relieve their
							financial distress. The result was <hi rendition="#italics"
									><title>Elegiac Sonnets, and Other Essays</title></hi> (1784),
							which was revised and enlarged numerous times until 1797 and eventually
							included prefatory essays that delineate principles of sonnet
							composition. Though she separated from her husband soon after, Smith
							continued to support herself, her children, and to some extent her
							estranged spouse through her writing. She first tried translating, and
							then in 1788 she published her first novel, <hi rendition="#italics"
									><title>Emmeline, the Orphan of the Castle</title></hi>. The
							novels that followed include <hi rendition="#italics"><title>Ethelinde;
									or, The Recluse of the Lake</title></hi> (1789), <hi
								rendition="#italics"><title>Celestina</title></hi> (1791), <hi
								rendition="#italics"><title>Desmond</title></hi> (1792), <hi
								rendition="#italics"><title>The Old Manor House</title></hi> (1793),
								<hi rendition="#italics"><title>The Wanderings of
								Warwick</title></hi> (1794), <hi rendition="#italics"><title>The
									Banished Man</title></hi> (1794), <hi rendition="#italics"
									><title>Montalbert</title></hi> (1795), <hi rendition="#italics"
									><title>Marchmont</title></hi> (1796), and <hi
								rendition="#italics"><title>The Young Philosopher</title></hi>
							(1798). <hi rendition="#italics"><title>The Letters of a Solitary
									Wanderer</title></hi> (1800-1) is a collection of short
							narratives. Smith&apos;s second major poetic publication was <hi
								rendition="#italics"><title>The Emigrants: A Poem, in Two
									Books</title></hi> (1793). <hi rendition="#italics"
									><title>Beachy Head: With Other Poems</title></hi> (1807) was
							published posthumously. Smith&apos;s contributions to youth literature
							are also extensive, beginning with <hi rendition="#italics"><title>Rural
									Walks: In Dialogues. Intended for the Use of Young
									Persons</title></hi> (1795), and continuing through <hi
								rendition="#italics"><title>Rambles Farther: A Continuation of Rural
									Walks, in Dialogues. Intended for the Use of Young
									Persons</title></hi> (1796), <hi rendition="#italics"
									><title>Minor Morals, Interspersed with Sketches of Natural
									History, Historical Anecdotes, and Original Stories</title></hi>
							(1798), <hi rendition="#italics"><title>Conversations Introducing
									Poetry: Chiefly on the Subjects of Natural History. For the Use
									of Children and Young Persons</title></hi> (1804), <hi
								rendition="#italics"><title>The History of England, from the
									Earliest Records to the Peace of Amiens, in a Series of Letters
									to a Young Lady at School</title></hi> (1806), which was begun
							by Smith but completed by <ref target="#HaysMary">Mary Hays</ref> when
							Smith became too ill to finish the project, and <hi rendition="#italics"
									><title>The Natural History of Birds: Intended Chiefly for Young
									Persons</title></hi> (1807). Smith also published two
							translations, the first in 1785 translates <title><hi
									rendition="#italics">Manon Lescaut</hi></title> by <ref
								target="#Prevostabbe">Abb&#233; Antoine-Francois Pr&#233;vost</ref>.
							The second translates anecdotes from <ref target="#GayotdePitaval"
								>François Gayot de Pitaval</ref>&apos;s <title><hi
									rendition="#italics">Causes C&#233;l&#232;bres et
									interessantes</hi></title> as <title><hi rendition="#italics"
									>The Romance of Real Life</hi></title>, (1787). [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SmithLawrence">Smith, Lawrence, 1656-1728 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Author of <hi rendition="#italics"><title>Conversation in Heaven.
									Being Devotions; consisting of meditations and prayers on
									several considerable subjects in practical divinity</title></hi>
							(1693). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SmithSydney">Smith, Sydney, 1771-1845 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English wit, Anglican preacher, and advocate for parliamentary
							reform. His writings were incredibly influential in changing the public
							opinion of Roman Catholic emancipation. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="SmollettAnneLassells">Smollett, Anne Lassells, 1721-1791 (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212; </term>
						<gloss><ref target="#SmollettTobias">Tobias Smollett</ref>&apos;s wife.
							Daughter of a Jamaican Plantation owner, Anne lived in Kingston, Jamaica
							with her mother, then twice widowed. Smollett met and married Anne on a
							visit to Jamaica in 1743. Smollett described her as &apos;a delicate
							creature, who had scarce ever walked a mile in her life.&apos; [<ref
								target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SmollettJames">Smollett, James, d. 1714 (<hi
								rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>) &#8212; </term>
						<gloss>The second son of <ref target="#SirJamesSmollett">Sir James
								Smollett</ref> and uncle to <ref target="#SmollettTobias">Tobias
								Smollett</ref>. [<ref target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SmollettJamesofBonhill">Smollett, James of Bonhill, d. 1775
								(<hi rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>) &#8212; </term>
						<gloss> This James Smollett was grandson of <ref target="#SirJamesSmollett"
								>Sir James Smollett</ref>, grandfather also to <ref
								target="#SmollettTobias">Tobias Smollett</ref>, and was therefore
								<ref target="#SmollettTobias"/>Tobias Smollett&apos;s cousin. On the
							death of his grandfather, <ref target="#SirJamesSmollett">Sir
								James</ref>, James Smollett inherited the grandfather&apos;s Bonhill
							estate. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SirJamesSmollett">Sir James Smollett, 1648-1731 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>The grandfather of <ref target="#SmollettTobias">Tobias
								Smollett</ref>. He sat on a variety of parliamentary commissions and
							committees; however, his most important position was the commissioner
							for union with England, first in August 1702, and more successfully in
							February 1706. He helped frame the articles of the union, and in 1707
							was the elected member for Dunbartonshire to the first parliament of the
							United Kingdom of Great Britain. His manuscript <title><hi
									rendition="#italics">Memorials of Certain Passages of the
									Lord&apos;s Signal Mercies</hi></title> provide his comments on
							the affairs of the time. [<ref target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SmollettTobias">Smollett, T. (Tobias), 1721-1771 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A versatile author who produced satire, history, drama, poetry,
							polemical pamphlets, and journalism, Smollett is best known for his
							picaresque novels such as <hi rendition="#italics"><title>The Adventures
									of </title></hi><hi rendition="#italics"><title>Roderick
									Random</title></hi> (1748, modeled after Lesage&apos;s <hi
								rendition="#italics"><title>Gil Blas</title></hi>, which Smollett
							translated), <hi rendition="#italics"><title>The Adventures of Peregrine
									Pickle</title></hi> (1751), <hi rendition="#italics"><title>The
									Adventures of Ferdinand Count Fathom</title></hi> (1753), and
								<hi rendition="#italics"><title>The Expedition of Humphry
									Clinker</title></hi> (1771). At the age of eighteen, he authored
							his first play, <title><hi rendition="#italics">The
								Regicide</hi></title> (1749). His literary journalism was important
							as well. He reviewed at the <hi rendition="#italics"><title>Monthly
									Review</title></hi> before helping to found and for many years
							conduct the <hi rendition="#italics"><title>Critical
							Review</title></hi>, which became the <hi rendition="#italics"><ref
									target="#ReviewMonthly"><title>Monthly
							Review</title></ref></hi>&apos;s most important rival. Smollett was
							founder of the <hi rendition="#italics"><title>British
								Magazine</title></hi> and the<hi rendition="#italics"><title>
									Briton</title></hi> as well. Smollett also wrote many poems,
							including <title><hi rendition="#italics">The Ode to Leven
								Water</hi></title> (1746), <title><hi rendition="#italics">The Tears
									of Scotland</hi></title> (1746), <title><hi rendition="#italics"
									>Verses to a young Lady playing on a Harpsichord and Singing
									(1746). His satirical epistles <title><hi rendition="#italics"
											>Advice: A Satire</hi></title> (1746) and <title><hi
											rendition="#italics">Reproof: A Satire</hi></title>
									(1747) were the cause of much trouble.</hi></title> Smollett
							considered his major work to be <hi rendition="#italics"><title>A
									Complete History of England</title></hi> which was published in
							four volumes from 1758-1765. Not afraid to share his opinion regarding
							British politics, Smollett also wrote <title><hi rendition="#italics"
									>The History and Adventures of an Atom</hi></title> (1769),
							which satirized the British handling of the Seven Years&apos; War. A
							rare, first-hand account of his travels and domestic life were published
							in his <title><hi rendition="#italics">Travels through France and
									Italy</hi></title> (1766). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item><term xml:id="SnaggThomas">Snagg, Thomas, 1746-1812 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Popular English actor who had great success on London and Dublin
							Stages. Snagg performed under the stage name "Wilks." His most notable
							roles include Bellamy in <ref target="#HoadlyDrBenjamin">Benjamin
								Hoadly</ref>'s <hi rendition="#italics"><title>The Suspicious
									Husband</title></hi> and Jessamy in <ref
								target="#BickerstaffeIsaac">Isaac Bickerstaff</ref>'s <hi
								rendition="#italics"><title>Lionel and Clarissa</title></hi>. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Socrates">Socrates [n.d.] (Library of Congress Name
							Authority); c. 470-399 B.C. (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212; </term>
						<gloss> Greek philosopher whose teachings caused him to be condemned to
							death. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Solon">Solon, ca. 630-ca. 560 B.C. (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Greek statesman and poet whose reform-oriented writings are known
							mostly through quotation by later Greek historians. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Sophocles">Sophocles, 496-406 BCE (<hi rendition="#italics"
								>Encyclopedia Britannica</hi>)&#8212;</term>
						<gloss>The greatest of the Greek tragedians from the golden age of Athens,
							Sophocles is believed to have authored over 120 plays, only seven of
							which have survived in their entirety. Those include <hi
								rendition="#italics"><title>Antigone</title></hi>, <hi
								rendition="#italics"><title>Philoctetes</title></hi>, <hi
								rendition="#italics"><title>Oedipus at Colonus</title></hi>, <hi
								rendition="#italics"><title>Women of Trachis</title></hi>, <hi
								rendition="#italics"><title>Ajax</title></hi>, <hi
								rendition="#italics"><title>Oedipus Rex</title></hi>, and <hi
								rendition="#italics"><title>Electra</title></hi>. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SoutherneThomas">Southerne, Thomas, 1660-1746 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Irish dramatist Thomas Southerne adapted his best-known play <hi
								rendition="#italics"><title>Oroonoko</title></hi> (1695) from the
							1688 novel, <hi rendition="#italics"><title>Oroonoko; Or, The Royal
									Slave</title></hi>, by <ref target="#BehnAphra">Aphra Behn</ref>
							(1640-1689). Many of his other plays are adaptations as well, including
							both <hi rendition="#italics"><title>Sir Anthony Love, or, The Rambling
									Lady</title></hi> (1690), adapted from the <ref
								target="#BehnAphra">Aphra Behn</ref> novel <hi rendition="#italics"
									><title>The Lucky Mistake</title></hi> (1689), and <hi
								rendition="#italics"><title>The Fatal Marriage</title></hi>,
							sometimes referred to as <hi rendition="#italics"
									><title>Isabella</title></hi> after the title character, taken
							from <ref target="#BehnAphra">Behn</ref>'s work <hi rendition="#italics"
									><title>The History of the Nun</title></hi> (1689). <hi
								rendition="#italics"><title>The Wives' Excuse, or, Cukolds Make
									Themselves</title></hi> (1691) depicts the plight of a woman
							trapped in a bad marriage. Other plays included <hi rendition="#italics"
									><title>The Loyal Brother, or, The Persian Prince</title></hi>
							(1682), <hi rendition="#italics"><title> The Disappointment, or, The
									Mother in Fashion</title></hi> (1684), <hi rendition="#italics"
									><title>The Maid's Last Prayer, or, Any Rather Than
								Fail</title></hi> (1693), <hi rendition="#italics"><title>The Fate
									of Capua</title></hi> (1700), <hi rendition="#italics"
									><title>The Spartan Dame</title></hi> (1719), and <hi
								rendition="#italics"><title>Money The Mistress</title></hi> (1726).
								[<ref target="#MW">MW</ref>] [<ref target="#GR">GR</ref>]</gloss>
					</item>

					<item><term xml:id="SoutheyCaroline">Southey, Caroline Bowles, 1786-1854
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>Poet Caroline Bowles contributed to gift annuals and periodicals and
							published several books of verse, prose tales, and essays. She began her
							career with <hi rendition="#italics"><title> Ellen Fitzarthur: A
									Metrical Tale</title></hi> (1820), which she sent to poet
							laureate <ref target="#SoutheyRobert">Robert Southey</ref>, whom she did
							not at the time know. <ref target="#SoutheyRobert">Southey</ref> was
							impressed with the work and assisted her with revisions and locating a
							publisher, beginning what proved to be a long and close friendship.
							Thereafter followed <hi rendition="#italics"><title>The Widow&apos;s
									Tale and Other Poems</title></hi> (1822); <hi
								rendition="#italics"><title> Solitary Hours</title></hi> (1846); <hi
								rendition="#italics"><title> Chapters on Churchyards</title></hi>
							(1842); <hi rendition="#italics"><title>The Cat&apos;s Tail, being the
									History of Childe Merlin</title></hi> (under the pseudonym
							Baroness de Katzleben; 1831); <hi rendition="#italics"><title>Tales of
									the Factories</title></hi> (1833); and <hi rendition="#italics"
									><title>The Birth-Day; A Poem, in Three Parts, to Which Are
									Added, Occasional Verses</title></hi> (1845). Bowles and <ref
								target="#SoutheyRobert">Southey</ref> published a collaborative
							volume, <hi rendition="#italics"><title> Robin Hood: A Fragment, By the
									Late <ref target="#SoutheyRobert">Robert Southey</ref> and
									Caroline Southey, with Other Fragments and Poems</title></hi> in
							1847. Caroline Bowles married <ref target="#SoutheyRobert">Robert
								Southey</ref> in 1839. <ref target="#SoutheyRobert">Southey</ref>
							died a few years later, setting in motion family conflicts with one of
							his daughters, in which several major literary figures, including <ref
								target="#WordsworthWilliam">William Wordsworth</ref>, took sides.
							Though Caroline Southey was regarded by many as a talented writer, her
							literary reputation suffered in consequence. [<ref target="#MW"
							>MW</ref>]</gloss></item>
					<item>
						<term xml:id="SoutheyRobert">Southey, Robert, 1774-1843 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An important translator, biographer, travel writer, and critic as
							well as poet laureate from 1813, Southey enjoyed his most enthusiastic
							audience for his romantic verse tales such as <hi rendition="#italics"
									><title>Thalaba the Destroyer</title></hi> (1801), <hi
								rendition="#italics"><title>Madoc</title></hi> (1805), <hi
								rendition="#italics"><title>Metrical Tales, and Other
								Poems</title></hi> (1805), and <hi rendition="#italics"><title>The
									Curse of Kehama</title></hi> (1810). His early drama, <hi
								rendition="#italics"><title>The Fall of Robespierre</title></hi>
							(1794), was authored in collaboration with <ref
								target="#ColeridgeSamuel">Samuel Taylor Coleridge</ref>. Some of his
							other more important works include the epic <hi rendition="#italics"
									><title>Joan of Arc</title></hi> (1796), <hi
								rendition="#italics"><title>Roderick, the Last of the
								Goths</title></hi> (1814), <hi rendition="#italics"><title>Wat
									Tyler</title></hi> (1817), and <hi rendition="#italics"><title>A
									Vision of Judgement</title></hi> (1821). His literary journalism
							appeared in the <hi rendition="#italics"><title>Critical
								Review</title></hi>, the <hi rendition="#italics"><title>Annual
									Review</title></hi>, the <hi rendition="#italics"><ref
									target="#QuarterlyReview"><title>Quarterly
								Review</title></ref></hi>, and the <hi rendition="#italics"
									><title>Foreign Quarterly Review</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Souza-Botelho">Souza-Botelho, Ad&#233;la&#239;de-Marie-Emilie
							Filleul, marquise de, 1761-1836 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Born Ad&#233;la&#239;de-Marie-Emilie Filleul in Paris, Souza-Botelho
							married the comte de Flahaut de La Billarderie and became a noted late
							eighteenth-century Parisian salonni&#232;re. In 1792, events of the
							revolution forced her to emigrate, first to England, then other
							locations in continental Europe, before returning to Paris in 1798. She
							met and married the Portuguese nobleman Dom José Maria de Souza Botelho
							in 1802. She authored several novels, including <hi rendition="#italics"
									><title>Ad&#233;le de Senange, ou lettres de Lord
									Sydenham</title></hi> (1794); <hi rendition="#italics"
									><title>Charles et Marie</title></hi> (1802); and <hi
								rendition="#italics"><title>Eug&#232;ne de Rothelin</title></hi>
							(1808), among others. [<ref target="#JDP">JDP</ref> and <ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SpenserEdmund">Spenser, Edmund, 1552?-1599 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> One of the most revered of English poets, Spenser is best known for
							his allegorical epic <hi rendition="#italics"><title>The Faerie
									Queene</title></hi> (1590-1596), which features among its
							subjects the adventures of the Redcrosse Knight as he attempts to save
							the virgin Una from the machinations of the villainous Archimago and
							Duessa. Another of his long poems, <hi rendition="#italics"><title>The
									Shepheardes Calender </title></hi>(1579) combines the form of
							pastoral eclogue with political satire. Spenser&apos;s important shorter
							poems include a series of love sonnets that follow a unique rhyme
							pattern of Spenser&apos;s origination. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="SS">Spina, Sally</term>
						<gloss>Student contributor. </gloss>
					</item>
					<item>
						<term xml:id="Spinoza">Spinoza, Benedictus de, 1632-1677 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Amsterdam-born rationalist philosopher whose arguments against the
							immortality of the soul and the possibility of a transcendent God
							resulted in his excommunication. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Spurzheim">Spurzheim, J. G. (Johann Gaspar), 1776-1832
							(Library of Congress Name Authority)&#8212;</term>
						<gloss> German physician and prominent phrenologist. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="StaalMarguerite-Jeanne">Staal, Marguerite-Jeanne, baronne de,
							1684-1750 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Born de Launay, she became lady-in-waiting to the Duchesse du Maine.
							Implicated in a plot against the Duke of Orl&#233;ans, she spent two
							years in the Bastille. Her memoirs are entitled <hi rendition="#italics"
									><title>M&#233;moires de Madame de Staal de Launay</title></hi>
							(1755). [<ref target="#ZP">ZP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="StaelGermainede">Sta&#235;l, Madame de (Anne-Louise-Germaine),
							1766-1817 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Sta&#235;l&apos;s <hi rendition="#italics"
								><title>Delphine</title></hi> (1803) was popular among British
							women, but her <hi rendition="#italics"><title>Corinne, ou
									l&apos;Italie</title></hi> (1807) exerted a crucial influence on
							Romantic women&apos;s conceptions of the female artist. Her career as a
							critic, literary philosopher, and analyst of national character began
							with <hi rendition="#italics"><title>Lettres sur les ouvrages et le
									caract&#232;re de <ref target="#RousseauJeanJacques">J.-J.
										Rousseau</ref></title></hi> (1788), translated as <hi
								rendition="#italics"><title>Letters on the Works and Character of
										<ref target="#RousseauJeanJacques">Jean-Jacques
										Rousseau</ref></title></hi> (1789). Some of the most
							important of her publications that followed include <hi
								rendition="#italics"><title>De l&apos;influence des passions sur le
									bonheur des individus et des nations</title></hi> (1796),
							translated as <hi rendition="#italics"><title>A Treatise on the
									Influence of the Passions upon the Happiness of Individuals and
									of Nations</title></hi> (1798); <hi rendition="#italics"
									><title>De la litt&#233;rature consid&#233;r&#233;e dans ses
									rapports avec les institutions sociales</title></hi> (1800),
							translated as <hi rendition="#italics"><title>A Treatise on Ancient and
									Modern Literature</title></hi> (1803); and <hi
								rendition="#italics"><title>De l&apos;Allemagne</title></hi>
							(1810-1813), translated as <hi rendition="#italics"
									><title>Germany</title></hi> (1813). Also a dramatist,
							Sta&#235;l authored some fourteen plays, a number of which were
							performed in salons, but were little-known outside those settings. She
							was the daughter of <ref target="#NeckerJacques">Jacques Necker</ref>,
							Director General of Finance under Louis XVI. [<ref target="#MW"
							>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="StaffordEdward">Buckingham, Edward Stafford, Duke of,
							1478-1521 (Library of Congress Name Authority)&#8212;</term>
						<gloss>The third Duke of Buckingham, Edward Stafford was a first cousin once
							removed of <ref target="#HenryVIIIKingofEngland">King Henry VIII</ref>.
							Stafford held immense political power during the reign of <ref
								target="#HenryVIIIKingofEngland">Henry VIII</ref>, until he was
							accused, likely falsely, of plotting to kill the king and thus beheaded
							a month later. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="StatiusPapinius">Statius, P. Papinius (Publius Papinius)
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> 1st century CE Roman poet, author of <title><hi rendition="#italics"
									>Thebaid</hi></title>, which recounts the struggle between <ref
								target="#OedipusGreekmyth">Oedipus</ref>&apos;s sons for control of
							Thebes. [<ref target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SteeleRichard">Steele, Richard, Sir, 1672-1729 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Poet, dramatist, and satirist, Irish writer Sir Richard Steele is
							best remembered for his collaboration with <ref target="#AddisonJoseph"
								>Joseph Addison</ref> and <ref target="#SwiftJonathan">Jonathan
								Swift</ref> in essay periodicals such as the <hi
								rendition="#italics"><title>Spectator</title></hi>, the <hi
								rendition="#italics"><title>Tatler</title></hi>, and the <hi
								rendition="#italics"><title>Guardian</title></hi>, many of which he
							penned, as did Addison and especially Swift, under the pseudonym
								&quot;<ref target="#BickerstaffIsaac">Isaac Bickerstaff</ref>.&quot;
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SteevensGeorge">Steevens, George, 1736-1800 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English Shakespearean commentator best remembered for his
							collaboration with <ref target="#JohnsonSamuel">Samuel Johnson</ref> on
							a 10-volume publication of the complete plays of <ref
								target="#ShakespeareWilliam">William Shakespeare</ref>. Steevens
							later produced a 15-volume revision of the work, altering and adding
							material seemingly for the purpose of proving his superiority to fellow
							Shakespearian scholar <ref target="#MaloneEdmond">Edmond Malone</ref>.
							Steevens also exposed the poetic forgeries of <ref
								target="#ChattertonThomas">Thomas Chatterton</ref>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SterneLaurence">Sterne, Laurence, 1713-1768 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Sterne&apos;s two most important novels, <hi rendition="#italics"
									><title>The Life and Opinions of Tristram Shandy</title></hi>
							(1760-67) and <hi rendition="#italics"><title>The Sentimental
									Journey</title></hi> (1768), mark him as a major figure in the
							history of both sentimental and experimental fiction. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="StevensonWilliam">Stevenson, William, -1575 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English clergyman and likely playwright of <hi rendition="#italics"
									><title>Grammer Gurton&apos;s Needle</title></hi>, a play of
							disputed authorship from the beginnings of English comedy. [<ref
								target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="StewartDugald">Stewart, Dugald, 1753-1828 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss> Son of a mathematician, Stewart became a major figure in the
							Scottish Enlightenment, teaching at the University of Edinburgh on
							mathematics and moral and political philosophy, and through his lectures
							and writings profoundly influencing many British literary and political
							figures. He was joint founder of the Royal Society of Edinburgh. [<ref
								target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="VS">Stewart, Victoria&#8212;</term>
						<gloss>Student contributor.</gloss>
					</item>
					<item>
						<term xml:id="StillJohn">Still, John, 1543?-1608 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Bishop of Bath and Wales and fellow of Christ&apos;s College at
							Cambridge. Still was long presumed to be the author of <hi
								rendition="#italics"><title>Grammer Gurton&apos;s
								Needle</title></hi>, though evidence has since suggested <ref
								target="#StevensonWilliam">William Stevenson</ref> as its true
							author. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="StinstraJohannes">Stinstra, Johannes, 1708-1790 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Controversial Dutch theologian and translator. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="StradaFamiano">Strada, Famiano, 1572-1649 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Strada&apos;s <hi rendition="#italics"><title>Prolusiones
									academic&#230;</title></hi> (1617) were published in numerous
							editions during the seventeenth and eighteenth centuries. <ref
								target="#AddisonJoseph">Joseph Addison</ref> adapted sections into
							English prose for the <hi rendition="#italics"
								><title>Spectator</title></hi> and the <hi rendition="#italics"
									><title>Guardian</title></hi>. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="StuartCharlesEdward">Stuart, Charles Edward&#8212; </term>
						<gloss> See Charles Edward, Prince, grandson of <ref
								target="#JamesIIKingofEngland">James II, King of England</ref>.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="StrozziGElder">Strozzi, Giovan Battista, 1504-1571 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Member of the important Florentine family Strozzi and the elder of a
							father and son of the same names, both of whom were prolific authors of
							madrigals. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="SullaLucius">Sulla, Lucius Cornelius [n.d.] (Library of
							Congress Name Authority); 138-78 B.C. (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212; </term>
						<gloss> General and stateman, he rose to become dictator of Rome from 82 to
							80 BCE. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="DukeofSully">Sully, Maximilien de B&#233;thune, duc de,
							1559-1641 (Library of Congress Name Authority)&#8212; </term>
						<gloss>French statesman and financial minister to <ref
								target="#HenryIVKingofFrance">Henry IV of France.</ref> [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SpencerDorothy">Sunderland, Dorothy Sidney, Countess of,
							1617-1684 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Woman of letters known for her beauty, wit, and charm. Poet <ref
								target="#WallerEdmund">Edmund Waller</ref> addressed poems to her
							under the name &quot;Sacharissa&quot; (from the Latin word &quot;<hi
								rendition="#italics">sacharum</hi>,&quot; meaning
							&quot;sugar&quot;). In 1635, Dorothy rejected <ref
								target="#WallerEdmund">Waller</ref>&apos;s marriage proposal, and
							she soon married Henry Spencer at Penhurst. Spencer was killed during
							the English Civil War, and Dorothy remarried with Sir Robert Smythe
							nearly a decade later. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SuttonRobert">Sutton, Robert, Sir, 1671-1746 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Diplomat Robert Sutton married Judith, <hi rendition="#italics"
								>n&#233;e</hi> Tichborne, Countess of Sunderland (Sutton, Judith,
							ca. 1702-1749 [Library of Congress Name Authority]), with whom he had a
							daughter, Miss Isabella Sutton. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SwiftJonathan">Swift, Jonathan, 1667-1745 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A prolific poet, satirist, and political pamphleteer, Swift began
							his career in satirical fiction with <hi rendition="#italics"><title>A
									Tale of a Tub</title></hi> (1704). His most famous work is <hi
								rendition="#italics"><title>Travels into Several Remote Nations of
									the World. In Four Parts. By Lemuel Gulliver, First a Surgeon,
									and Then a Captain of Several Ships</title></hi> (1726).
									<title><hi rendition="#italics">A Modest Proposal for Preventing
									the Children of Poor People from Being a Burthen to Their
									Parents, or the Country, and for Making Them Beneficial to the
									Publick</hi></title> (1729) is his best remembered non-fiction
							satire. He collaborated with <ref target="#AddisonJoseph">Joseph
								Addison</ref> and <ref target="#SteeleRichard">Richard Steele</ref>
							on the <hi rendition="#italics"><title>Tatler</title></hi>, publishing
							essays both there and independently in the character of &quot;<ref
								target="#BickerstaffIsaac">Isaac Bickerstaff</ref>,&quot; a penname
							he sometimes shared with his collaborators. Swift&apos;s <hi
								rendition="#italics"><title>Examiner</title></hi>, which he operated
							from 1710 to 1714, is one of the three or four most important early
							eighteenth-century essay periodicals, a genre best exemplified by
							Addison&apos;s <hi rendition="#italics"><title>Spectator</title></hi>.
							Referring to his Dublin origins and his later status as Dean of St
							Patrick's Cathedral in Dublin, he is sometimes called &quot;the Irish
							dean.&quot; [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="SylvesterJosuah">Sylvester, Josuah, 1563-1618 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English poet and translator, best remembered for his translation of
							the popular biblical epic <hi rendition="#italics"><title>Divine Weekes
									and Workes</title></hi> by Guillaume du Bartas, a French
							protestant. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Tacitus">Tacitus, Cornelius, ca. 55-ca. 120 A.D. (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>One of the most respected among Roman historians and politicians.
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="TalbotAnna">Shrewsbury, Anna Maria Brudenell Talbot, Countess
							of, 1642-1702 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Wife of Francis Talbot, 11<hi rendition="#sup">th</hi> Earl of
							Shrewsbury, and mistress of <ref target="#VilliersGeorge2ndDuke">George
								Villiers</ref>, 2<hi rendition="#sup">nd</hi> Duke of Buckingham,
							Henry Jermyn, 1<hi rendition="#sup">st</hi> Baron Dover, Colonel Thomas
							Howard. After Francis Talbot died in duel with <ref
								target="#VilliersGeorge2ndDuke">George Villiers</ref>, Anna moved
							into the home of Villiers and his wife and gave birth to Villiers&apos;
							illegitimate son. After the affair was broken off in 1673, Anna&apos;s
							child went to her parents, and she lived in a convent in France. She
							returned to England in 1677 and remarried with George Rodney Brydges, MP
							for Haslemere and Winchester. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TalbotCatherine">Talbot, Catherine, 1721-1770 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Noted eighteenth-century bluestocking, author, and scholar Catherine
							Talbot declined to publish any but a very few of her writings during her
							lifetime. They were edited by her friend <ref target="#CarterElizabeth"
								>Elizabeth Carter</ref> as <title><hi rendition="#italics">The Works
									of the Late Mrs. Catherine Talbot</hi></title> (1780). On her
							father&apos;s early death she was adopted by her father&apos;s friend,
								<ref target="#SeckerThomas">Thomas Secker</ref>, later Archbishop of
							Canterbury. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TalbotCharles">Shrewsbury, Charles Talbot, Duke of, 1660-1718
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English Whig politician who served as Chief Minister of Great
							Britain, Lord High Treasurer, Lord Chamberlain, Lord Lieutenant of
							Ireland, Secretary of State for the Southern Department, and Secretary
							of State for the Northern Department. Talbot was part of the Immortal
							Seven group which sent for <ref target="#WilliamIIIKingofEngland"
								>William of Orange</ref> to depose <ref
								target="#JamesIIKingofEngland">King James II</ref> during the
							Glorious Revolution of 1688. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item><term xml:id="TalbotCharlesBaron">Talbot, Charles Talbot, Baron, 1685-1737
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>English lawyer, politician, and patron of the arts who served as Lord
							High Chancellor of Great Britain from 1733 to 1737. [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item><term xml:id="Timur">Timur, 1336-1405 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Known as "Tamerlane" in English, Timur Lenk was a Turco-Mongol
							conqueror and founder of the Timurid Empire around modern-day Iran,
							Afghanistan, and central Asia. Timur is remembered for his military
							prowess as well as the barbarity of his conquests. His life has been
							memorialized in numerous plays, operas, films, and poems, perhaps most
							notably in <ref target="#RoweNicholas">Nicholas Rowe</ref>'s <hi
								rendition="#italics"><title>Tamerlane</title></hi> (1701), <ref
								target="#Marlowe">Christopher Marlowe</ref>'s <hi
								rendition="#italics"><title>Tamburlaine the Great, Parts I and
									II</title></hi> (1563-1594), Edgar Allan Poe's
								"<title>Tamerlane</title>" (1827), Antonio Vivaldi's <hi
								rendition="#italics"><title>Bajazet</title></hi> (1735), and <ref
								target="#HandelGeorge">George Frideric Handel</ref>'s <hi
								rendition="#italics"><title>Tamerlano</title></hi> (1724). [<ref
								target="#LD">LD</ref>].</gloss></item>
					<item>
						<term xml:id="TassoTorquato">Tasso, Torquato, 1544-1595 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> The Italian poet whose <hi rendition="#italics"><title>La
									Gierusalemme Liberata</title></hi> (<hi rendition="#italics"
									><title>Jerusalem Delivered</title></hi>) dates from 1581 also
							garnered much sympathy among later readers for his long confinement to a
							mental asylum. <hi rendition="#italics"><title>Rinaldo</title></hi>
							(1562), his first publication, is an epic poem. <hi rendition="#italics"
									><title>Aminta</title></hi>, written in 1573 and published in
							1591, and <hi rendition="#italics"><title>Torrismondo</title></hi>
							(1586) are dramas. His shorter poems include many odes and love sonnets.
							He authored criticism as well, especially <hi rendition="#italics"
									><title>Discorsi dell&apos;arte poetica</title></hi> (1587) and
								<hi rendition="#italics"><title>Discorsi del poema
								erico</title></hi> (1594). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TateNahum">Tate, Nahum, 1652-1715 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Playwright and librettist known more for adaptations than for
							original compositions, he became poet laureate in 1692. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="TaylorEmily">Taylor, Emily, 1795-1872 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Emily Taylor was born into a family of notable Unitarians including
							an uncle, the hymnist John Taylor of Norwich and a great-grandfather, Dr
							John Taylor, a Hebrew scholar. Her brother, the solicitor Edgar Taylor
							(1793-1839), was an author and translator especially noted for his
							rendering of work by the Brothers Grimm. Scarlet fever at age 7 left
							Emily Taylor partially deaf. Despite this obstacle, she operated a
							school, assisted by Sarah Ann Glover (1786-1867), a musical theorist
							with notable work in a cappella singing. The school was successful, and
							several of its students attained a reputation in music and music theory.
							Taylor is best remembered as a hymnist, and her hymns were well known
							throughout the 19th century. She also authored numerous children&apos;s
							books and was a leading contributor to the <hi rendition="#italics"
									><title>Monthly Repository</title></hi>, authoring devotional
							verse, reviews, and short prose pieces on religious subjects. She left
							the <hi rendition="#italics"><title>Monthly Repository</title></hi> soon
							after it was fully taken over in 1831 by William James Fox (1786-1864),
							who transitioned the periodical toward a more secular direction.
							Taylor&apos;s publications include <hi rendition="#italics"
									><title>Letters to a Child on the Subject of Maritime
									Discovery</title></hi> (1820); <hi rendition="#italics"
									><title>Letters to a Very Little Girl</title></hi> (1821); <hi
								rendition="#italics"><title>Frank and George; or, The Prison
									Friends</title></hi> (1823); <hi rendition="#italics"><title>The
									Vision of Las Casas, and Other Poems</title></hi> (1825); <hi
								rendition="#italics"><title>Poetical Illustrations of Passages of
									Scripture</title></hi> (1826); <hi rendition="#italics"
									><title>Sabbath Recreations; or Select Poetry, of a Religious
									Kind</title></hi> (1829); <hi rendition="#italics"><title>Tales
									of the Saxons</title></hi> (1832); <hi rendition="#italics"
									><title>Tales of the English: William de Albini, of Buckenham
									Castle</title></hi> (1833); <hi rendition="#italics"><title>A
									Memoir of Sir Thomas More</title></hi> (1834); <hi
								rendition="#italics"><title>Tales of the English. The
									Knevets</title></hi> (1835); <hi rendition="#italics"><title>The
									Boy and the Birds</title></hi> (1835); <hi rendition="#italics"
									><title>Old Testament Biography</title></hi> (1837); <hi
								rendition="#italics"><title>Help to the Schoolmistress, or Village
									Teaching</title></hi> (1839); T<hi rendition="#italics"
									><title>he Ball I Live On, or, Sketches of the
								Earth</title></hi> (1839); <hi rendition="#italics"><title>The Irish
									Tourist; or, Tales of the People and the Provinces of
									Ireland</title></hi> (1837); <hi rendition="#italics"
									><title>England and Its People; or, A Familiar History, for
									Young Persons</title></hi> (1845); <hi rendition="#italics"
									><title>Conversations with the Birds</title></hi> (1850); <hi
								rendition="#italics"><title>Chronicles of an Old English Oak, or,
									Sketches of English Life and History: As Reported by Those Who
									Listened to Them</title></hi> (1860); <hi rendition="#italics"
									><title>Flowers and Fruit Gathered by Loving Hands from Old
									English Gardens</title></hi> (1864); <hi rendition="#italics"
									><title>Dear Charlotte's Boys: And Other Stories</title></hi>
							(1864); and <hi rendition="#italics"><title>Memories of Some
									Contemporary Poets: with Selections from Their
								Writings</title></hi> (1868). [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="TaylorJeremy">Taylor, Jeremy, 1613-1667 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Author of <title><hi rendition="#italics">The Great
								Exemplar</hi></title> (1649) and <title><hi rendition="#italics"
									>Cases of Conscience</hi></title> (1671). [<ref target="#VW"
								>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Telemachus">Telemachus&#8212;</term>
						<gloss>In <ref target="#Homer">Homer</ref>&apos;s <hi rendition="#italics"
									><title>The Odyssey</title></hi>, the son of Odysseus. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="TellezPedro">Téllez Girón, Pedro, duque de Osuna,
							1574-1624 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Spanish politician, soldier, and aristocrat holding the titles of
							Spanish Viceroy of Sicily, Spanish Viceroy of Naples, 7<hi
								rendition="#sup">th</hi> Count of Ureña, 2<hi rendition="#sup"
								>nd</hi> Marquis of Peñafiel, Knight of the Order of the Golden
							Fleece, Grandee of Spain, and member of the Spanish Supreme Council of
							War. Téllez Girón was deposed in 1620 following accusations that he
							took part in a conspiracy to seize Venice. Alternatively, the Neapolitan
							aristocracy alleged that he intended to cut ties with Spain and become
							King of Naples. Téllez Girón denied all charges and died in prison
							before judgment was delivered. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item><term xml:id="TempleHenry">Temple, Henry, first Viscount Palmerston
								(1676–1757)(<hi rendition="#italics"><title>Oxford Dictionary of
									National Biography</title></hi>)&#8212;</term>
						<gloss>Anglo-Irish whig politician and 1<hi rendition="#sup">st</hi>
							Viscount Palmerston of East Sheen, Surrey, and Broadlands in Hampshire.
								[<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Teniers"> Teniers, David, 1610-1690 (Library of Congress Name
							Authority);&#8212; </term>
						<gloss> Teniers was the most famous in a family of celebrated Flemish
							painters that included his father, David Teniers the Elder (1582–1649),
							himself, David Teniers the Younger (1610–1690), his son, David Teniers
							III (1638–1685), and a much less well known grandson, David Teniers IV.
							Teniers the Younger specialized in depictions, often comic, of Flemish
							peasantry. He was related by marriage to the Bruegel family of painters.
								[<ref target="#RD">RD</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Terence">Terence (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Roman-African dramatist living from roughly 195-159 B.C.E. The
							senator Terentius Lucanus brought Terence to Rome as a slave, later
							providing the latter an education as well as his freedom. Terence&apos;s
							comedies formed the foundation of what would become the modern comedy of
							manners, and his works have been imitated by many famous playwrights,
							most notably <ref target="#ShakespeareWilliam">William
							Shakespeare</ref>. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TerrassonJean">Terrasson, Jean, 1670-1750 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> The Abb&#233; Terrasson&apos;s <hi rendition="#italics"
									><title>Sethos </title></hi>(1731) fictitiously purports to
							recount incidents in the life of an ancient Egyptian as translated from
							a Greek manuscript. It served as the source for much of the material on
							Freemasonry for Mozart&apos;s <hi rendition="#italics"><title>The Magic
									Flute</title></hi> (1791). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Thalaba">Thalaba&#8212; </term>
						<gloss>Character in <ref target="#SoutheyRobert">Robert Southey</ref>&apos;s
								<hi rendition="#italics"><title>Thalaba the Destroyer</title></hi>
							(1801). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TheobaldLewis">Theobald, Mr. (Lewis), 1688-1744 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>An English author and editor, Theobald was the first Shakespearean
							scholar to study the plays with the respect that had until then been
							reserved for classical works. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Theophrastus">Theophrastus (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Also known as Theophrastus of Eresus. He was a peripatetic
							philosopher who studied in Athens as a pupil of Alcippus; he may have
							studied with <ref target="#Plato">Plato</ref> and probably had contact
							with Aristotle. After Aristotle&apos;s death, he became the head of the
							peripatetic school in Athens. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ThicknesseAnn">Thicknesse, Ann, 1737-1824 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> N&#233;e Ann Ford, Mrs. Thicknesse was an English instrumentalist
							and singer who attained professional standing. She was the third wife of
								<ref target="#ThicknessePhilip">Philip Thicknesse</ref>. Her <hi
								rendition="#italics"><title>The School for Fashion</title></hi>
							(1800) is a <hi rendition="#italics">roman a clef</hi> that includes
							easily discernable portraits of many well-known figures of her day.
								[<ref target="#JDP">JDP</ref>] [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ThicknessePhilip">Thicknesse, Philip, 1719-1792 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Primarily a travel writer, Thicknesse had an early career as a
							military officer during a Maroon rebellion in Jamaica. After the deaths
							of his first two wives, he married the singer <ref
								target="#ThicknesseAnn">Ann Ford</ref>, thereafter known as Ann
							Thicknesse. [<ref target="#JDP">JDP</ref>] </gloss>
					</item>

					<item>
						<term xml:id="ThomasBecketSaint">Thomas, &#224; Becket, Saint, 1118?-1170
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>Archbishop of Canterbury from 1162 until his assassination in 1170 in
							Canterbury Cathedral on the orders of King Henry II. Soon after his
							death, he was canonized by Pope Alexander III and is venerated as a
							saint and martyr by both the Catholic and Anglican Churches. His shrine
							at Canterbury is the object of the pilgrims in <ref
								target="#ChaucerGeoffrey">Chaucer</ref>&apos;s <hi
								rendition="#italics"><title>Canterbury Tales</title></hi>. [<ref
								target="#JDP">JDP</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ThompsonBenjamin">Thompson, Benjamin, 1776?-1816 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Benjamin Thompson was an English dramatist. He saw little success
							with his original works, but successfully translated many plays,
							including <hi rendition="#italics"><title>The Stranger</title></hi>
							(1798) by <ref target="#KotzebueAugust">August von Kotzebue</ref>. [<ref
								target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="ThomsonJames">Thomson, James, 1700-1748 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Scottish poet James Thomson&apos;s nature and landscape poem <hi
								rendition="#italics"><title>The Seasons</title></hi> (1730) was much
							revered by his contemporaries and influenced Romantic period poetic
							depiction of nature. Thomson published several republican political
							poems, including the unsuccessful <hi rendition="#italics"
									><title>Liberty</title></hi> (1735-1736). Other works include
								<hi rendition="#italics"><title>The Castle of Indolence</title></hi>
							(1748), a <ref target="#SpenserEdmund">Spenserian</ref> allegory; and
							five dramatic tragedies: <hi rendition="#italics"><title>The Tragedy of
									Sophonisba</title></hi> (1730), <hi rendition="#italics"
									><title>Agamemnon</title></hi> (1738); <hi rendition="#italics"
									><title>Edward and Eleonora</title></hi> (1739), <hi
								rendition="#italics"><title>Tancred and Sigismunda</title></hi>
							(1745), and <hi rendition="#italics"><title>Coriolanus</title></hi>
							(1749). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Tibullus"> Tibullus (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Albius Tibullus is a first century BCE Latin poet and elegist. The
							Library of Congress lists his birth date between 60 and 50 BC; death
							date between 19 and 17 BC. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="TickellThomas">Tickell, Thomas, 1686-1740 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Poet, translator, friend of <ref target="#AddisonJoseph">Joseph
								Addison</ref>, and occasional contributor of essays on pastoral
							poetry to the<hi rendition="#italics"><title> Guardian</title></hi>,
							Tickell was also connected by marriage to <ref target="#EchlinElizabeth"
								>Lady Echlin</ref>&apos;s circle. Tickell&apos;s elegy on Addison
							was thought by many of his contemporaries to be one of the finest in the
							language. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TigheMary"> Tighe, Mary, 1772-1810 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>A well-educated Irish poet known for <hi rendition="#italics">Psyche;
								or the Legend of Love</hi> (1805), a rewrite of the legend of Psyche
							and Eros which reverses the male&apos;s objectification of the female.
								<hi rendition="#italics">Psyche</hi> was successful and received
							tributes from <ref target="#HemansFelicia"><name>Felicia
								Hemans</name></ref> and <ref target="#MooreThomas"><name>Thomas
									Moore</name></ref>. [<ref target="#VS">VS</ref>] [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Titian">Titian, approximately 1488-1576 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Tiziano Vecellio, commonly known as &quot;Titian,&quot; is considered
							to be the greatest Renaissance painter of the Venetian school. A
							phenomenally versatile painter, Titian&apos;s artistic methods
							influenced generations of Western artists. [<ref target="#LD">LD</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="TobinJohn">Tobin, John, 1770-1804&#8212; </term>
						<gloss> Tobin wrote plays for many years and struggled to get them produced.
							His most famous play, <hi rendition="#italics"><title>The Honey
									Moon</title></hi> (1805), was his first to be accepted for
							performance. However, he died soon after and did not get to see <hi
								rendition="#italics"><title>The Honey Moon</title></hi> debut. Tobin
							was known for taking plots from other plays for his own, and he became
							more well-known posthumously, as previously-rejected plays were
							reevaluated and staged. [<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="TolomeiClaudio">Tolomei, Claudio, 1492-1555 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Italian linguist and poet. His <hi rendition="#italics"><title>Il
									Polito</title></hi> was published in 1525, <hi
								rendition="#italics"><title>Versi et regole de la nuova poesia
									toscana</title></hi> in 1539, and <hi rendition="#italics"
									><title>Il Cesano</title></hi> in 1555. <hi rendition="#italics"
									><title>De le lettere di M. Claudio Tolomei lib.
								sette</title></hi> appeared in 1547. [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="TourneurCyril">Tourneur, Cyril, 1575?-1626 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English soldier, diplomat, and playwright, best known for his work
								<hi rendition="#italics"><title>The Atheist&apos;s
								Tragedy</title></hi>. The play reflects the conventions of medieval
							morality plays, using macabre imagery to highlight its Protestant
							themes. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TurbervilleGeorge">Turberville, George, 1540?-1610? (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>English poet who popularized the Elizabethan practice of publishing
							verses to his lady. Multiple of Turberville&apos;s collections are
							addressed to his lady, the Countess of Warwick. [<ref target="#LD"
								>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="TurpinArchbishop">Turpin, Archbishop of Reims, fl. 748 or
							9-753 (Library of Congress Name Authority)&#8212; </term>
						<gloss> Said to be a peer of <ref target="#Charlemagne">Charlemagne</ref>,
							Turpin appears in <hi rendition="#italics"><title>La Chanson de
									Roland</title></hi>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="TusserThomas">Tusser, Thomas, 1524?-1580 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>A farmer and writer on agricultural methods, Tusser first published
								<hi rendition="#italics"><title>A Hundreth Good Pointes of
									Husbandrie</title></hi> in 1557, then repeatedly expanded it to
							become <hi rendition="#italics"><title>Fiue Hundred Pointes of Good
									Husbandrie</title></hi> by 1580. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="UdallNicholas">Udall, Nicholas, 1505-1556 (Library of Congress
							Name Authority)&#81212;</term>
						<gloss>English playwright, translator, and educator. Udall&apos;s <hi
								rendition="#italics"><title>Ralph Roister Doister</title></hi> is
							considered to be the first known English comedy. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Ulysses">Ulysses &#8212; </term>
						<gloss>Latin form of <ref target="#Odysseus">Odysseus</ref>. [<ref
								target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="UptonJohn">Upton, John, 1707-1760 (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>English clergyman, critic, fellow of Oxford University, and early
							editor of <ref target="#SpenserEdmund">Spenser</ref>. Upton is best
							remembered for his 1758 edition of <ref target="#SpenserEdmund"
								>Spenser</ref>&apos;s <hi rendition="#italics"><title>Faerie
									Queene</title></hi>, the notes of which made connections between
							the poem&apos;s plot and <ref target="#SpenserEdmund"
							>Spenser</ref>&apos;s life, as well as linked the characters in the poem
							with historical figures. [<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="UrfeHonored">Urf&#233;, Honor&#233; d&apos;, 1567-1625
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>
							<hi rendition="#italics"><title>L&apos;Astr&#233;e</title></hi> appeared
							in installments between 1607 and 1627, and was translated into English
							as <hi rendition="#italics"><title>Astrea</title></hi> (1657-1658).
							Along with <ref target="#LaCalprenede">Calpr&#232;nede</ref> and <ref
								target="#ScuderyMadeleine">Scud&#233;ry</ref>, d&apos;Urf&#233; was
							known for promoting literary and cultural aesthetics of delicate
							refinement exalting chivalric virtues partly through long works of
							romance fiction that constitute the most significant examples of the <hi
								rendition="#italics">Roman de longue haleine</hi>, literally the
							&quot;long-winded novel.&quot; [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="MaximusValerius">Valerius Maximus [n.d.] (Library of
							Congress Name Authority); flourished ad 30 (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>)&#8212;</term>
						<gloss>1<hi rendition="#sup">st</hi> century Roman historian and moralist,
							best remembered for his <hi rendition="#italics"><title>Factorum ac
									Dictorum Memorabilium Libri IX</title></hi> (<hi
								rendition="#italics"><title>Nine Books of Memorable Deeds and
									Sayings</title></hi>, c. 27-31 C.E.). [<ref target="#LD"
								>LD</ref>]</gloss></item>
					<item>
						<term xml:id="VanbrughJohn">Vanbrugh, John, 1664-1726 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Both an architect and playwright, John Vanbrugh is best known for
							designing Blenheim Palace and Castle Howard. His comedies <hi
								rendition="#italics">
								<title>The Relapse</title></hi> (1696) and <hi rendition="#italics">
								<title>The Provoked Wife</title></hi> (1697) engendered much
							controversy for their sexually explicit content. <hi
								rendition="#italics"><title>The Provoked Husband; or, A Journey to
									London</title></hi> (1782) was Vanbrugh's late attempt to
							retract the moral laxness of his earlier works, but Vanbrugh died before
							finishing it. It was completed by <ref target="#CibberColley">Colley
								Cibber</ref> as a work with somewhat less moral severity that
							Vanbrugh intended. [<ref target="#BDW">BDW</ref>] [<ref target="#MW"
								>MW</ref>]</gloss></item>
					<item>
						<term xml:id="VaneFrancesAnne">Vane, Frances Anne. Viscountess, 1713-1788
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>Wife to the eccentric William Holles Vane (1713-1789), 2nd Viscount
							Vane. She was known for her many marital infidelities. Her <title><hi
									rendition="#italics">Memoirs of a Lady of Quality</hi></title>
							were included in <ref target="#SmollettTobias">Tobias
							Smollett</ref>&apos;s novel <hi rendition="#italics"><title>The
									Adventures of Peregrine Pickle</title></hi> (1751). [<ref
								target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="VauxThomas">Vaux, Thomas Vaux, Baron, 1510-1556 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English essayist, novelist, dramatist, and poet of the Tudor era,
							strongly associated with <ref target="#WyattThomas">Sir Thomas
								Wyatt</ref> and the <ref target="#HowardHenry">Earl of Surrey</ref>.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Ventidius">Ventidius Bassus, Publius, active 1st century B.C.
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>Roman general and politician, a favorite of <ref
								target="#CaesarJulius">Julius Caesar</ref>, and later, an ally of
								<ref target="#AntoniusMarcus">Mark Antony</ref>. [<ref target="#LD"
								>LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Venus">Venus&#8212; </term>
						<gloss> Roman goddess of love. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="VilliersGeorge">Buckingham, George Villiers, Duke of,
							1592-1628 (Library of Congress Name Authority)&#8212;</term>
						<gloss>An English statesman, courtier, patron of the arts, and favorite of
								<ref target="#JamesIKingofEngland">King James I</ref>, George
							Villiers, First Duke of Buckingham, was an extremely influential and
							unpopular political figure whose aggressive and capricious foreign
							policies contributed to the eruption of the English Civil War. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="VilliersGeorge2ndDuke">Buckingham, George Villiers, Duke of,
							1628-1687 (Library of Congress Name Authority)&#8212;</term>
						<gloss>English poet and statesman, son of <ref target="#VilliersGeorge"
								>George Villiers</ref>, 1<hi rendition="#sup">st</hi> Duke of
							Buckingham, brought up in the household of <ref
								target="#CharlesIKingofEngland">Charles I</ref> alongside <ref
								target="#CharlesIIKingofEngland">Charles II</ref> and <ref
								target="#JamesIIKingofEngland">James II</ref>. Villiers fought
							alongside the future <ref target="#CharlesIIKingofEngland">Charles
								II</ref> for the royalist effort during the English Civil War,
							subsequently accompanying <ref target="#CharlesIIKingofEngland"
								>Charles</ref> into a period of exile prior to the Restoration.
							Villiers&apos; life ended in poor health and depleted finances, with an
							embellished image of his end presented by <ref target="#PopeAlexander"
								>Alexander Pope</ref>. His most notable works include <hi
								rendition="#italics"><title>The Rehearsal</title></hi> (1671), a
							satire on <ref target="#DrydenJohn">Dryden</ref>&apos;s <hi
								rendition="#italics"><title>Conquest of Granada</title></hi>, and
							his adaptation of <ref target="#BeaumontFrancis">Beaumont</ref> and <ref
								target="#FletcherJohn">Fletcher</ref>&apos;s <hi
								rendition="#italics"><title>The Chances</title></hi> (1682). [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="VilliersGeorgeBussey">Jersey, George Bussey Villiers, Earl
							of, 1735-1805 (Library of Congress Name Authority)&#8212;</term>
						<gloss>The 4<hi rendition="#sup">th</hi> Earl of Jersey, George Bussey
							Villiers was an English peer, politician, and courtier at the court of
								<ref target="#GeorgeIIIKingofGreatBritain">King George III</ref>.
							George Villiers was the son of <ref target="#VilliersWilliam">William
								Villiers</ref> and tutee of <ref target="#WhiteheadWilliam">William
								Whitehead</ref>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item><term xml:id="VilliersWilliam">Jersey, William Villiers, Earl of, -1769
							(Library of Congress Name Authority)&#8212;</term>
						<gloss>The 3<hi rendition="#sup">rd</hi> Earl of Jersey and 6<hi
								rendition="#sup">th</hi> Viscount Grandison, William Villiers was an
							English peer and politician from the prominent Villiers family. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="Viola">Viola&#8212; </term>
						<gloss> The protagonist of <ref target="#ShakespeareWilliam"
								>Shakespeare</ref>&apos;s &quot;<title>Twelfth Night</title>,&quot;
							(1601-1602?) producing all of the momentum within the play. After being
							shipwrecked on the shores of Illyria and separated from her twin
							brother, Sebastian, Viola disguises herself as a eunuch named Cesario so
							she may serve the Duke Orsino. Viola falls in love with the Duke,
							although he is in love with the <ref target="#Olivia">Countess
								Olivia</ref>, who, in turn, falls in love with Cesario. When
							Sebastian arrives in Illyria, he and <ref target="#Olivia">Olivia</ref>
							marry, as she believes him to be Cesario. When Viola&apos;s identity is
							subsequently revealed, Duke Orsino decides to make her his wife. [<ref
								target="#LD">LD</ref>] [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Virgil">Virgil [n.d.] (Library of Congress Name Authority);
							70-19 B.C. (<hi rendition="#italics"><title>Encyclopedia
									Britannica</title></hi>)&#8212; </term>
						<gloss> Roman poet whose rich and complex <hi rendition="#italics"
									><title>Eclogues</title></hi> (c. 37 B.C.) and <hi
								rendition="#italics"><title>Georgics</title></hi> (29 B.C.) provided
							the model for poetry about rural life to subsequent ages. His <hi
								rendition="#italics"><title>Aeneid</title></hi> (written c. 29-19
							B.C.), an epic poem on the founding of the city of Rome that centers on
							the story of the hero Aeneas, was incomplete at the time of his death.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Visconti">Visconti&#8212; </term>
						<gloss>The Visconti family ruled Milan from the late thirteenth to the
							mid-fifteenth century.</gloss>
					</item>
					<item>
						<term xml:id="VitriariusJohann">Vitriarius, Johann Jakob, 1679-1745 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Notable lawyer and professor of law at Heidelberg University and
							Leyden University. [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="Voiture">Voiture, Monsieur de (Vincent), 1597-1648 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> French court and occasional poet, Voiture was admired for the
							letters and poems he circulated among a fashionable literary coterie.
								[<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Voltaire">Voltaire, 1694-1778 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> French author of a voluminous body of poetry, criticism, history,
							and drama, Voltaire was probably best known for his comic yet
							philosophical fiction. Among his most notable works, his first dramatic
							tragedy, <hi rendition="#italics"><title>Oedipe</title></hi> (1718), was
							a tremendous success. His epic poem <hi rendition="#italics"><title>La
									Henriade</title></hi> (1723) celebrates the life of Henry IV of
							France. <hi rendition="#italics"><title>Zaire</title></hi> (1732) is a
							tragic love drama. <hi rendition="#italics"><title>Letters Concerning
									the English Nation</title></hi> (1733) offers a comparison
							between England and France that is favorable to England particularly for
							its religious tolerance. <hi rendition="#italics"><title>Le Si&#232;cle
									de <ref target="#LouisXIVKingofFrance">Louis
								XIV</ref></title></hi> (1751) celebrates the humanistic achievements
							during the era of that monarch&apos;s reign. <hi rendition="#italics"
									><title>Le Monde Comme Il Va, Vision De Babouc</title></hi>
							(1748) and <hi rendition="#italics"><title>Candide; ou,
									L&apos;optimisme</title></hi> (1759) satirize overly na&#239;ve
							optimism. <hi rendition="#italics"
								><title>L&apos;Ing&#233;nu</title></hi> (1767) offers social satire
							through a depiction of innocent simplicity in the &quot;noble
							savage&quot; vein. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Wace">Wace, ca. 110 0-ca. 1175 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Author of the <hi rendition="#italics"><title>Brut
									d&apos;Angleterre</title></hi> (<hi rendition="#italics"
									><title>Le Roman de Brut</title></hi>, 1155). [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WachterLeonhard">W&#228;chter, Leonhard, 1762-1837 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>German writer who often published under the pseudonym Viet Weber.
							Among other works published under that name, he published <hi
								rendition="#italics"><title>Teufelsbeschw&#246;rung</title></hi>,
							which was translated into English as <hi rendition="#italics"><title>
									The Sorcerer</title></hi> and published in 1795 by <ref
								target="#JohnsonJoseph">Joseph Johnson</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WallaceWilliam">Wallace, William, Sir, 1272(?)-1305 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss>Leader in the Wars of Scottish Independence, Wallace became
							Scotland&apos;s greatest national hero and the subject for several
							literary works as well as the film biography <hi rendition="#italics"
									><title>Braveheart</title></hi>. [<ref target="#VW"
							>VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WallerEdmund">Waller, Edmund, 1606-1687 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Poet and notable <anchor type="bookmark-start"
								xml:id="id_thestoryofphoebusanddaphneapplied"/>legislator, Waller
							authored a variety of coterie verse, including &quot;<title>The Story of
								Phoebus and Daphne, Applied<anchor type="bookmark-end"
									corresp="#id_thestoryofphoebusanddaphneapplied"/></title>&quot;
							(1645). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WalpoleHorace">Walpole, Horace, 1717-1797 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss>Son of British Prime Minister <ref target="#WalpoleRobert">Robert
								Walpole</ref>, Horace Walpole was a prolific letter writer,
							memoirist, poet, dramatist, novelist, antiquarian, and critic. He is
							best known for inaugurating the Gothic novel with <hi
								rendition="#italics"><title>The Castle of Otranto</title></hi>
							(1764), a tale of aristocratic decadence, incest, and the supernatural.
							He privately printed and circulated among his acquaintances copies of a
							second gothic work, <hi rendition="#italics"><title>The Mysterious
									Mother</title></hi> (1768), this time a blank verse tragedy on
							the theme of Catholicism and incest. His biographical account of <ref
								target="#BoyleRoger">Roger Boyle</ref> appears in <hi
								rendition="#italics"><title>A Catalogue of the Royal and Noble
									Authors of England, With Lists of Their Works</title></hi>
							(1758). Walpole&apos;s other works include <title><hi
									rendition="#italics">Anecdotes of Painting, enlarged from
									Vertue</hi></title> (1762) and <title><hi rendition="#italics"
									>An Essay on modern Gardening</hi></title> (1780). Walpole is
							also well known for his &quot;little jeu d&apos;esprit&quot; with <ref
								target="#RousseauJeanJacques">Jean-Jacques Rousseau</ref>. One of
							Walpole&apos;s publicly circulated letters to <ref target="#HumeDavid"
								>David Hume</ref> openly mocked what Walpole perceived to be <ref
								target="#RousseauJeanJacques">Rousseau</ref>&apos;s self-important
							nature. The letter offered a spurious invitation to Potsdam from the
							King of Prussia to <ref target="#RousseauJeanJacques">Rousseau</ref>.
							The letter caused quite a stir among British and French high society.
							Walpole succeeded as the fourth Earl of Orford in 1791 on the death of
							his nephew George Walpole, the third Earl of Orford. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WalpoleRobert">Walpole, Robert, Earl of Orford, 1676-1745
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Father of <ref target="#WalpoleHorace">Horace Walpole</ref>, British
							Prime Minister from 1721 to 1742, and the author of <title><hi
									rendition="#italics">Bob&#8212;Lynn against Franck&#8212;Lynn,
									or, A full history of the controversies and dissentions in the
									family of the Lynn&apos;s</hi></title> (1732). Incensed by <ref
								target="#FieldingHenry"/>'s theatrical satires of his
							administration, Walpole was responsible for the passing of The Licensing
							Act of 1737, which granted the Lord Chamberlain's office the
							responsibility of theatrical censorship, whether by the modification or
							outright veto of a play. [<ref target="#LD">LD</ref>] [<ref target="#RD"
								>RD</ref>] [<ref target="#VW">VW</ref>] [<ref target="#MW"
							>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WarburtonWilliam">Warburton, William, 1698-1779 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Eventually to become Bishop of Gloucester, Warburton entered the
							clergy largely to pursue his interest in literature. Controversial as
							both a theologian and critic, he held a collaborative view of literary
							creation, particularly evident in his friendship with <ref
								target="#PopeAlexander">Alexander Pope</ref>. Warburton&apos;s
							edition of the works of <ref target="#ShakespeareWilliam"
								>Shakespeare</ref> is an early landmark in the body of the criticism
							that brought <ref target="#ShakespeareWilliam">Shakespeare</ref> to the
							apex of the British literary canon. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="WarnerWilliam"> Warner, William, 1558?-1609 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>William Warner is best remembered for his verse chronicle entitled
								<hi rendition="#italics"><title>Albion&apos;s England</title></hi>
							and his romance novel <hi rendition="#italics"><title>Pan, His
									Syrinx</title></hi>, both drawing on British history and
							Elizabethan England. [<ref target="#VS">VS</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WartonJoseph">Warton, Joseph, 1722-1800 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Poet, critic, literary editor, and brother to <ref
								target="#WartonThomas">Thomas Warton</ref>. His major poetic works
							include <hi rendition="#italics"><title>Fashion: An Epistolary Satire to
									a Friend</title></hi> (1742), <hi rendition="#italics"
									><title>The Enthusiast; or, the Lover of Nature</title></hi>
							(1744), <hi rendition="#italics"><title>Odes on Various
								Subjects</title></hi> (1746), <hi rendition="#italics"
									><title>Ranelagh House: A Satire</title></hi> (1747), and <hi
								rendition="#italics"><title>An Ode, Occasioned by Reading Mr.
									West&apos;s Translation of Pindar</title></hi> (1749). <hi
								rendition="#italics"><title>An Essay on the Writings and Genius of
										<ref target="#PopeAlexander">Pope</ref></title></hi> was
							published in 1756, then revised as <hi rendition="#italics"><title>An
									Essay on the Genius and Writings of <ref target="#PopeAlexander"
										>Pope</ref></title></hi> (1762), with additional revised
							editions thereafter. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WartonThomas">Warton, Thomas, 1728-1790 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Also a poet and critic, Thomas Warton, brother to <ref
								target="#WartonJoseph">Joseph Warton</ref>, is best remembered as a
							literary historian, particularly for <hi rendition="#italics"><title>The
									History of English Poetry, from the Close of the Eleventh to the
									Commencement of the Eighteenth Century</title></hi> (1774-1781).
							His poem <hi rendition="#italics"><title>The Triumph of Isis: A Poem.
									Occasioned by Isis: An Elegy</title></hi> appeared in 1750.
							Warton&apos;s sister Jane appears to have been a critic as well,
							assisting him with some of his work. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item><term xml:id="WarwickRichardNeville">Warwick, Richard Neville, Earl of,
							1428-1471 (Library of Congress Name Authority)&#8212;</term>
						<gloss>The 16<hi rendition="#sup">th</hi> Earl of Warwick and 6<hi
								rendition="#sup">th</hi> Earl of Salisbury, Richard Neville was an
							English nobleman, administrator, and military commander, known to be the
							most powerful English peer of his time, with vast wealth and political
							connections that extended beyond the borders of England. Warwick was
							dubbed "the Kingmaker" due to his leading position in the Wars of the
							Roses, the series of civil wars fought over the English throne from 1455
							to 1487 between the houses of Lancaster and York. Initially, Warwick
							secured the crown for the Yorkist monarch <ref
								target="#EdwardIVKingofEngland">Edward IV</ref> in 1461, later to
							reinstate the deposed Lancastrian king <ref
								target="#HenryVIKingofEngland">Henry VI</ref> in 1470 after losing
							influence with <ref target="#EdwardIVKingofEngland">Edward</ref>. Months
							later, in April of 1471, Warwick died at the Battle of Barnet, at which
							point <ref target="#EdwardIVKingofEngland">Edward</ref> was able to
							retake the throne. Warwick's life has been immortalized in <hi
								rendition="#italics"><title><ref target="#HenryVIKingofEngland"
										>Henry VI</ref>, Part 2</title></hi> (c. 1590) and <hi
								rendition="#italics"><title><ref target="#HenryVIKingofEngland"
										>Henry VI</ref>, Part 3</title></hi> (c. 1591) by <ref
								target="#ShakespeareWilliam">William Shakespeare</ref>; <hi
								rendition="#italics"><title>Le Comte de Warwick</title></hi> (1763)
							by <ref target="#LaHarpeJean">Jean-François de La Harpe</ref>; and <hi
								rendition="#italics"><title>The Earl of Warwick</title></hi> by <ref
								target="#FrancklinThomas">Thomas Francklin</ref>, as well as
							numerous modern works of prose fiction and screen portrayals. [<ref
								target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="MW">Waters, Mary A., 1954- (Library of Congress Name
							Authority)&#8212;</term>
						<gloss>Project editor.</gloss>
					</item>
					<item>
						<term xml:id="WattsIsaac">Watts, Isaac, 1674-1748 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss> Clergyman, theologian, and poet, Watts was interested in the
							application of Lockean theories of sensation to theological questions.
							His hymns, the genre for which he is best known, established the form
							for subsequent generations. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WeberViet">Weber, Viet&#8212; </term>
						<gloss> Pseudonym of Leonhard W&#228;chter. See <ref
								target="#WachterLeonhard">W&#228;chter</ref>. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WebsterJohn">Webster, John, 1580?-1625? (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Jacobean dramatist and contemporary of <ref
								target="#ShakespeareWilliam">Shakespeare</ref>. Webster&apos;s
							tragedies <hi rendition="#italics"><title>The White Devil</title></hi>
							and <hi rendition="#italics"><title>The Duchess of Malfi</title></hi>
							are regarded as the principal plays of the seventeenth century, aside
							from those of <ref target="#ShakespeareWilliam">Shakespeare</ref>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item><term xml:id="WedderburnAlexander">Rosslyn, Alexander Wedderburn, Earl of,
							1733-1805 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Alexander Wedderburn was a Scottish politician and lawyer who held
							various political appointments and sat in the House of Commons. In 1780,
							he was created Chief Justice of the Common Pleas with the title Baron
							Loughborough, after which he became a leader of the Whig party in the
							House of Lords. He reversed his political affiliation during the French
							Revolution, and in 1793 became Lord High Chancellor. When <ref
								target="#PittWilliamYounger">William Pitt The Younger</ref> resigned
							in 1801, Loughborough's Chancellorship ended and he was without
							appointment. From that year he was created Earl of Rosslyn and lived in
							semi-retirement until his death. [<ref target="#LD"
						>LD</ref>]</gloss></item>
					<item>
						<term xml:id="WestJane">West, Mrs. (Jane), 1758-1852 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> The works of novelist, poet, and conduct book author Jane West
							(1758-1832), including the novel <hi rendition="#italics"><title>A
									Gossip&apos;s Story</title></hi> (1796), tended toward
							conservative didacticism. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WestcombeSarah">Westcombe, Sarah (or Wescomb), later Mrs. John
							Scudamore&#8212; </term>
						<gloss> Not a formally adopted daughter of <ref target="#RichardsonSamuel"
								>Samuel Richardson</ref>, but a close correspondent. She married
							John Scudamore of Kentchurch, Herefordshire. [<ref target="#MW"
							>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WestminsterReview"><hi rendition="#italics"><title>The
									Westminster Review</title></hi>
						</term>
						<gloss>Founded in 1823 by Jeremy Bentham, the <hi rendition="#italics"
									><title>Westminster Review</title></hi> continued publication
							until 1914, becoming one of nineteenth-century Britain&apos;s great
							literary reviews. [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WhalleyPeter">Whalley, Peter, 1722-1791 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English clergyman, schoolmaster, antiquary, and editor. Whalley
							edited the work of such authors as <ref target="#JonsonBen">Ben
								Jonson</ref> and John Bridges. His original works include <hi
								rendition="#italics"><title>An Essay on the Manner of Writing
									History</title></hi>, <hi rendition="#italics"><title>An Enquiry
									into the Learning of Shakespeare</title></hi>, and <hi
								rendition="#italics"><title>Vindication of the Evidences and
									Authenticity of the Gospels from the Objections of the late <ref
										target="#BolingbrokeHenryStJohn">Lord
									Bolingbroke</ref></title></hi>. [<ref target="#LD"
							>LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WhartonPhilip">Wharton, Philip Wharton, Duke of, 1698-1731
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> Politically controversial and personally profligate politician who
							flaunted his Jacobite sympathies. He published the <hi
								rendition="#italics"><title>True Briton</title></hi> from 1723 to
							1724 with <ref target="#RichardsonSamuel">Samuel Richardson</ref> as
							printer. Some believe that Wharton served as Richardson&apos;s model for
							the character Lovelace in <hi rendition="#italics"
									><title>Clarissa</title></hi>. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="WhartonThomas">Wharton, Thomas, first marquess of Wharton,
							1648-1715 (<hi rendition="#italics"><title>Oxford Dictionary of National
									Biography</title></hi>)&#8212; </term>
						<gloss> Father to Philip, Duke of Wharton. After a rather colorful youth,
							Thomas Wharton rose to political influence in the Protestant regime
							installed through the Glorious Revolution of 1688. He became lord
							lieutenant of Ireland in 1688 and appointed <ref target="#AddisonJoseph"
								>Joseph Addison</ref> as his secretary. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="WhetstoneGeorge">Whetstone, George, 1544?-1587? (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>English dramatist and author whose <hi rendition="#italics"
									><title>The Right, Excellent and Famous Historye of Promos and
									Cassandra</title></hi> (1578) inspired <ref
								target="#ShakespeareWilliam">Shakespeare</ref>&apos;s <hi
								rendition="#italics"><title>Much Ado About Nothing</title></hi>.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WhiteheadCharles"> Whitehead, Charles, 1804-1862 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>An English poet and novelist, Charles Whitehead published <hi
								rendition="#italics"><title>The Solitary</title></hi> in 1831.
							Whitehead additionally published novels such as <hi rendition="#italics"
									><title>Richard Savage</title></hi> in 1842 and left a drama
							entitled <hi rendition="#italics"><title>The Spanish
								Marriage</title></hi> unfinished at his death in 1862. [<ref
								target="#VS">VS</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WhiteheadPaul">Whitehead, Paul, 1710-1774 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>A poet and satirist, Whitehead authored humorous poetry and commented
							on political issues of his time. His work <hi rendition="#italics"
									><title>State Dunces</title></hi> (1733) was an imitation of
								<ref target="#PopeAlexander">Alexander Pope</ref>'s <hi
								rendition="#italics"><title>The Dunciad</title></hi> (1728). [<ref
								target="#BDW">BDW</ref>] [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WhiteheadWilliam">Whitehead, William, 1715-1785 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Dramatist William Whitehead was Poet Laureate of England from 1757
							until his death. One of his most popular plays was the tragedy <hi
								rendition="#italics"><title>The Roman Father</title></hi> (1750).
								[<ref target="#GR">GR</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WielandChristoph">Wieland, Christoph Martin, 1733-1813
							(Library of Congress Name Authority)&#8212; </term>
						<gloss>
							<hi rendition="#italics"><title>Geschichte des Agathon</title></hi>
							(1776-7, expanded in 1773 and 1794) is Wieland&apos;s fictionalized
							autobiography. Wieland&apos;s novel <hi rendition="#italics"
									><title>Geheime Geschichte des Philosophen Peregrinus
									Proteus</title></hi> (1791) examines fanaticism over scientific
							and philosophical developments. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WifeofBath">Wife of Bath (Fictitious character) (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> A character and the eponymous narrator of <title>&quot;The Wife of
								Bath&apos;s Tale.&quot; in <ref target="#ChaucerGeoffrey">Geoffrey
									Chaucer</ref>&apos;s <hi rendition="#italics"><title>Canterbury
										Tales</title></hi>,</title> [<ref target="#JDP"
							>JDP</ref>]</gloss>
					</item>
					<item><term xml:id="WilberforceWilliam">Wilberforce, William, 1759-1833 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>British politician and philanthropist who was a leading figure in the
							abolition of the British slave trade. [<ref target="#LD"
							>LD</ref>]</gloss></item>
					<item>
						<term xml:id="WildeJohn">Wilde, John&#8212; </term>
						<gloss>
							<ref target="#RichardsonSamuel">Samuel Richardson</ref>&apos;s master
							during his apprenticeship from 1706-1713, and the father of
							Richardson&apos;s first wife, <ref target="#RichardsonMarthawife"
								>Martha</ref>. Wilde&apos;s son Allington remained Richardson&apos;s
							lifelong friend. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WilkesJohn">Wilkes, John, 1725-1797 (Library of Congress Name
							Authority)&#8212; </term>
						<gloss>A political leader and reformer, Wilkes was elected to parliament in
							1757. He began to publish an anti-Tory weekly, the <title><hi
									rendition="#italics">North Briton</hi></title>, in 1762. [<ref
								target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WilkieDavid">Wilkie, David, Sir, 1785-1841 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>A Scottish painter, Wilkie is best known for his genre paintings.
								[<ref target="#VW">VW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WilksRobert">Wilks, Robert, 1665-1732 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>Popular as an actor, Wilks was also one of the managers of the <ref
								target="#DruryLane">Theatre Royal, Drury Lane</ref> during the early
							eighteenth century. [<ref target="#BDW">BDW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WilliamIKingofEngland">William I, King of England, 1027 or
							1028-1087 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Known as &quot;William the Conqueror,&quot; William I was the first
							Norman monarch of England, serving as Duke of Normandy before rising to
							the throne of England in 1066. Due to his illegitimacy as the son of a
							concubine, William faced massive challenge to his power. William came to
							rule England through the Battle of Hastings in 1066, in which his army
							of Normans defeated the Anglo-Saxon forces. As King of England, William
							struggled to secure and maintain his power in England and the continent.
								[<ref target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WilliamIIIKingofEngland">William III, King of England,
							1650-1702 (Library of Congress Name Authority)&#8212; </term>
						<gloss>Known as William of Orange, this Protestant Dutch prince deposed his
							father-in-law <ref target="#JamesIIKingofEngland">James II</ref> and
							ascended to the British throne in the Glorious Revolution of 1688. His
							marriage to <ref target="#JamesIIKingofEngland">James</ref>'s protestant
							daughter <ref target="#MaryIIQueenofEngland">Mary</ref> helped
							legitimate his rule. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="WilliamHenryPrince">William Henry, Prince, Duke of
							Gloucester, 1743-1805 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Son of <ref target="#FrederickPrinceofWales">Frederick, Prince of
								Wales</ref>, and Princess Augusta of Saxe-Gotha, then Princess of
							Wales, William Henry was the grandson of <ref
								target="#GeorgeIIKingofGreatBritain">King George II</ref> and
							younger brother of <ref target="#GeorgeIIIKingofGreatBritain">George
								III</ref>. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="WilliamsBetty">Williams, Lady Betty&#8212; </term>
						<gloss> Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"><title>The History of
									Sir Charles Grandison</title></hi> (1754). [<ref target="#RD"
								>RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WilliamsHelenMaria">Williams, Helen Maria, 1762-1827 (Library
							of Congress Name Authority)&#8212;</term>
						<gloss>English poet, novelist, translator, salonnière, radical social
							critic, and proponent of such causes as the French Revolution and
							abolitionism. A first-hand witness to much of the French Revolution,
							Williams published her account of events in a series of letters
							beginning with <hi rendition="#italics"><title>Letters Written in France
									in the Summer of 1790</title></hi> (1790), followed by four more
							volumes of <hi rendition="#italics"><title>Letters from
								France</title></hi> (1792-1796). Other works of note include <hi
								rendition="#italics"><title>Edwin and Eltruda: a Legendary
									Tale</title></hi> (1782), <hi rendition="#italics"><title>An Ode
									on the Peace</title></hi> (1783), <hi rendition="#italics"
									><title>Peru</title></hi> (1784), <hi rendition="#italics"
									><title>Collected Poems</title></hi> (1786), her <hi
								rendition="#italics"><title>Poem</title></hi> on the Slave Bill
							(1788), <hi rendition="#italics"><title>Julia</title></hi> (1790),
							another collected volume of <hi rendition="#italics"
									><title>Poems</title></hi> in 1791, <hi rendition="#italics"
									><title>A Tour of Switzerland</title></hi> (1798), <hi
								rendition="#italics"><title>Perourou, the
								Bellows-Mender</title></hi> (1801), <hi rendition="#italics"
									><title>Sketches of the State of Manners and Opinions in the
									French Republic</title></hi> (1801), <hi rendition="#italics"
									><title>Narrative of the Events which have Taken Place in France
									from the Landing of Napoleon Bonaparte ... to the Restoration of
									Louis XVIII</title></hi> (1815), <hi rendition="#italics"
									><title>Letters on the Events which have Passed in France since
									the Restoration</title></hi> (1819), and <hi
								rendition="#italics"><title>Poems on Various Subjects</title></hi>
							(1823). Although she was imprisoned in Paris during the Reign of Terror,
							Williams spent much of her life in France. [<ref target="#LD">LD</ref>]
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WilliamsMr">Williams, Mr.&#8212; </term>
						<gloss>Character in <ref target="#RichardsonSamuel">Samuel
							Richardson</ref>&apos;s <hi rendition="#italics"
								><title>Pamela</title></hi> (1740-1). [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="WilmotJohn">Wilmot, John&#8212; </term>
						<gloss> See <ref target="#RochesterJohnWilmot">Rochester, John Wilmot, Earl
								of</ref>. [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item><term xml:id="WilsonHarriette">Wilson, Harriette, 1786-1846 (Library of
							Congress Name Authority)&#8212;</term><gloss> A London Regency courtesan
							and author of the scandalous <hi rendition="#italics"><title>Memoirs of
									Harriette Wilson, written by herself</title></hi> (1825), as
							well as two novels, <hi rendition="#italics"><title>Paris Lions and
									London Tigers</title></hi> (1825) and <hi rendition="#italics"
									><title>Clara Gazul</title></hi> (1830). [<ref target="#JDP"
								>JDP</ref>]</gloss></item>
					<item>
						<term xml:id="WilsonThomas">Wilson, Thomas, 1663-1755 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> Bishop of Sodor and Man before <ref target="#HildesleyMark">Mark
								Hildesley</ref>, Wilson began a translation of the bible into the
							local dialect that Hildesley later completed. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WitherGeorge">Wither, George, 1588-1667 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> An English poet, pamphleteer, satirist, and hymnist, also referred
							to as Withers or Wyther. His <hi rendition="#italics"><title>Abuses
									Stript and Whipt</title></hi> (1613) earned him a jail term (not
							to be his last). Other works include <hi rendition="#italics"><title>A
									Satyre: Dedicated to His Most Excellent Majestie</title></hi>
							(1614); <hi rendition="#italics"><title>The Shepheard&apos;s
									Hunting</title></hi>; <hi rendition="#italics"
									><title>Fidelia</title></hi> (1617); a song, &quot;<title>Shall
								I, wasting in despair</title>&quot; (1615), reprinted in <ref
								target="#PercyThomas">Percy</ref>&apos;s <hi rendition="#italics"
									><title>Reliques</title></hi> (1765); <hi rendition="#italics"
									><title>Motto</title></hi> (1621); <hi rendition="#italics"
									><title>Faire-Virtue, the Mistresse of
								Phil&apos;Arete</title></hi> (1622); and, over the next four and a
							half decades, a large body of religious, topical, and political verse as
							well as numerous political pamphlets. [<ref target="#JDP">JDP</ref>]
								[<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WoffingtonMargaret">Woffington, Margaret, -1760 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Irish actress and socialite professionally known as "Peg Woffington."
							Woffington became famous for her masculine roles, such as that of Sir
							Harry Wildair in <ref target="#FarquharGeorge">George Farquhar</ref>'s
								<hi rendition="#italics"><title>The Constant Couple</title></hi>
							(1699). [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WollstonecraftMary">Wollstonecraft, Mary, 1759-1797 (Library
							of Congress Name Authority)&#8212; </term>
						<gloss> Wife of radical author <ref target="#GodwinWilliam">William
								Godwin</ref> and mother of novelist <ref target="#ShelleyMary">Mary
								Shelley</ref>, Mary Wollstonecraft was a versatile professional
							writer who attained fame for her radical ideas through her two political
							treatises, <hi rendition="#italics"><title>A Vindication of the Rights
									of Men</title></hi> (1790), which responded to <ref
								target="#BurkeEdmund">Edmund Burke</ref>&apos;s <hi
								rendition="#italics"><title>Reflections on the Revolution in
									France</title></hi>, and <hi rendition="#italics"><title>A
									Vindication of the Rights of Woman</title></hi> (1792), her most
							famous publication and one of the greatest landmarks in the history of
							writing about women. Wollstonecraft&apos;s first publication was an
							educational treatise, <hi rendition="#italics"><title>Thoughts on the
									Education of Daughters</title></hi> (1787), which was published
							by radical London bookseller <ref target="#JohnsonJoseph">Joseph
								Johnson</ref>, for whose publishing business Wollstonecraft worked
							as a writer, translator, and editor for a number of years.
							Wollstonecraft&apos;s fiction includes <hi rendition="#italics"
									><title>Mary</title></hi><hi rendition="#italics"><title>, A
									Fiction</title></hi> (1788), <hi rendition="#italics"
									><title>Original Stories, from Real Life</title></hi> (1788),
							and the incomplete <hi rendition="#italics"><title>Maria; or, The Wrongs
									of Woman</title></hi> (1798), published posthumously. Her
							conduct book, <hi rendition="#italics"><title>The Female Reader;
									Miscellaneous Pieces in Prose and Verse; Selected from the Best
									Writers and Disposed under Proper Heads; For the Improvement of
									Young Women.</title></hi>, appeared under the pseudonym Mr.
							Cresswick, teacher of Elocution (London, 1789) <hi rendition="#italics"
									><title>An Historical and Moral View of the Origin and Progress
									of the French Revolution</title></hi> (1794) was the fruit of
							Wollstonecraft&apos;s residence in France during the Revolution. <hi
								rendition="#italics"><title>Letters Written During a Short Residence
									in Sweden, Norway, and Denmark</title></hi> (1796) compiled her
							correspondence with her lover, the American Gilbert Imlay, for whom she
							traveled to Scandinavia as a business emissary. &quot;On Artificial
							Taste,&quot; an essay that appeared in the <hi rendition="#italics"
									><title>Monthly Magazine</title></hi> (April 1797), was revised,
							probably by <ref target="#GodwinWilliam">William Godwin</ref>, for
							republication as &quot;On Poetry&quot; in <hi rendition="#italics"
									><title>Posthumous Works of the Author of A Vindication of the
									Rights of Woman</title></hi> (1798). Wollstonecraft also
							produced at least one additional fictional sketch, translations of texts
							from French, Dutch, and German, a few adaptations, and a large body of
							reviews for <ref target="#JohnsonJoseph">Joseph Johnson</ref>&apos;s <hi
								rendition="#italics"><title>Analytical Review</title></hi>. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WolseyThomas">Wolsey, Thomas, 1475?-1530 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English Archbishop and Catholic clergyman. Wolsey became almoner for
								<ref target="#HenryVIIIKingofEngland">King Henry VIII</ref> in 1509,
							and eventually was appointed cardinal by Pope Leo X in 1515. Wolsey
							attained the position of Lord Chancellor, the chief adviser to the king,
							becoming an incredibly influential political figure. Wolsey was stripped
							of his government titles after failing to attain an annulment of <ref
								target="#HenryVIIIKingofEngland">Henry</ref>&apos;s marriage to <ref
								target="#CatherineofAragon">Catherine of Aragon</ref>. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="BDW">Woodburn, Bernadette D.</term>
						<gloss>Student contributor. </gloss>
					</item>
					<item><term xml:id="WoodvilleElizabeth">Elizabeth, Queen, consort of <ref
								target="#EdwardIVKingofEngland">Edward IV, King of England</ref>,
							1437?-1492 (Library of Congress Name Authority)&#8212;</term>
						<gloss>Elizabeth Woodville, Queen of England as the wife of Yorkist <ref
								target="#EdwardIVKingofEngland">King Edward IV</ref>, was a
							controversial and key figure in the Wars of the Roses, the series of
							civil wars fought over the English throne from 1455 to 1487 between the
							houses of Lancaster and York. As the daughter of minor Lancastrian
							nobility and recent widow of John Grey, a supporter of the House of
							Lancaster, Elizabeth's marriage to <ref target="#EdwardIVKingofEngland"
								>Edward</ref> was unpopular with both his subjects and allies,
							including <ref target="#WarwickRichardNeville">Richard Neville, Earl of
								Warwick</ref>. <ref target="#WarwickRichardNeville">Warwick</ref>
							switched allegiance to the House of Lancaster as a result of this rift
							with <ref target="#EdwardIVKingofEngland">Edward</ref>, leading to <ref
								target="#EdwardIVKingofEngland">Edward</ref>'s brief deposition in
							1470 before regaining the throne in 1471. Elizabeth bore <ref
								target="#EdwardIVKingofEngland">Edward</ref> two surviving sons and
							five daughters. As such, the Yorkist succession seemed secure. However,
							following <ref target="#EdwardIVKingofEngland">Edward</ref>'s death in
							1483, Elizabeth's widespread unpopularity facilitated the usurpation of
							young <ref target="#EdwardVKingofEngland">Edward V</ref>'s throne by his
							uncle, the future <ref target="#RichardIIIKingofEngland">Richard
								III</ref>. Elizabeth remained politically influential even following
							the deposition of her son, and she played a significant role in the
							ascension of <ref target="#HenryVIIKingofEngland">Henry VII</ref> to the
							throne, thereby ending the Wars of the Roses. Through <ref
								target="#HenryVIIKingofEngland">Henry VII</ref>'s marriage to
							Elizabeth's daughter, <ref target="#ElizabethofYork">Elizabeth of
								York</ref>, Elizabeth was grandmother to the future <ref
								target="#HenryVIIIKingofEngland">Henry VIII</ref>. Elizabeth's
							influence waned following <ref target="#HenryVIIKingofEngland">Henry
								VII</ref>'s ascension, and the events of her later years remain
							obscure. It is believed that she became disgraced for treasonable
							activities and forced to live in a convent starting in 1487, where she
							died five years later. [<ref target="#LD">LD</ref>]</gloss></item>
					<item>
						<term xml:id="WoodwardHenry">Woodward, Henry, 1714-1777 (Library of Congress
							Name Authority)&#8212;</term>
						<gloss>English actor among the most famous comedians of his time. [<ref
								target="#LD">LD</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WordsworthDorothy">Wordsworth, Dorothy, 1771-1855 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Sister to poet <ref target="#WordsworthWilliam">William
								Wordsworth</ref>, Dorothy Wordsworth is best known for her journals,
							especially those from her time at Grasmere and Alfoxden. She and <ref
								target="#WordsworthWilliam">William</ref> resided together after
							1795, and she became an important part of the creative community that
							included <ref target="#ColeridgeSamuel">Samuel Taylor Coleridge</ref>,
								<ref target="#SoutheyRobert">Robert Southey</ref> and others. In
							addition to her journals, she authored a number of poems, a travel diary
							of a tour of Scotland, and an account of a Grasmere couple who died in a
							snowstorm, leaving eight orphan children. With the exception of three
							poems that appear in <title><hi rendition="#italics">Poems by William
									Wordsworth: Including Lyrical Ballads, and the Miscellaneous
									Pieces of the Author</hi></title> (1815), none of these works
							were published in Dorothy Wordsworth’s lifetime. [<ref target="#MW"
								>MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WordsworthWilliam">Wordsworth, William, 1770-1850 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Wordsworth&apos;s most famous publication is <hi
								rendition="#italics"><title>Lyrical Ballads</title></hi> (with <ref
								target="#ColeridgeSamuel">Samuel Taylor Coleridge</ref>, 1798;
							repeatedly revised and expanded, including its famous Preface, added in
							1800 and expanded thereafter). Some of his other more important poetic
							works include <hi rendition="#italics"><title>An Evening
								Walk</title></hi> (1793), <hi rendition="#italics"
									><title>Descriptive Sketches</title></hi> (1793), <hi
								rendition="#italics"><title>Poems, in two Volumes</title></hi>
							(1807), <hi rendition="#italics"><title>The Excursion</title></hi>,
							which was to be a portion of the never-completed <hi
								rendition="#italics"><title>The Recluse</title></hi> (1888), and
							which included &quot;<title>The Ruined Cottage,</title>&quot;<hi
								rendition="#italics"><title> Poems</title></hi> (1815), <hi
								rendition="#italics"><title>The White Doe of Rylstone</title></hi>
							(1815), <hi rendition="#italics"><title>Peter Bell</title></hi> (1819),
								<hi rendition="#italics"><title>Yarrow Revisited</title></hi>
							(1835), <hi rendition="#italics"><title>Poems, Chiefly of Early and Late
									Years</title></hi> (1842), which included a tragic drama that
							was not staged in <ref target="people.html#WordsworthWilliam"
								>Wordsworth</ref>&apos;s lifetime, and <hi rendition="#italics"
									><title>The Prelude, Or Growth of a Poet&apos;s
								Mind</title></hi> (1850, posthumous), which was substantially
							complete by 1805, but which <ref target="people.html#WordsworthWilliam"
								>Wordsworth</ref> continued to work on until his death. [<ref
								target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="WrothMary">Wroth, Mary, Lady, ca. 1586-ca. 1640 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss> Niece of <ref target="#SidneyPhilip">Sir Philip Sidney</ref> and
								<ref target="#PembrokeMarySidney">Mary Herbert, Countess of
								Pembroke</ref>, Wroth authored, among other works, <hi
								rendition="#italics"><title>The Countesse of Montgomeries
									Urania</title></hi> (1621) and a sonnet sequence, <hi
								rendition="#italics"><title>Pamphilia to Amphilanthus</title></hi>,
							which was printed at the end of <hi rendition="#italics"
									><title>Urania</title></hi>. [<ref target="#MW">MW</ref>]
						</gloss>
					</item>
					<item>
						<term xml:id="WyattThomas">Wyatt, Thomas, Sir, 1503?-1542 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Poet and member of <ref target="#HenryVIIIKingofEngland">Henry
								VIII</ref>&apos;s court circle, Sir Thomas is credited with
							introducing the Italian sonnet and terza rima into English literature,
							along with the French rondeau. [<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="WycherleyWilliam">Wycherley, William, 1640-1716 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Playwright who wrote four popular plays in his lifetime: the
									<title><hi rendition="#italics">Love in a Wood</hi></title>
							(1671), the <title><hi rendition="#italics">Gentleman
									Dancing-Master</hi></title> (1672), the <title><hi
									rendition="#italics">Country Wife</hi></title> (1675), and the
									<title><hi rendition="#italics">Plain Dealer</hi></title>
							(1676). [<ref target="#RD">RD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="VW">Wynn, Victoria&#8212;</term>
						<gloss>Student contributor.</gloss>
					</item>
					<item>
						<term xml:id="Xenophon">Xenophon [n.d.} (Library of Congress Name
							Authority); 431-c. 350 B.C. (<hi rendition="#italics"
									><title>Encyclopedia Britannica</title></hi>&#8212; </term>
						<gloss>Greek historian. A devotee of <ref target="#Socrates">Socrates</ref>,
							he authored several laudatory works about him. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="Xerxes">Xerxes I, King of Persia, 519 B.C.-465 B.C. or 464
							B.C. (Library of Congress Name Authority)&#8212;</term>
						<gloss>Persian king from 486 to 465 BCE. In revenge for the humiliation of
							his father, Darius I, at Marathon, Xerxes attacked Greece and briefly
							occupied Athens, which he sacked and pillaged. [<ref target="#VS"
								>VS</ref>] and [<ref target="#MW">MW</ref>]</gloss>
					</item>
					<item>
						<term xml:id="YatesMary">Yates, Mrs. (Mary Ann), 1728-1784 (Library of
							Congress Name Authority)&#8212;</term>
						<gloss>Popular English actress who succeeded <ref target="#CibberSusannah"
								>Susannah Cibber</ref> as the country&apos;s leading tragedienne.
								[<ref target="#LD">LD</ref>]</gloss>
					</item>
					<item>
						<term xml:id="YoungEdward">Young, Edward, 1683-1765 (Library of Congress
							Name Authority)&#8212; </term>
						<gloss> A versatile poet, Young is best remembered for his <hi
								rendition="#italics"><title>Night-Thoughts on Life, Death, &amp;
									Immortality</title></hi> (1742-1746), which attained phenomenal
							popularity and went through hundreds of printings over the century
							following its publication. His satires were published as <hi
								rendition="#italics"><title>The Universal Passion</title></hi>
							(1725-1728) and revised as a single volume, <hi rendition="#italics"
									><title>Love of Fame, the Universal Passion</title></hi> (1728).
							He also authored the tragedies <hi rendition="#italics"
									><title>Busiris</title></hi> (1719), <hi rendition="#italics"
									><title>The Revenge</title></hi> (1721), and <hi
								rendition="#italics"><title>The Brothers</title></hi> (1752) as well
							as the poem <hi rendition="#italics"><title>Resignation</title></hi>
							(1762). [<ref target="#MW">MW</ref>] </gloss>
					</item>
					<item>
						<term xml:id="ZanottiF">Zanotti, Francesco Maria, 1692-1777 (Library of
							Congress Name Authority)&#8212; </term>
						<gloss>Scientific author and Professor of Philosophy at the University of
							Bologna, Zanotti also wrote on literature. [<ref target="#MW"
							>MW</ref>}</gloss>
					</item>
					<item>
						<term xml:id="Zeus"> Zeus (Greek deity)(Library of Congress Name
							Authority)&#8212; </term>
						<gloss>Zeus is the king of gods in the ancient Greek pantheon. He is often
							considered equivalent to the Roman deity <ref target="#Jupiter"
								>Jupiter</ref>. [<ref target="#MW">MW</ref>]</gloss></item>
					<item>
						<term xml:id="Zinzendorf">Zinzendorf, Nicolaus Ludwig, Graf von, 1700-1760
							(Library of Congress Name Authority)&#8212; </term>
						<gloss> German Moravian religious and social reformer, missionary to the
							Americas, and prolific theological writer, Zinzendorf authored hymns,
							poetry, philosophical treatises, and sermons. [<ref target="#MW"
								>MW</ref>] </gloss>
					</item>
				</list>
			</div>
		</body>
	</text>
</TEI>
