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Elizabeth InchbaldREMARKS [on Venice Preserved].1
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The author of this popular tragedy died in the reign of Charles the second.2 He was the son of a clergyman, and was born at Trotting, in Sussex, where his father resided, in 1651.3

Otway received his early education at a school near Winchester,4 and then became a commoner of Christ Church, Oxford.5 Soon after his return from the university, his passionate admiration of dramatic amusements, induced him to venture his abilities on the stage, as an actor:6 In this attempt he wholly mistook the department of the theatre, which his talents were calculated to grace: but not till he had changed the profession of a comedian for that of a soldier, and had served in Flanders7 as a cornet of horse, did he try the force of his genius in the art, by which he has procured his renown.

"Venice Preserved" is the favourite work of Otway. It is played repeatedly every year; except when an order from the Lord Chamberlain forbids its representation,8 lest some of the speeches of Pierre9 should be applied, by the ignorant part of the audience, to certain men, or assembles, in the English state.

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The story of this play is taken from St. Real's Conspiracy of the Marquis de Bedamar, and the Duke d'Ossuna, against the republic of Venice:10 and, amongst a great deal of political declamation, anger, and fury, is interwoven the tenderest, and most pathetic distress. It is Otway's highest praise, that he moves his audience to pity, more than any other dramatic writer.

The passion of love, finely portrayed on the stage, is supposed to engage every heart, because it is supposed, that every heart has already been softened by its power.—But, although an audience be chiefly composed of the unmarried part of society, still conjugal love has a deeper interest in the bosom of every auditor, than any other affection. The connubial state of Jaffier and Belvidera causes that sympathy in their grief from beholders, which, neither the harmonious numbers of the poet, nor the exquisite acting of the performers, could awaken, merely on the part of two lovers. Some passages of this tragedy have, however, been attributed to the sentiments which the author's own sufferings inspired, rather than to the fictitious woes of those, his creatures of imagination.—

Though the poverty of authors be proverbial, Otway appears to have been among the poorest, and most destitute of all the class. The following lines, spoken by Jaffier, were, probably, written with the exact feelings, which his own distresses had aroused. There's not a wretch, that lives on common charity,But's happier than me: for I have knownThe luscious sweets of plenty, &c.11 space between stanzas[Page 5]And farther, Tell me why, good Heaven,Thou mad'st me what I am, with all the spirit,Aspiring thoughts, and elegant desires,That fill the happiest man?——Why have I sense to know the curse that's on me?12 space between stanzas

It is reported, that the author of "Venice Preserved" perished for want of food:13 and, whatsoever well-disposed person shall read his Dedication of this very tragedy to the Duchess of Portsmouth (one of King Charles's mistresses), wherein he calls her—"The pious mother of a prince, whose blooming virtues declare the mighty stock he comes from"14 —such reader will own, that, if he were starved to death, the event at least, did some honour to his patroness;—as it showed her proper contempt for his base flattery.

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Notes

1.  "Remarks." Venice Preserved; or, A Plot Discovered; A Tragedy, In Five Acts; By Thomas Otway. As Performed at the Theatres Royal, Drury Lane and Covent Garden. Printed Under the Authority of the Managers From the Prompt Book. With Remarks by Mrs. Inchbald. London: Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, pp. 3-5. The British Theatre; or, A Collection of Plays, Which Are Acted At the Theatres Royal, Drury Lane, Covent Garden, and Haymarket. Printed Under the Authority of the Managers from the Prompt Books. With Biographical and Critical Remarks, by Mrs. Inchbald. In Twenty-Five Volumes. Vol. XII. Orphan. Venice Preserved. Conscious Lovers. Revenge. Beggar's Opera. London: Printed for Longman, Hurst, Rees, and Orme, Paternoster Row. 1808. The first performance of this play was staged at the Dorset Garden Theatre on February 9th, 1682. Laura DeWitt and Mary A. Waters edited this essay for The Criticism Archive. Back

2.  Otway died on April 14th, 1685—the reign of King Charles II ended upon his death on February 6th, 1685, at which point he was succeeded by his younger brother, who became at that point James II. Back

3.  Otway was born on March 3rd, 1652 at Trotton, a civil parish in West Sussex, where his father was a curate. Back

4.  Otway received his primary education at Winchester College, an English public school in the cathedral town of Winchester in the civil parish of Hampshire in southeast England. Back

5.  Christ Church is a constituent college of Oxford University in England. Otway entered as a commoner (a student without scholarship or exhibition) in 1669, but he left without his degree in 1672. Back

6.  Otway became acquainted with Aphra Behn in 1672, and soon after she cast him as the old king in her play Forc'd Marriage, or The Jealous Bridegroom. Back

7.  Otway joined the army in 1677 after learning that the woman with whom he was in love was having his patron's child. After failing to get soldier's pay, Otway returned to writing plays. Otway's regiment was in Flanders in April of 1678. Back

8.  The royal position of Lord Chamberlain was responsible for furnishing servants and other personnel in intimate attendance of the sovereign, as well as arranging ceremonies and entertainment for the court. Due to the Licensing Act of 1737, the Lord Chamberlain had the power to censor or outright forbid plays from being performed. Back

9.  The plot of Venice Preserved revolves around the conspiracies of Jaffeir and Pierre. Jaffeir is a noble but destitute Venetian who has married Belvidera, the daughter of the senator Priuli, who raised the orphaned Jaffeir. Following their marriage, Priuli disinherits Belvidera. Pierre is a foreign-born soldier of Venice who has been betrayed by Antonio, a Venetian senator who had an affair with Pierre's mistress, Aquilina. Pierre demands Antonio be removed from the senate, but the Senate refuses, claiming Antonio has senatorial privilege. Pierre then takes advantage of Jaffeir's resentment of Priuli to engage him in a plot against the Senate. Back

10.  Inchbald references the 1674 history La Conjuration des Espagnols contre la République de Venise en l'année M. DC. XVIII (Conspiracy of the Spaniards against the Republic of Venice in the year 1618) by César Saint-Réal. The history is an account (of disputed accuracy) of the 1618 "Conspiracy of Venice" in which the Marqués de Bedmar and Duke of Osuna allegedly attempted to seize Venice by undermining the Venetian government. Back

11.  Act I, scene i. Back

12.  Act I, scene i, also spoken by Jaffeir. Back

13.  In his The Lives of the Poets of Great Britain and Ireland: to the Time of Dean Swift, Theophilus Cibber recounts the tradition that Otway, after receiving a shilling while begging for bread on the side of the road, rushed to a bakery, purchased a roll, and choked to death as a result of attempting to eat it too quickly (1753, vol. II, pp. 333-334). Although scholarship is divided on the accuracy of this tradition, Otway's biographers have agreed that he died in extreme poverty. Back

14.  Slightly altered quotation from the Epistle Dedicatory of the 1682 publication of Venice Preserv'd (p. unnumbered). Back